<script>
  <scene>
    <character>CHERRIES</character>
    <dialogue>by</dialogue>
    <scene_description>Jim & Brian Kehoe DMG Entertainment 310.275.3750 FADE IN</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SUBURBAN NEIGHBORHOOD, LONG ISLAND, NY - DAY</stage_direction>
    <scene_description>An upscale neighborhood. Perfectly manicured lawns. Early summer, flowers in full bloom.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HOUSE - DAY</stage_direction>
    <scene_description>PETE HARRINGTON (40, friendly and responsible) ties balloons to his front porch. A kind-looking MAILMAN approaches.</scene_description>
    <character>MAILMAN</character>
    <dialogue>Afternoon, Pete! What's the occasion?</dialogue>
    <character>PETE</character>
    <dialogue>My daughter is going to prom tonight, so I'm hosting a little pre-party for the kids and their parents.</dialogue>
    <character>MAILMAN</character>
    <dialogue>No way! Little Julie? Geez, seems like only yesterday I was delivering Highlights Magazine. They grow up so fast.</dialogue>
    <character>PETE</character>
    <dialogue>Tell me about it.</dialogue>
    <character>MAILMAN</character>
    <parenthetical>(getting nostalgic)</parenthetical>
    <dialogue>Prom. What a wondrous night...</dialogue>
    <scene_description>Pete nods.</scene_description>
    <character>MAILMAN</character>
    <dialogue>First time I got my dick wet.</dialogue>
    <character>PETE</character>
    <parenthetical>(uncomfortable)</parenthetical>
    <dialogue>You don't say.</dialogue>
    <character>MAILMAN</character>
    <dialogue>Carla Minnifield. She was smokin'. YUUUUGE tits.</dialogue>
    <scene_description>He motorboats two PARTY BALLOONS, then pantomimes hitting a SPEED BAG and smiles at Pete.</scene_description>
    <character>PETE</character>
    <dialogue>Wow.</dialogue>
    <scene_description>The Mailman nods and strokes Pete's rolled-up mail. Pete steps inside his front door.</scene_description>
    <character>MAILMAN</character>
    <parenthetical>(peeking inside)</parenthetical>
    <dialogue>Send Julie out for a sec so I can get a peek at her in her little dress.</dialogue>
    <character>PETE</character>
    <dialogue>Not gonna happen.</dialogue>
    <scene_description>Pete slowly begins to close the door in his face.</scene_description>
    <character>MAILMAN</character>
    <dialogue>Don't forget your-</dialogue>
    <scene_description>Pete grabs the mail and shuts the door.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S HOUSE - MOMENTS LATER</stage_direction>
    <scene_description>Pete searches the mail and smiles when he sees a brochure that reads "Camp on Lake George!" He rushes upstairs.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JULIE'S ROOM - MOMENTS LATER</stage_direction>
    <scene_description>JULIE (16, All-American, adorable) does her hair as Pete walks in and dances around to her music.</scene_description>
    <character>PETE</character>
    <dialogue>Ahh, yeah, is this my boy Skrillex? His new album just dropped, right?</dialogue>
    <character>JULIE</character>
    <dialogue>Yeah, I downloaded it to your iPod last night.</dialogue>
    <scene_description>Julie smiles and tosses the iPod to him. Pete kisses her forehead.</scene_description>
    <character>PETE</character>
    <dialogue>Hey, check it out. They renovated the cabins on Lake George! We should nail down dates ASAP. We won't have to bring the shovel this year... Indoor plumbing!</dialogue>
    <character>JULIE</character>
    <dialogue>I'm not sure I'll be able to go camping this summer.</dialogue>
    <scene_description>Pete stops dancing.</scene_description>
    <character>PETE</character>
    <dialogue>Of course you're going. We go every year. It's our thing.</dialogue>
    <character>JULIE</character>
    <dialogue>I don't have a lot of summers left with my friends.</dialogue>
    <character>PETE</character>
    <dialogue>Are they dying?</dialogue>
    <character>JULIE</character>
    <dialogue>Austin's going to college in September. And I'll be going to college soon, too.</dialogue>
    <character>PETE</character>
    <dialogue>You're only a sophomore.</dialogue>
    <character>JULIE</character>
    <dialogue>I'm gonna be a junior.</dialogue>
    <character>PETE</character>
    <dialogue>It's only a few days...</dialogue>
    <character>JULIE</character>
    <dialogue>It's a whole week. But can we talk about it later? I really need to get ready.</dialogue>
    <character>PETE</character>
    <parenthetical>(hurt)</parenthetical>
    <dialogue>Yeah... of course.</dialogue>
    <scene_description>Pete looks at her RED PROM DRESS on the bed.</scene_description>
    <character>PETE</character>
    <dialogue>I wish your mom was here to see this. She looked beautiful in red, too.</dialogue>
    <scene_description>Julie smiles.</scene_description>
    <character>PETE</character>
    <dialogue>I'll just leave this here for you to check out... Just in case.</dialogue>
    <scene_description>He puts the BROCHURE on the bed and walks out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MITCHELL'S CAR - EARLY EVENING</stage_direction>
    <scene_description>MITCHELL FORDE (40, pessimistic, kind of a pussy) drives with his wife MARCIE and their daughter KAYLA (15, self-centered) who is dressed in a very revealing prom dress.</scene_description>
    <character>KAYLA</character>
    <dialogue>You know, you guys really don't have to come. Most of the parents won't even be there.</dialogue>
    <character>MITCHELL</character>
    <dialogue>We wouldn't miss your prom party for the world, sweetie. And we've already got the sitter.</dialogue>
    <character>KAYLA</character>
    <dialogue>But it's gonna be super lame. You should go do something fun instead.</dialogue>
    <character>MITCHELL</character>
    <dialogue>It's fun for us to spend time with you.</dialogue>
    <scene_description>Hint not taken, Kayla sits back and chews her lip.</scene_description>
    <character>KAYLA</character>
    <dialogue>Whatevs.</dialogue>
    <character>MITCHELL</character>
    <dialogue>So who's this Dex boy you're going with tonight?</dialogue>
    <character>KAYLA</character>
    <dialogue>He's just a guy from school.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Anything we should know about him for when you introduce us?</dialogue>
    <character>KAYLA</character>
    <dialogue>I'm NOT introducing you.</dialogue>
    <character>MITCHELL</character>
    <dialogue>But-</dialogue>
    <character>KAYLA</character>
    <dialogue>He's a senior. Please don't do this to me! Mom?!</dialogue>
    <character>MARCIE</character>
    <dialogue>Stop antagonizing her, Mitchell.</dialogue>
    <scene_description>He shrugs, what was I doing?</scene_description>
    <character>KAYLA</character>
    <dialogue>Pull over here. Right here!</dialogue>
    <character>MITCHELL</character>
    <dialogue>What? Why? The Harrington's house is at the end of the block.</dialogue>
    <character>KAYLA</character>
    <dialogue>I think I know where my best friend lives.</dialogue>
    <scene_description>Mitchell pulls over and they all hop out of the car. Kayla notices some KIDS in front of the house.</scene_description>
    <character>KAYLA</character>
    <dialogue>Mom, you guys are gonna wait a few minutes before you come in, like we talked about, right?</dialogue>
    <character>MARCIE</character>
    <dialogue>Yes, honey.</dialogue>
    <scene_description>Mitchell looks confused. Marcie shoots him a look.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Okay, Peanut. We'll give you a five minute head start.</dialogue>
    <scene_description>Kayla notices that her dad is wearing CAPRI PANTS.</scene_description>
    <character>KAYLA</character>
    <dialogue>Make it ten.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HUNTER'S HOUSE - EARLY EVENING</stage_direction>
    <scene_description>SAM (15, artsy and pretty, but self-conscious) waits in the living room with her mother, Hunter's attractive EX-WIFE.</scene_description>
    <character>SAM</character>
    <dialogue>Dad, c'mon!</dialogue>
    <parenthetical>(to her mother)</parenthetical>
    <dialogue>I can't believe he's still in the shower.</dialogue>
    <character>HUNTER (O.S.)</character>
    <dialogue>Being on time is for losers, Sam. You know that!</dialogue>
    <scene_description>Sam sighs, turns to her mother.</scene_description>
    <character>SAM</character>
    <dialogue>Do I look okay?</dialogue>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>Are you kidding? You look beautiful, sweetheart!</dialogue>
    <scene_description>Sam nervously fidgets with her prom dress, then shakes her head in frustration and looks down a hallway, impatiently.</scene_description>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>Hunter, are you coming?</dialogue>
    <character>HUNTER (O.S.)</character>
    <dialogue>Almost, give me one minute!</dialogue>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>Hurry up!</dialogue>
    <character>HUNTER (O.S.)</character>
    <dialogue>Please stop talking!</dialogue>
    <scene_description>Sam paces, upset.</scene_description>
    <character>SAM</character>
    <dialogue>I wanted to get there before Kayla. And she's probably already there!</dialogue>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>Why? Is something going on with you and Kayla?</dialogue>
    <scene_description>Sam shakes her head, upset; she clearly doesn't want to talk about it. Annoyed, Hunter's Ex-Wife heads for his bedroom.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HUNTER'S BEDROOM - CONTINUOUS</stage_direction>
    <scene_description>She knocks and HUNTER PHELPS (40, a likeable wise-ass) opens the door a crack. He's in a towel, his hair still wet.</scene_description>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>What the hell, Hunter? Sam's gonna be late and you take the longest shower ever?</dialogue>
    <character>HUNTER</character>
    <dialogue>Sorry, but I was really dirty.</dialogue>
    <scene_description>A NAKED HOT GIRL walks past the door and spots Hunter's Ex- Wife. She waves to Hunter's Ex-Wife, embarrassed. Caught, Hunter smiles and shrugs.</scene_description>
    <character>HUNTER</character>
    <dialogue>She was filthy, too, god bless her.</dialogue>
    <scene_description>Hunter's Ex-Wife shakes her head, disgusted.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. DIMLY LIT ROOM - LATER</stage_direction>
    <scene_description>CLOSE ON a pair of giant distorted EYES searching with binoculars. The binoculars dip, revealing ELI (15, nerdy). He scans the yard from the safety of his bedroom and locks in on his target: Julie -- as she talks with Kayla in a gazebo.</scene_description>
    <character>ELI</character>
    <dialogue>Hello, my love. Yes, the sun is rather strong. Of course I'll rub suntan oil on your back. I happen to have some right here.</dialogue>
    <scene_description>PLLLFFFF. Lotion squirts from a bottle.</scene_description>
    <character>ELI</character>
    <dialogue>How does that feel? Is it too rough? Oh, it's just right, my darling? Mmmm.</dialogue>
    <character>WOMAN'S VOICE (O.S.)</character>
    <dialogue>Eli! There's no toilet paper in here!</dialogue>
    <scene_description>Eli shakes off the distraction, continues with his business.</scene_description>
    <character>ELI</character>
    <parenthetical>(sotto)</parenthetical>
    <dialogue>Stay in the zone.</dialogue>
    <character>ELI'S MOM</character>
    <dialogue>Eli!?</dialogue>
    <character>ELI</character>
    <dialogue>Not now, Mom!</dialogue>
    <parenthetical>(back to Julie)</parenthetical>
    <dialogue>Now, where were we, my love?</dialogue>
    <character>WOMAN'S VOICE</character>
    <dialogue>Hurry up! It was NOT a clean break!</dialogue>
    <scene_description>The moment ruined, Eli angrily rubs the lotion in his hand into his elbows.</scene_description>
    <character>ELI</character>
    <dialogue>Okay!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S HOUSE - MOMENTS LATER</stage_direction>
    <scene_description>Hunter, his Ex-Wife and Sam walk up the path to the house.</scene_description>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>Do you have anything you want to say, Hunter?</dialogue>
    <character>HUNTER</character>
    <dialogue>Like what?</dialogue>
    <scene_description>His Ex-Wife motions toward Sam. Hunter looks confused.</scene_description>
    <character>HUNTER'S EX-WIFE</character>
    <dialogue>How does she look?</dialogue>
    <character>HUNTER</character>
    <dialogue>Oh.</dialogue>
    <parenthetical>(to Sam)</parenthetical>
    <dialogue>We both look great, honey. Let's do this shit.</dialogue>
    <scene_description>Sam shakes her head. His Ex-Wife shoots him a look, but he pays no attention.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S BACKYARD - CONTINUOUS</stage_direction>
    <scene_description>Julie talks with Kayla by the gazebo.</scene_description>
    <character>KAYLA</character>
    <dialogue>I wish Tina was coming with us instead of Sam.</dialogue>
    <character>JULIE</character>
    <dialogue>I wish we were all going together, but you know Tina couldn't come.</dialogue>
    <character>KAYLA</character>
    <dialogue>I know. And I'm not saying I hate Sam, just that I don't want her in our limo because she's super lame... I guess I do hate her a little bit.</dialogue>
    <character>JULIE</character>
    <dialogue>We've been talking about going to prom together since we were in third grade. So don't be a dick.</dialogue>
    <character>KAYLA</character>
    <dialogue>Fine. But I swear to god, if she says one more word about Katniss-</dialogue>
    <character>SAM (O.S.)</character>
    <dialogue>Hey guys.</dialogue>
    <scene_description>Julie and Kayla turn to see Sam.</scene_description>
    <character>JULIE</character>
    <dialogue>Oh, hey!</dialogue>
    <character>KAYLA</character>
    <dialogue>I need a refill.</dialogue>
    <scene_description>Kayla walks away as Julie and Sam hug each other hello.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S BACKYARD - EARLY EVENING</stage_direction>
    <scene_description>PROM-GOERS and PARENTS enjoy the food and drinks at the catered party. Mitchell talks to Pete as he samples the hors d'oeuvres.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Delicious.</dialogue>
    <scene_description>Pete nods. Across the yard, Mitchell sees some kids looking in his direction and laughing. Are they laughing at his pants?</scene_description>
    <character>MITCHELL</character>
    <parenthetical>(suddenly insecure)</parenthetical>
    <dialogue>I was filling out an application at Macy's when the salesgirl talked me into these pants. She said this is the style these days.</dialogue>
    <character>PETE</character>
    <dialogue>Is that right?</dialogue>
    <character>MITCHELL</character>
    <dialogue>I thought Kayla might like them, but I can't get a read. Thoughts?</dialogue>
    <character>PETE</character>
    <dialogue>They're... seasonally appropriate.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Would you wear them?</dialogue>
    <character>PETE</character>
    <dialogue>If I had your calf development, maybe. I don't, though. So, no, I wouldn't consider wearing them.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(glances at his calves)</parenthetical>
    <dialogue>I do take stairs when I can.</dialogue>
    <character>MAN'S VOICE (O.S.)</character>
    <dialogue>Dude, you can't afford pants that go all the way down?</dialogue>
    <scene_description>Mitchell shakes his head. He doesn't need to look; he knows it's Hunter. Hunter hugs Pete, then Mitchell.</scene_description>
    <character>HUNTER</character>
    <dialogue>You guys catch that Mets game? Just caught the end on the radio on the ride over. Craziness.</dialogue>
    <character>PETE</character>
    <dialogue>I recorded it, so don't-</dialogue>
    <character>HUNTER</character>
    <dialogue>They won 4-3 in ten.</dialogue>
    <character>PETE</character>
    <dialogue>Ass.</dialogue>
    <character>HUNTER</character>
    <dialogue>I just saved you three hours.</dialogue>
    <scene_description>Just then, an attractive SINGLE MOM walks by.</scene_description>
    <character>HUNTER</character>
    <dialogue>What do we have here?</dialogue>
    <scene_description>Single Mom smiles suggestively at Pete, who quickly looks away.</scene_description>
    <character>RANDOM PARENT (O.S.)</character>
    <dialogue>Smile!</dialogue>
    <scene_description>Pete, Mitchell and Hunter turn to the camera and smile.</scene_description>
    <character>HUNTER</character>
    <parenthetical>(through smiling teeth)</parenthetical>
    <dialogue>You should be tearing that ass apart, Pete.</dialogue>
    <character>PETE</character>
    <parenthetical>(through smiling teeth)</parenthetical>
    <dialogue>No one's ass is getting torn.</dialogue>
    <scene_description>The camera CLICKS, the Random Parent walks away and the guys get back to checking out Single Mom, who is bent over, fixing the hemline on her daughter's prom dress.</scene_description>
    <character>HUNTER</character>
    <dialogue>Dude, what the hell? It's been eight years!</dialogue>
    <character>PETE</character>
    <dialogue>I know that. I've been a little busy raising my daughter.</dialogue>
    <character>HUNTER</character>
    <dialogue>Well, there's no rule that says you can't slap a milf in the face with your dick and still be a good dad.</dialogue>
    <scene_description>Mitchell nods in apparent agreement. It's a Hallmark moment.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JULIE'S ROOM - EVENING</stage_direction>
    <scene_description>ON SAM AND KAYLA, who both look confused. Julie holds an unraveled CONDOM. The girls move in for a closer inspection. Kayla catches a whiff.</scene_description>
    <character>KAYLA</character>
    <dialogue>Ew! Do they come in any other smells?</dialogue>
    <character>SAM</character>
    <dialogue>Wait! Does this mean...</dialogue>
    <character>JULIE</character>
    <parenthetical>(shrugs)</parenthetical>
    <dialogue>Austin's been very patient. So-</dialogue>
    <character>KAYLA</character>
    <parenthetical>(excited; laughing)</parenthetical>
    <dialogue>You whorebag!</dialogue>
    <character>SAM</character>
    <dialogue>So, you're gonna do it with him? Like... all of it?</dialogue>
    <scene_description>Kayla rolls her eyes. Sam notices, embarrassed.</scene_description>
    <character>JULIE</character>
    <dialogue>He's going to college soon. I want to be his first and I want him to be mine.</dialogue>
    <character>KAYLA</character>
    <dialogue>Does he know?</dialogue>
    <character>JULIE</character>
    <parenthetical>(nodding)</parenthetical>
    <dialogue>He didn't need much convincing.</dialogue>
    <character>KAYLA</character>
    <dialogue>I'm proud of you, skank.</dialogue>
    <scene_description>Sam sees how impressed Kayla is with Julie and jumps in:</scene_description>
    <character>SAM</character>
    <dialogue>I'll probably do it, too. With Chad.</dialogue>
    <scene_description>Incredulous, Julie and Kayla turn to Sam.</scene_description>
    <character>JULIE</character>
    <dialogue>Huh? You barely know him.</dialogue>
    <character>KAYLA</character>
    <dialogue>He only asked you because he's Austin's friend and he didn't have a date.</dialogue>
    <character>SAM</character>
    <dialogue>So what? It's prom. Why not have the sex?</dialogue>
    <character>KAYLA</character>
    <dialogue>I call bullshit.</dialogue>
    <character>SAM</character>
    <dialogue>What's bullshit? I'm definitely getting some sausage tonight.</dialogue>
    <character>KAYLA</character>
    <dialogue>Sausage?</dialogue>
    <character>SAM</character>
    <parenthetical>(uncomfortable)</parenthetical>
    <dialogue>Weiner. Dong. Whatever.</dialogue>
    <character>JULIE</character>
    <dialogue>Sam, you don't have to-</dialogue>
    <character>SAM</character>
    <dialogue>I'm tired of doing boring shit. I'm ready for some cock action tonight.</dialogue>
    <character>KAYLA</character>
    <dialogue>You're serious?</dialogue>
    <character>SAM</character>
    <dialogue>As first period gym.</dialogue>
    <scene_description>Kayla raises a brow, is she for real?</scene_description>
    <character>KAYLA</character>
    <dialogue>Then count me in.</dialogue>
    <character>SAM</character>
    <dialogue>So we're all doing it tonight.</dialogue>
    <character>KAYLA</character>
    <dialogue>Looks like it.</dialogue>
    <character>SAM</character>
    <dialogue>Awesome.</dialogue>
    <character>KAYLA</character>
    <dialogue>Amazing.</dialogue>
    <scene_description>Both girls nod. Julie watches the back and forth.</scene_description>
    <character>SAM</character>
    <parenthetical>(challenging)</parenthetical>
    <dialogue>Maybe we should put it in writing.</dialogue>
    <character>KAYLA</character>
    <parenthetical>(eyes narrowing; not backing down)</parenthetical>
    <dialogue>I'd like that.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S YARD - LATER</stage_direction>
    <scene_description>Pete, Hunter and Mitchell talk in the yard.</scene_description>
    <character>PETE</character>
    <dialogue>I'm excited for the kids.</dialogue>
    <scene_description>Julie, Sam and Kayla hang out with AUSTIN (Julie's boyfriend, well-mannered) and CHAD (Sam's date, lanky with Beiber hair). Austin and Chad have CARROT STICKS up their noses and they're barking like walruses. The girls laugh.</scene_description>
    <character>MITCHELL</character>
    <dialogue>They're gonna have so much fun.</dialogue>
    <character>HUNTER</character>
    <parenthetical>(checks his watch; disinterested)</parenthetical>
    <dialogue>Yeah, should be a blast. When are they leaving?</dialogue>
    <character>PETE</character>
    <dialogue>Chad seems like a nice kid, huh, Hunter?</dialogue>
    <character>HUNTER</character>
    <dialogue>Not a clue.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Has Sam been dating him long?</dialogue>
    <character>HUNTER</character>
    <dialogue>What, am I in the PTA?</dialogue>
    <character>PETE</character>
    <dialogue>I thought you might know, since Chad's mom is Debbie Doyle.</dialogue>
    <character>HUNTER</character>
    <dialogue>Debbie Doyle from high school? Top- of-the-pyramid Debbie Doyle?</dialogue>
    <scene_description>Pete nods.</scene_description>
    <character>HUNTER</character>
    <dialogue>I always wanted to nail Debbie Doyle. But she was a tough crack to nut.</dialogue>
    <character>PETE</character>
    <dialogue>She'll probably make an appearance here.</dialogue>
    <character>HUNTER</character>
    <dialogue>Sweet!</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(to Pete)</parenthetical>
    <dialogue>Which one is Kayla's date?</dialogue>
    <character>PETE</character>
    <dialogue>That one. Dex.</dialogue>
    <scene_description>Pete points to the other side of the yard where DEX (18 but looks 25, enormous) smokes a cigarette. Dex leans out over the deck and checks out the women at the party like a vulture. He rubs his patchy mustache. Mitchell's face falls.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I do not like the looks of this Dex person.</dialogue>
    <character>HUNTER</character>
    <dialogue>He looks like the type who owns exotic pets.</dialogue>
    <character>PETE</character>
