<script>
  <scene>
    <scene_description>NEVER RARELY SOMETIMES ALWAYS Written by Eliza Hittman Production Draft - 1/28/2019</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HIGH SCHOOL AUDITORIUM - NIGHT</stage_direction>
    <scene_description>A group of excited teenagers wait in the wings of a dark empty high school stage. They are dressed in home-made costumes from the 1950's. The girls in chiffon scarves, poodle skirts, and saddle shoes. The boys in letterman jackets. As the lights come up, they get into position center stage. The audience cheers. A piano plays an upbeat song from the period and the students perform a sock hop dance. They dance in couples, the girls are far more coordinated and committed than the boys. CUT TO: An ELVIS IMPERSONATOR, 14, stands in front of a microphone crooning a young Elvis song. His pelvis gyrates.</scene_description>
    <character>ELVIS IMPERSONATOR</character>
    <dialogue>A rhythm with a beat Bring me to the door I want a rhythm with a rock Lead me to the floor I want a rhythm with a roll Goes down to my feet I wanna hear them play that rock 'n roll beat</dialogue>
    <scene_description>CUT TO: Three TEENAGE BOYS wearing matching cardigans sing an overly sentimental doo-wop song about finding true love and getting their hearts broken.</scene_description>
    <character>TEENAGE BOYS</character>
    <dialogue>Cause there's nothing left for me to do Or say Though I'd always hoped that you'd be mine someday</dialogue>
    <scene_description>CUT TO: AUTUMN, 17, walks onto the stage carrying a guitar. She adjusts the microphone. She has dark circles under her eyes, as if she hasn't slept in weeks. She's dressed like a 1950's rebel or greaser, wearing jeans and a satin pink jacket. She starts to strum and sing. Her voice is filled with sadness. She sings something much darker from the period, He's Got the Power.</scene_description>
    <character>AUTUMN</character>
    <dialogue>He makes me do things I don't want to do He makes me say things I don't want to say And even though I want to break away I can't stop saying I adore him I can't stop doing things for him He's got the power The power of love over me</dialogue>
    <scene_description>Autumn looks into the audience. Several rows in, she sees her proud but ineffective young MOTHER (34). Her mother sits with her deadbeat boyfriend and a couple of small kids. Autumn looks away from her mom and back out toward the general audience.</scene_description>
    <character>AUTUMN</character>
    <dialogue>He makes me stay when I don't want to stay He makes me go when I don't want to go And though I try to break the spell I know I can't stop saying I adore him</dialogue>
    <scene_description>She looks around the audience again while singing. A group of boys watch her and whisper. One ROWDY STUDENT cups his hand around his mouth. He disguises his voice, making it sound deeper and shouts-</scene_description>
    <character>ROWDY STUDENT</character>
    <dialogue>SLUUUUUUUUUUUT!!!!!</dialogue>
    <scene_description>They laugh, but the joke goes nowhere. Autumn freezes at first, but pushes through the moment and continues to sing.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I can't stop doing things for him He's got the power The power of love over me</dialogue>
    <scene_description>She holds the note and her voice trembles through the entire auditorium. CUT TO BLACK: NEVER RARELY SOMETIMES ALWAYS</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HIGH SCHOOL - HALLWAY - NIGHT</stage_direction>
    <scene_description>Students flood the hallway greeting their parents. The energy is filled with post-performance excitement and adrenaline. Autumn waits off to the side. Her mom runs over and takes Autumn's face in her hands and kisses her cheeks. Autumn's response is stiff.</scene_description>
    <character>MOTHER</character>
    <dialogue>You sounded so beautiful.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Thanks.</dialogue>
    <character>MOTHER</character>
    <dialogue>No really...Who taught you to sing like that???</dialogue>
    <character>AUTUMN</character>
    <dialogue>Mom. Stop.</dialogue>
    <character>MOTHER</character>
    <dialogue>But you sounded so sad. You actually made me cry.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm sorry.</dialogue>
    <character>MOTHER</character>
    <dialogue>What do you have to be so sad about?</dialogue>
    <scene_description>Autumn pulls away. Her cousin SKYLAR (16) squeezes her. She's full of positivity but senses something is wrong. Skylar hands Autumn some flowers.</scene_description>
    <character>SKYLAR</character>
    <dialogue>You were the best. Hands down.</dialogue>
    <character>MOTHER</character>
    <dialogue>Tell her. She's not listening to me. Let's all go celebrate.</dialogue>
    <character>AUTUMN</character>
    <dialogue>But I didn't win.</dialogue>
    <character>MOTHER</character>
    <dialogue>Who cares.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No, I'm really tired.</dialogue>
    <character>MOTHER</character>
    <dialogue>But aren't all your friends going out?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I just wanna go to bed.</dialogue>
    <character>MOTHER</character>
    <dialogue>What's wrong?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't feel well.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Come on. Let's go. Please...</dialogue>
    <scene_description>Autumn looks trapped.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LOCAL RESTAURANT - NIGHT</stage_direction>
    <scene_description>Autumn sits with her winter coat still on across the table from her mother, her mom's younger deadbeat boyfriend TED (27), and Skylar. The grown-ups are wasted. Ted has a dominating presence. Autumn has two younger sisters, HAYDEN and SIERRA (10 and 6), who sit with them. They have long stringy uncombed hair. They dip french fries into ketchup and lick the ketchup off the end of the fries. The restaurant is loud and filled with high school students celebrating. Everyone at the table eats greasy wings, pizza, and fries, except Autumn.</scene_description>
    <character>MOM</character>
    <dialogue>Tell her how great she was.</dialogue>
    <character>TED</character>
    <dialogue>She knows.</dialogue>
    <character>MOM</character>
    <dialogue>She didn't hear it from you though.</dialogue>
    <character>TED</character>
    <dialogue>She knows she was good.</dialogue>
    <character>MOM</character>
    <dialogue>Tell her.</dialogue>
    <scene_description>Ted looks at her and drinks his beer.</scene_description>
    <character>TED</character>
    <dialogue>Hard to want to compliment someone who is always in a foul mood.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No I'm not.</dialogue>
    <character>MOM</character>
    <dialogue>It's a phase.</dialogue>
    <character>TED</character>
    <dialogue>Keep telling yourself that.</dialogue>
    <character>MOM</character>
    <dialogue>Just tell her.</dialogue>
    <scene_description>PAUSE</scene_description>
    <character>TED</character>
    <dialogue>Your mother wants me to tell you how great you are.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Shut up.</dialogue>
    <scene_description>He smirks and drinks his beer.</scene_description>
    <character>TED</character>
    <dialogue>See.</dialogue>
    <scene_description>Autumn looks around the room. A group of boys at a nearby table watch her and whisper. She looks at the Rowdy Student who shouted slut during the talent show. She looks away.</scene_description>
    <character>MOM</character>
    <dialogue>Why aren't you eating?</dialogue>
    <character>AUTUMN</character>
    <dialogue>...I said I don't feel well.</dialogue>
    <scene_description>Autumn looks at the table full of greasy wings and discarded bones. It's totally nauseating. Ted finishes one beer and starts the next. Autumn sees the boys at the other table continue to look at her and laugh. The Rowdy kid makes a lewd gesture. Autumn gets up. Autumn walks over to their table. She throws a glass of ice water in his face. They laugh at her more. She storms out.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. LOCAL RESTAURANT - NIGHT</stage_direction>
    <scene_description>Autumn exits the restaurant. She walks quickly through the quiet empty streets. She keeps her head down. There's a gloominess to the area. The downtown area feels abandoned and run down.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COAL COUNTRY, PA - RESIDENTIAL STREET - NIGHT</stage_direction>
    <scene_description>Autumn walks home alone up a steep quiet residential street.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE</stage_direction>
    <scene_description>Autumn enters into her dark house and greets her dog.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM - NIGHT</stage_direction>
    <scene_description>Autumn changes out of her costume. The waistline is too tight and cuts into her skin. She puts on more comfortable clothes.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM - LATER</stage_direction>
    <scene_description>Autumn lies in bed and waits anxiously for day. She's too restless to sleep.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM - DAY</stage_direction>
    <scene_description>Autumn lies in bed awake. She pulls back the curtain, and sunlight creeps in. A small sliver of sunlight hits her face.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE - EARLY MORNING</stage_direction>
    <scene_description>Hayden and Sierra sit at the table eating bowls of cereal without spoons. They dip their fingers into the milk and pluck out cereal. They watch cartoons on a tablet at the table. Her mom feeds the dog with an oversized bag of food. She overfills the bowl and food spills everywhere. Ted turns on the exhaust fan above the stove and smokes a cigarette. He exhales into the fan. He wears boxers with the fly opening slightly too wide, which gives him easy access to keep adjusting himself. The smoke hangs in the air. Autumn puts on her coat and watches them from a distance.</scene_description>
    <character>MOM</character>
    <dialogue>Have some cereal before you go.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm not hungry.</dialogue>
    <character>MOM</character>
    <dialogue>Are you feeling better?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Not really.</dialogue>
    <character>MOM</character>
    <dialogue>Did you get some rest?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Nope.</dialogue>
    <character>MOM</character>
    <dialogue>Do you want me to call Dr. Pat?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>TED</character>
    <dialogue>It's in her head. She just needs her head checked.</dialogue>
    <scene_description>Autumn waves the smoke out of her face and leaves.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COAL COUNTRY, PA - MORNING</stage_direction>
    <scene_description>Autumn walks down a steep hill through downtrodden residential streets. It's a brisk winter morning and she looks more tired than the night before.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. WOMEN'S CARE CENTER - DAY</stage_direction>
    <scene_description>Autumn walks up to a nondescript building. She leans in and looks. On the door, a sign is stenciled that says "FREE TESTING"</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - DAY</stage_direction>
    <scene_description>A bell chimes as Autumn enters. A RECEPTIONIST, an old woman, sits doing nothing, behind the counter. She's a small-town type with an empty friendliness. The waiting room is empty. The space feels trapped somewhere between a church basement, a thrift store, and a medical office.</scene_description>
    <character>RECEPTIONIST #1</character>
    <dialogue>Well good morning.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Morning.</dialogue>
    <character>RECEPTIONIST #1</character>
    <dialogue>How can I help you?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I wanted to see if it'd be possible to take a test.</dialogue>
    <character>RECEPTIONIST #1</character>
    <dialogue>That's what we do. That's what we're here for.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Thanks.</dialogue>
    <character>RECEPTIONIST #1</character>
    <dialogue>Sure. Why don't you sign in, hang up your coat, and have a seat.</dialogue>
    <scene_description>Autumn signs in. Her hand shakes a little bit as she writes. She hangs up her coat. She walks to the sitting area. The Receptionist picks up the phone and makes a call.</scene_description>
    <character>RECEPTIONIST #1</character>
    <dialogue>Hi, we got a girl out here for a test.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - WAITING AREA</stage_direction>
    <scene_description>Autumn sits and waits. She looks around the room. There are small religious signs. There are toddler toys. There are bags of donations. She chews on the tips of her hair. Finally, a door opens and an old woman, the CENTER DIRECTOR, (75), small and shrinking with hunched shoulders, enters. She wears a lab coat and a name tag. She puts on her reading glasses. The receptionist hands her the sign-in sheet.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>Autumn? Are you ready?</dialogue>
    <scene_description>Autumn lets the hair fall from her mouth. She stands up.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - HALLWAY</stage_direction>
    <scene_description>They walk down a hallway together. Beth reads the clipboard.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>Another cold day isn't it?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>We turned up the heat this morning, but no matter what we do, there's always a chill. My name is Beth by the way. Autumn?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Hi.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - OFFICE</stage_direction>
    <scene_description>The Center Director and Autumn walk into a private office. It's all cozy thrift store furniture, filing cabinets, a sofa.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>Come on in. Make yourself at home.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Thanks.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>We can sit here and talk for a minute.</dialogue>
    <scene_description>Autumn sits. The Center Director takes notes as she asks questions.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>Can you tell me a little about the symptoms that brought you in today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I just haven't really been feeling well.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>How long has that been going on?</dialogue>
    <character>AUTUMN</character>
    <dialogue>A while.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>How long?</dialogue>