    <dialogue>Don't listen to him, Mitchell.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Seriously, though, I'd get Kayla started on a Z pack first thing in the morning.</dialogue>
    <scene_description>Mitchell looks really nervous.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I'm going to set him straight before they leave, just in case.</dialogue>
    <character>PETE</character>
    <dialogue>Please let us know when you're gonna do that.</dialogue>
    <character>HUNTER</character>
    <dialogue>Yeah, we do not wanna miss that.</dialogue>
    <scene_description>Pete notices something, excuses himself and walks away. ACROSS THE YARD...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. Eli has tried to climb into the yard, but is stuck on top of the fence, his shirt caught on one of the posts. His legs dangle helplessly. Pete walks over.</stage_direction>
    <character>PETE</character>
    <dialogue>Is that you, Eli?</dialogue>
    <character>ELI</character>
    <dialogue>Oh hey, Mr. Harrington, did we luck out with this weather or what?</dialogue>
    <character>PETE</character>
    <dialogue>Sure did. Let me give you a hand.</dialogue>
    <scene_description>Pete helps Eli over the fence. Eli is wearing a shirt and tie.</scene_description>
    <character>PETE</character>
    <parenthetical>(re: his clothes)</parenthetical>
    <dialogue>Looking sharp.</dialogue>
    <character>ELI</character>
    <dialogue>Naturally.</dialogue>
    <scene_description>Pete nods.</scene_description>
    <character>ELI</character>
    <dialogue>Hope you don't mind my dropping by.</dialogue>
    <character>PETE</character>
    <dialogue>You know you're always welcome here.</dialogue>
    <character>ELI</character>
    <dialogue>Thanks. I'm just gonna let Julie know I picked up Serenity on BluRay. Criterion Collection.</dialogue>
    <character>ELI</character>
    <dialogue>Just in case she's over this prom business.</dialogue>
    <scene_description>Eli shoots an air gun at him and walks away.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S BACKYARD - LATER</stage_direction>
    <scene_description>Mitchell approaches and stands face-to-neck with Dex.</scene_description>
    <character>MITCHELL</character>
    <dialogue>So... Dex, right?</dialogue>
    <character>DEX</character>
    <dialogue>I prefer Silver Back. It's my D.J. name.</dialogue>
    <character>MITCHELL</character>
    <dialogue>I'm Mr. Forde. You're taking my daughter to prom. So I guess you know each other from school?</dialogue>
    <character>DEX</character>
    <dialogue>Oh, yeah. I seen her in the hall a few times. Nice situation. Front and back.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(ignores the comment)</parenthetical>
    <dialogue>Oh, you don't know each other well. So I assume you asked her to the prom as friends, right?</dialogue>
    <character>DEX</character>
    <dialogue>Katie asked me. Austin and Julie hooked it up.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Katie? You mean Kayla?</dialogue>
    <character>DEX</character>
    <dialogue>I guess.</dialogue>
    <scene_description>Mitchell bites his lip. Kayla spots her dad talking to her date. This is an emergency!</scene_description>
    <character>KAYLA</character>
    <dialogue>Pictures! Everyone outside!</dialogue>
    <scene_description>Kayla quickly grabs Dex and pulls him away. ON PETE AND HUNTER...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. who watch Mitchell walk back toward them. Mitchell breaks into a strut and smile. The guys look at him expectantly.</stage_direction>
    <character>MITCHELL</character>
    <dialogue>Smell that? Poor kid practically shit himself.</dialogue>
    <scene_description>The guys nod, uh huh.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FRONT YARD - LATER</stage_direction>
    <scene_description>The couples are lined up in front of the LIMOS as PARENTS take pictures and shout for the kids to "look over here" and "smile!" The couples all attempt to look sexy. As Pete takes a few pictures, he notices only one smile coming from the group. The smile belongs to Eli, who has taken a knee in front of Julie.</scene_description>
    <character>ELI</character>
    <parenthetical>(quietly; to Julie)</parenthetical>
    <dialogue>I know you don't "love" sci-fi, but Whedon is a master of crossing genre boundaries.</dialogue>
    <character>JULIE</character>
    <parenthetical>(complaining about Eli)</parenthetical>
    <dialogue>Dad!</dialogue>
    <character>PETE</character>
    <parenthetical>(waving him away)</parenthetical>
    <dialogue>Eli.</dialogue>
    <scene_description>Eli reluctantly steps out of the picture, then slips unnoticed into Pete's house. Hunter chats with DEBBIE DOYLE, Chad's pretty mom.</scene_description>
    <character>HUNTER</character>
    <dialogue>Can you believe my little girl is going to the prom with your son?!</dialogue>
    <character>DEBBIE</character>
    <dialogue>I know. Sam is so cute. You did a great job with her.</dialogue>
    <character>HUNTER</character>
    <dialogue>Yes, I did. Chad seems great, too. Is your husband here?</dialogue>
    <character>DEBBIE</character>
    <dialogue>No. We're divorced, so...</dialogue>
    <character>HUNTER</character>
    <dialogue>Excellent. I mean, that's too bad.</dialogue>
    <scene_description>She smiles, picking up on his flirtation.</scene_description>
    <character>HUNTER</character>
    <dialogue>Ahh, Debbie, Debbie, Debbie... Hey, can you still do a split?</dialogue>
    <character>DEBBIE</character>
    <dialogue>Yup.</dialogue>
    <character>HUNTER</character>
    <dialogue>We should schedule a play date.</dialogue>
    <character>DEBBIE</character>
    <dialogue>The kids are a bit old for that.</dialogue>
    <character>HUNTER</character>
    <dialogue>Who's talking about the kids?</dialogue>
    <scene_description>Debbie smiles. ON MITCHELL...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. as his wife nudges him to the front of the crowd to take a photo. Mitchell maneuvers for a shot of Kayla.</stage_direction>
    <character>MITCHELL</character>
    <dialogue>Look here! Kayla! Kayla, over here!</dialogue>
    <scene_description>Kayla is embarrassed. She looks in every direction but Mitchell's.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Kayla! Kayla! Peanut!</dialogue>
    <scene_description>Kayla turns bright red.</scene_description>
    <character>MITCHELL</character>
    <dialogue>D.J. Silver Back!</dialogue>
    <scene_description>Dex immediately turns and looks at Mitchell. Noticing, Kayla turns, too. They flash their sexiest pose.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Great! Beautiful!</dialogue>
    <scene_description>Mitchell checks the camera.</scene_description>
    <character>MITCHELL</character>
    <parenthetical>(to no one in particular)</parenthetical>
    <dialogue>No card. I have no SD card!</dialogue>
    <character>KAYLA</character>
    <parenthetical>(to Dex)</parenthetical>
    <dialogue>I'm adopted.</dialogue>
    <scene_description>The other parents look at Mitchell, as he has a mini- meltdown. Then he has an idea and pulls out his ancient flip phone.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Don't worry, sweetheart, I'll use the Razr!</dialogue>
    <scene_description>ANGLE ON...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. the sleazy-looking limo driver, SETH, who ambles over to Pete and leans against the limo.</stage_direction>
    <character>SETH</character>
    <dialogue>Kids, huh?</dialogue>
    <character>PETE</character>
    <dialogue>Uh, yeah.</dialogue>
    <character>SETH</character>
    <dialogue>How much do you love them, right?</dialogue>
    <character>PETE</character>
    <dialogue>Yeah. A lot.</dialogue>
    <scene_description>Pete nods, uncomfortable. After an awkward pause, Seth gets a bit annoyed. He cuts to the chase.</scene_description>
    <character>SETH</character>
    <dialogue>So do you want to tip at the end of the night or... ?</dialogue>
    <character>PETE</character>
    <dialogue>It was my understanding that the tip was included in the price.</dialogue>
    <character>SETH</character>
    <dialogue>Yeah, still supposed to tip me personally.</dialogue>
    <character>PETE</character>
    <dialogue>Oh, I didn't know. Sorry.</dialogue>
    <scene_description>Pete digs into his pocket.</scene_description>
    <character>SETH</character>
    <dialogue>Don't beat yourself up.</dialogue>
    <scene_description>Pete hands him some cash. Seth is truly offended.</scene_description>
    <character>SETH</character>
    <dialogue>Whoa, a little discretion, chief.</dialogue>
    <scene_description>Pete has no idea what to do. A moment passes.</scene_description>
    <character>SETH</character>
    <dialogue>Would you like to shake hands with a limo driver?</dialogue>
    <character>PETE</character>
    <dialogue>Uh, sure.</dialogue>
    <scene_description>They shake hands and Pete awkwardly transfers the cash. Seth nods his thanks and walks away. He walks past Hunter, who claps as Debbie does a split in the front yard. ON MITCHELL...</scene_description>
  </scene>
  <scene>
    <stage_direction>..who flips through a collection of dark, blurry Razr photos. He notices Seth at his side.</stage_direction>
    <character>SETH</character>
    <dialogue>Kids, huh?</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S HOUSE - LATER</stage_direction>
    <scene_description>Julie gives her dad a kiss on the cheek.</scene_description>
    <character>PETE</character>
    <dialogue>Have fun, honey.</dialogue>
    <character>JULIE</character>
    <dialogue>I will, dad.</dialogue>
    <scene_description>Austin, demonstrating his good manners, opens the door for Julie, who climbs in. Pete looks at Austin.</scene_description>
    <character>PETE</character>
    <dialogue>Seatbelts.</dialogue>
    <character>AUSTIN</character>
    <dialogue>Don't worry, Mr. Harrington.</dialogue>
    <scene_description>The other kids climb into the limo. The guys watch Dex slap Kayla's ass as she climbs in. The limo takes off.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Who's up for some binge drinking?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. LIMO - LATER</stage_direction>
    <scene_description>The kids are having fun in the back seat. Sam suddenly leans over and kisses a surprised Chad. Kayla, in response, snuggles up to Dex, who dives in for a raunchy tongue-flailing makeout. Kayla engages for a few seconds then pulls away and laughs nervously. Austin looks at Julie, what's going on here? Julie shrugs. In the front seat, Seth is out of his tuxedo and is now sporting stained cargo shorts and a Garbage Pail Kids t- shirt. He zips down the partition.</scene_description>
    <character>SETH</character>
    <dialogue>Hey, my name is Seth. Shit's gonna get epic up in here now that the 'rents are in the rearview!</dialogue>
    <scene_description>The kids look at each other.</scene_description>
    <character>KAYLA</character>
    <parenthetical>(disgusted)</parenthetical>
    <dialogue>Put the partition back up... Seth.</dialogue>
    <character>SETH</character>
    <dialogue>That's cool!</dialogue>
    <scene_description>The kids laugh as the partition slides back up, then immediately slides back down.</scene_description>
    <character>SETH</character>
    <dialogue>Before I vamanos, though, let me just say that I see some long faces back there.</dialogue>
    <scene_description>The kids look at each other again, what the fuck is with this guy?</scene_description>
    <character>SETH</character>
    <dialogue>I got just the thing to turn those frowns upside down. Who's down for a little...</dialogue>
    <parenthetical>(waves a baggie)</parenthetical>
    <dialogue>Crystal? Made it myself. I'm no Heisenberg, but it's good shit. Who's down?</dialogue>
    <character>SAM</character>
    <dialogue>I'd do a bag.</dialogue>
    <scene_description>Julie and Kayla are shocked.</scene_description>
    <character>SAM</character>
    <parenthetical>(to Julie and Kayla)</parenthetical>
    <dialogue>What? I'm up for anything tonight.</dialogue>
    <parenthetical>(quickly; to Seth)</parenthetical>
    <dialogue>But no one else wants any, so no thanks. I can't eat a whole bag by myself.</dialogue>
    <character>SETH</character>
    <dialogue>I get it. No tweakers on board. How about we make it snow up in this bitch?!</dialogue>
    <scene_description>He waves another baggie filled with coke.</scene_description>
    <character>DEX</character>
    <dialogue>We could use some beers later.</dialogue>
    <character>CHAD</character>
    <dialogue>And some energy drinks!</dialogue>
    <scene_description>Dex shoots him a look.</scene_description>
    <character>CHAD</character>
    <dialogue>But mostly beer.</dialogue>
    <character>SETH</character>
    <dialogue>Beer? Seriously?</dialogue>
    <parenthetical>(deflated)</parenthetical>
    <dialogue>Yeah, I can do that.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. JULIE'S BATHROOM - NIGHT</stage_direction>
    <scene_description>Eli pokes around. He opens the medicine cabinet. He applies Julie's deodorant. Heaven. He picks up Julie's toothbrush and licks it.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S BACKYARD - NIGHT</stage_direction>
    <scene_description>Pete and Hunter sit around a FIRE PIT drinking beer. Hunter and Mitchell have tequila shots.</scene_description>
    <character>PETE</character>
    <dialogue>We should all be proud of ourselves. We've raised three pretty great girls.</dialogue>
    <scene_description>The guys raise a glass and drink.</scene_description>
    <character>PETE</character>
    <dialogue>Isn't it crazy? In a few years, they'll be off to college.</dialogue>
    <character>HUNTER</character>
    <dialogue>Nuts.</dialogue>
    <scene_description>Hunter throws back a shot.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I'm sure going to miss Kayla around the house. The nice talks and the hugs. I'll miss the hugs the most.</dialogue>
    <scene_description>Mitchell then downs an entire beer in a few seconds.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Sorry, guys. What I just said there, that was bullshit. There are no hugs. I actually think Kayla's embarrassed of me.</dialogue>
    <character>PETE</character>
    <parenthetical>(lying)</parenthetical>
    <dialogue>I doubt that.</dialogue>
    <character>HUNTER</character>
    <dialogue>Seriously? It's pretty fucking obvious.</dialogue>
    <scene_description>Pete shoots him a look.</scene_description>
    <character>MITCHELL</character>
    <dialogue>She hasn't called me "dad" in a year. She's just calls me "hey." As in, "hey, is that what you're wearing?" and "hey, ever heard of a courtesy flush?"</dialogue>
    <scene_description>Mitchell sighs, then throws back a shot.</scene_description>
    <character>MITCHELL</character>
    <dialogue>It's because I lost my job.</dialogue>
    <character>HUNTER</character>
    <dialogue>Are you getting any interviews?</dialogue>
    <character>MITCHELL</character>
    <dialogue>No. And my resume is all over Monster. What else can I do?</dialogue>
    <scene_description>Pete shrugs.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Maybe I am an embarrassment.</dialogue>
    <character>HUNTER</character>
    <dialogue>Hey, that's bullshit, man.</dialogue>
    <character>PETE</character>
    <dialogue>Yeah, look at you.</dialogue>
    <character>PETE</character>
    <dialogue>You've got... a lot of... good stuff going on.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Like...?</dialogue>
    <character>PETE</character>
    <dialogue>You're a great friend!</dialogue>
    <scene_description>Mitchell shrugs, that's not doing it for him. Pete and Hunter think hard...</scene_description>
    <character>HUNTER</character>
    <dialogue>Look at those calves!</dialogue>
    <character>PETE</character>
    <dialogue>Yeah, I mentioned those earlier.</dialogue>
    <scene_description>The guys try, but can't think of much else until...</scene_description>
    <character>HUNTER</character>
    <dialogue>You're awesome at sound effects! That honking horn sound? You could be the next Michael Winslow!</dialogue>
    <scene_description>Mitchell makes a bicycle honking noise with his mouth.</scene_description>
    <character>HUNTER</character>
    <dialogue>That's the one! So good.</dialogue>
    <scene_description>The guys muster a laugh. Mitchell cheers up.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I am pretty good at that.</dialogue>
    <scene_description>The guys nod.</scene_description>
    <character>MITCHELL</character>
    <dialogue>You dudes wanna hear some of the new ones I've been working on?</dialogue>
    <character>PETE</character>
    <dialogue>Maybe later.</dialogue>
    <character>HUNTER</character>
    <dialogue>No.</dialogue>
    <scene_description>Mitchell smiles and nods.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I'll get a few more logs for the fire.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(seizing the opportunity)</parenthetical>
    <dialogue>Put another shrimp on the barbie!</dialogue>
    <character>PETE</character>
    <dialogue>Maybe stick with the sound effects. Accents aren't in your wheelhouse.</dialogue>
    <scene_description>Mitchell nods. He makes the honking sound as he walks away.</scene_description>
    <character>HUNTER</character>
    <parenthetical>(quietly; to Pete)</parenthetical>
    <dialogue>Why do we hang out with him?</dialogue>
    <scene_description>Pete smiles. Mitchell returns with a couple of logs.</scene_description>
    <character>PETE</character>
    <dialogue>You know, you're not the only one with daughter problems, Mitchell. Julie's bailing on our annual camping trip.</dialogue>
    <character>HUNTER</character>
    <dialogue>That shit is normal, guys. Kids pull away from their parents. And you know those three girls. They're attached at the hip. With the soccer and karate and whatever else.</dialogue>
    <scene_description>Pete and Mitchell share a confused look.</scene_description>
    <character>HUNTER</character>
    <dialogue>Sam and I have an unspoken understanding. We give each other space and we'll reconnect sometime during her mid to late-twenties.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. JULIE'S ROOM - NIGHT</stage_direction>
    <scene_description>Eli opens Julie's underwear drawer and his jaw drops as if he's found the Lost Arc of the Covenant. He spots a bottle of HAND LOTION on top of the dresser.</scene_description>
    <character>ELI</character>
    <dialogue>You've been out in the sun for a long time, Julie. Time to reapply.</dialogue>
    <scene_description>SPLOOSH, SPLOOSH. He pumps some lotion into one hand and picks up a pair of panties with the other. He notices the CAMPING BROCHURE in the drawer. He eyes it curiously.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S BACKYARD - NIGHT</stage_direction>
    <scene_description>Mitchell is drunk and in a much better mood, playing drums on the table with a couple of serving spoons.</scene_description>
    <character>HUNTER</character>
    <dialogue>Alright, this was a solid pre-game. Let's hit Taste of Honey.</dialogue>
    <scene_description>Pete shakes his head.</scene_description>
    <character>HUNTER</character>
    <dialogue>Fucking pussies. Afraid of a strip club.</dialogue>
    <character>PETE</character>
    <dialogue>We're not pussies. We're parents.</dialogue>
    <character>HUNTER</character>
    <dialogue>C'mon, dude, when's the last time you had an entire night without Julie? Let's pillage!</dialogue>
    <scene_description>Suddenly, SMOKE pours out from the garage door.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Uh, Pete!</dialogue>
    <scene_description>Pete frantically runs over and hits the garage door opener. Smoke billows out!</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GARAGE - CONTINUOUS</stage_direction>
    <scene_description>The garage is filled with smoke. The guys start coughing. When the smoke clears, they find Eli sitting in Pete's beat up 2004 VOLVO STATION WAGON.</scene_description>
    <character>ELI</character>
    <dialogue>Oh, hey, Mr. Harrington, gentlemen.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S HOUSE, LIVING ROOM - MOMENTS LATER</stage_direction>
    <scene_description>Pete and Mitchell carry Eli, who looks fine, but distraught, into the house. Hunter slaps him across the face.</scene_description>
    <character>ELI</character>
    <dialogue>What the hell?! I'm awake!</dialogue>
    <character>HUNTER</character>
    <dialogue>I know.</dialogue>
    <character>PETE</character>
    <dialogue>Why are you trying to off yourself in my garage?</dialogue>
    <scene_description>Without a word, Eli hands Pete the CAMPING BROCHURE.</scene_description>
    <character>HUNTER</character>
    <dialogue>This kid really hates camping.</dialogue>
    <character>ELI</character>
    <dialogue>Turn it over.</dialogue>
    <character>PETE</character>
    <parenthetical>(reading)</parenthetical>
    <dialogue>We, Kayla, Julie and Sam, who have known each other our whole lives, wish to this night one that we will never forget...</dialogue>
    <character>MITCHELL</character>
    <dialogue>That's sweet-</dialogue>
    <character>ELI</character>
    <dialogue>-Keep reading.</dialogue>
    <character>PETE</character>
    <dialogue>...and hereby swear that tonight, on the occasion of our first ever prom, we will all have...</dialogue>
    <parenthetical>(strains to read)</parenthetical>
    <dialogue>I can't make out this word.</dialogue>
    <character>ELI</character>
    <dialogue>Sorry. It's smudged from my tears. Sex. The word is sex. We all agree to have sex for the first time with our prom dates.</dialogue>
    <character>MITCHELL</character>
    <dialogue>What? WHAT??</dialogue>
    <character>PETE</character>
    <dialogue>No, that... can't be right. What is this?!</dialogue>
    <scene_description>Hunter grabs it.</scene_description>
    <character>HUNTER</character>
    <dialogue>It's some sort of contract.</dialogue>
    <character>ELI</character>
    <dialogue>It's a fuck pact!</dialogue>
    <scene_description>The guys look around at each other, completely STUNNED.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Is that... binding?</dialogue>
    <scene_description>HARD CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - MOMENTS LATER</stage_direction>
    <scene_description>Pete drives the crappy Volvo wagon while on his cell. Mitchell rides shotgun; Hunter and Eli are in the back. The tension is palpable.</scene_description>
    <character>PETE</character>
    <dialogue>Straight to voicemail again.</dialogue>
    <parenthetical>(frustrated)</parenthetical>
    <dialogue>I'm sure this is some kind of mistake. I would have known about this.</dialogue>
    <character>MITCHELL</character>
    <dialogue>I knew I shouldn't have gotten her that HPV vaccine!</dialogue>
    <character>HUNTER</character>
    <dialogue>If this kid has sex with Sam, I can forget about getting with Debbie. And after all these years, that would be tragic.</dialogue>
    <character>PETE</character>
    <dialogue>We're almost there. Let's talk strategy.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Get in, spread out. Grab the kids off the dance floor, forbid them from having intercourse.</dialogue>
    <character>ELI</character>
    <dialogue>No! No! No! Check the dance floor last. Handicapped bathroom stalls first. Regular people stalls second.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Bathrooms? It's their first time for chrissake!</dialogue>
    <parenthetical>(to Pete, re: Eli )</parenthetical>
    <dialogue>Why the hell did you bring him?</dialogue>
    <character>HUNTER</character>
    <dialogue>Seriously. Pull over. Let's dump his ass at the Arby's.</dialogue>
    <character>PETE</character>
    <dialogue>He's a good kid.</dialogue>
    <parenthetical>(softly; to Mitchell)</parenthetical>
    <dialogue>And I have rope and cutlery in my garage.</dialogue>
    <character>ELI</character>
    <dialogue>I'm just saying there probably won't be any sex happening on the dance floor. But bathrooms are in play. Last week, my cousin Freddie sixty-nined with a lady in a port-o- potty behind Subway!</dialogue>
    <character>HUNTER</character>
    <dialogue>That couldn't have been pretty. Meatball is the five dollar footlong this month.</dialogue>
    <scene_description>Pete reacts by giving it a bit more gas.</scene_description>
    <character>ELI</character>
    <dialogue>The point is that teenagers will have sex anywhere they can.</dialogue>
    <scene_description>Eli notices Pete look at him in the rearview.</scene_description>
    <character>ELI</character>
    <dialogue>Not me, though. Not with Julie. Our first time will be magical. I have it all planned. No jackhammering.</dialogue>
    <character>PETE</character>
    <dialogue>Stop talking, Eli.</dialogue>
    <character>HUNTER</character>
    <dialogue>The loser may have a point. My first time was with Dawn Sadler in a sewer drain next to a rotting raccoon carcass.</dialogue>
    <scene_description>Mitchell shakes his head in disgust.</scene_description>
    <character>ELI</character>
    <dialogue>See?</dialogue>
    <character>HUNTER</character>
    <parenthetical>(bragging)</parenthetical>
    <dialogue>We did it four times.</dialogue>
    <scene_description>Eli nods, impressed. Pete hits the gas even harder. The wagon shakes as it hauls ass down residential streets.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GRAND BALLROOM - NIGHT</stage_direction>
    <scene_description>The tastefully decorated room is packed with horny PROM- GOERS. It's a beautiful evening. Julie and Austin dance together and have a great time.</scene_description>
    <character>JULIE</character>
    <dialogue>It's going to be a special night.</dialogue>
    <scene_description>Austin nods and kisses her romantically. Sam sees Kayla looking over and responds by grinding on Chad, who's surprised.</scene_description>
    <character>SAM</character>
    <dialogue>So do you think you're more of a Gale or a Peeta to my Katniss?</dialogue>
    <character>CHAD</character>
    <dialogue>I have no idea what you're saying right now.</dialogue>
    <scene_description>Sam keeps grinding, but with a little less interest. Kayla tries to mimic Sam's moves. Dex is into it, but is distracted by the 50 YEAR OLD D.J., who looks terminally bored.</scene_description>
    <character>DEX</character>
    <dialogue>I wish I had my tables. I would totally battle D.J. Fossil right now. I'm not feeling this guy's beats at all.</dialogue>
    <scene_description>Kayla grinds hard. Dex takes notice.</scene_description>
    <character>DEX</character>
    <dialogue>You are so slammin...</dialogue>
    <scene_description>Kayla raises a brow. Dex looks at his palm and sees smudged ink on it.</scene_description>
    <character>DEX</character>
    <dialogue>...Something with a "K."</dialogue>
    <character>KAYLA</character>
    <dialogue>Kayla.</dialogue>
    <character>DEX</character>
    <dialogue>Riiiiight.</dialogue>
    <character>KAYLA</character>
    <dialogue>We don't have to talk so much.</dialogue>
    <scene_description>Kayla smiles. Dex nods, appreciatively.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - NIGHT</stage_direction>
    <scene_description>The guys continue driving to the prom. Pete takes a hard turn. Eli slides across the back seat into Hunter. Eli shuffles back to his spot. He looks at Hunter for a moment.</scene_description>
    <character>ELI</character>
    <dialogue>Hey, can you see any reason you can see why Julie won't give me the time of day?</dialogue>
    <character>HUNTER</character>
    <dialogue>Where should I start?</dialogue>
    <character>ELI</character>
    <dialogue>I mean, I know I'm not very macho. I'd ask my dad, but he left a while back.</dialogue>
    <scene_description>Hunter feels bad. He wasn't expecting that response.</scene_description>
    <character>HUNTER</character>
    <dialogue>Maybe I could... give you some tips.</dialogue>
    <character>ELI</character>
    <dialogue>You'd do that?</dialogue>
    <character>HUNTER</character>
    <dialogue>Why not? You kinda remind me of the dorks I used to beat up in school.</dialogue>
    <character>ELI</character>
    <dialogue>Cool. I'm a romantic, so I'm good there. But if it wasn't for porn, I'd know nothing about sex.</dialogue>
    <character>HUNTER</character>
    <dialogue>Here's something: don't try to kill yourself in a girl's house. For most of them, complete turnoff.</dialogue>
    <scene_description>Eli nods.</scene_description>
    <character>HUNTER</character>
    <dialogue>Maybe you just need to relax a bit. Be a kid, cut loose. Do something unexpected. Chicks like bad boys.</dialogue>
    <character>ELI</character>
    <dialogue>Bad boys, huh?</dialogue>
    <scene_description>Hunter nods. Eli loosens his tie, undoes his top button and turns to Hunter.</scene_description>
    <character>HUNTER</character>
    <dialogue>Well, baby steps.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. COUNTRY CLUB - NIGHT</stage_direction>
    <scene_description>An elegant facility lit with stunning landscape lighting. Pete's car flies like a bucking bronco over a speed bump! The car SCREECHES to a halt and the guys hurry to the door. LOUD HIP-HOP MUSIC PUMPS from inside.</scene_description>
    <character>ELI</character>
    <dialogue>Sounds like it's popping off!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. GRAND BALLROOM - NIGHT</stage_direction>
    <scene_description>The ballroom is ALMOST EMPTY - a handful of LESS ATTRACTIVE PROM-GOERS and a pair of HANDSY CHAPERONES remain. The Chaperones make out while kids watch. Some STRAGGLER KIDS dance; others including a BOY WITH HORRIBLE ACNE and a KID IN A WHEELCHAIR sit alone at tables, no doubt debating the merits of suicide. The guys meet at the front doors.</scene_description>
    <character>PETE</character>
    <dialogue>Anything?</dialogue>
    <character>MITCHELL</character>
    <dialogue>No, all the bathrooms are empty.</dialogue>
    <character>ELI</character>
    <dialogue>Shit!</dialogue>
    <character>HUNTER</character>
    <dialogue>Wow. Is this the prom for some kind of special school?</dialogue>
    <character>ELI</character>
    <dialogue>No, we're in the right place. The cool kids are gone. The only people left are the drama fags and the regular fags.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(heartfelt)</parenthetical>
    <dialogue>Poor bastards... where to next?</dialogue>
    <character>PETE</character>
    <dialogue>Austin's house.</dialogue>
    <character>ELI</character>
    <dialogue>5721 Haverford Drive.</dialogue>
    <character>PETE</character>
    <dialogue>That's where the kids were going after the prom.</dialogue>
    <character>HUNTER</character>
    <dialogue>Let's go now. This shit might be contagious.</dialogue>
    <scene_description>Pete, feeling bad for the Kids, calls out:</scene_description>
    <character>PETE</character>
    <dialogue>It gets better!!</dialogue>
    <scene_description>The Boy With Horrible Acne gives Pete a thumbs up.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. 7-11 - NIGHT</stage_direction>
    <scene_description>Seth talks with Austin, Dex and Chad outside the limo.</scene_description>
    <character>SETH</character>
    <dialogue>Hundred bucks should do it.</dialogue>
    <character>DEX</character>
    <parenthetical>(getting in Seth's face)</parenthetical>
    <dialogue>For a case of Bud?! I'll rip your head off-</dialogue>
    <scene_description>Austin puts out a hand, calming Dex.</scene_description>
    <character>AUSTIN</character>
    <parenthetical>(pleading with Seth)</parenthetical>
    <dialogue>We're in high school. We don't have that kind of cash. Come on, Seth.</dialogue>
    <character>SETH</character>
    <dialogue>Don't "come on" me.</dialogue>
    <scene_description>The guys laugh. Seth is embarrassed, but brushes it off.</scene_description>
    <character>SETH</character>
    <dialogue>Look, I've got two strikes. I could get life for making this purchase. So if you want those Buds, daddy's gonna need a hundy.</dialogue>
    <scene_description>Dex looks like he wants to strangle Seth.</scene_description>
    <character>SETH</character>
    <dialogue>Do you wanna keep this party rolling or not? Because if not, maybe I should be dropping these fine young ladies off at home.</dialogue>
    <scene_description>Austin, Dex and Chad share a look, then reach into their wallets.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CAR - LATER</stage_direction>
    <scene_description>The guys fly down a residential street.</scene_description>
    <character>MITCHELL</character>
    <dialogue>It's a left here, Pete.</dialogue>
    <parenthetical>(as they pass the turn)</parenthetical>
    <dialogue>Left!</dialogue>
    <character>PETE</character>
    <dialogue>Meadow Lane is faster.</dialogue>
    <character>MITCHELL</character>
    <dialogue>No, it's slower with all of the stop signs. You just cost us five minutes.</dialogue>
    <character>ELI</character>
    <dialogue>Do you have any idea how many times a teenage boy can ejaculate in five minutes?!</dialogue>
    <scene_description>Pete blows a stop sign and a SIREN wails!</scene_description>
    <character>HUNTER</character>
    <dialogue>Nice work, Pete.</dialogue>
    <character>MITCHELL</character>
    <dialogue>I knew we shouldn't have gone this way! Did I call it? Did I?</dialogue>
    <character>ELI</character>
    <dialogue>You called it.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Totally called it!</dialogue>
    <scene_description>Pete pulls over.</scene_description>
    <character>MITCHELL</character>
    <dialogue>We're drunk. And we are totally screwed.</dialogue>
    <character>PETE</character>
    <dialogue>I'm not drunk. I had a couple of beers.</dialogue>
    <character>HUNTER</character>
    <dialogue>Tell them you've had nothing. Zero beers. Deny, deny, deny.</dialogue>
    <character>PETE</character>
    <dialogue>I'm not gonna lie. I'm fine.</dialogue>
    <character>ELI</character>
    <dialogue>I have some gum, Mr. H.</dialogue>
    <character>MITCHELL</character>
    <dialogue>I do, too.</dialogue>
    <character>PETE</character>
    <dialogue>I don't need it.</dialogue>
    <character>HUNTER</character>
    <dialogue>Act casually and breathe through your noses.</dialogue>
    <scene_description>Mitchell grabs his and Eli's gum and shoves it in Pete's mouth. A young Hispanic cop, OFFICER HERNANDEZ, shines his flashlight into the car and leans in.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Good evening, gentlemen.</dialogue>
    <scene_description>Pete works hard to chew a GIANT WAD OF GUM.</scene_description>
    <character>PETE</character>
    <parenthetical>(mouth full)</parenthetical>
    <dialogue>Officer.</dialogue>
    <scene_description>The guys all nod hello. Pete hands him his license and registration. Hernandez looks at the documents, then into the car and sees Mitchell and Eli conspicuously tight-lipped.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Have you gentlemen been drinking tonight?</dialogue>
    <character>PETE</character>
    <parenthetical>(mouth still full)</parenthetical>
    <dialogue>I had a couple beers earlier. But as you can see, I'm perfectly fine now. So if you don't mind, just write me a ticket and we'll be on our way. We're in a hurry.</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>Oh, is that right?</dialogue>
    <scene_description>Pete nods and continues chewing. Hernandez looks at his fat veteran partner, OFFICER DONOHUE, who shakes his head in disgust. Hernandez gives Pete a hard look.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Who's the kid?</dialogue>
    <character>PETE</character>
    <dialogue>Just a friend.</dialogue>
    <character>ELI</character>
    <dialogue>It's okay, officer. This isn't a Sandusky situation.</dialogue>
    <scene_description>That did not allay Hernandez's concerns.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Sir, I'm going to ask you to step out of the car.</dialogue>
    <character>PETE</character>
    <dialogue>Why?</dialogue>
    <scene_description>Hernandez stares at Pete for a moment and puts his hand on his holster.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Because I fucking said so.</dialogue>
    <scene_description>Hernandez looks at Donohue, who gives him a thumbs up. Pete looks at the guys, worried. He spits out the gum and gets out of the car.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ROADSIDE - MOMENTS LATER</stage_direction>
    <scene_description>Hunter, Mitchell and Eli are all looking out the window of the car as Pete is being given a Breathalyzer test.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Blow, blow, blow, keep blowing!</dialogue>
    <scene_description>Hernandez looks at the test. Pete blows a .06, below the legal limit. Donohue, who has a snarling GERMAN SHEPHERD at his side, looks disappointed.</scene_description>
    <character>PETE</character>
    <parenthetical>(to the guys)</parenthetical>
    <dialogue>Point oh six!</dialogue>
    <scene_description>The guys celebrate in the car - high fives all around. The Cops don't look pleased.</scene_description>
    <character>PETE</character>
    <dialogue>Alright, thank you officers. Sincerely. You know, I thought about being a cop myself, but then I-</dialogue>
    <parenthetical>(regretting it as the words come out)</parenthetical>
    <dialogue>-got into college.</dialogue>
    <scene_description>Donohue turns to Hernandez. They both look pissed.</scene_description>
    <character>DONOHUE</character>
    <dialogue>Oh, wow. College boy, huh? Color us impressed.</dialogue>
    <character>PETE</character>
    <dialogue>No, that came out wrong. I just-</dialogue>
    <character>DONOHUE</character>
    <dialogue>You know, I haven't calibrated the Breathalyzer recently. We better conduct a field sobriety test.</dialogue>
    <character>PETE</character>
    <dialogue>Guys, please, don't do this.</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>Nah, let's just take him in. Get a blood test, just to be safe.</dialogue>
    <character>PETE</character>
    <dialogue>Let's do the field sobriety test, okay? What do you need me to do?</dialogue>
    <character>DONOHUE</character>
    <dialogue>How about some running in place?</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>Yeah, let's see some of that.</dialogue>
    <scene_description>The Cops share a smirk. Grizzly barks at Pete as he runs in place.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - MOMENTS LATER</stage_direction>
    <scene_description>Mitchell, Hunter and Eli sit in the car.</scene_description>
    <character>HUNTER</character>
    <dialogue>What the fuck is going on out there?</dialogue>
    <scene_description>REVEAL Pete doing squat thrusts.</scene_description>
    <character>MITCHELL</character>
    <dialogue>We're losing valuable time while Pete's blasting his quads!</dialogue>
    <character>ELI</character>
    <dialogue>This is like a horror movie. It's the Prom Night Hymen Massacre.</dialogue>
    <scene_description>Eli checks his cell phone, then yells out the window:</scene_description>
    <character>ELI</character>
    <dialogue>Not for nothing, Mr. Harrington, but Austin's house has five bedrooms. I Zillowed it!</dialogue>
    <scene_description>ON PETE, who shakes his head in frustration and stops the squat thrusts.</scene_description>
    <character>PETE</character>
    <dialogue>Alright, guys. I think we're done here. I'm sober and pretty sweaty.</dialogue>
    <scene_description>Suddenly, Donohue takes a defensive stance and quickly moves his right hip away from Pete.</scene_description>
    <character>DONOHUE</character>
    <dialogue>Whoa, hey, buddy! Stay back!</dialogue>
    <character>PETE</character>
    <dialogue>What?</dialogue>
    <scene_description>Pete hasn't moved and looks confused.</scene_description>
    <character>DONOHUE</character>
    <parenthetical>(to Hernandez)</parenthetical>
    <dialogue>You see this guy just make a move for my sidearm?!</dialogue>
    <character>HERNANDEZ</character>
    <parenthetical>(catching on)</parenthetical>
    <dialogue>Oh, yeah! Totally saw that! Your sidearm. He made a move.</dialogue>
    <character>DONOHUE</character>
    <dialogue>College boy's going to matriculate downtown. I'll load Grizzly. You cuff his ass!</dialogue>
    <scene_description>Hernandez grabs Pete as Donohue walks the dog to the Cruiser. After a beat of hesitation, Pete SHOVES HERNANDEZ TO THE GROUND and sprints to his car!</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>We've got a runner!!!</dialogue>
    <scene_description>SCREECH!!! Donohue turns to see that Pete has peeled out!</scene_description>
    <character>DONOHUE</character>
    <dialogue>Holy fuck!</dialogue>
    <scene_description>Hernandez gets up. He and Donohue look dazed, not knowing how to respond. After a beat, they hop in the Cruiser and take off after the guys.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - CONTINUOUS</stage_direction>
    <scene_description>The guys are STUNNED as Pete flies down the road.</scene_description>
    <character>MITCHELL</character>
    <dialogue>What the hell are you doing?!</dialogue>
    <character>PETE</character>
    <dialogue>We were going to be there all night! We have very little time to find the girls.</dialogue>
    <character>HUNTER</character>
    <dialogue>He's right, they were fucking with him! I've never done the running man during a sobriety check.</dialogue>
    <character>MITCHELL</character>
    <dialogue>They have your license! We're all going to jail!</dialogue>
    <character>PETE</character>
    <dialogue>I know, but what choice did I have?!</dialogue>
    <scene_description>Pete spots the Cruiser in his rear view, lights flashing and sirens blaring. Pete cranks the wheel hard and turns.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Pull over! Marcie's never gonna let me hang out with you guys again!</dialogue>
    <character>ELI</character>
    <dialogue>If anyone survives, tell Julie I loved her and I will live in her room when I'm a ghost!</dialogue>
    <scene_description>Pete makes another sharp turn.</scene_description>
    <character>PETE</character>
    <dialogue>I'm not pulling over. If any of you want out, I'll slow down and you can jump.</dialogue>
    <character>HUNTER</character>
    <dialogue>Then I don't get to bang Debbie and the dream dies. Fuck that!</dialogue>
    <scene_description>Hunter starts pounding the ceiling of the car with his hand.</scene_description>
    <character>ELI</character>
    <dialogue>Yeah, keep hope alive!</dialogue>
    <scene_description>Eli starts banging the ceiling, too. Mitchell, somewhat more reluctantly, joins in. Pete makes a series of hard turns, then pulls into a random driveway and kills the lights.</scene_description>
    <character>PETE</character>
    <dialogue>Get down!</dialogue>
    <scene_description>Everyone ducks in the car and a moment later, the police cruiser flies by down the street!</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE CAR - MOMENTS LATER</stage_direction>
    <scene_description>The Cops look down each street as they drive by.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Goddammit!</dialogue>
    <scene_description>Donohue punches the steering wheel.</scene_description>
    <character>DONOHUE</character>
    <dialogue>Where the fuck do they think they're going? We have the guy's information.</dialogue>
    <scene_description>Donohue holds Pete's driver's license. Hernandez shrugs.</scene_description>
    <character>DONOHUE</character>
    <dialogue>You know, I expect stupid shit like that from my son, but those were grown ass men!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - MOMENTS LATER</stage_direction>
    <scene_description>Pete and the guys sit up in the car.</scene_description>
    <character>ELI</character>
    <dialogue>Wow!</dialogue>
    <scene_description>The guys laugh nervously, surprised they've gotten away.</scene_description>
    <character>PETE</character>
    <dialogue>I know we're fucked and we're going to be arrested, but by then, our daughters will be home.</dialogue>
    <scene_description>The guys nod. Pete backs out of the driveway, hits the lights and heads the other way.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. AUSTIN'S HOUSE - NIGHT</stage_direction>
    <scene_description>Pete pulls his car in front of Austin's house.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I don't hear a party going on.</dialogue>
    <character>PETE</character>
    <dialogue>Me either.</dialogue>
    <scene_description>The guys hurry up to the house. Eli runs to a bay window and looks in.</scene_description>
    <character>ELI</character>
    <dialogue>Julie, no! You whore! You fucking whore... I loved you!</dialogue>
    <scene_description>Pete, Mitchell and Hunter run over and looks in. Inside, they see a GUY in a tuxedo plowing a GIRL with a RED PROM DRESS hiked up. Her legs are in the air.</scene_description>
    <character>PETE</character>
    <dialogue>We're too late!</dialogue>
    <character>HUNTER</character>
    <parenthetical>(to Mitchell)</parenthetical>
    <dialogue>Alright, Julie's cherry is busted, but Sam and Kayla could still be intact.</dialogue>
    <character>ELI</character>
    <dialogue>Wait, Austin's not balding.</dialogue>
    <scene_description>The MAN now leans back and the guys can see it's not Austin. It's RON, 45, boning his WIFE.</scene_description>
    <character>PETE</character>
    <dialogue>Oh, thank god. It's just Austin's parents.</dialogue>
    <scene_description>Ron continues pumping until he makes a hideous o-face. The guys recoil in horror!</scene_description>
    <character>MITCHELL</character>
    <dialogue>He was looking at me when he finished.</dialogue>
    <character>HUNTER</character>
    <dialogue>Shit, you know what that means... his load is in your soul.</dialogue>
    <scene_description>Eli looks at Hunter, are you serious? Hunter shakes his head, nah. Eli smiles and fist bumps Hunter. Pete bangs on the door and a winded Ron opens it.</scene_description>
    <character>RON</character>
    <dialogue>Hey fellas. What's up?</dialogue>
    <character>PETE</character>
    <dialogue>Where are the girls, Ron?</dialogue>
    <character>RON</character>
    <dialogue>Come in.</dialogue>
    <scene_description>The guys step inside. Ron's Wife covers herself. Hunter nods a hello at her. She smiles shyly and quickly heads upstairs.</scene_description>
    <character>RON</character>