    <scene_description>She shrugs.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>When was your last period?</dialogue>
    <scene_description>She shrugs.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I don't really know exactly. I'm kind of irregular.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>I understand. Today we are going to do a self-administered test. But I wanna let you know something. Even if it's negative, it could still be positive.</dialogue>
    <character>AUTUMN</character>
    <dialogue>What does that mean exactly?</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>I mean, if it's negative, you might wanna redo the test in a few weeks, if you are still concerned.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - BATHROOM</stage_direction>
    <scene_description>Blackness. The Center Director turns on the light to a small bathroom. She hands Autumn a pee cup and a blue rubber glove and hands them to Autumn.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>You can just go in here. I'll be waiting right outside.</dialogue>
    <scene_description>She leaves and closes the door. Autumn pulls her pants down. She sits on the toilet. Her hand trembles slightly as she puts on a blue rubber glove. It's comically big on her hand. She puts the cup between her legs. The dixie cup is decorated with cartoons. She sits and waits and waits. Finally, she pees into the cup. She stands up and puts the cup on a baby changing table. She opens the door a crack.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I'm finished.</dialogue>
    <scene_description>The Center Director walks back in with a store-bought pregnancy test in a box.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Is that from the supermarket?</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>Yes. Yes, it is.</dialogue>
    <scene_description>Beth opens it up and spreads the materials out on the table. She hands Autumn a plastic eye dropper.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>Now just put a little in here.</dialogue>
    <scene_description>Autumn puts the eye dropper into the urine sample, squeezes and fills it up. Autumn puts a few drops of urine on the pregnancy test. Her hand trembles a bit. She can't control her nerves. The urine begins to absorb and slowly spread on the test. One blue line begins to form on the test. The urine continues to spread. Another blue line begins to form. She continues to read the instructions. She looks at Autumn to see how she's processing it.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>That looks like a positive...</dialogue>
    <character>AUTUMN</character>
    <dialogue>If the test is positive, is there a chance that it's actually really negative?</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>No, a positive is definitely positive.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - RECEPTION</stage_direction>
    <scene_description>The Receptionist hands Autumn a shiny gold gift bag that's sitting on the counter. In the waiting area, a young mother sits with a whining and impatient baby.</scene_description>
    <character>RECEPTIONIST #1</character>
    <dialogue>This is for you. Our sonogram technician is in tomorrow. 9am.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't think I can be here at 9. Is it possible to come at 3?</dialogue>
    <character>RECEPTIONIST #1</character>
    <dialogue>No, I'm afraid, that's all we have for tomorrow. See you then?</dialogue>
    <character>AUTUMN</character>
    <dialogue>But I'll have to miss class.</dialogue>
    <character>RECEPTIONIST #1</character>
    <dialogue>I'm sure they'll understand.</dialogue>
    <scene_description>Autumn takes the shiny gold gift bag and leaves. The bell rings on the way out.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DOWNTOWN - COAL COUNTRY, PA - DAY</stage_direction>
    <scene_description>Autumn walks through town carrying her shiny gold gift bag. Her eyes are glassy. She keeps her head down, so no one notices. There are banners everywhere that announce the politics of the place: WEALTH THROUGH COAL, JOBS JOBS JOBS, COAL IS CLEAN.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RESIDENTIAL STREET - DAY</stage_direction>
    <scene_description>Autumn walks up a steep hill home.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE</stage_direction>
    <scene_description>Autumn enters her quiet empty house. She dumps her school bag and coat by the door.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM</stage_direction>
    <scene_description>Autumn sits on her bed. She empties the shiny gold bag. Pamphlets fall out. She reads them. How to Have a Healthy Relationship You Are Not Alone Rights and Responsibilities of the Father Lastly, there is a small little Bible. She flips through it like a flip book, from front to back, from back to front. There is an appointment card tucked inside that falls out. It reads: 9:00 AM She looks around her room, and accidentally sees her own reflection in a mirror. She looks at herself.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE - KITCHEN</stage_direction>
    <scene_description>Autumn rummages through the cabinets. There's a few cans of tomato soup, beef stew, etc. She finds a safety pin. She turns on the stove. She sterilizes it in the flames.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BATHROOM</stage_direction>
    <scene_description>Autumn holds an ice cube to her nose. She takes the safety pin and pierces the skin. It takes effort to push it all the way through. Her nose bleeds and she takes tissues to blot it. She looks at herself in the mirror with the pin sticking through her nose.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RESIDENTIAL STREET</stage_direction>
    <scene_description>Autumn walks downhill towards town. Her nose pierced with a stud and still red.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PARKING LOT - LATE AFTERNOON</stage_direction>
    <scene_description>Autumn crosses through a parking lot. She enters through a set of automatic doors into a Supermarket.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET - CHANGE ROOM</stage_direction>
    <scene_description>Autumn opens a locker, she reaches for a coat hanger. She hangs her coat up. She grabs her uniform shirt. She takes off her shirt. Her bra is clearly too tight and it leaves a red impression in her skin. She takes off her bra and throws it in the locker.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET - NIGHT</stage_direction>
    <character>AUTUMN'S REGISTER</character>
    <dialogue>Autumn works at register number 12. She looks over at the manager's office door which has a two-way mirror. She can feel someone behind it watching her.</dialogue>
    <scene_description>She scans item after item. She is disconnected from what she is doing. There is panic in her eyes. The line of people at her lane grows in length. She can't quite keep up. Autumn looks over to another check out lane. She sees her cousin Skylar working nearby. The supermarket plays music from the 1950's all the time. SKYLAR'S REGISTER Skylar makes small talk with a customer. She's a chatty and diligent worker. An older guy is at her lane checking out items like chips, dip, and red plastic cups. He scopes her out.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Hello.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>Hey.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Looks suspiciously like you are throwing a party.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>Are you inviting yourself?</dialogue>
    <character>SKYLAR</character>
    <dialogue>No no. Just an observation.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>Why not? Don't you like to party?</dialogue>
    <character>SKYLAR</character>
    <dialogue>No no, sorry that's not what I meant.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>Well what time do you get off work?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Late.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>Well I'll give you the address in case you change your mind.</dialogue>
    <character>SKYLAR</character>
    <dialogue>That's nice, but not tonight.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>How about another night then?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Sorry, I'm taken.</dialogue>
    <character>GUY IN SUPERMARKET</character>
    <dialogue>Ok. I can take a hint.</dialogue>
    <scene_description>He smiles at her. She ignores him.</scene_description>
    <character>AUTUMN'S REGISTER</character>
    <dialogue>At Autumn's lane, A FEMALE CUSTOMER (25) with a toddler unloads diapers, wipes and teething biscuits at her register. Autumn rings her up.</dialogue>
    <dialogue>The total balance is $150.00, she pays with WIC checks, government food assistance checks for women, infants, and children.</dialogue>
    <character>AUTUMN</character>
    <dialogue>This brand isn't covered by WIC.</dialogue>
    <character>A FEMALE CUSTOMER</character>
    <dialogue>Well, I'm pretty sure I got this here last time.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm sorry, I don't think so. You have to go back and get an approved brand of formula.</dialogue>
    <scene_description>The customer becomes visibly irritated, leaves all her groceries and goes. Autumn looks over to the Manager's office window. His silhouette is in the window. He steps away and clears the frame when he realizes she sees him. Autumn clears the items off her lane.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET - OFFICE</stage_direction>
    <scene_description>Skylar and Autumn stand outside an office door and ring a buzzer. BUZZ.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET - OFFICE</stage_direction>
    <scene_description>In the office, they take out their cash envelopes from their apron pockets. They each start counting at the same time. 10, 20, 30, 40.: 10, 20, 30, 40.:</scene_description>
    <character>AUTUMN</character>
    <dialogue>Wait, not at the same time. You'll fuck me up.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Sorry.</dialogue>
    <scene_description>They count silently. They fill in little boxes on the envelopes. Five $50s. Ten $20s. Six $5s. They fill in their change. They pass a pen back and forth and each write the total on the envelope. Skylar hands her drawer in first. She reaches her hand through a mail slot and hands the envelope and her cash register drawer to someone on the other side. When her hand passes through the slot, she makes a face. She's grossed about something. Autumn reaches her hand through next.</scene_description>
    <character>OTHER SIDE OF THE SLOT</character>
    <dialogue>The Manager on the other side of the mail slot takes the envelope and grabs her hand and kisses it.</dialogue>
    <dialogue>Autumn cringes and her arm tenses.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. COAL COUNTRY, PA - NEIGHBORHOOD - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn walk together and climb a steep hill home. Wind chimes chime.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Why weren't you at school today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I wasn't feeling well. Went to the doctor.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Did you remember to get a note?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No. I forgot. I will.</dialogue>
    <character>SKYLAR</character>
    <dialogue>What's wrong anyway?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Girl problems.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Bad cramps?</dialogue>
    <character>PAUSE.</character>
    <dialogue>AUTUMN</dialogue>
    <scene_description>Yeah.</scene_description>
    <character>SKYLAR</character>
    <dialogue>I get those too. I pretty much burn through a bottle of painkillers every month.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Same.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Don't you ever wish you were a dude?</dialogue>
    <character>AUTUMN</character>
    <dialogue>All the time.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Life would be so much easier.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Seriously.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Is there anything I can do?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No. I'm ok. Thanks though.</dialogue>
    <scene_description>Skylar stops and peels off to her house. Autumn continues to walk home.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE - LIVING ROOM - NIGHT</stage_direction>
    <scene_description>Autumn watches TV with her Mom, Ted. Autumn sits on the couch with them, but at a distance. The dog wanders over to Ted and puts her nose in his crotch.</scene_description>
    <character>TED</character>
    <dialogue>At least someone in this house loves me.</dialogue>
    <scene_description>Ted gets up and lies on the floor with the dog.</scene_description>
    <character>TED</character>
    <dialogue>That'a girl. Spread your legs. You little slut.</dialogue>
    <character>MOM</character>
    <dialogue>Stop.</dialogue>
    <character>TED</character>
    <dialogue>Come on. Look how easy she is...</dialogue>
    <scene_description>The dog spreads her legs. He laughs and rubs her stomach. Autumn watches.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE - BATHROOM - NIGHT</stage_direction>
    <scene_description>Autumn goes into the medicine cabinet and finds a bottle of NyQuil. She drinks from the bottle.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM</stage_direction>
    <scene_description>Autumn tries to sleep. She can't. She lies in bed wide awake all night worrying.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - SONOGRAM ROOM - DAY</stage_direction>
    <scene_description>Autumn lies on an exam table. The room is a bit chilly, and she shivers. Goosebumps appear on her skinny arms and legs. The Ultrasound TECHNICIAN (40) female, and the Center Director stand beside her. The technician is overly sweet, almost babying her.</scene_description>
    <character>TECHNICIAN</character>
    <dialogue>Now this is going to feel a little cold on your tummy.</dialogue>
    <scene_description>Autumn nods. The TECHNICIAN puts a little squirt of blue gel on her stomach. She puts the wand against her stomach. Autumn turns her head slightly, reluctantly. The technician performs a routine measurement.</scene_description>
    <character>TECHNICIAN</character>
    <dialogue>This is your beautiful baby.</dialogue>
    <scene_description>Autumn looks at the distorted blob on the monitor.</scene_description>
    <character>TECHNICIAN</character>
    <dialogue>You are about 10 weeks along. Hard to say precisely. But, everything looks pretty normal.</dialogue>
    <scene_description>The Technician stops. She fiddles with some buttons.</scene_description>
    <character>TECHNICIAN</character>