    <dialogue>Alright, you got me. Guilty as charged. The kids aren't here.</dialogue>
    <scene_description>The guys are stunned.</scene_description>
    <character>PETE</character>
    <dialogue>What the hell's going on here?</dialogue>
    <character>RON</character>
    <dialogue>Just a little prom night role play. Keeping the spark alive. You guys made it an exciting ending.</dialogue>
    <parenthetical>(to Mitchell)</parenthetical>
    <dialogue>Especially you. When we locked eyes as I climaxed? Intense, right!?</dialogue>
    <scene_description>Mitchell looks sick.</scene_description>
    <character>HUNTER</character>
    <dialogue>That's fucking gross, Ron.</dialogue>
    <character>PETE</character>
    <dialogue>Where are the girls?</dialogue>
    <character>RON</character>
    <dialogue>Who wants a glass of pinot?</dialogue>
    <scene_description>Eli raises a hand.</scene_description>
    <character>PETE</character>
    <dialogue>You lied about throwing a post-prom party? You called me to go over the snack list to make sure it was okay with Julie's allergies.</dialogue>
    <character>RON</character>
    <dialogue>Hey, had to sell it, right?</dialogue>
    <character>PETE</character>
    <dialogue>You were so specific. Teriyaki- glazed beef jerky?</dialogue>
    <character>RON</character>
    <dialogue>Look, the kids just wanted to have some harmless fun without parents bothering them. It's prom. So don't bother them, okay?</dialogue>
    <character>ELI</character>
    <dialogue>One of you guys is gonna hit him, right?</dialogue>
    <character>HUNTER</character>
    <dialogue>Can we go? It smells like semen in here.</dialogue>
    <character>PETE</character>
    <parenthetical>(to Ron)</parenthetical>
    <dialogue>Where'd they go?</dialogue>
    <character>RON</character>
    <dialogue>I don't know. But they'll be back late tonight. Safe and sound.</dialogue>
    <scene_description>Pete shakes his head and turns to leave with the guys in tow.</scene_description>
    <character>RON</character>
    <dialogue>Pete, hold up.</dialogue>
    <scene_description>Pete turns as the guys walk out.</scene_description>
    <character>RON</character>
    <dialogue>What are you so worried about? Austin is a good kid. You know that. And there is no way that Austin is having sex with Julie tonight...</dialogue>
    <scene_description>Long beat.</scene_description>
    <character>RON</character>
    <dialogue>... without a condom. I told him how important it is to wear one.</dialogue>
    <scene_description>Pete heads for the door and spots something on the table. It's a CONDOM. Pete picks it up and shows Ron.</scene_description>
    <character>RON</character>
    <parenthetical>(remembering)</parenthetical>
    <dialogue>You know, I did mention how much better it feels without one. That's my bad.</dialogue>
    <scene_description>Pete storms out.</scene_description>
    <character>RON</character>
    <parenthetical>(shouting)</parenthetical>
    <dialogue>There's no disputing that!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. LIMO - NIGHT</stage_direction>
    <scene_description>The limo is parked at the side of the busy highway. Passing cars HONK as the boys laugh while they piss on some bushes.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LIMO - CONTINUOUS</stage_direction>
    <scene_description>Julie, Kayla and Sam sip beer in the back of the limo.</scene_description>
    <character>SAM</character>
    <dialogue>At first I didn't like beer. But with each sip, it gets less gross.</dialogue>
    <scene_description>She takes another big sip.</scene_description>
    <character>SAM</character>
    <parenthetical>(wincing)</parenthetical>
    <dialogue>So good!</dialogue>
    <character>KAYLA</character>
    <dialogue>I can't get enough of the stuff.</dialogue>
    <scene_description>She takes a long swig, clearly hating it. Sam takes a long chug; Kayla matches it.</scene_description>
    <character>SAM</character>
    <dialogue>Want some, Julie? It's the best thing I've ever tasted.</dialogue>
    <character>JULIE</character>
    <dialogue>No, beer tastes awful.</dialogue>
    <character>KAYLA</character>
    <dialogue>Totally wrong.</dialogue>
    <scene_description>Sam nods. They each swig again.</scene_description>
    <character>SAM</character>
    <dialogue>I can't wait to get with Chad. I'm gonna bounce on him like a yoga ball.</dialogue>
    <character>KAYLA</character>
    <dialogue>I am going to ride Dex like I'm trying to saw it off.</dialogue>
    <scene_description>Julie shakes her head, disgusted.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - NIGHT</stage_direction>
    <scene_description>Pete drives into town, no one saying a word.</scene_description>
    <character>HUNTER</character>
    <dialogue>What's the plan, Pete? We can't just drive around aimlessly all night.</dialogue>
    <character>ELI</character>
    <dialogue>Should we check the hospitals and morgues?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Oh my god, they could be dead!</dialogue>
    <character>PETE</character>
    <dialogue>They're not dead.</dialogue>
    <character>ELI</character>
    <dialogue>You're right. I'm sorry.</dialogue>
    <scene_description>Mitchell takes a deep breath.</scene_description>
    <character>ELI</character>
    <dialogue>Can we make a quick stop at Mickey Dees? I think the fumes are affecting me.</dialogue>
    <character>PETE</character>
    <dialogue>We're on a mission here, Eli. We don't have time-</dialogue>
    <character>HUNTER</character>
    <dialogue>Just hit the drive-through, Pete. We have no plan and the kid needs sugar.</dialogue>
    <scene_description>Pete sighs and turns into the McDonald's drive-through.</scene_description>
    <character>ELI</character>
    <dialogue>We're all frustrated. Let's just crush a McFlurry and get our heads right.</dialogue>
    <character>HUNTER</character>
    <dialogue>What's that?</dialogue>
    <character>ELI</character>
    <dialogue>It's vanilla ice cream mixed with Oreos. Julie turned me onto them. They're terrific.</dialogue>
    <character>HUNTER</character>
    <parenthetical>(to Eli)</parenthetical>
    <dialogue>Order me up one of those bad boys, too. Extra large, playa.</dialogue>
    <scene_description>Eli nods. Fist bump, then Eli zips his window down.</scene_description>
    <character>ELI</character>
    <dialogue>Do you want me to ask if they're hiring, Mr. Forde?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Fuck you very much, Eli.</dialogue>
    <character>HUNTER</character>
    <dialogue>He's only trying to help.</dialogue>
    <character>MITCHELL</character>
    <dialogue>You're right. Sorry, Eli... Ask if they offer dental.</dialogue>
    <scene_description>Eli nods.</scene_description>
    <character>MCDONALD'S EMPLOYEE (O.S.)</character>
    <dialogue>Welcome to McDonald's. Can I take your order?</dialogue>
    <character>ELI</character>
    <dialogue>Yes, thanks. We'd like-</dialogue>
    <scene_description>Through the glass, Pete spots Julie hanging out of the limo at the drive-through pick-up window.</scene_description>
    <character>PETE</character>
    <dialogue>Holy shit, it's Julie! There they are!</dialogue>
    <scene_description>The guys see Julie grabbing the food (including a McFlurry) and disappearing back into the limo.</scene_description>
    <character>ELI</character>
    <dialogue>Told you she loves the McFlurry!</dialogue>
    <character>MITCHELL</character>
    <dialogue>Get over there, Pete!</dialogue>
    <scene_description>Pete nails the gas, then slams the brakes -- there's a car two feet in front of them. He puts it in reverse, but there's a car right behind them. There's nowhere to go!</scene_description>
    <character>PETE</character>
    <dialogue>We're trapped!</dialogue>
    <scene_description>The girls' limo leaves the McDonald's.</scene_description>
    <character>MITCHELL</character>
    <dialogue>They're getting away!</dialogue>
    <character>ELI</character>
    <dialogue>Austin will probably use the McFlurry to stimulate her nipples.</dialogue>
    <scene_description>Hunter nods, definitely. Pete fumes and turns the wheel hard.</scene_description>
    <character>PETE</character>
    <dialogue>Hang on!</dialogue>
    <scene_description>He punches the gas and the car climbs up the curb and tears into the bushes lining the drive-through.</scene_description>
    <character>ELI</character>
    <dialogue>Fuck yeah, Mr. H!</dialogue>
    <scene_description>Bush debris flies all over the crowded parking lot and CUSTOMERS dive out of the way of the car! Finally free of the line, Pete fishtails onto the road.</scene_description>
    <character>MITCHELL</character>
    <dialogue>They were headed toward Atlantic!</dialogue>
    <scene_description>Pete makes another sharp turn. Mitchell spots the limo.</scene_description>
    <character>MITCHELL</character>
    <dialogue>There. That's them!</dialogue>
    <scene_description>Pete floors it. The shitty car shakes like a bastard as he weaves in and out of traffic.</scene_description>
    <character>ELI</character>
    <parenthetical>(re: the car)</parenthetical>
    <dialogue>Christ, this thing's a pile of shit. Time for a new car, dude.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(sensitively)</parenthetical>
    <dialogue>You do spend an awful lot of time repairing it.</dialogue>
    <character>PETE</character>
    <dialogue>This was Jessica's car.</dialogue>
    <character>HUNTER</character>
    <dialogue>We know, man. We understand.</dialogue>
    <scene_description>Pete nods.</scene_description>
    <character>HUNTER</character>
    <dialogue>But you've gotta move on. If you worked that widower angle properly, you could be blowing your bag all over town.</dialogue>
    <character>PETE</character>
    <dialogue>Can we discuss this later?!</dialogue>
    <scene_description>Pete finally catches up to the limo. Its windows are tinted completely black. The guys can't see in.</scene_description>
    <character>PETE</character>
    <dialogue>You're sure that's them?</dialogue>
    <character>MITCHELL</character>
    <dialogue>I'm positive. I remember the license plate.</dialogue>
    <character>HUNTER</character>
    <dialogue>Pull up next to it.</dialogue>
    <scene_description>Pete pulls up beside the limo. Hunter yells out the window:</scene_description>
    <character>HUNTER</character>
    <dialogue>Pull the fucking limo over NOW!</dialogue>
    <scene_description>Pete honks the horn. The limo accelerates!</scene_description>
    <character>HUNTER</character>
    <dialogue>What's this driver doing?</dialogue>
    <character>PETE</character>
    <dialogue>I had a bad feeling about him when he fleeced me for an extra ten bucks!</dialogue>
    <character>MITCHELL</character>
    <dialogue>He took me for fifty!</dialogue>
    <character>HUNTER</character>
    <dialogue>You fell for that shit?</dialogue>
    <scene_description>The limo cranks a hard turn, desperate to lose the guys.</scene_description>
    <character>PETE</character>
    <dialogue>What the hell?!</dialogue>
    <character>ELI</character>
    <dialogue>He's taking evasive maneuvers!</dialogue>
    <scene_description>Pete follows, gaining on the limo. The limo suddenly takes an impossible right turn, but can't make it. It clips the curb at a high rate of speed, and flips on its side, scraping along the street, shooting sparks for 50 feet!! The limo heads toward a BOWLING ALLEY, where a sign displaying TEN BOWLING PINS sit atop two posts. The limo slides between the posts, taking out eight of the pins, but leaving the dreaded 7-10 split. The guys look on in HORROR.</scene_description>
    <character>PETE</character>
    <dialogue>JULIE!</dialogue>
    <scene_description>Mitchell is frozen in the car. Pete, Eli and Hunter hop out and race to the limo!</scene_description>
    <character>PETE</character>
    <dialogue>Please be okay!</dialogue>
    <scene_description>Pete and Hunter climb up the car and reach the door, which is badly dented. They struggle to open the door. Finally, a BRIDE and GROOM pop out of the sunroof.</scene_description>
    <character>PETE</character>
    <dialogue>It's okay! It's not the girls! It's just some newlyweds.</dialogue>
    <scene_description>IN PETE'S CAR... Mitchell exhales, relieved. AT THE LIMO... The guys help the couple out.</scene_description>
    <character>PETE</character>
    <parenthetical>(to the couple)</parenthetical>
    <dialogue>Congratulations!</dialogue>
    <character>ELI</character>
    <dialogue>Great dress!</dialogue>
    <scene_description>ON HUNTER...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. who helps the Limo Driver out.</stage_direction>
    <character>HUNTER</character>
    <parenthetical>(to the Limo Driver)</parenthetical>
    <dialogue>Why didn't you just pull over, man?!</dialogue>
    <character>LIMO DRIVER</character>
    <dialogue>Would you pull over when a bunch of aggro assholes in a hoopdie are screaming and waving at you?</dialogue>
    <scene_description>Hunter nods, good point. He hurries back to Pete and Eli, who talk to the couple but are backing up toward Pete's car.</scene_description>
    <character>HUNTER</character>
    <dialogue>Let's roll!</dialogue>
    <character>GROOM</character>
    <parenthetical>(to Pete and Eli)</parenthetical>
    <dialogue>Some bumps and bruises, but we're okay. God must have been looking over us because-</dialogue>
    <character>PETE</character>
    <dialogue>We get the idea! Sorry!</dialogue>
    <scene_description>The guys hustle into the car and SCREECH, they take off! The couple eats exhaust.</scene_description>
    <character>BRIDE</character>
    <dialogue>Do you think your mother had something to do with this?</dialogue>
    <character>GROOM</character>
    <dialogue>Don't be ridiculous.</dialogue>
    <scene_description>The Bride looks unconvinced.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - NIGHT</stage_direction>
    <scene_description>At the scene of the limo, a few POLICEMEN and PARAMEDICS surround the area. The Cops look at the totaled limo.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Lucky they walked away from this one.</dialogue>
    <character>DONOHUE</character>
    <dialogue>Yeah, they've got a big night of boning ahead of them.</dialogue>
    <scene_description>Hernandez nods, excitedly. Donohue turns serious.</scene_description>
    <character>DONOHUE</character>
    <dialogue>That's off the record.</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>Of course.</dialogue>
    <character>DONOHUE</character>
    <dialogue>Did you catch the description? Sounds like our skells.</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>Yeah, exactly.</dialogue>
    <character>DONOHUE</character>
    <dialogue>You believe the size of the scrotes on these guys?</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>Felony evading, reckless driving, maybe attempted vehicular homicide? Gigantic scrotes!</dialogue>
    <character>DONOHUE</character>
    <dialogue>We nail them, we make detective for sure.</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>It'd be nice not to have to pick up dog shit at work.</dialogue>
    <scene_description>Donohue nods. They climb back into their cruiser.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GAS STATION - MOMENTS LATER</stage_direction>
    <scene_description>Pete gasses up the car. The guys stand around.</scene_description>
    <character>HUNTER</character>
    <parenthetical>(glaring at Mitchell)</parenthetical>
    <dialogue>"Definitely their limo?"</dialogue>
    <character>MITCHELL</character>
    <dialogue>There was definitely a six in the license plate!</dialogue>
    <character>PETE</character>
    <dialogue>This really sucks.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Hey, at least your girls are with decent kids. Kayla's date has VD written all over him.</dialogue>
    <character>HUNTER</character>
    <dialogue>Yeah, I wouldn't be surprised if that kid has the hiv.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Oh my god, you're right. I didn't even think of that.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Kayla's gonna get AIDS. And not Magic Johnson AIDS. The bad kind.</dialogue>
    <character>ELI</character>
    <dialogue>Hey, I have an idea.</dialogue>
    <scene_description>Eli whips out his phone and goes online. He navigates to SILVER BACK'S home page.</scene_description>
    <character>ELI</character>
    <dialogue>Check it out!</dialogue>
    <scene_description>CLOSE ON the web page: Two HUGE GORILLAS growl angrily at each other, then one mounts the other and they bang aggressively to a techno track.</scene_description>
    <character>HUNTER</character>
    <dialogue>That's disturbing.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Why would you show us that? I am not into it.</dialogue>
    <character>ELI</character>
    <dialogue>No, look! The girls aren't answering their cells, right?</dialogue>
    <scene_description>He points to the bottom of the page, which reads "To book, call Silver Back's cell directly." The guys exchange looks, then Mitchell quickly dials.</scene_description>
    <character>MITCHELL</character>
    <dialogue>It's ringing!</dialogue>
    <character>PETE</character>
    <dialogue>Put it on speaker.</dialogue>
    <scene_description>Mitchell hits the speaker button.</scene_description>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>And... Go.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Dex?</dialogue>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>No.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(reluctantly)</parenthetical>
    <dialogue>Silver Back?</dialogue>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>Go for Silver Back.</dialogue>
    <character>MITCHELL</character>
    <dialogue>It's Mitchell. Kayla's dad.</dialogue>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>Who?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Katie's dad.</dialogue>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>Oh, okay. What do you want?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Listen, we're looking for the girls.</dialogue>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>Yeah?</dialogue>
    <character>MITCHELL</character>
    <dialogue>I'm gonna be straight with you. The girls are young and vulnerable and going through a rebellious stage, so they signed a pact to have sex with you guys tonight.</dialogue>
    <scene_description>Pete, Hunter and Eli look like they could kill him. What the fuck are you doing?!</scene_description>
    <character>DEX'S VOICE (O.S.)</character>
    <dialogue>Thanks for the heads up!</dialogue>
    <scene_description>CLICK.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Sure thing. We just need to know where you are. Hello?</dialogue>
    <parenthetical>(turns to guys)</parenthetical>
    <dialogue>Ahh, must've lost him. Fucking T- Mobile.</dialogue>
    <scene_description>The guys can't believe it. Eli turns to Pete and Hunter.</scene_description>
    <character>ELI</character>
    <dialogue>One of you guys is gonna hit him, right?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - LATER</stage_direction>
    <scene_description>Pete drives around aimlessly. Everyone is silent... worried.</scene_description>
    <character>ELI</character>
    <parenthetical>(to Hunter)</parenthetical>
    <dialogue>I had a beautiful evening planned for Julie's first time.</dialogue>
    <character>PETE</character>
    <dialogue>Here we go...</dialogue>
    <character>ELI</character>
    <dialogue>There's a cozy little inn at the end of Dune Road in Montauk. It's off the beaten path, beyond the glitz and shallowness of the Hamptons. It's nearly a hundred years old. It has a wrap-around porch overlooking the Atlantic. Julie and I would stay there on the night we agreed that our love for one another was eternal. We'd walk along the beach after a romantic dinner, then back in our room, I'd light a dozen candles and que up Michael Buble's "Come Fly With Me" - - disc one, of course.</dialogue>
    <character>HUNTER</character>
    <dialogue>Gotta go disc one.</dialogue>
    <character>ELI</character>
    <dialogue>Then we'd kiss passionately for a while as we bathed in the claw-foot tub, then climb into bed and once again proclaim our love, only this time allowing our genitals to do the talking.</dialogue>
    <character>PETE</character>
    <dialogue>More than enough. Thank you, Eli.</dialogue>
    <character>ELI</character>
    <dialogue>Indulge me, Mr. H. The fantasy is all that remains. Following a few hours of love-making, we'd sit out on the balcony overlooking the lighthouse. Julie would rehydrate with a Gatorade as I massaged her feet. We'd sit there in silence, content, and listen to the waves crashing on the beach. And perhaps, should it be the right time of year, we'd be serenaded by the migrating whales singing not far off shore.</dialogue>
    <character>MITCHELL</character>
    <dialogue>That sounds nice.</dialogue>
    <character>HUNTER</character>
    <dialogue>It really does.</dialogue>
    <scene_description>Eli nods and wipes away a tear...</scene_description>
    <character>ELI</character>
    <dialogue>A little later, round two. Maybe reverse cowgirl. That looks fun.</dialogue>
    <character>HUNTER</character>
    <dialogue>It's fantastic.</dialogue>
    <character>PETE</character>
    <dialogue>Look, Eli, we're running out of time. You know how these kids think. Where could they be?</dialogue>
    <character>ELI</character>
    <dialogue>I wouldn't know. I'm not cool.</dialogue>
    <character>HUNTER</character>
    <dialogue>Don't sell yourself short. You've got potential. And you're our best shot at finding them.</dialogue>
    <scene_description>Eli thinks about it.</scene_description>
    <character>ELI</character>
    <dialogue>Maybe Tina would know...</dialogue>
    <character>HUNTER</character>
    <parenthetical>(of course!)</parenthetical>
    <dialogue>Tina, right!</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>Who's Tina?</dialogue>
    <character>PETE</character>
    <dialogue>Seriously, Hunter? She was one of Julie's and Sam's best friends.</dialogue>
    <scene_description>Hunter shrugs.</scene_description>
    <character>PETE</character>
    <dialogue>She's a really nice girl. They were always together until...</dialogue>
    <parenthetical>(glancing at Mitchell)</parenthetical>
    <dialogue>... recently.</dialogue>
    <character>MITCHELL</character>
    <dialogue>What?</dialogue>
    <character>PETE</character>
    <dialogue>Nothing. It's just that she used to come around a lot more. I got the idea that Kayla didn't like Tina anymore, then I noticed that Tina stopped coming around.</dialogue>
    <character>MITCHELL</character>
    <dialogue>So?</dialogue>
    <character>PETE</character>
    <dialogue>So... I think Kayla's a bad influence.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Kayla is?</dialogue>
    <character>PETE</character>
    <dialogue>Yeah, don't look so surprised. I mean, I'm sure this pact was all her idea.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Kayla's idea?! How the hell would you know that? They all signed it!</dialogue>
    <character>PETE</character>
    <dialogue>It was Kayla's handwriting! And you saw what she was wearing tonight!</dialogue>
    <character>MITCHELL</character>