    <dialogue>And this is the most magical sound you will ever hear.</dialogue>
    <scene_description>She turns up the volume on the ultrasound scanner. A beating heart like a racehorse. It's fast, arrhythmic, and terrifying. Autumn looks away from the monitor.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. WOMEN'S CARE CENTER - OFFICE</stage_direction>
    <scene_description>Autumn quickly puts her coat on and fusses with the zipper. The Center Director notices she's in a hurry.</scene_description>
    <character>CENTER DIRECTOR</character>
    <dialogue>Are you ok?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ya I'm fine.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>I know this is a lot to take in. But I'm sure once you have that beautiful baby in your arms you'll forget you had any doubts. I know these things. I'm a mother.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I just can't imagine that for myself.</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>Well, there are many wonderful people who want children and can't have them. We can connect you to an adoption agency.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I just don't know what I want to do right now.</dialogue>
    <character>PAUSE</character>
    <dialogue>CENTER DIRECTOR</dialogue>
    <scene_description>Are you abortion-minded?</scene_description>
    <character>AUTUMN</character>
    <dialogue>Is that a possibility?</dialogue>
    <character>CENTER DIRECTOR</character>
    <dialogue>Do you have a minute? Can I show you something?</dialogue>
    <scene_description>Autumn nods. The Center Director gets up and puts a DVD into a nearby player. Autumn sits in a chair to face the TV. Autumns watches "THE HARD TRUTH", an infamous Anti-abortion video that begins with a warning. Warning: Very strong content; viewer discretion is advised.</scene_description>
    <character>NARRATOR</character>
    <dialogue>The video you are about to see unmasks the terrible truth that abortion is an act of violence Which kills a baby. Some of the children we will show you represent typical 9 and 10 week abortions. Because abortions are never committed prior to the sixth week of pregnancy...</dialogue>
    <scene_description>A series of grotesque images of dead fetuses plays on the TV.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREETS - COAL COUNTRY, PA</stage_direction>
    <scene_description>Autumn walks down the street, shaken by what she has seen.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM - DAY</stage_direction>
    <scene_description>Autumn sits on her bed. The curtain is drawn but a sliver of light sneaks in. She opens her laptop and goes right to Google. She searches for something. The light from the computer hits her face. Can someone under 18 get an abortion in Pennsylvania? She reads information about parental consent laws and judicial bypass. Discouraged, she tries a new search. How do I give myself an abortion...?</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S HOUSE - KITCHEN</stage_direction>
    <scene_description>Autumn searches the pantry. She grabs an old bottle of Vitamin C. She spills out a handful. She swallows them one by one. She gags and chokes on some of them. She lets it all digest and spits in the sink. She drinks water from the faucet.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM</stage_direction>
    <scene_description>Autumn looks in a full length mirror. She slowly lifts up her shirt and violently punches herself in the stomach. She does it again and again.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET - NIGHT</stage_direction>
    <scene_description>Autumn stands at her lane. She looks pale and tired and sick. The conveyor belt is on. She scans items. Her Manager watches her through the mirrored glass window. Autumn looks queasy. She drinks some water out of a plastic bottle. The customer looks at her. The customer can tell something is wrong. Autumn stops what she is doing and quickly walks away. The customer is confused and left alone. Skylar sees and follows her.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET</stage_direction>
    <scene_description>Autumn quickly walks past all the meats. It's sickening. Skylar follows her in the distance.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET</stage_direction>
    <scene_description>Autumn bolts up a flight of stairs.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S BATHROOM</stage_direction>
    <scene_description>Autumn goes into the bathroom stall and locks the door. She vomits and vomits. Skylar taps on the door.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Should I call your mom?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No. I'm ok now.</dialogue>
    <scene_description>Autumn vomits again.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Are you sure?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <scene_description>Autumn opens the door.</scene_description>
    <character>SKYLAR</character>
    <dialogue>What's wrong?</dialogue>
    <scene_description>She comes out and takes a sip of water from the sink.</scene_description>
    <character>SKYLAR</character>
    <dialogue>What did the doctor say?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I didn't go to the doctor.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Why not?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I tried.</dialogue>
    <character>SKYLAR</character>
    <dialogue>I don't understand.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I took a test.</dialogue>
    <character>PAUSE</character>
    <dialogue>SKYLAR</dialogue>
    <scene_description>What test? She shrugs.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Chemistry?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>SKYLAR</character>
    <dialogue>What test? Math?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <scene_description>Autumn goes back to the stall and vomits again. Skylar realizes and doesn't know what to say.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S FOOD MARKET - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn buzz into the office.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Excuse me...</dialogue>
    <character>MANAGER</character>
    <dialogue>What is it?</dialogue>
    <character>SKYLAR</character>
    <dialogue>My cousin isn't feeling well.</dialogue>
    <scene_description>He rolls his eyes.</scene_description>
    <character>MANAGER</character>
    <dialogue>Ok?</dialogue>
    <character>SKYLAR</character>
    <dialogue>I think I need to take her home.</dialogue>
    <character>MANAGER</character>
    <dialogue>She's on the schedule for two more hours. Can't she wait?</dialogue>
    <character>SKYLAR</character>
    <dialogue>No.</dialogue>
    <scene_description>He looks at Autumn. She looks sickly in the doorway. He looks at the clock.</scene_description>
    <character>MANAGER</character>
    <dialogue>It's really just a few more hours. You can do it. Besides, I'd get lonely if you left.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'll be ok.</dialogue>
    <scene_description>Skylar looks at her.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER FOOD MARKET</stage_direction>
    <scene_description>Autumn and Skylar stand in their lanes. Autumn looks ill. The supermarket is practically empty. Music from the 1950s plays. The manager, in silhouette watches them from the office window.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BOYER'S OFFICE - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn count the money from their drawer. They fill in little boxes on the envelopes. While she counts, Skylar slides a few bills off the stack and tucks them into her pocket. Autumn realizes what she is doing and looks up to the security camera. They are being watched. They put their envelopes through the slot. Autumn's hand is kissed.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BOYER'S FOOD MARKET - PARKING LOT - NIGHT</stage_direction>
    <scene_description>They leave the store quickly. The lights glow behind them. The wind blows around them. Skylar stops and shoves money in Autumn's backpack as they walk away. Neither of them says anything to each other. They walk away and don't look back.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn sit on the bed looking at the laptop. The glow from the computer hits their faces in the dark room. They type and search together. On the screen - they scroll through bus schedules. Skylar opens a suitcase and begins putting things in. She overpacks and grabs random things from Autumn's drawers. Autumn counts the money. She passes it to Skylar. Skylar counts the money.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUTUMN'S BEDROOM - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn lie in bed together nose to nose. Skylar closes her eyes and begins to drift to sleep. She can feel that Autumn is tense and wired. Skylar reaches over and tries to manually shut Autumn's eye lids, but they spring back open.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RESIDENTIAL STREET - DAWN</stage_direction>
    <scene_description>Skylar and Autumn drag a big brown suitcase down the steep hill. The streets are quiet. Autumn walks with her hood up and arms crossed. Wind chimes chime.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DOWNTOWN COAL COUNTRY, PA - DAWN</stage_direction>
    <scene_description>Autumn and Skylar sit together on the curb of an empty street, with a big brown suitcase. They wait and wait and wait. The sun slowly comes up. A big white charter bus arrives. The driver opens up the baggage compartment and throws their suitcase on. Autumn takes out her money. She reluctantly pays him.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (SHAMOKIN TO WILKES-BARRE)- DAWN</stage_direction>
    <scene_description>They get on the bus. It's totally empty. They walk down the aisle. Skylar takes an entire row to herself, curls up, and goes to sleep. Autumn sits in her own row and looks out the window. She puts in her earbuds, and listens to music. She's clearly on edge. Out the window, she watches the landscapes change... ...from coal mines... ...to small towns.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (SHAMOKIN TO WILKES-BARRE) - LATER</stage_direction>
    <scene_description>Autumn's phone buzzes. She shuts off her music and answers.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Hello?</dialogue>
    <character>CENTER DIRECTOR (O.S.)</character>
    <dialogue>It's Beth.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Hi.</dialogue>
    <character>CENTER DIRECTOR (O.S.)</character>
    <dialogue>I'm sorry I missed you earlier. I just stepped out.</dialogue>
    <character>AUTUMN</character>
    <dialogue>It's ok.</dialogue>
    <character>CENTER DIRECTOR (O.S.)</character>
    <dialogue>Can you come back in later today? I'd love to sit with you more and talk.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ummm-- Can I call you back?</dialogue>
    <character>CENTER DIRECTOR (O.S.)</character>
    <dialogue>Of course. Or I can try you again in a little while. Either way.</dialogue>
    <scene_description>Autumn hangs up. She looks out the window. Shifting landscapes: Mountains.... Open highway.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (SHAMOKIN TO WILKES-BARRE)- LATER</stage_direction>
    <scene_description>The bus pulls into a big parking lot. Autumn wakes Skylar up. Skylar sits up confused.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I think we have to switch here.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Why?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't know why. We just do.</dialogue>
    <scene_description>They grab their things and get off the bus.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PARKING LOT - DAY</stage_direction>
    <scene_description>They stretch their legs in between the two long buses. Skylar gives Autumn a bear hug and lifts her off the ground. Autumn is stiff in her arms.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PARKING LOT - DAY</stage_direction>
    <scene_description>The doors open. They get onto a different bus.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ANOTHER BUS (WILKES-BARRE TO NYC)</stage_direction>
    <scene_description>It's the same but with slightly different fabric on the seats. Autumn grabs the same seat as she was in before, next to the window. Skylar takes her own row. The driver turns around and howls at them.</scene_description>
    <character>BUS DRIVER #2</character>
    <dialogue>This bus is gonna fill up. I wouldn't spread out unless you wanna sit separate.</dialogue>
    <scene_description>Skylar sits next to Autumn. She falls back asleep easily. Autumn looks out the window. She sees: a fancy car pull up next to the bus. In the front seat a dad (50) and his son, JASPER (20). They argue about something. His dad slips him a little cash. Autumn get up and tries not to wake Skylar. She walks to the back of the bus.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (WILKES-BARRE TO NYC) - BATHROOM</stage_direction>
    <scene_description>Autumn reaches into her backpack and takes out a wad of money. She counts it and counts it again. She stuffs it back in. She puts water on her face and sees herself in the mirror. She looks ghostly. She covers up her reflection.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (WILKES-BARRE TO NYC) - DAY</stage_direction>
    <scene_description>The bus idles as Autumn walks back down the aisle. The kid from the car, Jasper, gets on the bus at the other end and walks toward Autumn. Jasper wears a T-shirt and a flimsy denim jacket. He's under- dressed given the temperature outside. He's equally charming and off-putting. Autumn sits down and unexpectedly, he sits across the aisle from them, even though there are plenty of empty seats. The bus takes off.</scene_description>
    <character>JASPER</character>
    <dialogue>Hey.</dialogue>
    <scene_description>Skylar is half-awake and half-ignoring him. Autumn ignores him completely.</scene_description>
    <character>JASPER</character>
    <dialogue>Hey. Excuse me.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Hey.</dialogue>
    <character>JASPER</character>
    <dialogue>Do you know what time this bus gets in?</dialogue>
    <character>SKYLAR</character>
    <dialogue>I don't know. Like 2pm?</dialogue>
    <character>JASPER</character>
    <dialogue>That's what I thought actually.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Cool.</dialogue>
    <character>JASPER</character>
    <dialogue>Are you going all the way?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Yep.</dialogue>
    <character>JASPER</character>
    <dialogue>I fucking love New York. Don't you?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Yeah.</dialogue>
    <character>JASPER</character>
    <dialogue>It's kind of my favorite city.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Us too.</dialogue>
    <character>JASPER</character>
    <dialogue>Philly's cool and all, it's definitely got history. But New York, because of the way the city is set up and everything, it's like one massive communal space.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Yeah.</dialogue>
    <character>JASPER</character>
    <dialogue>You are forced to interact with people who are nothing like you.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Kind of like the bus.</dialogue>
    <character>JASPER</character>
    <dialogue>Funny... What are you doing there?</dialogue>
    <scene_description>Skylar looks at Autumn.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Seeing family and stuff.</dialogue>
    <character>JASPER</character>
    <dialogue>Sounds fun.</dialogue>
    <character>SKYLAR</character>
    <dialogue>It's not really that kind of trip.</dialogue>
    <character>JASPER</character>
    <dialogue>Oh no. Is someone sick or something? Did someone die?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Neither.</dialogue>
    <character>JASPER</character>
    <dialogue>Well what happened?</dialogue>
    <scene_description>PAUSE.</scene_description>
    <character>JASPER</character>
    <dialogue>Sorry. I'm really nosy. Well, I know you'll be busy and all, but by any chance, do you girls like live music?</dialogue>
    <scene_description>Skylar looks at Autumn.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Autumn loves live music. She's actually a live singer.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No I'm not.</dialogue>
    <character>JASPER</character>
    <dialogue>Oh that's cool. Lemme hear you sing.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>JASPER</character>
    <dialogue>Come on. Don't be shy.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>JASPER</character>
    <dialogue>I'm kidding. What kind of music do you like?</dialogue>
    <scene_description>She shrugs.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Like all different kinds.</dialogue>
    <character>JASPER</character>
    <dialogue>Well I'm going to see some live music. Meet up with some friends...</dialogue>
    <scene_description>He reaches across the aisle and taps her knee with his fist. Autumn watches.</scene_description>
    <character>SKYLAR</character>
    <dialogue>We're gonna be pretty busy.</dialogue>
    <character>JASPER</character>
    <dialogue>Yeah, I get it.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Sorry.</dialogue>
    <character>JASPER</character>
    <dialogue>Well if you give me your number, I'll text you the info. Maybe you'll change your mind?</dialogue>
    <scene_description>Skylar takes his phone and enters her number in. Autumn watches. She gives it back. Her phone buzzes.</scene_description>
    <character>JASPER</character>
    <dialogue>There. I just texted you.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Got it. We're probably not going to have any time.</dialogue>
    <character>JASPER</character>
    <dialogue>Yeah, I get it. But maybe you can come. You'll see. Right?</dialogue>
    <scene_description>Autumn puts on her ear buds and tries to ignore what's happening. She looks out the window. A flat landscape quickly becomes more and more industrial as they begin to come into New Jersey.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (WILKES-BARRE TO NYC) - LATER</stage_direction>
    <scene_description>The bus goes from bright to very dark as it goes into the tunnel. The fluorescent lights strobe. Autumn's eyes are full of anticipation. The lights flicker in her eyes. The lights flicker in her pupils.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PORT AUTHORITY - DAY</stage_direction>
    <scene_description>The bus driver opens up the baggage compartment. Autumn and Skylar grab their big suitcase from underneath the bus.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - ARRIVALS AND DEPARTURES - DAY</stage_direction>
    <scene_description>Autumn and Skylar enter into the Arrivals and Departures Hall. They look totally lost. They take out their phones and start looking things up. Jasper walks up behind them carrying only a backpack.</scene_description>
    <character>JASPER</character>
    <dialogue>You girls know where you are going?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Yup.</dialogue>
    <character>JASPER</character>
    <dialogue>You sure?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <scene_description>He keeps walking and looks back.</scene_description>
    <character>JASPER</character>
    <dialogue>Gonna be a drag to lug that thing on the subway.</dialogue>
    <character>AUTUMN</character>
    <dialogue>We'll be ok.</dialogue>
    <character>JASPER</character>
    <dialogue>I'll text you.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Cool.</dialogue>
    <scene_description>He keeps walking. Skylar and Autumn deliberately wait a moment until he's out of sight. Then they drag their suitcase through the hall.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - INFORMATION DESK</stage_direction>
    <scene_description>Skylar and Autumn drag their bag up to the information booth.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Excuse me. Do you know what train we need to take to get to 44 Court Street?</dialogue>
    <scene_description>She takes Autumn's phone and shows the man behind the counter. He is also behind bullet proof glass. The man reluctantly looks at her phone.</scene_description>
    <character>PORT AUTHORITY INFORMATION OFFICER</character>
    <dialogue>Yeah, you need the A or C downtown and get off at Jay.</dialogue>
    <character>AUTUMN</character>
    <dialogue>J? Sorry can you repeat that?</dialogue>
    <character>PORT AUTHORITY INFORMATION OFFICER</character>
    <dialogue>Yes. You need to jump on the A or C train heading downtown, but go all the way into Brooklyn and get off at Jay Street MetroTech.</dialogue>
    <scene_description>They both look confused, so the man hands them a map. He opens it up. He shows them on the map and circles the station with a pen. They take the map and look for the subway signs.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - MTA CORRIDOR</stage_direction>
    <scene_description>Autumn and Skylar push through the doors that connect Port Authority to the Subway. They see a busker playing.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY STATION - KIOSK</stage_direction>
    <scene_description>Autumn and Skylar stand at the Metro-card kiosk. They both press buttons trying to figure out how the machine works. They take out the money they have and reluctantly feed a $20 bill into the machine. It spits it back out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY STATION - TURNSTILE</stage_direction>
    <scene_description>They slide their cards a few times. The turnstile instructs them to please slide again. They can't quite find the right speed. They look at each other helplessly. The suitcase doesn't fit under the turnstile. They awkwardly lift it up and pass it over the turnstile.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY STEPS</stage_direction>
    <scene_description>They drag the suitcase down the steps. It's a two person effort.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY PLATFORM</stage_direction>
    <scene_description>They walk along the platform.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. A TRAIN - DAY</stage_direction>
    <scene_description>Autumn and Skylar ride the subway. They stand right next to the subway map and stare at it over the heads of two passengers. Their enormous suitcase is in everyone's way.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BROOKLYN STREET - DAY</stage_direction>
    <scene_description>Autumn and Skylar pull their suitcase down a busy Brooklyn street. Autumn checks her phone to see if they are at the right location.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JOAN MALIN BROOKLYN HEALTH CENTER - DAY</stage_direction>
    <scene_description>Autumn and Skylar enter into a building. A gruff security guard stops them. They look at each other.</scene_description>
    <character>SECURITY GUARD</character>
    <dialogue>IDs Please?</dialogue>
    <scene_description>They both take out their school IDs and pass them across the counter. They walk through a metal detector.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JOAN MALIN BROOKLYN HEALTH CENTER - WAITING ROOM</stage_direction>
    <scene_description>Autumn and Skylar enter the waiting area. The waiting area is big, crowded and impersonal. The pace is faster. Autumn signs in. The receptionist quickly reads it and hands her a clip board. Autumn sits down next to Skylar and begins to fill out the form. Autumn tries to shield her answers from Skylar who can't help but try and see.</scene_description>
    <character>RECEPTIONIST #3</character>
    <dialogue>Autumn, room 4.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. JOAN MALIN BROOKLYN HEALTH CENTER - HALLWAY</stage_direction>
    <scene_description>Autumn wanders the halls looking for the right consultation room.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JOAN MALIN BROOKLYN HEALTH CENTER - OFFICE</stage_direction>
    <scene_description>Autumn sits across a desk from JOAN MALIN SOCIAL WORKER (45). She's straight forward, all business.</scene_description>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>I just wanna take a minute to review some of your information, then we'll get you all set up.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Can you start by verifying your name and date of birth please?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Autumn Callahan, October 9, 2003</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Along with doing a pregnancy test, and sonogram, we recommend testing for STDs like gonorrhea, and chlamydia. Is that ok?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Well. That's fine. But I did already take a test and a sonogram.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Ok. I understand. But, we always have to go by the one that we take today in our office with our technician and on our equipment.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. JOAN MALIN BROOKLYN HEALTH CENTER - EXAM ROOM</stage_direction>
    <scene_description>A Nurse checks Autumn's vitals, as she sits on an exam table. The nurse checks her blood pressure and pulse.</scene_description>
    <character>NURSE #1</character>
    <dialogue>Can you lift up your sleeve and make a fist?</dialogue>
    <scene_description>She checks her height and weight. Autumn lies on the table. She looks up at the ceiling and sees a cloud-like light fixture. The nurse lifts the back of her shirt. Her small baby bump exposed. Her stomach is covered in bruises. The nurse looks at them uncomfortably. Blue gel is applied to her stomach. Then a sonogram wand moves all around.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SOCIAL WORKER'S OFFICE - DAY - LATER</stage_direction>
    <scene_description>Autumn waits and waits alone in an office. She looks around. A child's elementary school class pictures are pinned to a bulletin board. The phone rings and rings. The screen-saver floats across the computer screen. It's mesmerizing and she begins to nod off when the Social Worker comes back. Autumn sits up. The Social Worker has her sonogram and paperwork in hand.</scene_description>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Are you ok?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah. Just tired.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>So, the sonogram is showing that you are about 18 weeks. Is that about as far along as you thought?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No. I'm sorry, what?</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>It's showing that you are close to 18 weeks.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No, when I did a sonogram before, they said I was ten.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Well there is a small margin of error, but it's usually within a 3- 4 day range, which is why we always need to do them again.</dialogue>
    <character>AUTUMN</character>
    <dialogue>The place I went to before definitely said I was ten weeks.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Where was that?</dialogue>
    <character>AUTUMN</character>
    <dialogue>In my town.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Where exactly?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't remember the name of it.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>At a doctor's office?</dialogue>
    <scene_description>She shrugs.</scene_description>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <scene_description>PAUSE</scene_description>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Was it free?</dialogue>
    <scene_description>PAUSE</scene_description>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <scene_description>PAUSE</scene_description>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>I need to let you know something. At this specific facility, in- clinic abortions are offered up to 12 weeks and 6 days after the start of your last menstrual period.</dialogue>
    <character>AUTUMN</character>
    <dialogue>So what am I suppose to do?</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Well, we can still help you find the care that you need. We just can't help you here.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok?</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>I am going to send you to our other facility. Make a referral and you'll be able to get in there first thing tomorrow.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I can't really wait until tomorrow.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>By the time you make it over there they'll be closed.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Can you please please call and see if they can take me now?</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>I can call. But I can tell you, they are going to say tomorrow.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I really really can't wait until then.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>Do you have a place to stay while you are here?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes. But I really need to get home tonight.</dialogue>
    <character>JOAN MALIN SOCIAL WORKER</character>
    <dialogue>I just don't think that's possible, but I can check. Regardless we are going to get you the care you need as soon as possible.</dialogue>
    <scene_description>She picks up the phone and calls. Autumn waits and waits...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. JOAN MALIN BROOKLYN HEALTH CENTER - NIGHT</stage_direction>