    <dialogue>What's wrong with her dress?</dialogue>
    <character>PETE</character>
    <dialogue>Dress? I thought it was a belt.</dialogue>
    <character>HUNTER</character>
    <dialogue>He's got a point, Mitchell. Kayla seems way more sexually advanced than Julie or Sam.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Oh, right, like Sam wouldn't know anything about sex? You should have a turnstile on your bedroom door!</dialogue>
    <character>HUNTER</character>
    <dialogue>Hate the game, bro.</dialogue>
    <scene_description>Eli nods.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I'll have you know that Kayla was a girl scout!</dialogue>
    <character>PETE</character>
    <dialogue>She was a girl scout, so she couldn't be promiscuous?!</dialogue>
    <character>MITCHELL</character>
    <dialogue>Well, she's a virgin isn't she!?</dialogue>
    <character>PETE</character>
    <dialogue>I know. That's the most shocking part of this whole fucking night!</dialogue>
    <scene_description>Mitchell shoots a death glare at Pete.</scene_description>
    <character>HUNTER</character>
    <parenthetical>(to Eli)</parenthetical>
    <dialogue>Girl scouts are usually pretty easy. I finger blasted so many girl scouts when I was a kid that my pinky still smells like thin mints.</dialogue>
    <scene_description>Eli's jaw drops.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Just drive, Pete!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. LIMO - NIGHT</stage_direction>
    <scene_description>Austin makes out with Julie. Sam, a bit tipsy, looks over at Kayla, then rubs Chad's thigh. Chad's eyes, among other things, grow huge. He laughs nervously. Kayla, also tipsy, leans over and rubs Dex's leg. He slides forward, which moves her hand on his crotch. She quickly removes her hand and he laughs.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TINA'S HOUSE - NIGHT</stage_direction>
    <scene_description>The house is dark. Not a single light is on. Pete's car pulls up in front of the house.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Looks like they're asleep.</dialogue>
    <character>PETE</character>
    <parenthetical>(still annoyed)</parenthetical>
    <dialogue>Really? In the total darkness at night? You think?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Fuck off, Pete.</dialogue>
    <scene_description>Before the guys can get out of the car, Eli is out and climbing a tree in the front yard. Pete gets out and hurries over to him.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TINA'S HOUSE - CONTINUOUS</stage_direction>
    <scene_description>Pete looks up at Eli.</scene_description>
    <character>PETE</character>
    <dialogue>What are you doing?</dialogue>
    <character>ELI</character>
    <dialogue>This is the quickest way to Tina's room. Her window is open. I'll stop at nothing to preserve Julie's hymen.</dialogue>
    <scene_description>Pete climbs up the tree behind Eli.</scene_description>
    <character>PETE</character>
    <dialogue>Stop saying hymen.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TINA'S BEDROOM - MOMENTS LATER</stage_direction>
    <scene_description>The room is lit by moonlight. Eli slips in the open window and sits on the bed. He shakes Tina, who is passed out.</scene_description>
    <character>ELI</character>
    <dialogue>Hey Tina. Are you sleeping?</dialogue>
    <scene_description>TINA is 15, but looks younger in her sleep gear and retainer, which makes her lisp.</scene_description>
    <character>TINA</character>
    <dialogue>What the fuckf are you doing in my froomf?</dialogue>
    <scene_description>She grabs a TROPHY from her night stand and wields it like a weapon.</scene_description>
    <character>ELI</character>
    <dialogue>Tina, it's me. Eli. From Mr. Cristofel's art class. How are you?</dialogue>
    <character>TINA</character>
    <dialogue>Make onef moofve and I will bash your fskull.</dialogue>
    <scene_description>Eli smiles.</scene_description>
    <character>ELI</character>
    <dialogue>Sorry. It just sounds funny with the...</dialogue>
    <scene_description>She nods and removes the retainer.</scene_description>
    <character>TINA</character>
    <dialogue>I will bash your fucking skull.</dialogue>
    <character>ELI</character>
    <dialogue>Better. Much more menacing!</dialogue>
    <scene_description>Pete taps at the glass. Tina sees Pete in the window.</scene_description>
    <character>TINA</character>
    <dialogue>Mr. Harrington? What's going on?</dialogue>
    <scene_description>Pete climbs inside the window and gets a full view of Tina, who is very PREGNANT.</scene_description>
    <character>PETE</character>
    <dialogue>Oh, wow. I didn't know you were-</dialogue>
    <character>TINA</character>
    <dialogue>Yeah, Julie didn't want you to know.</dialogue>
    <scene_description>Pete sighs.</scene_description>
    <character>PETE</character>
    <dialogue>Look, Julie's getting in over her head tonight and I'm trying to find her. Do you know where they were going after the prom?</dialogue>
    <scene_description>Tina looks hesitant.</scene_description>
    <character>ELI</character>
    <dialogue>Please, Tina! Help us save Julie from this...</dialogue>
    <parenthetical>(staring at her belly)</parenthetical>
    <dialogue>... huge mistake.</dialogue>
    <scene_description>Tina looks offended.</scene_description>
    <character>TINA</character>
    <dialogue>I'm sorry, Mr. Harrington. I'd help if I could. You're an awesome dad. But I don't know where they were going.</dialogue>
    <scene_description>Pete nods, disappointed.</scene_description>
    <character>PETE</character>
    <dialogue>Okay, thanks.</dialogue>
    <scene_description>They turn back to the window, then Pete turns back to her.</scene_description>
    <character>PETE</character>
    <dialogue>You know, Tina, if you ever need any help...</dialogue>
    <character>TINA</character>
    <dialogue>Oh, no, we're gonna be fine.</dialogue>
    <character>PETE</character>
    <dialogue>Oh, the father is still in the picture?</dialogue>
    <character>TROY (O.S.)</character>
    <dialogue>Yeah, still here.</dialogue>
    <scene_description>TROY (18, goofy), BUCK NAKED, springs out of bed. Pete and Eli get a full frontal view. Pete reels backward and knocks over a lamp, which falls with a loud CRASH!</scene_description>
    <character>TINA'S DAD (O.S.)</character>
    <parenthetical>(shouting, enraged)</parenthetical>
    <dialogue>If he's here again, I'M GONNA KILL HIM!</dialogue>
    <character>TINA</character>
    <dialogue>Everyone should probably leave now.</dialogue>
    <scene_description>Troy, Pete and Eli scramble out the window as TINA'S DAD bursts in swinging a BASEBALL BAT!</scene_description>
    <character>TINA'S DAD</character>
    <dialogue>Nobody runs a train on my daughter!</dialogue>
    <scene_description>The most experienced, Troy is first out the window. Tina's dad takes a swing as Pete and Eli dive out the window and onto...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TINA'S HOUSE, ROOF - CONTINUOUS</stage_direction>
    <scene_description>Troy jumps onto a tree branch, then hangs and drops safely to the ground. Pete and Eli get to the edge of the roof as Tina's Dad swings his bat.</scene_description>
    <character>PETE</character>
    <dialogue>Go, go, go!</dialogue>
    <scene_description>Pete and Eli inexplicably hold hands as they jump off the roof! They grab the branch, then smile at each other, relieved. CRACK! The branch snaps under their weight. They crash down into a bush.</scene_description>
    <character>ELI</character>
    <dialogue>Fuck, that hurts!</dialogue>
    <scene_description>They race to the car. Pete turns the key, but the car won't start!</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - LATER</stage_direction>
    <scene_description>The two Cops are parked eating a late dinner. Hernandez passes a piece of burrito to Grizzly, who wolfs it down.</scene_description>
    <character>DONOHUE</character>
    <dialogue>No, don't give him jalapenos. It gives him crazy gas!</dialogue>
    <scene_description>Hernandez looks apologetic. A call comes in:</scene_description>
    <character>RADIO (O.S.)</character>
    <dialogue>Sexual assault by multiple male suspects of an underage girl. 732 Stuyvesant Avenue. Suspects fled in a blue Volvo station wagon.</dialogue>
    <character>DONOHUE</character>
    <dialogue>That's our guys!</dialogue>
    <parenthetical>(on radio)</parenthetical>
    <dialogue>324. Show us responding.</dialogue>
    <character>HERNANDEZ</character>
    <dialogue>They're escalating!</dialogue>
    <scene_description>Donohue nods. He flips on the siren, whips the car around and heads toward Tina's house.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE CAR - MOMENTS LATER</stage_direction>
    <scene_description>SIREN BLARING, the police car zips by Pete's car, which slowly heads in the opposite direction. The cops see it's being pushed by Hunter, Mitchell, Eli and a still-naked Troy.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>That was them!</dialogue>
    <scene_description>Donohue spins the car around in a hard 180!</scene_description>
    <character>DONOHUE</character>
    <dialogue>You thinking what I'm thinking?</dialogue>
    <character>HERNANDEZ</character>
    <parenthetical>(excited)</parenthetical>
    <dialogue>Grizzly?!</dialogue>
    <character>DONOHUE</character>
    <dialogue>Turn him loose!</dialogue>
    <scene_description>Hernandez pops the door and Grizzly, the angry German Shepherd, takes off after the guys! Donohue and Hernandez give chase, too. ON PETE...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. who waits for the car to gain speed.</stage_direction>
    <character>PETE</character>
    <dialogue>A little faster guys!</dialogue>
    <scene_description>The guys push with everything they have as Grizzly quickly approaches! 35 feet. 25 feet. 15 feet!</scene_description>
    <character>HUNTER</character>
    <dialogue>Holy shit! The fucking dog is almost on us!</dialogue>
    <character>TROY</character>
    <dialogue>My genitals are exposed!</dialogue>
    <scene_description>Pete cranks the engine and it turns over!</scene_description>
    <character>PETE</character>
    <dialogue>Okay, get in!</dialogue>
    <scene_description>The guys race to the open doors and jump in. Grizzly takes a swipe and bites Mitchell's leg! Mitchell pulls with all he's got and gets free, but the dog rips off a chunk of his pants!</scene_description>
    <character>MITCHELL</character>
    <dialogue>My capris!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CAR - MOMENTS LATER</stage_direction>
    <scene_description>ON PETE as he drives. He hears the guys gasping for breath in the back seat.</scene_description>
    <character>MITCHELL (O.S.)</character>
    <dialogue>I can't believe this.</dialogue>
    <character>PETE</character>
    <dialogue>I know. She probably won't even finish high school.</dialogue>
    <character>HUNTER</character>
    <dialogue>Her poor dad...</dialogue>
    <scene_description>The guys ride in stunned silence for a moment.</scene_description>
    <character>HUNTER</character>
    <dialogue>So, uh, Pete, are you gonna introduce us to your friend?</dialogue>
    <character>PETE</character>
    <dialogue>That's Troy, Tina's boyfriend.</dialogue>
    <scene_description>REVEAL: Troy, still naked, sitting on Mitchell's lap.</scene_description>
    <character>TROY</character>
    <dialogue>Hey dudes.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Stop shifting.</dialogue>
    <character>TROY</character>
    <dialogue>Sorry.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I know where they went after the prom. Austin's my boy. Give me a ride home and I'll tell you. Cool?</dialogue>
    <character>HUNTER</character>
    <dialogue>Yeah, cool.</dialogue>
    <character>TROY</character>
    <dialogue>He said they were headed down to the piers by Battery Park.</dialogue>
    <character>HUNTER</character>
    <dialogue>Battery Park? They're going into the city?</dialogue>
    <scene_description>Troy nods. The dads look VERY WORRIED. HARD CUT TO: Troy stands on a corner, still naked, as Pete's car peels out.</scene_description>
    <character>TROY</character>
    <dialogue>Hey, we had a deal!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. POLICE CAR - NIGHT</stage_direction>
    <scene_description>The Cops load Grizzly back into the car, frustrated.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>What the hell are these guys into now?</dialogue>
    <character>DONOHUE</character>
    <dialogue>Pretty obvious. Sex trafficking.</dialogue>
    <scene_description>Hernandez nods. The guys suddenly catch a whiff of something and make a disgusted face.</scene_description>
    <character>DONOHUE</character>
    <dialogue>You see? The jalapenos!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. MANHATTAN - NIGHT</stage_direction>
    <scene_description>The incomparable NYC skyline glows brightly on this clear night.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - MOMENTS LATER</stage_direction>
    <scene_description>Pete flies down the FDR toward Battery Park. The guys look out the windows, concern growing on their faces.</scene_description>
    <character>HUNTER</character>
    <dialogue>I can't believe the kids are in the city alone. Don't they know how dangerous this place is?</dialogue>
    <character>ELI</character>
    <dialogue>Word is, Kayla's into the Saturday night rave scene downtown.</dialogue>
    <character>MITCHELL</character>
    <dialogue>She is not. She goes to Pete's house on Saturday nights. She and Julie take guitar lessons.</dialogue>
    <character>PETE</character>
    <dialogue>Uh, no.</dialogue>
    <character>MITCHELL</character>
    <dialogue>No?</dialogue>
    <character>PETE</character>
    <dialogue>No. Julie told me that she and Kayla were taking guitar lessons at your house on Saturday nights.</dialogue>
    <scene_description>Pete and Mitchell are stewing.</scene_description>
    <character>HUNTER</character>
    <dialogue>Great. That means Sam is mixed up in whatever the hell they're doing on Saturday nights, too.</dialogue>
    <character>ELI</character>
    <dialogue>Nah, they don't hang out with Sam.</dialogue>
    <scene_description>Hunter looks surprised as Pete and Mitchell share a look.</scene_description>
    <character>ELI</character>
    <dialogue>Julie goes to Austin's place on Saturday nights.</dialogue>
    <scene_description>Pete looks at Eli.</scene_description>
    <character>ELI</character>
    <parenthetical>(reluctantly admitting)</parenthetical>
    <dialogue>I've followed her a bunch of times.</dialogue>
    <scene_description>Pete's not sure whether to be happy or angry about that.</scene_description>
    <character>ELI</character>
    <dialogue>It's okay, Mr. H. I have binoculars and to my knowledge, nothing other than light to moderate petting has occurred.</dialogue>
    <character>HUNTER</character>
    <dialogue>Wait, what do you mean they don't hang out with Sam?</dialogue>
    <character>ELI</character>
    <dialogue>Kayla doesn't like Sam. Julie still does, but Sam's not in the crew anymore.</dialogue>
    <character>HUNTER</character>
    <dialogue>She's not in the crew? Is it... is it drugs?</dialogue>
    <character>ELI</character>
    <dialogue>No. She hangs with the art freaks now.</dialogue>
    <character>HUNTER</character>
    <dialogue>Art freaks?</dialogue>
    <scene_description>Eli nods. Hunter is floored.</scene_description>
    <character>HUNTER</character>
    <dialogue>Why couldn't it have been drugs?</dialogue>
    <character>ELI</character>
    <dialogue>It all happened during spring break. She didn't tell you?</dialogue>
    <scene_description>Hunter shakes his head.</scene_description>
    <character>ELI</character>
    <dialogue>Pink streak in her hair. Dead giveaway.</dialogue>
    <character>HUNTER</character>
    <parenthetical>(to Mitchell)</parenthetical>
    <dialogue>What the fuck? Kayla is too good for Sam? Give me a fucking break.</dialogue>
    <character>MITCHELL</character>
    <dialogue>It has nothing to do with us, Hunter. I feel really bad about it.</dialogue>
    <character>PETE</character>
    <dialogue>Me, too...</dialogue>
    <character>HUNTER</character>
    <dialogue>You knew about this, too?</dialogue>
    <character>PETE</character>
    <dialogue>Yeah, I assumed you knew until you said something about the girls in karate class. They haven't done that in years.</dialogue>
    <scene_description>Hunter sighs.</scene_description>
    <character>PETE</character>
    <dialogue>Sorry, man. I thought it was obvious that something was wrong with her.</dialogue>
    <character>HUNTER</character>
    <dialogue>I didn't even notice...</dialogue>
    <scene_description>Hunter sits back, feeling terrible...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BATTERY PARK AREA - NIGHT</stage_direction>
    <scene_description>The guys walk around the piers along New York Harbor. Drunk and stoned KIDS are everywhere.</scene_description>
    <character>MITCHELL</character>
    <dialogue>We're never gonna find them down here.</dialogue>
    <scene_description>They spot some PROSTITUTES on the corner.</scene_description>
    <character>HUNTER</character>
    <dialogue>Maybe they've seen the girls.</dialogue>
    <scene_description>The guys head over.</scene_description>
    <character>PROSTITUTE #1</character>
    <dialogue>Hey handsome, you want a date?</dialogue>
    <character>PETE</character>
    <dialogue>No, thanks. But maybe you ladies can help us.</dialogue>
    <character>PROSTITUTE #2</character>
    <dialogue>I'm sure we can, sugar!</dialogue>
    <character>PETE</character>
    <dialogue>Great. We're looking for some young girls.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Fifteen year olds.</dialogue>
    <character>HUNTER</character>
    <dialogue>Very cute.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Two brunettes and a blonde.</dialogue>
    <character>PETE</character>
    <dialogue>The blonde is mine.</dialogue>
    <scene_description>The Prostitutes look at each other with disgust, then one whips out a GUN and the other a BATON! A POLICE SIREN WAILS as a POLICE CAR flies around the corner and blasts its HIGH BEAMS on the terrified guys!</scene_description>
    <character>PROSTITUTE</character>
    <dialogue>ON THE GROUND, SCUMBAGS!!</dialogue>
    <character>PETE</character>
    <dialogue>No, you don't underst-</dialogue>
    <scene_description>She CRACKS Pete behind the knees with the baton and he drops like a sack of shit. The UNDERCOVER COPS cuff the guys. Just then, the kids' limo pulls up. ON THE KIDS... As they file out of the limo, they spot the guys laying on their bellies on the pavement, getting cuffed. They're not close, so they don't recognize them.</scene_description>
    <character>JULIE</character>
    <dialogue>What a bunch of losers.</dialogue>
    <character>KAYLA</character>
    <dialogue>Perverts!</dialogue>
    <scene_description>The kids walk down a pier over which hangs a banner that reads "BOOZE CRUISE AROUND THE STATUE OF LIBERTY!" Austin steps across the gap and onto the boat. He helps Julie cross onto the boat. Dex hops on next and heads inside. Austin helps Kayla and Sam aboard.</scene_description>
    <character>KAYLA</character>
    <dialogue>Thanks, Austin.</dialogue>
    <character>AUSTIN</character>
    <dialogue>Of course.</dialogue>
    <scene_description>ON THE GUYS...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. Who spot the girls, but it's too late as the kids board a</stage_direction>
    <scene_description>PARTY BOAT. HARD CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - LATER</stage_direction>
    <scene_description>Mitchell, Hunter and Eli are handcuffed, leaning against a wall.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I guess you'll never get to play with Debbie's pom poms now.</dialogue>
    <character>HUNTER</character>
    <dialogue>I don't give a shit about Debbie. I'm worried about Sam.</dialogue>
    <scene_description>One of the female UNDERCOVER COPS walks over.</scene_description>
    <character>UNDERCOVER COP</character>
    <dialogue>So let me get this straight, you're two of the girls' fathers?</dialogue>
    <parenthetical>(off their nods; to Eli)</parenthetical>
    <dialogue>And who are you again?</dialogue>
    <character>ELI</character>
    <dialogue>I'm the neighbor slash love interest.</dialogue>
    <scene_description>Mitchell raises his cuffed hand.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Question. Are you currently hiring? I feel as though I could be a real asset to the force.</dialogue>
    <character>UNDERCOVER COP</character>
    <parenthetical>(looks him up and down)</parenthetical>
    <dialogue>I don't see it.</dialogue>
    <scene_description>ON PETE, who speaks with MAYA, one of the undercover cops dressed as a prostitute. She's very attractive. Maya pops the cuffs off and Pete rubs his wrist.</scene_description>
    <character>PETE</character>
    <dialogue>Thanks for not taking us in. I'm just trying to do the right thing here.</dialogue>
    <parenthetical>(struggling to maintain his composure)</parenthetical>
    <dialogue>Sorry, It's been a long night.</dialogue>
    <scene_description>Pete drops his head. Maya pats his arm.</scene_description>
    <character>MAYA</character>
    <dialogue>I'm a single parent with a teenager, too, so I know how tough it can be. Cut yourself some slack.</dialogue>
    <scene_description>They share a smile. ON ELI AND HUNTER: Eli gestures to Pete and Maya.</scene_description>
    <character>ELI</character>
    <dialogue>Check it. That hot lady cop is into Mr. H.</dialogue>
    <character>HUNTER</character>
    <dialogue>Too bad he won't do anything about it.</dialogue>
    <character>ELI</character>
    <dialogue>What should he do?</dialogue>
    <character>HUNTER</character>
    <dialogue>She's throwing off serious signals. Now's the time to break the spacial barrier. Touch her. Gently, but in a firm way. Something that says "I'm here for you. I care deeply. My cock is here with us, too."</dialogue>
    <character>ELI</character>
    <dialogue>He's not doing any of that.</dialogue>
    <character>HUNTER</character>
    <dialogue>No, there's no room in his life for anyone but Julie.</dialogue>
    <scene_description>ON PETE AND MAYA as the other guys and the other Undercover Cop walk over:</scene_description>
    <character>MAYA</character>
    <dialogue>I live right near you. Take my card. If there's anything I can do. Or if you just want to...</dialogue>
    <parenthetical>(shrugs)</parenthetical>
    <dialogue>... call me sometime.</dialogue>
    <scene_description>She smiles. Pete smiles back. There's real chemistry here.</scene_description>
    <character>PETE</character>
    <dialogue>I'd really like-</dialogue>
    <character>UNDERCOVER COP</character>
    <dialogue>Apologies for the beat down, but this area is full of scumbags just waiting to get their filthy hands on young, naive girls so they can get them hooked on drugs and turn 'em out. Next thing you know, these poor girls are so strung out on crank, they can't keep track of which veins still work or whose dicks they're sucking.</dialogue>
    <scene_description>Pete and Maya's nice moment has been decimated.</scene_description>
    <character>PETE</character>