    <scene_description>Autumn and Skylar exit the clinic. It's night. Autumn looks visibly stunned. Skylar looks concerned. They have nowhere to go.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY</stage_direction>
    <scene_description>The subway moves through a dark tunnel. Autumn looks out the front window. There are layers of glass creating a distorted hallucination-like journey through the underground rails. Lights flare. The brakes screech as the train pulls into a station.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COMFORT INN - MIDTOWN</stage_direction>
    <scene_description>Autumn and Skylar drag their suitcase through the lobby of a hotel and up to the reception desk. It's a chain, nothing fancy. Autumn sits on the couch. Skylar goes into her backpack and takes out their money and stuffs it into her coat pocket. Autumn watches as Skylar approaches the counter.</scene_description>
    <character>HOTEL PERSON</character>
    <dialogue>Good evening, do you have a reservation? Checking in?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Hi, no I don't, but I was wondering if you have any rooms available?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>Let me see.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Thanks.</dialogue>
    <scene_description>He types and types on the computer.</scene_description>
    <character>HOTEL PERSON</character>
    <dialogue>We do have one double available which comes with complimentary Wifi access and a complimentary breakfast buffet.</dialogue>
    <character>SKYLAR</character>
    <dialogue>How much?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>$250 a night.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Is there any wiggle room?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>Wiggle room? I could maybe drop it down to $200.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Could you go lower?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>What were you thinking?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Like $75?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>No sorry, that's not possible.</dialogue>
    <character>SKYLAR</character>
    <dialogue>If the room is empty, why not right?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>Why not what?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Why not fill it?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>I'm sorry. I just can't go lower than $200.00.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Isn't it better to make something rather than nothing?</dialogue>
    <character>HOTEL PERSON</character>
    <dialogue>Sorry, I can't go that low with the room. We usually fill up.</dialogue>
    <scene_description>Skylar looks discouraged.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - MTA CORRIDOR</stage_direction>
    <scene_description>Autumn and Skylar wander back through the main hall. It's flooded with people.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY</stage_direction>
    <scene_description>They take the escalator down underground. Classical music still plays. They wander around looking for a quiet place to hang out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - NIGHT</stage_direction>
    <scene_description>They sit on benches. Autumn types a message to her mother. Skylar lies with her head in Autumn's lap. She also sends a text. Hi...Just getting off. Crashing at Skylar's. Autumn shows Skylar her phone. She gives a thumbs up.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Look at this.</dialogue>
    <scene_description>She shows Autumn her phone. There is a mystery message that just reads Hi.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Who's that?</dialogue>
    <character>SKYLAR</character>
    <dialogue>I don't know.</dialogue>
    <scene_description>Another message comes in that says: THE ECHO CHAMBER. They look at each other confused. And then another message that says: 9:15! Come thru?</scene_description>
    <character>SKYLAR</character>
    <dialogue>It's that kid.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Don't encourage him.</dialogue>
    <character>AUTUMN</character>
    <dialogue>How many times did he write you?</dialogue>
    <character>SKYLAR</character>
    <dialogue>He sent me 3 messages.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Did you write back?</dialogue>
    <character>SKYLAR</character>
    <dialogue>No.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Delete. Delete. Delete.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Yup.</dialogue>
    <scene_description>A transit cop walks by.</scene_description>
    <character>TRANSIT COP</character>
    <dialogue>Sorry. You can't sleep here. Gotta clear out.</dialogue>
    <scene_description>They get up and leave.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY - NIGHT</stage_direction>
    <scene_description>Autumn and Skylar ride the subway in the middle of the night. The train is empty. Skylar sleeps on Autumn. Autumn is wide awake keeping watch. A group of drunk people jump on at one station. They are loud and singing something. A couple makes out. The train stops and they jump off at the next station. Autumn looks around. Keeping track of everyone around them. A man gets on the other side of the train. He's white and drunk and in a disheveled suit, as if he's had a long night partying. He makes eye contact. His blue eyes are bloodshot. Autumn looks at him too. She sits up slightly. Autumn looks at him up and down. He smiles at her. She smiles nervously back. She watches him for a minute and sees his hand is moving back and forth in a mechanical way. All of a sudden she realizes that he's masturbating. She jumps up and wakes Skylar. She drags her to the door. He never stops looking at them. The doors open. Autumn gives him the finger and his face lights up with happiness. This is the biggest turn-on ever.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CHINATOWN - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn walk down a street in Chinatown. It's quiet and somewhere between night and dawn. They see some flashing lights. They wander toward them.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHINATOWN ARCADE - NIGHT</stage_direction>
    <scene_description>They walk into an all night arcade and look around. The space is filled with new and old video games with blinking lights and a cacophony of game music and sounds. It's empty with only a few people playing games.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PHOTO BOOTH</stage_direction>
    <scene_description>Autumn and Skylar take a series of photos together in a booth. Skylar tries to change position in each flash of the camera. In one frame Skylar is silly. In another Skylar is serious. In the last one Skylar kisses Autumn on the cheek. Autumn sits making the same neutral expression throughout.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHINATOWN ARCADE</stage_direction>
    <scene_description>Skylar does the Dance Dance Revolution game. Her movement is loose and uninhibited. Autumn walks deep into the back of the arcade and sees an old game with flashing lights. It says TIC TAC TOE Chicken. In a glass case, an old, live, sickly chicken pecks at a bowl of water. Autumn goes up and looks at it. She puts in some change and plays. She presses a button X and the chicken pecks from the inside O. They play an entire game and Autumn loses. A sound cue indicates that she's the loser. Autumn looks irritated.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHINATOWN - BAKERY - EARLY MORNING</stage_direction>
    <scene_description>Skylar and Autumn look at the dim sum sweets behind the counter. They are colorful and enticing.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Can we have that one and that one and that one?</dialogue>
    <scene_description>The Woman behind the counter rings them up and gives them a bag.</scene_description>
    <character>BAKERY EMPLOYEE</character>
    <dialogue>That's $5 dollars.</dialogue>
    <scene_description>Autumn goes into her backpack and takes out the wad of singles. She puts some down on the counter reluctantly.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHINATOWN - BAKERY - BATHROOM</stage_direction>
    <scene_description>They brush their teeth together at the sink. Skylar takes a paper towel. She folds it up a bunch of times, soaks it with water. First she wipes down her arm pits and then wipes her crotch with it.</scene_description>
    <character>SKYLAR</character>
    <dialogue>This is called a French whore bath.</dialogue>
    <scene_description>Autumn laughs and takes out their money and sits on the floor and counts it.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY STATION - EARLY MORNING</stage_direction>
    <scene_description>They look in the token booth. No one is there. They study the map, it's impossible to understand. They push the suitcase under the turnstile. They swipe once and push through together.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY - EARLY MORNING</stage_direction>
    <scene_description>They ride back uptown. The subway is packed with morning commuters. People give them dirty looks for the suitcase. They share their treats on the train. Autumn devours them all.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BLEECKER STREET - MORNING</stage_direction>
    <scene_description>They cross the street towards the clinic. As they approach, they see a group of peaceful protesters quietly praying and clutching rosary beads.</scene_description>
    <character>PROTESTORS</character>
    <dialogue>Jesus, remember me when you come into your Kingdom. Jesus, remember me when you come into your Kingdom.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - MORNING</stage_direction>
    <scene_description>Skylar and Autumn enter the clinic. They dig into their pockets and take out their school IDs, anticipating what comes next.</scene_description>
    <character>SECURITY GUARD #2</character>
    <dialogue>Hello. Can I please see your IDs?</dialogue>
    <scene_description>They go through the metal detectors again.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - WAITING AREA</stage_direction>
    <scene_description>Autumn and Skylar sit down again. They get comfortable as there is no way to predict the wait. They play games on their phones. They watch the flat screen TV in the waiting room.</scene_description>
    <character>RECEPTIONIST #4</character>
    <dialogue>Autumn?</dialogue>
    <scene_description>Autumn stands up and gathers her things.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Are you sure you don't want company?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'll be ok.</dialogue>
    <scene_description>Autumn gets up and walks past the reception desk. She looks back as she goes through a door to the clinic.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - ELEVATOR</stage_direction>
    <scene_description>Autumn takes the elevator up a level.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC</stage_direction>
    <scene_description>She wanders around looking for the right office.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - OFFICE</stage_direction>
    <scene_description>Autumn sits down with the FINANCIAL COUNSELOR (Female, 45). She is dressed in a somewhat more conservative suit. Her office is extremely organized.</scene_description>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Hi, come on in.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Thanks.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>So I'm going to help you sort out the payment for today. How do you want to handle it? With insurance or go out of pocket?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm not really sure.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Do you have private insurance?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Are you currently insured?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>May I look at your insurance card?</dialogue>
    <scene_description>Autumn takes out her wallet, which is a mess of cards and torn pieces of paper. She slides it across the table and reluctantly takes it back.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I am not sure I can use this one.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>No?</dialogue>
    <character>AUTUMN</character>
    <dialogue>If I do, would my family get some kind of bill?</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>They would get a statement. That's correct.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I can't do that.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>I can try and set you up for emergency medicaid as an alternative.</dialogue>
    <character>AUTUMN</character>
    <dialogue>How does that work exactly?</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Well first we need to see if you qualify. Eligibility requirements are based on income. Are you from NY state?</dialogue>
    <character>AUTUMN</character>
    <dialogue>NY. No.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Where are you from?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Pennsylvania.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Steel country?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Coal.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Well in that case you don't qualify. I can only enroll people from NY State.</dialogue>
    <character>AUTUMN</character>
    <dialogue>How much is it going to cost without insurance?</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>At 18 weeks, the out of pocket cost is $1500.</dialogue>
    <scene_description>She starts to panic.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I don't have that.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>I understand. Well, what is your ability to pay?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I can pay something.</dialogue>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Well we aren't going to turn you away. I'm just trying to get this sorted out.</dialogue>
    <scene_description>Autumn takes her backpack and unzips it. She takes out all the money that she came with. She puts it on the desk like a peace offering of some kind.</scene_description>
    <character>FINANCIAL COUNSELOR</character>
    <dialogue>Go ahead and just hold on to that. That'll be for downstairs for payment. All I need you to do is fill out this form.</dialogue>
    <scene_description>Autumn stuffs the money back into her bag and fills out another form.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - HALLWAY</stage_direction>
    <scene_description>Autumn exits one office in a long hallway and enters another office.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - OFFICE - LATER</stage_direction>
    <scene_description>She sits down and waits. The BLEECKER STREET SOCIAL WORKER comes in. She sees her and how young she is and shifts gears. The Bleecker Street Social Worker is friendly. She wears chunky hip eye glasses and has a natural way of getting patients to open up. Her office is exactly the same as the one before, but much messier.</scene_description>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Hi Autumn. I'm Kelly, I'm your counselor. How are you doing?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>You look so sleepy.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you sure? Are you missing any school to be here today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes. Just a couple days.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Oh no, what's that going to be like for you to be missing school?</dialogue>
    <character>AUTUMN</character>
    <dialogue>What do you mean?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you concerned about it? Do you miss a lot?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Not really.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>If you want, I can call your school and connect with your guidance counselor about it. Would that be helpful?</dialogue>
    <scene_description>She nods. The Social Worker scribbles a note on her chart and begins the intake process.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>So you had a sonogram at the Planned Parenthood in Brooklyn. And the sonogram is showing that you are 18 weeks pregnant. Is that what you thought?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Umm. No.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>How many weeks did you think you were?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I thought I was ten weeks.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Ten weeks? Ok, that happens sometimes. Because you're 18 weeks and you're in the second trimester this is going to be a two-day procedure, okay?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Is there any chance you can do it all today?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Unfortunately, that's not possible. It has to be done over the course of two days. We have to put dilators in the cervix so that the cervix can open slowly overnight. That way the procedure can be done safely tomorrow. Will you be able to come back tomorrow?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. I also need to know that you're absolutely sure of your decision to terminate this pregnancy? Are you sure of your decision?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. Because if you for any reason change your mind there could be serious medical considerations if you don't finish the second part of the procedure.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Do you have a place to stay tonight? I know you came from far away.</dialogue>
    <scene_description>She shrugs.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Yeah. Yeah.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Where are you going to stay?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't know. I was just going to go to a hotel or something.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Ok. Hotels are pretty expensive. Do you have money for that?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'll figure it out.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you sure? We work with volunteers that can help you with a place to stay. I can reach out to them if you want me to.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No no, we'll figure it out.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>We? Who did you come with today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I came with someone.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Great, who?</dialogue>
    <character>AUTUMN</character>
    <dialogue>My cousin.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Is that person supporting your decision to come here today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are they forcing you at all to come here?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No. Not at all. We are really close.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>What a good cousin. Are you sure about your decision to get an abortion today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. Can you tell me what led to your decision to terminate the pregnancy?</dialogue>
    <scene_description>Autumn pauses.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I'm just not ready to be a mom. Is that ok?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>That's totally fine. Whatever your decision is is totally fine as long as it's yours. Is there anyone who's pressuring you to be here today to terminate this pregnancy?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. I'm going to ask you some questions about your medical history. Okay? There's lot of questions just answer as best you can.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <scene_description>The Social Worker breezes through the medical history part quickly, ticking off boxes as she goes.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Do you take any medication, including birth control or use any drugs on a regular basis?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Have you taken any medication or drugs of any kind today?</dialogue>
    <scene_description>She shakes her head no.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you allergic to any drugs?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Latex allergy?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Any surgeries or hospitalizations?</dialogue>
    <character>AUTUMN</character>
    <dialogue>My tonsils.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Problems with anesthesia?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't think so.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are your vaccinations all up to date?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Good. Please, please tell me you got a flu shot this year.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Ok ok, but you've seen a doctor or pediatrician and had an annual physical?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Good. Do you smoke cigarettes?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Do you drink or smoke Marijuana?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Not a lot.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Good. Good. Okay, good. Any recent life changes or stresses?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>I want to take a minute and talk a little about your sexual history. These are questions we typically ask everyone. And everything you say in here is obviously confidential.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Unless you tell me that you are being hurt or forced to have sex by someone or are suicidal - those things I would have to report, ok?</dialogue>
    <scene_description>Autumn doesn't answer.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Ok?</dialogue>
    <scene_description>She nods her head yes.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>At what age did you first have sex?</dialogue>
    <character>AUTUMN</character>
    <dialogue>BLEECKER STREET SOCIAL WORKER</dialogue>
    <scene_description>What types of sexual activity have you had? Vaginal, Anal, Oral? She answers quietly.</scene_description>
    <character>AUTUMN</character>
    <dialogue>All of them.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>How many sexual partners do you currently have?</dialogue>
    <character>AUTUMN</character>
    <dialogue>One.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Could your partner(s) have any other partner(s)?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Probably.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. And how many sexual partners have you had in the last 12 months?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Two.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>And how about in your lifetime.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Six?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Do you use condoms or other barriers to protect yourself against HIV or other sexually transmitted infections?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Sometimes.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Have you ever had an HIV test?</dialogue>
    <scene_description>She shakes her head no.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Would you like to have one done today?</dialogue>
    <scene_description>She shrugs ambiguously.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>I recommend it. It can be hard to want to do it, but it's important.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>I want to spend a few minutes talking to you about your relationships, okay?</dialogue>
    <scene_description>Autumn nods.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Because they can affect your health. Did you know that? No? All right. So I'm going to ask you some questions... they can be really personal. And all you have to do is answer either Never, Rarely, Sometimes, or Always. It's kind of like multiple choice but it's not a test.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>In the past year, your partner refused to use a condom. Never, Rarely, Sometimes, Always?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Sometimes.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. In the past year, has your partner messed with your birth control or tried to get you pregnant?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Never.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Autumn, has your partner ever threatened or frightened you? Never, Rarely, Sometimes, Always?</dialogue>
    <scene_description>Autumn looks away.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Why are you asking me that?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>I want to make sure that you're safe. Your partner's threatened or frightened you. Never, Rarely, Sometimes, Always?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Rarely.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Has your partner hit, slapped, or physically hurt you. Never, Rarely, Sometimes, Always?</dialogue>
    <scene_description>Autumn can't answer. She holds back.</scene_description>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>Has your partner ever hit you, slapped you, or physically hurt you? Is someone hurting you?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Some -</dialogue>
    <scene_description>She holds back more.</scene_description>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>It's okay. It's just a couple more questions, all right? Your partner has made you have sex when you didn't want to? Never? Rarely. Sometimes? Always?</dialogue>
    <scene_description>Autumn's flood gates open. She breaks down.</scene_description>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>It's okay. I want to make sure you're safe and I want to help you if I can. I have just one more question for you, okay Autumn? Has anyone forced you into a sexual act ever in your lifetime, yes or no?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. Do you want to tell me about it?</dialogue>
    <scene_description>Autumn shakes her head no. She is too upset to speak.</scene_description>
    <character>AUTUMN</character>
    <dialogue>No. Not now.</dialogue>
    <character>BLEEKER STREET SOCIAL WORKER</character>
    <dialogue>It's okay. I'm going to give you my number. And you can call me. We don't have to talk about it today, but you can call me if you need to talk or if you need some help, okay?</dialogue>
    <scene_description>The Social Worker writes it down on a card and passes it across the table.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Do you have any questions you want to ask me?</dialogue>
    <scene_description>She collects herself.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Is the procedure- is it going to be painful?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>It's going to be a little uncomfortable. Have you ever had a GYN exam before?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay. It's going to be in an operating room. There's going to be a doctor, there's going to be a nurse, there's going to be a medical assistant. I can be there with you if you want me to be. Would you like me to go with you?</dialogue>
    <scene_description>Autumn nods.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay so it's kind of like having a GYN exam today. They're going to put a speculum in the vagina, they're going to put laminaria into the cervix and that's what's going to help the cervix open overnight. All right?</dialogue>
    <dialogue>So it's going to feel uncomfortable kind of like pressure, kind of like you have to pee, but it shouldn't hurt.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay? If you have any really bad pain tonight you have to call us.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Okay? Then when you come back tomorrow for the second part of the procedure, for that part you're going to be asleep. Okay? And I can be with you then too.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Am I going to go under?</dialogue>
    <scene_description>She begins to get very nervous.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Just for about 10 minutes. It's pretty quick, all right?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>And then... when you wake up you'll be in the recovery room, you're going to be all done. Then you can go home.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you ready?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Think so?</dialogue>
    <scene_description>Autumn takes a sip of water and a deep breath.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - OPERATING ROOM - CHANGE AREA</stage_direction>
    <scene_description>Autumn closes the curtain. She puts on the gown. She slides her underwear off. She nervously tucks them into the pockets of her pants and shoves her bra into the sleeve of her shirt. She opens the curtain.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - OPERATING ROOM</stage_direction>
    <scene_description>Autumn walks into an exam room with bright lights. Autumn gets up on the table. She wears mismatched socks. The doctor comes in and puts on gloves. The Social Worker comes in wearing scrubs.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>You are going to need to scooch your bottom all the way to the edge.</dialogue>
    <scene_description>She scooches and scooches.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>All the way to the end.</dialogue>