    <dialogue>On that note...</dialogue>
    <scene_description>Maya nods.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PIER - MOMENTS LATER</stage_direction>
    <scene_description>The guys look out at several PARTY BOATS in the harbor.</scene_description>
    <character>PETE</character>
    <dialogue>We're gonna need a boat.</dialogue>
    <character>HUNTER</character>
    <dialogue>There!</dialogue>
    <scene_description>The guys hurry toward a dock with several boats.</scene_description>
    <character>ELI</character>
    <dialogue>So, Mr. Harrington, did you get that chick's math or what?</dialogue>
    <character>PETE</character>
    <dialogue>What are you talking about?</dialogue>
    <character>HUNTER</character>
    <dialogue>Give it up, Pete. It was so obvious. She took forever patting you down.</dialogue>
    <character>ELI</character>
    <dialogue>You should tear that ass up!</dialogue>
    <scene_description>Fist bump with Hunter.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Eli, some guys will have sex with any woman who comes along. Others of us want to be in love first.</dialogue>
    <character>HUNTER</character>
    <dialogue>And that's why Mitchell's only had sex with two women.</dialogue>
    <scene_description>Mitchell offers no rebuttal.</scene_description>
    <character>ELI</character>
    <dialogue>My only frame of reference is porn. But is sex really different when you're in love?</dialogue>
    <character>PETE</character>
    <dialogue>Yes, Eli. It is.</dialogue>
    <character>HUNTER</character>
    <dialogue>I'd like to disagree, but the truth is, I can't. I remember the first time I made love to my wife. It felt like an earthquake. I can't even put it into words. It's a beautiful memory.</dialogue>
    <character>ELI</character>
    <dialogue>Wow.</dialogue>
    <character>HUNTER</character>
    <dialogue>I still beat off to it sometimes.</dialogue>
    <character>ELI</character>
    <dialogue>Wow, that sounds amazing.</dialogue>
    <character>HUNTER</character>
    <dialogue>It really was...</dialogue>
    <character>ELI</character>
    <dialogue>How many times did you cum in her face?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BOAT - NIGHT</stage_direction>
    <scene_description>A post-prom booze cruise is raging as it cruises toward the Statue of Liberty. Austin walks over with a drink for Julie. She smiles. He kisses Julie's neck, but she's distracted. She watches Sam downing beers from plastic cups.</scene_description>
    <character>SAM</character>
    <dialogue>Drink up, you fucking losers!</dialogue>
    <scene_description>Everyone around her cheers and drinks. Kayla throws back a beer, overwhelmed by Sam's pace.</scene_description>
    <character>JULIE</character>
    <dialogue>Be right back.</dialogue>
    <scene_description>Austin grabs her gently and whispers in her ear.</scene_description>
    <character>AUSTIN</character>
    <dialogue>I have a huge boner right now.</dialogue>
    <character>JULIE</character>
    <dialogue>That's sweet.</dialogue>
    <scene_description>Julie walks over to Sam, who is WASTED.</scene_description>
    <character>JULIE</character>
    <dialogue>Hey guys. Fun, huh?</dialogue>
    <character>SAM</character>
    <dialogue>Um, yes.</dialogue>
    <character>KAYLA</character>
    <dialogue>Amazing.</dialogue>
    <character>JULIE</character>
    <dialogue>Are you okay, Sam?</dialogue>
    <character>SAM</character>
    <dialogue>Yeah, I'm great.</dialogue>
    <character>JULIE</character>
    <parenthetical>(quietly)</parenthetical>
    <dialogue>Maybe you should slow down.</dialogue>
    <character>SAM</character>
    <dialogue>Maybe you should speed up.</dialogue>
    <character>KAYLA</character>
    <dialogue>I gotta piss.</dialogue>
    <character>SAM</character>
    <dialogue>Yeah, me three.</dialogue>
    <scene_description>Kayla and Sam walk away, leaving Julie standing there looking concerned.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOAT - MOMENTS LATER</stage_direction>
    <scene_description>Kayla and Sam approach the bathroom and see a long line. Sam taps a BIG GUY on the shoulder.</scene_description>
    <character>SAM</character>
    <dialogue>Is that the line for the crapper?</dialogue>
    <scene_description>He nods.</scene_description>
    <character>SAM</character>
    <dialogue>Fuck. That.</dialogue>
    <scene_description>Sam heads back outside. Curious, Kayla follows. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BOAT - MOMENTS LATER</stage_direction>
    <scene_description>Kayla laughs while standing near the bow of the boat, which cruises by the STATUE OF LIBERTY.</scene_description>
    <character>SAM (O.S.)</character>
    <parenthetical>(shouting)</parenthetical>
    <dialogue>I'm the king of the world!</dialogue>
    <scene_description>REVEAL Sam sitting over the BOAT RAILING, pissing.</scene_description>
    <character>SAM</character>
    <dialogue>Hold my leg, bitch!</dialogue>
    <scene_description>Kayla, still laughing, grabs Sam's leg. Julie hurries out and grabs Sam's other leg.</scene_description>
    <character>JULIE</character>
    <dialogue>Sam, get down!</dialogue>
    <character>SAM</character>
    <dialogue>Lady Liberty fought for my right to do this!</dialogue>
    <character>SAM</character>
    <parenthetical>(off Julie's confused look)</parenthetical>
    <dialogue>Make yourself useful, Julie. Hand me that cocktail napkin.</dialogue>
    <scene_description>Julie hands her a napkin from under a BEER CUP on the railing. Sam takes care of business and hops down.</scene_description>
    <character>SAM</character>
    <parenthetical>(to Kayla)</parenthetical>
    <dialogue>Alright, I'll help you, then we get back to the guys. Cuz' we gotsta' get some dick tonight.</dialogue>
    <scene_description>Julie looks at Kayla, who looks out over the railing.</scene_description>
    <character>SAM</character>
    <dialogue>Don't tell me you're scared.</dialogue>
    <character>KAYLA</character>
    <dialogue>Of course not.</dialogue>
    <character>SAM</character>
    <dialogue>Then go!</dialogue>
    <scene_description>Kayla can't back down now. She climbs up.</scene_description>
    <character>SAM</character>
    <dialogue>I'm letting you go overboard if you shit.</dialogue>
    <scene_description>Julie looks even more concerned.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PIER - NIGHT</stage_direction>
    <scene_description>The guys walk along the pier, looking for a boat.</scene_description>
    <character>ELI</character>
    <dialogue>That one!</dialogue>
    <scene_description>Eli points to a GLEAMING SPEEDBOAT.</scene_description>
    <character>HUNTER</character>
    <dialogue>Yes, that's exactly what we need. We can speed out there in no time and do it in style.</dialogue>
    <scene_description>Pete and Mitchell nod. They see a GUY next to the boat and the hurry out to him.</scene_description>
    <character>PETE</character>
    <dialogue>Hey!</dialogue>
    <scene_description>The Guy looks over.</scene_description>
    <character>PETE</character>
    <dialogue>We're in a bit of a bind and need a boat. Would you rent us yours?</dialogue>
    <character>GUY</character>
    <dialogue>She's my pride and joy. I would never rent her.</dialogue>
    <character>PETE</character>
    <dialogue>We have cash.</dialogue>
    <character>GUY</character>
    <dialogue>I'm listening.</dialogue>
    <character>PETE</character>
    <dialogue>How does a hundred bucks sound?</dialogue>
    <scene_description>Guy lifts his leg and lets out a growler of a FART. His point has been made. Smellily.</scene_description>
    <character>PETE</character>
    <dialogue>Sounds like a hundred won't cut it, guys.</dialogue>
    <scene_description>The guys dig into their wallets and add up what they've got.</scene_description>
    <character>HUNTER</character>
    <dialogue>We've got four hundred and seventy two bucks.</dialogue>
    <character>GUY</character>
    <dialogue>Deal. But you have to be careful on the motor. She's real sensitive.</dialogue>
    <scene_description>Hunter hands the Guy the cash. The guys excitedly climb into the beautiful boat.</scene_description>
    <character>GUY</character>
    <dialogue>Hold up. What are you doing?</dialogue>
    <character>PETE</character>
    <dialogue>Taking out your boat.</dialogue>
    <character>GUY</character>
    <dialogue>That's not my boat. THAT'S my boat.</dialogue>
    <scene_description>He points to a SHITTY WOODEN SKIFF with a tiny engine. The guys look pissed.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOAT - MOMENTS LATER</stage_direction>
    <scene_description>On the dance floor, Kayla tries to keep up with Sam, who thrust her pelvis at Chad. Kayla slithers seductively down Dex's body and bobs her head, simulating blowing him, then slides up and bites his lip.</scene_description>
    <character>DEX</character>
    <dialogue>You know, Austin got a hotel room tonight.</dialogue>
    <character>KAYLA</character>
    <dialogue>Yeah?</dialogue>
    <character>DEX</character>
    <dialogue>Def. We'll get one, too. Don't worry about the money... we can split it.</dialogue>
    <character>KAYLA</character>
    <dialogue>I've gotta be home tonight.</dialogue>
    <character>DEX</character>
    <dialogue>So does Julie, so they're getting a hotel close to home.</dialogue>
    <character>KAYLA</character>
    <dialogue>Oh. Well, I don't know if-</dialogue>
    <character>SAM</character>
    <dialogue>Fuckin' A right, we're all gonna need rooms!</dialogue>
    <scene_description>Chad looks surprised.</scene_description>
    <character>DEX</character>
    <dialogue>Nice. I'll reserve one for you, too, bro.</dialogue>
    <character>CHAD</character>
    <parenthetical>(tentatively)</parenthetical>
    <dialogue>Uh, yeah, okay.</dialogue>
    <parenthetical>(trying to be cool)</parenthetical>
    <dialogue>Def.</dialogue>
    <character>DEX</character>
    <dialogue>That's what the fuck I'm talking about!</dialogue>
    <scene_description>Dex aggressively high fives Chad, mangling Chad's hand. He hides the pain and quickly grabs a cold beer in his hand to soothe the pain.</scene_description>
    <character>CHAD</character>
    <dialogue>A non-smoking room, please.</dialogue>
    <character>DEX</character>
    <dialogue>I'm not sure about you, bro.</dialogue>
    <scene_description>Sam grabs the beer and pours it over her mouth, wearing more than she drinks.</scene_description>
    <character>SAM</character>
    <dialogue>Woooooooooooooooo!!!!!</dialogue>
    <scene_description>Dex laughs, then smacks Kayla's ass as he walks away, cell phone in hand. Kayla continues dancing, but something is different. She looks NERVOUS... the reality of the pact is settling in. She sees Julie looking over and smiles, then dances again.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. NEW YORK HARBOR - NIGHT</stage_direction>
    <scene_description>The guys are crammed on the skiff as it slowly chugs out into the choppy bay. It's a rough ride.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Can this thing go any faster, Hunter?</dialogue>
    <character>HUNTER</character>
    <parenthetical>(sarcastically)</parenthetical>
    <dialogue>Oh, yeah. Way faster, but I thought we should take it slowly. Enjoy the sea air.</dialogue>
    <character>ELI</character>
    <dialogue>Good one.</dialogue>
    <scene_description>Hunter nods.</scene_description>
    <character>MITCHELL</character>
    <parenthetical>(re: a party boat)</parenthetical>
    <dialogue>That one!</dialogue>
    <character>PETE</character>
    <dialogue>Are you sure?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Yes!</dialogue>
    <scene_description>LATER... The guys approach the party boat. There is no one on the deck, but they see glimpses of people inside the boat in tuxedoes and gowns. They tie the boat to the side and all climb aboard the ladder. The music is pumping on the boat.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PARTY BOAT - MOMENTS LATER</stage_direction>
    <scene_description>The first TUXEDOED GUY they encounter is in his 30s and drunk. He looks surprised to see the guys.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Geez, these kids look older and older every year.</dialogue>
    <scene_description>The guys hear a MAN talking on a mic:</scene_description>
    <character>MAN (O.S.)</character>
    <dialogue>Thanks everyone for celebrating with us today. I'm sure you've all heard by now...</dialogue>
    <scene_description>The guys enter the main cabin of the party boat and see a MAN at a podium -- it's the GROOM the guys ran off the road!</scene_description>
    <character>GROOM</character>
    <dialogue>We almost didn't make it here this evening. Wait - is that...?</dialogue>
    <scene_description>All eyes turn to the guys.</scene_description>
    <character>BRIDE</character>
    <dialogue>Son of a bitch! They're back to finish the job!</dialogue>
    <character>PETE</character>
    <dialogue>No-</dialogue>
    <scene_description>The Bride whips the CAKE KNIFE across the room. Pete ducks and the knife sticks in the wall!</scene_description>
    <character>GROOM</character>
    <dialogue>Grab those guys!</dialogue>
    <scene_description>Several GUESTS step toward the guys.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Sorry, wrong boat!</dialogue>
    <character>HUNTER</character>
    <parenthetical>(to Pete re: Mitchell)</parenthetical>
    <dialogue>Why do we keep listening to him?!</dialogue>
    <character>PETE</character>
    <dialogue>Let's haul ass!</dialogue>
    <scene_description>The guys take off! They run out on the deck. Hunter turns to climb down the ladder, but there's no time.</scene_description>
    <character>PETE</character>
    <dialogue>Go!</dialogue>
    <scene_description>Pete shoves Hunter, who flies off the deck and hits the water next to the boat! Pete and Eli jump into the water. An ELDERLY WOMAN grabs Mitchell, who shoves her, then jumps, landing HARD in the boat!</scene_description>
    <character>MITCHELL</character>
    <dialogue>AHHHH!</dialogue>
    <scene_description>The guys scramble into the boat and Hunter cranks the tiny engine! ON THE PARTY BOAT The Bride looks at the Groom.</scene_description>
    <character>BRIDE</character>
    <dialogue>Are you sure this was not your mother?</dialogue>
    <character>GROOM</character>
    <dialogue>Pretty sure!</dialogue>
    <scene_description>Both look at the GROOM'S MOTHER, suspiciously, as she does the chicken dance. GUESTS throw things at the boat: shoes, the wedding cake and an ice sculpture, which puts a split in the floor of the skiff! ON THE SKIFF</scene_description>
    <character>PETE</character>
    <dialogue>Gun it!!!</dialogue>
    <scene_description>They move away from the party boat as the skiff takes on water.</scene_description>
    <character>ELI</character>
    <dialogue>I think we're safe.</dialogue>
    <scene_description>The guys look momentarily relieved. Suddenly, Pete and Mitchell in the front of the boat are moving away from Eli and Hunter in the back of the boat. The boat has split in half.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. NEW YORK HARBOR - LATER</stage_direction>
    <scene_description>The four guys hold onto a chunk of the boat and kick their way back toward the pier as the girls' PARTY BOAT cruises by in the distance.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I bet that's the girls' boat.</dialogue>
    <character>PETE</character>
    <parenthetical>(no shit)</parenthetical>
    <dialogue>Thanks, Mitchell.</dialogue>
    <character>ELI</character>
    <dialogue>This sucks. The rumors I've heard about the motion of the ocean and all that, any truth to that?</dialogue>
    <character>HUNTER</character>
    <dialogue>I'm afraid so. When I had my boat, I did more offshore drilling than BP.</dialogue>
    <scene_description>LATER... The PARTY BOAT docks and the guys see the girls and their dates step onto the pier. ON THE GUYS...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. still kicking.</stage_direction>
    <character>PETE/ELI</character>
    <dialogue>JUUUUULIEEEEEEE!!!!!</dialogue>
    <character>MITCHELL</character>
    <dialogue>KAAAAAAAYLAAAAA!!!!!</dialogue>
    <character>HUNTER</character>
    <dialogue>They can't hear you, guys. Forget it. It's over...</dialogue>
    <scene_description>They watch, helplessly, as the kids get into the limo and drive away.</scene_description>
    <character>ELI</character>
    <parenthetical>(getting upset)</parenthetical>
    <dialogue>I'm sorry I found the pact, guys. I shouldn't have been snooping in Julie's room in the first place.</dialogue>
    <character>PETE</character>
    <dialogue>None of this is your fault, Eli. This is on us. Tonight is about our failings as fathers.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Yeah, Kayla's acting out because she's embarrassed of me. She probably did instigate this whole thing.</dialogue>
    <character>PETE</character>
    <dialogue>No, Mitchell. I'm sorry about saying that.</dialogue>
    <character>MITCHELL</character>
    <dialogue>No, it's probably true. I want my kids to respect me, but I can't even find a job. I'm not worthy of their respect.</dialogue>
    <character>HUNTER</character>
    <dialogue>Well, I didn't even know Sam was being excluded. I'm so wrapped up in my own shit that I had no idea about the pain she must be feeling. I don't know anything about her.</dialogue>
    <scene_description>Hunter is choked up. The guys look at him - they've never seen him like this.</scene_description>
    <character>HUNTER</character>
    <dialogue>The truth is, I'm terrified of her. I expected to have a boy. What do I have in common with a 15 year old girl? So I just... I don't even try. I'm a terrible father.</dialogue>
    <scene_description>Pete puts his arm on Hunter's shoulder.</scene_description>
    <character>PETE</character>
    <dialogue>There's plenty of blame to go around. When I lost Jessica, I tried so hard to be Julie's friend that I smothered her. She was desperate to prove her independence. I drove her to this.</dialogue>
    <scene_description>Beat. Eli realizes he's the only one kicking.</scene_description>
    <character>ELI</character>
    <dialogue>Are you guys counting on the tide here or what?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - NIGHT</stage_direction>
    <scene_description>Back on Long Island, Pete exits the highway. The guys sit silently, soaking wet and feeling horrible about themselves.</scene_description>
    <character>ELI</character>
    <dialogue>You guys shouldn't be so hard on yourselves. At least you're around. My dad left when I was six.</dialogue>
    <character>HUNTER</character>
    <dialogue>His loss, Eli.</dialogue>
    <scene_description>Eli nods a "thank you." He starts to sob. Hunter puts his arm around Eli.</scene_description>
    <character>HUNTER</character>
    <dialogue>It's gonna be okay.</dialogue>
    <character>ELI</character>
    <dialogue>Yeah, it's just that all my hopes and dreams are dead... And my pain is just beginning. I bet Julie and Austin will be doing it all the time now. Once you pop, you can't stop.</dialogue>
    <character>HUNTER</character>
    <dialogue>Julie is a terrific kid. But you'll meet someone else.</dialogue>
    <character>ELI</character>
    <dialogue>I don't think so...</dialogue>
    <scene_description>They drive past a 7-11 and Pete spots something.</scene_description>
    <character>PETE</character>
    <dialogue>Holy shit!</dialogue>
    <scene_description>Pete whips the minivan into a U-turn and screeches to a stop in the 7-11 parking lot.</scene_description>
    <character>MITCHELL</character>
    <dialogue>What are you doing, Pete!?</dialogue>
    <scene_description>Pete points at Seth, the limo driver, walking into the 7-11.</scene_description>
    <character>MITCHELL (CONT'D</character>
    <dialogue>I told you there was a six in the license plate!!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. 7-11 - NIGHT</stage_direction>
    <scene_description>The guys rush over to Seth, who leans against a Slurpee machine, enjoying a cold one.</scene_description>
    <character>SETH</character>
    <dialogue>What can I do for you fellas?</dialogue>
    <character>HUNTER</character>
    <dialogue>You know what we want.</dialogue>
    <character>SETH</character>
    <dialogue>Coupla' eight balls?</dialogue>
    <character>PETE</character>
    <dialogue>Our daughters. They were in your limo tonight.</dialogue>
    <character>SETH</character>
    <dialogue>Oh right. I'd love to help you out, but I'm not at liberty to say where they went. Because of limo driver/passenger privilege. Confidentiality and all that.</dialogue>
    <parenthetical>(rubbing fingers together, looking for a bribe)</parenthetical>
    <dialogue>You understand.</dialogue>
    <character>MITCHELL</character>
    <dialogue>I gave you fifty bucks earlier tonight!</dialogue>
    <character>SETH</character>
    <dialogue>I'm back to funerals until next summer, man. Do you have any idea how poorly grieving people take hints?</dialogue>
    <scene_description>Out of cash, the guys look defeated. Suddenly, a fist connects with Seth's jaw, knocking him down. The guys look over at Eli, who rubs his hand.</scene_description>
    <character>HUNTER</character>
    <dialogue>Nice.</dialogue>
    <character>ELI</character>
    <dialogue>I knew none of you would hit him.</dialogue>
    <character>PETE</character>
    <parenthetical>(to Seth)</parenthetical>
    <dialogue>Where are they?</dialogue>
    <character>SETH</character>
    <parenthetical>(struggles to get it out)</parenthetical>
    <dialogue>I just dropped them off at the Courtyard by Marriott.</dialogue>
    <scene_description>As the guys look on, Eli turns on the Slurpie machine which pours a steady stream of blue Slurpie onto Seth, who remains on the floor. Eli exits the 7-11 as a man.</scene_description>
    <character>HUNTER</character>
    <parenthetical>(re: Eli)</parenthetical>
    <dialogue>The kid's balls dropped tonight.</dialogue>
    <scene_description>Mitchell nods, impressed with Eli.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PETE'S HOUSE - NIGHT</stage_direction>
    <scene_description>Hernandez and Donohue sit in their cruiser staring at Pete's house. The RADIO chirps to life.</scene_description>
    <character>RADIO (O.S.)</character>
    <dialogue>Assault and battery at the 7-11 1738 West Babylon Turnpike. Multiple male suspects in a blue Volvo wagon.</dialogue>
    <scene_description>Cops look at each other and nod.</scene_description>
    <character>DONOHUE</character>
    <dialogue>324. Show us responding!</dialogue>
    <scene_description>Hernandez pumps a fist! Donohue hits the gas!</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTYARD BY MARRIOTT - LATER</stage_direction>
    <scene_description>The boys get their keys at the front desk as the girls wait outside.</scene_description>
    <character>KAYLA</character>
    <dialogue>Well, this is it.</dialogue>
    <scene_description>She looks right at Sam, who doesn't flinch.</scene_description>
    <character>SAM</character>
    <dialogue>Can't wait.</dialogue>
    <scene_description>Kayla nods.</scene_description>
    <character>JULIE</character>
    <dialogue>It's not too late to back out of this thing, you know?</dialogue>