    <scene_description>She scooches and scooches. The doctor takes her legs and drapes them over the leg stirrups. She straps her in.</scene_description>
    <character>LATER</character>
    <dialogue>The Doctor opens up the speculum and inserts it into her vagina and then the laminaria.</dialogue>
    <dialogue>Autumn clasps the Social Worker's hand. Her eyelashes flutter with discomfort and nervousness as the whole first part of the procedure take place.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - RECOVERY ROOM - LATER</stage_direction>
    <scene_description>Autumn sits in a gown in a recovery area. She takes a sip of water from a plastic cup.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - WAITING ROOM - LATER</stage_direction>
    <scene_description>Skylar sits and waits and watches the closed door next to the reception desk. Autumn finally emerges.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Hi.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Hi.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Are you ok?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I think so.</dialogue>
    <character>SKYLAR</character>
    <dialogue>What do you want to do?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Nothing.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. BLEECKER STREET</stage_direction>
    <scene_description>Autumn and Skylar walk slowly down the street, dragging their suitcase. Autumn avoids eye contact.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BLEECKER STREET - 6 STATION</stage_direction>
    <scene_description>They haul their suitcase back down the stairs to the subway station. It slips from their hands and tumbles all the way down to the bottom of the stairs.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY STATION - DAY</stage_direction>
    <scene_description>Autumn takes out her Metrocard and slides it through. She tries to push through but it doesn't work. She tries again. She reads the message on the toll booth and it says INSUFFICIENT FARE. Skylar looks at Autumn. Skylar starts to unzip the backpack. Autumn looks at her and shakes her head.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I needed all of it to pay for the appointment.</dialogue>
    <character>SKYLAR</character>
    <dialogue>They wouldn't take your insurance?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No. It was out of state.</dialogue>
    <scene_description>Skylar looks around. She quickly ducks under the turnstile and opens the emergency door. Autumn quickly drags their suitcase through.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY PLATFORM - DAY</stage_direction>
    <scene_description>Skylar looks for the train. Autumn avoids eye contact.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Why couldn't they do it all in one day?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Don't ask me, I'm not a doctor.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - DAY</stage_direction>
    <scene_description>They walk around Port Authority. Classical music still playing.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - GREYHOUND BUS</stage_direction>
    <scene_description>Skylar approaches the counter and speaks the to GREYHOUND BUS TICKET SELLER behind thick glass.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Hey.</dialogue>
    <character>GREYHOUND BUS TICKET SELLER</character>
    <dialogue>How can I help you?</dialogue>
    <character>SKYLAR</character>
    <dialogue>We lost our tickets. Is there any way you can reprint them?</dialogue>
    <character>GREYHOUND BUS TICKET SELLER</character>
    <dialogue>Do you have a receipt?</dialogue>
    <scene_description>She digs in her pockets.</scene_description>
    <character>SKYLAR</character>
    <dialogue>No we lost that too.</dialogue>
    <character>GREYHOUND BUS TICKET SELLER</character>
    <dialogue>I can't reissue the tickets without proof of purchase.</dialogue>
    <character>SKYLAR</character>
    <dialogue>How much are two tickets to Shamokin, PA.</dialogue>
    <character>GREYHOUND BUS TICKET SELLER</character>
    <dialogue>$65 each.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - DAY</stage_direction>
    <scene_description>They plug their phones into the charging station. The terminal is quiet around them.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Do you want me to write my mom?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Do you want me to write your mom?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Well what do you want me to do?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Fuck off.</dialogue>
    <scene_description>Skylar gets up and sits across the hall from her. They're both on their phones, not paying attention to each other. Time passes. They're both in their own worlds. Autumn takes some Ibuprofen. There's distance between them. Autumn sees Skylar typing messages on her phone. Skylar gets up and walks down the hallway.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - BATHROOM</stage_direction>
    <scene_description>Autumn enters the bathroom and finds Skylar putting on make- up. She puts on dramatic eyeliner and red lipstick. Autumn watches. Then Skylar puts make-up on Autumn. She smears lipstick on her cheeks and rubs it in. She puts under-eye concealer on her.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PORT AUTHORITY - STREET - NIGHT</stage_direction>
    <scene_description>Skylar and Autumn wait outside Port Authority. It's cold outside. Autumn looks around at Times Square. They are surrounded by neon lights, busy streets, and traffic sounds. They look around and wait and wait to see if he's going to show up. Through a crowd of people, Jasper emerges.</scene_description>
    <character>JASPER</character>
    <dialogue>Hey.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Hey.</dialogue>
    <character>JASPER</character>
    <dialogue>How was your family thing?</dialogue>
    <character>SKYLAR</character>
    <dialogue>It was ok.</dialogue>
    <character>JASPER</character>
    <dialogue>I wasn't sure if I was gonna hear from you.</dialogue>
    <character>SKYLAR</character>
    <dialogue>We were busy.</dialogue>
    <character>JASPER</character>
    <dialogue>Yeah, I thought so, but still. I'm happy you wrote. You wanna come with me to this thing downtown?</dialogue>
    <scene_description>He indicates that he wants to leave.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Actually, we kind of need to hang here.</dialogue>
    <character>JASPER</character>
    <dialogue>Here?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Yeah.</dialogue>
    <character>JASPER</character>
    <dialogue>Ok let's go get a drink.</dialogue>
    <character>SKYLAR</character>
    <dialogue>I'm not 21 and I don't have a fake ID.</dialogue>
    <character>JASPER</character>
    <dialogue>How old are you?</dialogue>
    <character>SKYLAR</character>
    <dialogue>JASPER</dialogue>
    <scene_description>No one really cards in New York.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Maybe we can just have a bite or something inside?</dialogue>
    <character>JASPER</character>
    <dialogue>Ok?</dialogue>
    <scene_description>They enter into the Port Authority.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - NIGHT</stage_direction>
    <scene_description>Jasper leads them through Port Authority. He leads them through the big main hall. Autumn trails behind.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - FAST FOOD RESTAURANT - NIGHT</stage_direction>
    <scene_description>Autumn and Skylar stand nervously with him at the counter. It's a small burger place in the middle of a terminal. It's not intimate or quiet or very restaurant-like.</scene_description>
    <character>JASPER</character>
    <dialogue>Are you getting anything?</dialogue>
    <character>SKYLAR</character>
    <dialogue>No we are ok.</dialogue>
    <character>JASPER</character>
    <dialogue>It's always so embarrassing to eat in front of people you don't really know. It's even worse, when you are the only one eating.</dialogue>
    <character>SKYLAR</character>
    <dialogue>We just ate. But thanks.</dialogue>
    <character>PAUSE</character>
    <dialogue>JASPER</dialogue>
    <scene_description>Can I have a cheese burger?</scene_description>
    <character>CASHIER</character>
    <dialogue>$10.50</dialogue>
    <scene_description>He gets his order.</scene_description>
    <character>TABLE AREA</character>
    <dialogue>They all sit down.</dialogue>
    <character>JASPER</character>
    <dialogue>The show was super fun. Well actually it was more like an event than a show. It was in an abandoned subway station. But I just feel like there's no such thing as trespassing in urban spaces. Are you sure you don't wanna check it out?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Another time, you know?</dialogue>
    <character>JASPER</character>
    <dialogue>This city has a lot of secrets. Subterranean levels.</dialogue>
    <scene_description>Skylar looks at his french fries. She reluctantly reaches across the table and steals a fry.</scene_description>
    <character>JASPER</character>
    <dialogue>Take take.</dialogue>
    <scene_description>She steals some more. He eats and talks with his mouth full.</scene_description>
    <character>JASPER</character>
    <dialogue>I have to admit there's something about the legal and physical risks that made it even more of an intense concert. And the acoustics...</dialogue>
    <character>SKYLAR</character>
    <dialogue>Excuse me for a second.</dialogue>
    <scene_description>She gets up and goes to the bathroom, leaving Autumn alone with him. He eats and susses her out. Autumn sits in pain, holding her stomach.</scene_description>
    <character>JASPER</character>
    <dialogue>Do you want some?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No thanks.</dialogue>
    <character>JASPER</character>
    <dialogue>So, where are you from exactly?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Pennsylvania.</dialogue>
    <character>JASPER</character>
    <dialogue>Cool. Where exactly?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Central. Northumberland County.</dialogue>
    <character>JASPER</character>
    <dialogue>Sounds exciting.</dialogue>
    <character>AUTUMN</character>
    <dialogue>It's ok. I like it.</dialogue>
    <character>JASPER</character>
    <dialogue>And what do you like to do there?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Normal things.</dialogue>
    <character>JASPER</character>
    <dialogue>Like?</dialogue>
    <character>AUTUMN</character>
    <dialogue>School and work.</dialogue>
    <character>JASPER</character>
    <dialogue>Fascinating...</dialogue>
    <character>AUTUMN</character>
    <dialogue>I mean, it's a nice place. A fun place to grow up. But you know it's kind of limited.</dialogue>
    <scene_description>Skylar comes back from the bathroom.</scene_description>
    <character>JASPER</character>
    <dialogue>Are you sure you don't wanna come with me to this thing?</dialogue>
    <character>SKYLAR</character>
    <dialogue>We can't really.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - NIGHT</stage_direction>
    <scene_description>They ride up an escalator. Jasper leads the way. They wander toward some fluorescent pink lights, a club-like space inside the transit terminal.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FRAMES BOWLING ALLEY - NIGHT</stage_direction>
    <scene_description>A club-like bowling alley. There's a full bar and disco lighting. Jasper goes up to the counter. A BOWLING ALLEY PERSON stands behind the counter.</scene_description>
    <character>JASPER</character>
    <dialogue>Hi, how's it going?</dialogue>
    <character>BOWLING ALLEY PERSON</character>
    <dialogue>Good evening, do you have a reservation?</dialogue>
    <character>JASPER</character>
    <dialogue>No, are there any lanes open?</dialogue>
    <character>BOWLING ALLEY PERSON</character>
    <dialogue>I think we can squeeze you in.</dialogue>
    <character>JASPER</character>
    <dialogue>Perfect.</dialogue>
    <character>BOWLING ALLEY PERSON</character>
    <dialogue>How many players today?</dialogue>
    <character>JASPER</character>
    <dialogue>Three of us.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm not playing.</dialogue>
    <character>BOWLING ALLEY PERSON</character>
    <dialogue>So two players?</dialogue>
    <character>JASPER</character>
    <dialogue>What??</dialogue>
    <character>AUTUMN</character>
    <dialogue>Sorry.</dialogue>
    <character>BOWLING ALLEY PERSON</character>
    <dialogue>Would you like to pay hourly?</dialogue>
    <character>JASPER</character>
    <dialogue>Sure.</dialogue>
    <character>AUTUMN</character>
    <dialogue>One hour is plenty.</dialogue>
    <character>BOWLING ALLEY PERSON</character>
    <dialogue>It's $90.47 including tax and shoes.</dialogue>
    <scene_description>Skylar and Autumn look at each other.</scene_description>
    <character>JASPER</character>
    <dialogue>I got it.</dialogue>
    <scene_description>He takes out his wallet.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Thanks.</dialogue>
    <scene_description>He pays.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FRAMES BOWLING ALLEY - NIGHT</stage_direction>
    <scene_description>Skylar and Jasper sit and put their shoes on. Autumn sits off to the side and watches them. Skylar gets up to bowl and throws a strike.</scene_description>
    <character>JASPER</character>
    <dialogue>No!!!</dialogue>
    <character>SKYLAR</character>
    <dialogue>Shut up.</dialogue>
    <character>JASPER</character>
    <dialogue>Starting out killing it. Are you hustling me?</dialogue>
    <character>SKYLAR</character>
    <dialogue>You know it...</dialogue>
    <scene_description>Skylar looks at Autumn.</scene_description>
    <character>JASPER</character>
    <dialogue>No. Seriously. Am I gonna, like, wake up in a bathtub with a missing organ or something???</dialogue>
    <scene_description>Skylar sits and Jasper gets up to bowl. He takes his turns. Blue lights and videos of the ocean stream across multiple flat screen TV's. Autumn sits uncomfortably, her discomfort begins to grow. Skylar looks at her and notices.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Are you ok?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Do you need something to drink?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Just water or whatever.</dialogue>
    <character>JASPER</character>
    <dialogue>Why don't I order a pitcher of beer?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'll just have some water.</dialogue>
    <character>JASPER</character>
    <dialogue>Will you drink with me?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Ummm. Sure.</dialogue>
    <scene_description>Skylar is getting more comfortable and having a little fun. Autumn gets up and leaves.</scene_description>