    <character>SAM</character>
    <dialogue>Why would I do that? I'm all about the cock.</dialogue>
    <character>KAYLA</character>
    <dialogue>I'm also pretty much all about the cock as well, so...</dialogue>
    <character>JULIE</character>
    <dialogue>This conversation is foul.</dialogue>
    <scene_description>The boys walk out of the lobby and the three couples split up and head to their rooms.</scene_description>
    <character>SAM</character>
    <dialogue>Okay, well... we're going to our room now.</dialogue>
    <character>KAYLA</character>
    <dialogue>We're going to ours, too.</dialogue>
    <scene_description>The three couples stand there awkwardly for a moment until Julie and Austin walk away.</scene_description>
    <character>DEX</character>
    <dialogue>The fuck are we waiting for?</dialogue>
    <scene_description>Sam grabs Chad's hand and starts walking. Kayla nervously walks away with Dex. Sam looks back at Kayla, who is looking back at her. Neither flinches...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - CONTINUOUS</stage_direction>
    <scene_description>Pete flies down the road until the guys spot the police cruiser again, lights on and sirens blaring.</scene_description>
    <character>HUNTER</character>
    <dialogue>Shit!</dialogue>
    <character>MITCHELL</character>
    <dialogue>No, not now! Not now!</dialogue>
    <scene_description>Pete turns hard.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE CAR - CONTINUOUS</stage_direction>
    <scene_description>The Cops smile.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>These clowns think they're getting away!</dialogue>
    <character>DONOHUE</character>
    <dialogue>Not this time, buddy!</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S CAR - CONTINUOUS</stage_direction>
    <scene_description>Pete spots a second POLICE CRUISER join the chase. He turns hard again and the two cruisers follow.</scene_description>
    <character>HUNTER</character>
    <dialogue>Another bogey!</dialogue>
    <scene_description>Suddenly, a POLICE HELICOPTER appears in the sky, spot light blasting on Pete's car.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Oh crap!</dialogue>
    <character>ELI</character>
    <dialogue>Eye in the sky!</dialogue>
    <scene_description>Pete whips the car down an alley and they emerge in a commercial area. The spotlight still shines on the car.</scene_description>
    <character>HUNTER</character>
    <dialogue>We can't shake it!</dialogue>
    <character>MITCHELL</character>
    <dialogue>This is a dead end!</dialogue>
    <character>HELICOPTER COP (O.S.)</character>
    <dialogue>He's got nowhere to go.</dialogue>
    <character>PETE</character>
    <dialogue>There!</dialogue>
    <scene_description>Pete points to a parking garage.</scene_description>
    <character>MITCHELL</character>
    <dialogue>That's crazy. We'll be trapped!</dialogue>
    <scene_description>Pete slides hard into the parking garage and flies up the levels. IN THE CRUISER... Hernandez is on the radio.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Suspects have driven into a parking garage on Lafayette and Grand. Only two ways in or out. We'll take the North entrance.</dialogue>
    <character>SECOND POLICE CRUISER (O.S.)</character>
    <dialogue>Copy. We've got the East entrance.</dialogue>
    <scene_description>The Cruisers drive into the two garage entrances.</scene_description>
    <character>HERNANDEZ (INTO RADIO)</character>
    <dialogue>Suspects surrounded. We've got it from here. Thanks for the help.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. HELICOPTER - CONTINUOUS</stage_direction>
    <scene_description>The helicopter circles.</scene_description>
    <character>HELICOPTER COP</character>
    <dialogue>Roger that.</dialogue>
    <scene_description>The helicopter banks and takes off.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GARAGE - CONTINUOUS</stage_direction>
    <scene_description>The garage is dark. Donohue turns the corner onto the fourth floor and spot Pete's car slowly driving toward them at about 2 miles an hour.</scene_description>
    <character>DONOHUE</character>
    <dialogue>What the fuck are these guys up to?</dialogue>
    <scene_description>Donohue stops the cruiser and the two cops hop out, guns drawn and pointed at Pete's car. The COPS from the second car stand behind their doors, also with guns pointed. Pete's car picks up speed down the slight decline.</scene_description>
    <character>DONOHUE</character>
    <dialogue>Stop the vehicle and get out with your hands up!</dialogue>
    <scene_description>Nothing. The car continues toward them, only twenty feet away. Fifteen feet. Ten feet. Donohue motions to his partner and the two OPEN FIRE!! Glass explodes! The car continues toward them and the two cops step to the side to avoid the slow-moving vehicle. The car hits the wall! Donohue nods to Hernandez, who approaches the car, gun still drawn. Donohue and the other two Cops hang back. Hernandez reaches out and whips open the driver's door.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>HANDS UP, MOTHERFUCKERS!!</dialogue>
    <scene_description>The car is EMPTY. The car is in NEUTRAL. The cops look confused.</scene_description>
    <character>HERNANDEZ</character>
    <dialogue>Shit!</dialogue>
    <scene_description>He kicks Pete's car.</scene_description>
    <character>DONOHUE</character>
    <dialogue>Let's search the garage. If they're not here, we'll check the hotel. These guys are going down.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PARKING GARAGE - FIRST LEVEL</stage_direction>
    <scene_description>The guys all sit in a MINIVAN with a smashed-in driver's window. The electronics hang below the steering wheel. The engine idles.</scene_description>
    <character>HUNTER</character>
    <parenthetical>(to Pete)</parenthetical>
    <dialogue>I guess all that work you did on Jessica's beater paid off.</dialogue>
    <scene_description>Pete nods, but looks upset.</scene_description>
    <character>MITCHELL</character>
    <dialogue>It's alright, Pete. You'll get the car back.</dialogue>
    <character>ELI</character>
    <parenthetical>(sotto)</parenthetical>
    <dialogue>When you get out of prison.</dialogue>
    <character>PETE</character>
    <dialogue>Okay, here we go. Nice and easy.</dialogue>
    <scene_description>Pete slowly pulls the minivan out of the garage, flips on the lights and casually cruises away from the parking lot.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTYARD BY MARRIOTT - NIGHT</stage_direction>
    <scene_description>Soft music plays. Austin lights a couple of candles. It's romantic... for high school kids.</scene_description>
    <character>AUSTIN</character>
    <dialogue>What do you think?</dialogue>
    <character>JULIE</character>
    <dialogue>It's really nice.</dialogue>
    <scene_description>He smiles. They kiss on top of the made bed.</scene_description>
    <character>AUSTIN</character>
    <dialogue>You're sure you want to do this, right?</dialogue>
    <character>JULIE</character>
    <dialogue>Yes.</dialogue>
    <character>AUSTIN</character>
    <dialogue>Thank you!</dialogue>
    <scene_description>Julie laughs.</scene_description>
    <character>JULIE</character>
    <dialogue>Stop asking. I love you and I want to be with you.</dialogue>
    <character>AUSTIN</character>
    <dialogue>I love you, too.</dialogue>
    <scene_description>Julie stands and unzips her dress. It drops to the floor. Austin stares at Julie's body.</scene_description>
    <character>AUSTIN</character>
    <dialogue>Thanks again!</dialogue>
    <scene_description>Julie laughs and gets into bed.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KAYLA AND DEX'S HOTEL ROOM - NIGHT</stage_direction>
    <scene_description>Kayla checks out the room while Dex lays on the bed. He looks like a cheetah about to pounce on a weakened gazelle.</scene_description>
    <character>KAYLA</character>
    <dialogue>The room is bigger than I expected.</dialogue>
    <character>DEX</character>
    <dialogue>I'll show you something bigger than you expected.</dialogue>
    <scene_description>Kayla chuckles nervously.</scene_description>
    <character>KAYLA</character>
    <dialogue>Should we order some room service?</dialogue>
    <character>DEX</character>
    <dialogue>Oh are you hungry? I got something that will fill you up.</dialogue>
    <scene_description>He smiles, pleased with himself.</scene_description>
    <character>DEX</character>
    <parenthetical>(to clear up any potential confusion)</parenthetical>
    <dialogue>I'm talking about this.</dialogue>
    <scene_description>He grabs his package.</scene_description>
    <character>KAYLA</character>
    <dialogue>Yeah, I got that.</dialogue>
    <scene_description>He pats the bed next to him and she reluctantly sits down. He moves in aggressively for a kiss. His tongue whips around like a weed whacker.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SAM AND CHAD'S HOTEL ROOM - NIGHT</stage_direction>
    <scene_description>The hotel room is filled with sounds of SLURPING.</scene_description>
    <character>SAM (O.S.)</character>
    <parenthetical>(mouth full)</parenthetical>
    <dialogue>How's that?</dialogue>
    <character>CHAD (O.S.)</character>
    <dialogue>Too much teeth.</dialogue>
    <scene_description>ON CHAD, who looks uncomfortable. REVEAL Sam sucking aggressively on his... toes.</scene_description>
    <character>SAM</character>
    <dialogue>I am going to eat you alive.</dialogue>
    <character>CHAD</character>
    <dialogue>Uh, okay.</dialogue>
    <scene_description>Chad could not look any more confused. He flinches repeatedly, trying hard to stifle his laugh reflex.</scene_description>
    <character>CHAD</character>
    <dialogue>No, not the pinky toe!</dialogue>
    <character>SAM</character>
    <dialogue>Fuck yes, the pinky toe! He's my bitch!</dialogue>
    <scene_description>Not sexy.</scene_description>
    <character>CHAD</character>
    <dialogue>You know, this isn't doing much for me. Can we try something else?</dialogue>
    <character>SAM</character>
    <dialogue>I thought you'd never ask...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. MINIVAN - NIGHT</stage_direction>
    <scene_description>The car flies down the road toward a light that turns RED.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Red light! Red light!</dialogue>
    <scene_description>Pete blows the light. HONK!!! Pete swerves, narrowly avoiding an accident with a truck! Out of control, the minivan screeches a hard turn into the parking lot of the hotel. The back of the minivan fishtails, taking out a bush and the neon VACANCY SIGN. Smoke rises from the crushed sign as the minivan stops in front of the lobby.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTYARD BY MARRIOTT - CONTINUOUS</stage_direction>
    <scene_description>The guys charge out of the minivan. Down the hall, the Groom is carrying the Bride across the threshold. They spot the guys and look terrified.</scene_description>
    <character>GROOM</character>
    <parenthetical>(sotto)</parenthetical>
    <dialogue>Okay, it's true! My mother never liked you!</dialogue>
    <scene_description>He rushes into the room, banging her head on the door jamb, then slams the door.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTYARD BY MARRIOTT - MOMENTS LATER</stage_direction>
    <scene_description>Mitchell steps to the front desk and rings the bell. Nothing. Impatient, he pounds the bell. A HOTEL CLERK appears from the back room and slides the bell away from Mitchell.</scene_description>
    <character>HOTEL CLERK</character>
    <dialogue>Can I help you gentlemen?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Yes. We're looking for our daughters. It's prom and we have reason to believe they're staying here.</dialogue>
    <character>HOTEL CLERK</character>
    <dialogue>We get a lot of kids on prom nights. We usually have to burn those sheets.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Terrific! This is a picture of them.</dialogue>
    <scene_description>Mitchell shows a picture on his Motorola Razor. The Hotel Clerk squints.</scene_description>
    <character>HOTEL CLERK</character>
    <dialogue>Sorry, what am I looking at?</dialogue>
    <character>MITCHELL</character>
    <dialogue>This is the kids in front of the limo.</dialogue>
    <character>HOTEL CLERK</character>
    <dialogue>How old is this phone? I can't make out shit in this picture. Maybe you could draw her.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Just let us see a list of the hotel guests.</dialogue>
    <character>HOTEL CLERK</character>
    <dialogue>Sorry, buddy. No can do.</dialogue>
    <character>MITCHELL</character>
    <dialogue>You can't or won't?</dialogue>
    <character>HOTEL CLERK</character>
    <dialogue>Both, I guess.</dialogue>
    <scene_description>Mitchell shakes his head.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I did not want to do this.</dialogue>
    <scene_description>Mitchell moves his hands below the counter and makes the sound of a SHOTGUN BEING LOADED.</scene_description>
    <character>MITCHELL</character>
    <dialogue>You're going to give us that information now, aren't you?!</dialogue>
    <character>HOTEL CLERK</character>
    <dialogue>Because you just made some half- assed gun sound? I could see your mouth.</dialogue>
    <scene_description>Mitchell turns to the guys.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I need to work on that one.</dialogue>
    <scene_description>Pete sighs. He leans closer to the Hotel Clerk and takes a softer tone.</scene_description>
    <character>PETE</character>
    <dialogue>Look, buddy, do you have kids?</dialogue>
    <scene_description>The Hotel Clerk nods.</scene_description>
    <character>PETE</character>
    <dialogue>It's prom night and our teenaged daughters are in your hotel somewhere with their dates. They're about to make the biggest mistake of their lives.</dialogue>
    <scene_description>Pete turns and faces Mitchell and Hunter for effect.</scene_description>
    <character>PETE</character>
    <dialogue>None of us have been perfect fathers. But tonight -- right now -- we have a chance to make up for all the mistakes we've made and save our girls from doing something they'll regret for the rest of their lives.</dialogue>
    <scene_description>Hunter pats Pete on the back. Mitchell nods, emotional.</scene_description>
    <character>PETE</character>
    <dialogue>So I'm asking you, one father to another. What do you say?</dialogue>
    <character>HOTEL CLERK</character>
    <parenthetical>(emotionless, shrugs)</parenthetical>
    <dialogue>I have boys, so...</dialogue>
    <scene_description>Eli approaches the counter and starts swinging, but he can't reach the bewildered Hotel Clerk.</scene_description>
    <character>ELI</character>
    <dialogue>You bastard!</dialogue>
    <scene_description>The guys drag Eli away.</scene_description>
    <character>MITCHELL</character>
    <dialogue>I give up. I'm gonna get some air.</dialogue>
    <scene_description>Mitchell winks at the guys and leaves the lobby. Hunter looks at Pete, who shrugs.</scene_description>
    <character>HUNTER</character>
    <dialogue>What the fuck do we do now? Run up and down the hallway screaming their names?</dialogue>
    <scene_description>The PHONE rings and the Hotel Clerk answers.</scene_description>
    <character>HOTEL CLERK</character>
    <dialogue>Hello?.. A bomb, huh? Yeah, I should probably evacuate the rooms then, I guess.</dialogue>
    <scene_description>The Hotel Clerk nonchalantly hangs up the phone.</scene_description>
    <character>HOTEL CLERK</character>
    <dialogue>Can you let your friend know I can see him through the glass?</dialogue>
    <scene_description>The guys look out the window and see Mitchell standing right in front of the lobby on his cell. He gives them the thumbs up.</scene_description>
    <character>PETE</character>
    <dialogue>I have an idea.</dialogue>
    <scene_description>Pete takes out his cell.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KAYLA AND DEX'S HOTEL ROOM - CONTINUOUS</stage_direction>
    <scene_description>Kayla is standing at the sink in the bathroom looking at herself in the mirror.</scene_description>
    <character>DEX (O.S.)</character>
    <parenthetical>(frustrated)</parenthetical>
    <dialogue>You know, I could have gone to the prom with a million other girls who would love to be here right now.</dialogue>
    <character>KAYLA</character>
    <dialogue>I'll be right there.</dialogue>
    <character>DEX</character>
    <dialogue>Oh, hard to get, huh?</dialogue>
    <scene_description>Dex walks into the bathroom.</scene_description>
    <character>DEX</character>
    <dialogue>You can skip that shit. I know all about the pact.</dialogue>
    <scene_description>He leans into her and starts kissing her neck. Kayla looks surprised... and scared.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SAM AND CHAD'S HOTEL ROOM - CONTINUOUS</stage_direction>
    <scene_description>Sam dry humps Chad, who tries to squirm away until he finds himself on his belly. Sam is grinding against his back.</scene_description>
    <character>SAM</character>
    <dialogue>Dude, you're doing it wrong.</dialogue>
    <scene_description>He slips out from under her and lands on the floor.</scene_description>
    <character>CHAD</character>
    <dialogue>I'm sorry... I'm not ready for this, Sam.</dialogue>
    <character>SAM</character>
    <dialogue>What?</dialogue>
    <parenthetical>(re: his hard-on)</parenthetical>
    <dialogue>You seem ready.</dialogue>
    <character>CHAD</character>
    <dialogue>Well, I'm not. I can't have sex with you.</dialogue>
    <character>SAM</character>
    <dialogue>Seriously?</dialogue>
    <scene_description>Chad nods.</scene_description>
    <character>SAM</character>
    <dialogue>Is it someone else?</dialogue>
    <character>CHAD</character>
    <dialogue>Yes. It's Jesus.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I made him a promise. I gave him my word to stop at third.</dialogue>
    <scene_description>Sam looks repulsed. LATER...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. MAYA, the woman cop, still dressed as a prostitute, shows her badge to the Hotel Clerk.</stage_direction>
    <scene_description>He reluctantly slides a sheet of paper to the guys. It's got the girls' room numbers on it.</scene_description>
    <character>HUNTER</character>
    <dialogue>Thanks, asshole.</dialogue>
    <scene_description>Mitchell looks at a HELP WANTED SIGN on the desk.</scene_description>
    <character>MITCHELL</character>
    <parenthetical>(gesturing toward it)</parenthetical>
    <dialogue>What's the situation here?</dialogue>
    <character>HOTEL CLERK</character>
    <dialogue>Uh, yeah, I'm not hiring you.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Yeah? Well, I wasn't really interested anyway, so... whatevs.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. LOBBY - MOMENTS LATER</stage_direction>
    <scene_description>The guys all exit the lobby together.</scene_description>
    <character>PETE</character>
    <dialogue>I don't know how to thank you.</dialogue>
    <character>MAYA</character>
    <dialogue>Buy me a coffee sometime.</dialogue>
    <character>PETE</character>
    <dialogue>I'd like that.</dialogue>
    <parenthetical>(to the guys)</parenthetical>
    <dialogue>Let's bring our girls home.</dialogue>
    <scene_description>Mitchell and Hunter nod and take off.</scene_description>
    <character>ELI</character>
    <dialogue>It was my pleasure taking on this mission with you, Mr. H. Whatever happens -- hymen or no hymen -- you're a great father.</dialogue>
    <scene_description>Pete nods and leaves the lobby with Maya.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOTEL HALLWAY - NIGHT</stage_direction>
    <scene_description>Pete and Maya rush down a hallway and into...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ELEVATOR - CONTINUOUS</stage_direction>
    <scene_description>Pete frantically hits the 4th floor button.</scene_description>
    <character>MAYA</character>
    <dialogue>What are you going to do when you get to the room?</dialogue>
    <character>PETE</character>
    <dialogue>I hadn't thought that far ahead.</dialogue>
    <character>MAYA</character>
    <dialogue>So this guy she's with. Real scumbag, huh?</dialogue>
    <character>PETE</character>
    <dialogue>What? No, he's a nice boy. They've been dating for over a year.</dialogue>
    <character>MAYA</character>
    <dialogue>Oh, I guess I just assumed...</dialogue>
    <character>PETE</character>
    <dialogue>No, it's just... Julie and I are really close. And I didn't even know she was planning this tonight.</dialogue>
    <character>MAYA</character>
    <dialogue>Well, I remember when I told my dad when I was about to have sex. Great memory!</dialogue>
    <character>PETE</character>
    <dialogue>Really?</dialogue>
    <character>MAYA</character>
    <dialogue>No. Never happened.</dialogue>
    <scene_description>Pete thinks about it as the elevator climbs.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOTEL, HALLWAY - NIGHT</stage_direction>
    <scene_description>Hunter races down a long hallway. He stops in front of a room and bangs on the door. It swings open on its own.</scene_description>
    <character>HUNTER</character>
    <dialogue>Sam? Are you in there?</dialogue>
    <scene_description>Hunter steps inside the room.</scene_description>
    <character>HUNTER</character>
    <dialogue>I'm coming in! Anything inside my daughter is coming off!</dialogue>
    <scene_description>He finds an empty room. The bed is a mess and looks well used.</scene_description>
    <character>HUNTER</character>
    <dialogue>I'm too late...</dialogue>
    <scene_description>He collapses into a chair and sits with his thoughts. He starts to break down. He cries quietly.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HOTEL LOBBY - CONTINUOUS</stage_direction>
    <scene_description>Anxious to follow through on the pact, Sam walks to a HEAVYSET MAN in his late 20s at a vending machine.</scene_description>
    <character>SAM</character>
    <dialogue>Hey old-timer. Getting your late night grub on, huh?</dialogue>
    <scene_description>He looks around to see if she's talking to him. She is.</scene_description>
    <character>HEAVYSET MAN</character>
    <dialogue>Yeah, just getting some M&Ms.</dialogue>
    <character>SAM</character>
    <parenthetical>(seductively)</parenthetical>
    <dialogue>I like M&Ms too. Original, peanut... I love 'em all.</dialogue>
    <character>HEAVYSET MAN</character>
    <dialogue>That's good.</dialogue>
    <character>SAM</character>
    <dialogue>Wanna fuck?</dialogue>
    <scene_description>The Heavyset Man looks surprised. He nods.</scene_description>
    <character>SAM</character>
    <dialogue>Then let's get you out of those huge clothes.</dialogue>
    <scene_description>Eli, pacing outside the lobby, spots Sam as she and the Heavyset Man walk down the hallway.</scene_description>
    <character>ELI</character>
    <dialogue>Sam?</dialogue>
    <character>SAM</character>
    <dialogue>Eli?</dialogue>
    <scene_description>Eli walks over to her.</scene_description>
    <character>ELI</character>
    <dialogue>Hey, what's going on?</dialogue>
    <character>SAM</character>
    <parenthetical>(eating M&Ms)</parenthetical>
    <dialogue>I'm gonna go do this old dude because Chad fagged out on me.</dialogue>
    <character>ELI</character>
    <dialogue>Oh.</dialogue>
    <scene_description>Sam turns and heads into the guy's room...</scene_description>
    <character>ELI</character>
    <dialogue>Wait.</dialogue>
    <scene_description>Eli walks over and the Heavyset Man goes to shut the door. Eli sticks his foot in the door.</scene_description>
    <character>ELI</character>
    <dialogue>I don't think you should bang this guy. He seems like a complete loser. No offense.</dialogue>
    <scene_description>Despite Eli's comment, the Heavyset Man does appear offended.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KAYLA AND DEX'S HOTEL ROOM - CONTINUOUS</stage_direction>
    <scene_description>Dex is on top of Kayla on the bed. He's kissing her aggressively. He slides his hand up her shirt.</scene_description>
    <character>KAYLA</character>
    <dialogue>Alright, slow down, Dex.</dialogue>
    <character>DEX</character>
    <dialogue>I'm a gorilla, baby!</dialogue>
    <character>KAYLA</character>
    <dialogue>No, you're an asshole!</dialogue>
    <scene_description>Dex doesn't stop.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLWAY - CONTINUOUS</stage_direction>
    <scene_description>Eli continues reasoning with Sam.</scene_description>
    <character>ELI</character>
    <dialogue>I know you want to fit in. We all do.</dialogue>
    <scene_description>Sam drops her head.</scene_description>
    <character>ELI</character>
    <dialogue>But you don't have to do this. You don't have to do...</dialogue>
    <parenthetical>(with disgust)</parenthetical>
    <dialogue>HIM. He's a zero. Again, no offense.</dialogue>
    <scene_description>The Heavyset Man is offended again. Sam looks at the guy, then at Eli.</scene_description>
    <character>ELI</character>
    <dialogue>You've always been really sweet to me. I can't just let you do this without trying to stop you. I mean, look at you. You're beautiful. And look at this guy.</dialogue>
    <scene_description>Sam looks at the Heavyset Man, who tries to suck in his gut. She smiles at Eli.</scene_description>
    <character>ELI</character>
    <dialogue>Let's get out of here.</dialogue>
    <scene_description>She thinks about it for a moment, then turns to the Heavyset Man and hands him the bag of M&Ms.</scene_description>
    <character>SAM</character>
    <dialogue>Sorry.</dialogue>
    <scene_description>He nods as she leaves with Eli.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HALLWAY - CONTINUOUS</stage_direction>
    <scene_description>Pete hurries down a hallway.</scene_description>
    <character>PETE</character>
    <parenthetical>(realizing)</parenthetical>
    <dialogue>I can stop her tonight, but what about tomorrow night? What about next week?</dialogue>
    <character>MAYA</character>
    <dialogue>At some point, you have to trust that you've done a good job with her and let her live her life.</dialogue>
    <character>PETE</character>
    <dialogue>Yeah, I know. But she's only 16.</dialogue>
    <character>MAYA</character>
    <dialogue>How old were you when you lost your virginity?</dialogue>
    <scene_description>Caught. Pete swallows.</scene_description>
    <character>PETE</character>
    <dialogue>I don't see how that's relevant.</dialogue>
    <scene_description>She shoots him a look - of course you do.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOTEL HALLWAY - NIGHT</stage_direction>
    <scene_description>Mitchell runs up to a door and checks the number. This is it. He tentatively knocks on the door.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Peanut?</dialogue>
    <scene_description>He hears Kayla inside:</scene_description>
    <character>KAYLA (O.S.)</character>
    <dialogue>I said get the fuck off!</dialogue>
    <scene_description>Mitchell steps back from the door. He's freaking out. Suddenly, he steps back and rams the door HARD with his shoulder. It makes a lot of noise, but doesn't give. He tries again. Still nothing. He looks down, lifts his capri pant leg and looks at his large calf. He quickly kicks the door handle and the door finally gives way!</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KAYLA AND DEX'S HOTEL ROOM - CONTINUOUS</stage_direction>
    <scene_description>Mitchell runs into the room!</scene_description>
    <character>DEX</character>
    <dialogue>What the fuck?!</dialogue>
    <scene_description>Kayla quickly covers herself, mascara running down her face with tears. Mitchell grabs Dex by the throat. Dex throws a punch and Mitchell blocks it. Mitchell unleashes a devastating uppercut Blood explodes across Dex's face as he goes to the floor. Dex loses a front tooth. Dex groans as he rolls around on the floor. Kayla jumps into her father's arms.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Are you okay?!</dialogue>
    <scene_description>She nods, a tear streaming down her face.</scene_description>
    <character>DEX</character>
    <dialogue>Who the hell is this guy?!</dialogue>
    <character>KAYLA</character>
    <dialogue>That's my daddy, asshole!</dialogue>
    <scene_description>Mitchell is taken aback by her calling him daddy.</scene_description>
    <character>KAYLA</character>
    <dialogue>I'm so sorry, dad.</dialogue>
    <character>MITCHELL</character>
    <dialogue>It's okay, baby. Let's get out of here.</dialogue>
    <scene_description>Kayla kicks Dex in the gut on the way out.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HOTEL - MOMENTS LATER</stage_direction>
    <scene_description>Eli and Sam sit on a bench near the lobby. She smiles at him. He realizes how pretty she is.</scene_description>
    <character>SAM</character>
    <dialogue>I'm so embarrassed.</dialogue>
    <character>ELI</character>
    <dialogue>Don't be. We're kids. We're supposed to make mistakes.</dialogue>
    <scene_description>She laughs.</scene_description>
    <character>ELI</character>
    <dialogue>If you wanna talk about it, I'm here for you.</dialogue>
    <scene_description>He reaches out and strokes her arm gently, but in a firm way.</scene_description>
    <character>SAM</character>
    <dialogue>I felt so much pressure because my friends are in such a rush to do everything. It was a mistake. I wasn't ready to go all the way.</dialogue>
    <character>ELI</character>
    <dialogue>I totally get it. You'll know when you're ready.</dialogue>
    <character>SAM</character>
    <dialogue>I'm more comfortable now. With you.</dialogue>
    <scene_description>She looks at him, this is his window.</scene_description>
    <character>ELI</character>
    <dialogue>You've had a lot to drink tonight. I don't want to take advantage.</dialogue>
    <character>SAM</character>
    <dialogue>I puked four times. I'm good now.</dialogue>
    <scene_description>Eli considers the offer.</scene_description>
    <character>ELI</character>
    <dialogue>As much as it turns me on to hear that, you said yourself, you're not ready.</dialogue>
    <scene_description>Sam looks disappointed. Long beat.</scene_description>
    <character>ELI</character>
    <dialogue>Do you think your mouth is ready?</dialogue>
    <scene_description>Sam smiles.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HOTEL HALLWAY - CONTINUOUS</stage_direction>
    <scene_description>Pete and Maya get to Julie's room and Pete hesitates. He takes a deep breath and raises his hand to knock on the door. He lingers, then drops his hand.</scene_description>
    <character>PETE</character>
    <dialogue>I've had a hard time moving on from my wife. Julie will be going to college soon and I'll be alone.</dialogue>
    <scene_description>Maya puts his hand on his shoulder.</scene_description>
    <character>PETE</character>
    <dialogue>And now... I'm not even sure I'm doing this for Julie.</dialogue>
    <scene_description>He sighs.</scene_description>
    <character>PETE</character>
    <dialogue>Let's get out of here before I change my mind.</dialogue>
    <scene_description>Maya nods and slips her arms through Pete's. They walk away.</scene_description>
    <character>PETE</character>
    <dialogue>How about that cup of coffee?</dialogue>
    <character>MAYA</character>
    <parenthetical>(re: her hooker outfit)</parenthetical>
    <dialogue>Maybe after a change of clothes?</dialogue>
    <scene_description>Pete smiles.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTYARD BY MARRIOTT - NIGHT</stage_direction>
    <scene_description>Hunter walks toward the car as Eli and Sam walk out from a row of bushes. Eli looks elated... and spent.</scene_description>
    <character>ELI</character>
    <dialogue>And the season is right, so we'll be able to hear the whales serenading us.</dialogue>
    <character>SAM</character>
    <dialogue>I can't wait!</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Bring your Serenity BluRay.</dialogue>
    <scene_description>Eli beams.</scene_description>
    <character>HUNTER</character>
    <dialogue>Sweetheart!</dialogue>
    <character>SAM</character>
    <dialogue>Oh, hey dad.</dialogue>
    <scene_description>Hunter runs over and grabs Sam and to her surprise, hugs her. He wipes tears from his eyes.</scene_description>
    <character>SAM</character>
    <dialogue>I'm fine, dad. Nothing happened.</dialogue>
    <scene_description>Hunter pumps a fist.</scene_description>
    <character>HUNTER</character>
    <dialogue>I'm sorry I haven't been a better dad. I should have known you were going through a tough time with your friends.</dialogue>
    <character>SAM</character>
    <dialogue>It's okay.</dialogue>
    <character>HUNTER</character>
    <dialogue>No, it's not. I haven't been involved enough in your life and you're the most important thing in the world to me.</dialogue>
    <scene_description>Sam smiles.</scene_description>
    <character>HUNTER</character>
    <dialogue>But it's not too late. I'm gonna make it up to you. Okay, Sammy?</dialogue>
    <character>SAM</character>
    <parenthetical>(emotional)</parenthetical>
    <dialogue>I'd like that, dad.</dialogue>
    <scene_description>They hug again. Sam takes Eli's hand.</scene_description>
    <character>HUNTER</character>
    <dialogue>What's that about?</dialogue>
    <character>ELI</character>
    <dialogue>You were right. I can move on. I love her, Hunter.</dialogue>
    <scene_description>Hunter takes a moment, then nods. Sam smiles.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HOTEL - NIGHT</stage_direction>
    <scene_description>Mitchell and Kayla walk out of the Hotel.</scene_description>
    <character>MITCHELL</character>
    <dialogue>You know, Kayla. I know you're embarrassed of me. And I don't blame you. I'm sure it's not easy having a dad who's unemployed.</dialogue>
    <character>KAYLA</character>
    <dialogue>You're unemployed?</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(stunned)</parenthetical>
    <dialogue>Yeah. Going on eight months.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>If you didn't know, why are so embarrassed of me?</dialogue>
    <character>KAYLA</character>
    <dialogue>I'm a teenager. I have my own issues. If it makes you feel any better, you're no more or less embarrassing than anyone else's dad.</dialogue>
    <character>MITCHELL</character>
    <dialogue>Thanks, Peanut. That means a lot.</dialogue>
    <scene_description>They approach the minivan.</scene_description>
    <character>KAYLA</character>
    <dialogue>Whose minivan?</dialogue>
    <character>MITCHELL</character>
    <dialogue>We had to steal it to ditch the cops. I'll explain later. Or not.</dialogue>
    <scene_description>Kayla smiles, impressed.</scene_description>
    <character>KAYLA</character>
    <parenthetical>(sotto)</parenthetical>
    <dialogue>Bad. Ass.</dialogue>
    <scene_description>Kayla climbs into the car and hugs Sam.</scene_description>
    <character>KAYLA</character>
    <dialogue>I'm sorry I was such a bitch to you.</dialogue>
    <character>SAM</character>
    <dialogue>Don't worry about it.</dialogue>
    <character>KAYLA</character>
    <dialogue>Friends again?</dialogue>
    <scene_description>Sam nods. Kayla notices Eli who smiles and nods to her.</scene_description>
    <character>KAYLA</character>
    <dialogue>What's he doing here?</dialogue>
    <character>SAM</character>
    <dialogue>He's with me.</dialogue>
    <character>KAYLA</character>
    <dialogue>Cool.</dialogue>
    <scene_description>Pete and Maya walk over to the guys. Suddenly, the POLICE CRUISER flies into the lot.</scene_description>
    <character>MITCHELL</character>
    <dialogue>Oh shit.</dialogue>
    <character>PETE</character>
    <parenthetical>(resigned)</parenthetical>
    <dialogue>We knew this was gonna happen.</dialogue>
    <character>MITCHELL</character>
    <parenthetical>(hugging Kayla)</parenthetical>
    <dialogue>It was worth it.</dialogue>
    <character>HUNTER</character>
    <parenthetical>(nods)</parenthetical>
    <dialogue>Time to pay the piper.</dialogue>
    <scene_description>The cops hop out with their guns drawn!</scene_description>
    <character>DONOHUE</character>
    <dialogue>On the ground, assholes!!</dialogue>
    <scene_description>The guys put their hands up. Hernandez handcuffs the dads and Eli. Suddenly, Dex comes stumbling out by the lobby. Donohue spots him.</scene_description>
    <character>DONOHUE</character>
    <dialogue>Poindexter? What are you doing here?</dialogue>
    <scene_description>ON KAYLA AND SAM</scene_description>
    <character>SAM</character>
    <dialogue>Poindexter?!</dialogue>
    <scene_description>Kayla laughs. ON DONOHUE</scene_description>
    <character>DONOHUE</character>
    <dialogue>What the hell's going on?</dialogue>
    <parenthetical>(re: his bloody face)</parenthetical>
    <dialogue>What happened to you, son?</dialogue>
    <scene_description>Dex doesn't know what to say. He looks at the kids, then turns to Donohue.</scene_description>
    <character>DEX</character>
    <dialogue>It's not my fault! She signed a pact!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTYARD BY MARRIOTT - MOMENTS LATER</stage_direction>
    <scene_description>Donohue talks with Mitchell, Pete and Hunter as Hernandez uncuffs them.</scene_description>
    <character>PETE</character>
    <dialogue>We'll pay for all of the damages. Thanks for not taking us in.</dialogue>
    <character>DONOHUE</character>
    <dialogue>Thank you for not pressing charges. I promise he will not get a free pass on this.</dialogue>
    <scene_description>ON KAYLA AND SAM...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. who look at Eli, still handcuffed.</stage_direction>
    <character>KAYLA</character>
    <dialogue>I think I get why you're into Eli. He's kind of a bad boy, huh?</dialogue>
    <character>SAM</character>
    <dialogue>I think he might be.</dialogue>
    <scene_description>ON DONOHUE...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. who grabs Dex by the ear and drags him to the police car. Dex now looks like the large boy he still is.</stage_direction>
    <character>DONOHUE</character>
    <dialogue>Get in the car right now... And no turntables for a month!</dialogue>
    <character>DEX</character>
    <dialogue>But dad!!</dialogue>
    <scene_description>Donohue slams the car door. He and Hernandez get in. Grizzly licks and slobbers on Dex's face. He looks miserable as they drive off. ON PETE...</scene_description>
  </scene>
  <scene>
    <stage_direction>.. who turns to Hunter, Mitchell and Eli.</stage_direction>
    <character>PETE</character>
    <dialogue>What a night, huh?</dialogue>
    <character>MITCHELL</character>
    <dialogue>Awful.</dialogue>
    <character>HUNTER</character>
    <dialogue>Crazy.</dialogue>
    <character>ELI</character>
    <dialogue>Best night of my life.</dialogue>
    <character>PETE</character>
    <dialogue>It was something, alright.</dialogue>
    <scene_description>Hunter begins to laugh hard. They look at him.</scene_description>
    <character>PETE</character>
    <dialogue>What?</dialogue>
    <character>HUNTER</character>
    <dialogue>Mitchell has two more daughters!</dialogue>
    <scene_description>Everyone laughs but Mitchell. Maya pulls up in her car.</scene_description>
    <character>PETE</character>
    <dialogue>I'll see you guys later.</dialogue>
    <scene_description>Hunter, Mitchell and Eli nod to him as Pete climbs into the car. Hunter hops in the minivan driver's seat.</scene_description>
    <character>HUNTER</character>
    <dialogue>Now how about that McFlurry!</dialogue>
    <scene_description>The minivan drives across the hotel parking lot. Its front bumper drags, then falls off as the minivan peels out onto the street.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PETE'S HOUSE - LATE NIGHT</stage_direction>
    <scene_description>The front door opens and Julie walks in quietly. A LOUD NOISE comes from the kitchen.</scene_description>
    <character>JULIE</character>
    <dialogue>Dad?</dialogue>
    <scene_description>She walks...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. KITCHEN - CONTINUOUS</stage_direction>
    <scene_description>... where she finds Pete standing on the opposite side of the island.</scene_description>
    <character>PETE</character>
    <dialogue>Hey, sweetheart. How was your night?</dialogue>
    <character>JULIE</character>
    <dialogue>It was... amazing.</dialogue>
    <scene_description>Pete nods, knowing far more than he should about her night.</scene_description>
    <character>PETE</character>
    <parenthetical>(sincerely)</parenthetical>
    <dialogue>I'm glad.</dialogue>
    <character>JULIE</character>
    <dialogue>Thanks for letting me go.</dialogue>
    <character>PETE</character>
    <parenthetical>(recognizing the double meaning)</parenthetical>
    <dialogue>It wasn't easy...</dialogue>
    <character>JULIE</character>
    <dialogue>I know. I'm glad you're my dad.</dialogue>
    <scene_description>Pete smiles.</scene_description>
    <character>JULIE</character>
    <dialogue>I'm tired. I'm gonna head up to bed.</dialogue>
    <scene_description>Pete nods. Julie stops and turns back to Pete.</scene_description>
    <character>JULIE</character>
    <dialogue>How about the first week in August?</dialogue>
    <scene_description>Pete looks confused.</scene_description>
    <character>JULIE</character>
    <dialogue>For our camping trip?</dialogue>
    <character>PETE</character>
    <dialogue>What about Austin and your friends?</dialogue>
    <character>JULIE</character>
    <dialogue>I wanna spend some time with you.</dialogue>
    <character>PETE</character>
    <dialogue>Sounds perfect.</dialogue>
    <character>JULIE</character>
    <dialogue>I love you, dad.</dialogue>
    <character>PETE</character>
    <dialogue>I love you, too, sweetheart.</dialogue>
    <scene_description>Julie leans across the island, gives him a kiss and walks out of the kitchen. It's a nice moment as he stands there, thinking. A REVERSE SHOT REVEALS Pete's BARE ASS. Maya is crouched down naked next to him. They start laughing.</scene_description>
    <character>PETE</character>
    <dialogue>That was close.</dialogue>
    <character>MAYA</character>
    <dialogue>I'll get going.</dialogue>
    <character>PETE</character>
    <dialogue>No. Stay. I want to introduce you two tomorrow.</dialogue>
    <scene_description>Maya smiles as we... FADE OUT</scene_description>
  </scene>
</script>

Summary: Single mother Lisa takes her young daughter, Julie, to her first day of kindergarten. She watches as Julie is befriended by two other girls, Kayla and Sam. Kayla's father Mitchell and Sam's father Hunter introduce themselves and the three become close friends after seeing the bond between their children. Twelve years later, Julie shares with Kayla and Sam that she plans to lose her virginity to her boyfriend Austin on their upcoming prom night. Kayla pledges to do so as well, though on a casual basis with her lab partner, Connor. Sam, a closeted lesbian who is unsure about her feelings, also joins the pact and arranges to attend the prom with the harmless Chad. Lisa throws a pre-party for the parents and kids. The girls and their dates then head to the prom, texting each other about their sex pact. The three parents hear Julie's laptop and intercept the messages. Hunter deciphers their emoji codes and uncovers their plan. Lisa and Mitchell rush to stop their daughters; Hunter tries to dissuade them from interfering and shares his intuition that Sam is gay, but upon seeing her force herself to kiss Chad, he becomes determined to stop her from doing something she doesn't want to do. Having been told that the after-party would be at Austin's house, the parents go there but find only Austin's parents Ron and Cathy engaging in sex games. Ron reveals that the after-party is at a lake house but refuses to give the address. The trio realizes that Mitchell's wife Marcie may have it and retrieve the address against her wishes, as she supports Kayla's right to make her own decisions. However, the parents are unable to catch their daughters when the partygoers disperse to avoid the police. As the group struggles to find their daughters, it becomes clear that each parent has their own motivation: Mitchell is in denial over his daughter growing up, Hunter feels guilty for neglecting Sam during his bitter divorce from her cheating mother, and Lisa is struggling to let go of her only child who secretly plans to leave for a distant university against her wishes; Lisa is confronted with this when Julie angrily states that she's going to UCLA to get away from Lisa's clinginess. Knowing that Austin and Ron have been texting, the parents return to Ron's house to steal his phone. Encountering the couple playing a blindfolded sex game, Hunter and Mitchell are forced to play along as Lisa steals the phone, which reveals that the girls are at a hotel. There, a drunk Sam goes to bed with Chad but decides she does not want to have sex. Kayla and Connor go to bed, but she also changes her mind and they limit their intimacy to Connor performing oral sex on Kayla. Mitch finds Kayla with Connor and throws him against the wall, infuriating Kayla. Mitch confesses his struggles with her becoming a woman, his good intentions ultimately making amends with Kayla. Hunter finds Sam and they also share a tender moment, where he reveals that a good night was the best he could give her in return for his neglect. Sam comes out to her father, who is deeply moved at being the first person she told. Lisa sneaks into Julie and Austin's room and, realizing how much they clearly love each other, leaves unnoticed. On her father's advice, Sam comes out to Julie and Kayla, who embrace her and affirm their lifelong friendships. They leave Sam with her crush Angelica who shares a romantic kiss with her. Mitch, Lisa and Hunter acknowledge their own friendships have been strengthened and drink to their daughters' futures. Three months later, the parents celebrate the departure of Sam, Kayla, Julie and Austin as they depart on a road trip to drop off Austin and Julie at UCLA. As they leave, Lisa starts receiving the girls' group text, filled with plans to use drugs and have unprotected sex. The parents panic until the girls text that it was a prank, and send a final "I love you" to them.