    <character>LANES</character>
    <dialogue>She walks across the entire bowling alley towards the bathroom. In the background, there are the flat screen TVs with images of ocean waves crashing.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. FRAMES - BATHROOM</stage_direction>
    <scene_description>Autumn goes into the bathroom. She's in physical discomfort. She goes into a stall. She pulls down her pants. There are dark blood clots in her underwear. She panics. She grabs a wad of toilet paper and folds it up and puts it between her legs to absorb the bleeding. She takes off her underwear and crumples them up and puts them in the garbage. She takes out her phone and makes a call.</scene_description>
    <character>MOM (O.S.)</character>
    <dialogue>Hello?</dialogue>
    <scene_description>Autumn doesn't say anything.</scene_description>
    <character>MOM (O.S)</character>
    <dialogue>Hi, baby is that you?</dialogue>
    <scene_description>Autumn breathes holding back her words.</scene_description>
    <character>MOM (O.S)</character>
    <dialogue>Where are you? Are you ok?</dialogue>
    <scene_description>Autumn hangs up. The phone immediately rings back, but she declines the call. It rings again. She shuts it off.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ROOM - NIGHT</stage_direction>
    <scene_description>Jasper sings a song and sips on a drink that spills while he dances around. Skylar and Autumn watch him.</scene_description>
    <character>JASPER</character>
    <dialogue>It's not the way you look It's not the way that you smile Although there's something to them It's not the way you have your hair It's not that certain style It could be that with you If I had a photograph of you It's something to remind me I wouldn't spend my life just wishing It's not the make up And it's not the way that you dance It's not the evening sky It's more the way your eyes are Laughing as they glance Across the great divide If I had a photogaph of you It's something to remind me I wouldn't spend my life just wishing It's not the things you say It's not the things you do It must be something more And if I feel this way for so long Tell me is it all for nothing Just don't walk out the door If I had a photograph of you It's something to remind me I wouldn't spend my life just wishing</dialogue>
    <scene_description>Skylar claps as the song ends.</scene_description>
    <character>JASPER</character>
    <dialogue>Your turn.</dialogue>
    <scene_description>He sits down in between them. He casually touches Skylar's legs. They scroll through the choices.</scene_description>
    <character>JASPER</character>
    <dialogue>I feel like you can tell everything about a person by what they choose to sing for Karaoke.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Like what?</dialogue>
    <character>JASPER</character>
    <dialogue>It's not just their taste in music. It's like you understand everything about a person's soul by what they choose.</dialogue>
    <character>AUTUMN</character>
    <dialogue>No pressure or anything.</dialogue>
    <scene_description>Autumn scrolls through all the choices.</scene_description>
    <character>JASPER</character>
    <dialogue>Spears, Springsteen...</dialogue>
    <character>SKYLAR</character>
    <dialogue>I can only do it if I'm really drunk.</dialogue>
    <character>JASPER</character>
    <dialogue>Should I order more drinks?</dialogue>
    <scene_description>Autumn keeps scrolling.</scene_description>
    <character>AUTUMN</character>
    <dialogue>I don't really feel like singing.</dialogue>
    <character>JASPER</character>
    <dialogue>Come on.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm not in the mood.</dialogue>
    <character>JASPER</character>
    <dialogue>Come on you're a singer. A real singer.</dialogue>
    <scene_description>She stops scrolling. She picks something. She is in physical pain as she sings.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Don't let the sun catch you cryin' The night's the time for all your tears Your heart may be broken tonight But tomorrow in the morning light Don't let the sun catch you cryin' The night-time shadows disappear And with them go all your tears For the morning will bring joy For every girl and boy So don't let the sun catch you cryin' We know that cryin's not a bad thing But stop your cryin' when the birds sing It may be hard to discover That you've been left for another But don't forget that love's a game And it can always come again</dialogue>
    <scene_description>Oh don't let the sun catch you cryin' Don't let the sun catch you cryin' During the song, Jasper whispers something in Skylar's ear. He puts his arm around her. Skylar is stiff in his arms, but doesn't push him away. Autumn watches them.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - OUTSIDE FRAMES</stage_direction>
    <scene_description>They leave the club. They awkwardly stand around.</scene_description>
    <character>JASPER</character>
    <dialogue>I guess I'm glad I didn't go back to the show. You guys are cool. I mean, we could probably still go if you were interested but it's probably too far right? What time is your bus?</dialogue>
    <character>PAUSE</character>
    <dialogue>SKYLAR</dialogue>
    <scene_description>Actually, we needed to ask you something. We lost our bus tickets and I can't get in touch with my mom at this hour.</scene_description>
    <character>JASPER</character>
    <dialogue>Oh no.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Is it possible to borrow a few bucks?</dialogue>
    <character>JASPER</character>
    <dialogue>Sure.</dialogue>
    <character>PAUSE</character>
    <dialogue>JASPER</dialogue>
    <scene_description>Come with me downtown and we can stop at an ATM on the way.</scene_description>
    <character>SKYLAR</character>
    <dialogue>We just don't have time.</dialogue>
    <character>PAUSE</character>
    <dialogue>JASPER</dialogue>
    <scene_description>I'm not sure there's an ATM in here. Everything is closed. Skylar looks around. Everything is actually closed.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Ok...</dialogue>
    <character>JASPER</character>
    <dialogue>Maybe across the street?</dialogue>
    <character>SKYLAR</character>
    <dialogue>Thanks so much.</dialogue>
    <scene_description>Jasper looks at Autumn and the suitcase.</scene_description>
    <character>JASPER</character>
    <dialogue>You are probably tired of lugging that around. We'll go and run out and be right back.</dialogue>
    <character>AUTUMN</character>
    <dialogue>Ok.</dialogue>
    <character>JASPER</character>
    <dialogue>We'll be quick.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Are you sure?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah. I'm fine.</dialogue>
    <scene_description>He takes Skylar by the shoulder and walks off with her. Skylar looks back. Autumn slides down the wall and sits by herself with the big suitcase and waits for a long time.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - MUCH LATER</stage_direction>
    <scene_description>Autumn gets up. She looks for Skylar. It's pretty empty and no one is really around. She stops and texts her.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PORT AUTHORITY</stage_direction>
    <scene_description>She leaves Port Authority and walks down the front steps. She looks around outside. There are crowds of people in Times Square. She begins to panic.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. 44TH STREET</stage_direction>
    <scene_description>She walks around the block looking for her. The night and lights are dizzying and disorienting around her. Her eyes dart around the street looking for them.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - OUTSIDE FRAMES - NIGHT</stage_direction>
    <scene_description>She wanders through Port Authority. She turns a corner and sees Skylar and Jasper in the distance. Jasper has her pinned up against a column and kisses her intensely. He gropes her. Autumn sneaks up to them. She reaches out and touches Skylar's hand to let her know she's there. Autumn and Skylar's hands touch. Their pinkies lock. This is their secret.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. 44TH STREET</stage_direction>
    <scene_description>Jasper stands in front of an ATM. He puts his card into the machine. He presses a button. Then another button. Then another button. And finally the last one. The machine pauses. It makes quiet sounds, processing his request. The machine spits out several 20 dollar bills. He hands it to Skylar.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Thanks. We'll get you back.</dialogue>
    <character>JASPER</character>
    <dialogue>No worries. I'll text you.</dialogue>
    <scene_description>He kisses her. Autumn watches. Jasper crosses the street and heads toward the subway. They watch him go.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY - NIGHT</stage_direction>
    <scene_description>Skylar sleeps in an empty train car. Autumn, wide awake, watches to see who gets on at every stop. Out the window, she watches the shifting landscapes from the darkness of tunnels to the bright station, back to darkness, back to light, etc. Day breaks and the train is above ground.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUBWAY - DAWN</stage_direction>
    <scene_description>The train stops somewhere in Queens in the Rockaways. It stops for a long time. Skylar wakes up and looks out the window. She sees something. She gets up and pokes her head out of the train. Autumn gets up and follows her.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BOARDWALK - MORNING</stage_direction>
    <scene_description>They walk along the empty blustery boardwalk. They leave their suitcase and walk down onto the beach.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BEACH - MORNING</stage_direction>
    <scene_description>They walk to the ocean. The wind around them blows and blows. They cover up their faces to keep the sand from blowing into them. They walk to the shore. They both sit down. They both take off their shoes and socks. They put their feet into the water. It's freezing cold, but they do it anyway. They walk along the water's edge barefoot.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC BUILDING - DAY</stage_direction>
    <scene_description>They go through security again.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - WAITING ROOM - DAY</stage_direction>
    <scene_description>Skylar sits down and settles in, like she knows the place very well. Autumn looks distracted and unsettled. Skylar takes a rubber band out of her hair.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Wanna see a trick?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Sure.</dialogue>
    <scene_description>She shows her the rubber band wrapped around two fingers. She opens and closes her hand and the rubber band magically jumps to another two fingers.</scene_description>
    <character>AUTUMN</character>
    <dialogue>Lemme see again.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Watch.</dialogue>
    <scene_description>She repeats the trick. Autumn takes the rubber band and tries to do it herself but can't.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - SOCIAL WORKER'S OFFICE - DAY</stage_direction>
    <scene_description>Autumn sits uncomfortably.</scene_description>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Hi there. How was your night?</dialogue>
    <character>AUTUMN</character>
    <dialogue>It was ok.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>What did you do?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Karaoke.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Fun! Did you get some sleep?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Sorta.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Did you have any cramping or bleeding?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Not too bad.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you ready for today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I think so.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>I just want to make sure we make you an appointment for a post-op follow up visit.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I have to come back?</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Well let me look into it. It's important and I'm sure there's an OBGYN who can help you somewhere in the vicinity of where you live. And we will want to discuss birth control options going forward.</dialogue>
    <character>AUTUMN</character>
    <dialogue>That's ok. I can figure it out.</dialogue>
    <character>BLEECKER STREET SOCIAL WORKER</character>
    <dialogue>Are you sure I can't give you some options?</dialogue>
    <character>AUTUMN</character>
    <dialogue>No, thanks though. I'll look into it when I get back home.</dialogue>
    <scene_description>She nods her head.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - OPERATING ROOM</stage_direction>
    <scene_description>Autumn lies on a table with her legs strapped in. She holds the Social Worker's hand. Her eyes dart around the room as people prep her for surgery. The DOCTOR (50), female, takes down her gown revealing her chest and puts on E.K.G. electrodes to her to monitor her heart rate. Autumn's legs are spread and her bottom is pushed all the way to the edge of the table. She is exposed and vulnerable and holding herself in an awkward position.</scene_description>
    <character>DOCTOR</character>
    <dialogue>Can you tell me your name, age, and birthplace?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Autumn Callahan, 16, Scranton.</dialogue>
    <character>DOCTOR</character>
    <dialogue>Good. Why are you here today?</dialogue>
    <character>AUTUMN</character>
    <dialogue>What do you mean?</dialogue>
    <character>DOCTOR</character>
    <dialogue>What procedure are you having done?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I don't understand?</dialogue>
    <character>DOCTOR</character>
    <dialogue>We are just making sure you know why you are here.</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm having an abortion.</dialogue>
    <character>DOCTOR</character>
    <dialogue>Good. Thank you.</dialogue>
    <character>ANESTHESIOLOGIST</character>
    <dialogue>Count backwards from ten for me, please.</dialogue>
    <character>AUTUMN</character>
    <dialogue>10, 9, 8, 7, 6...</dialogue>
    <scene_description>Autumn deliriously looks around the room. The room is blurry. Her slowly eyes close. The Social Worker looks at her and taps her forehead with one finger.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - RECOVERY ROOM - DAY</stage_direction>
    <scene_description>Autumn opens her eyes. She sits in the recovery area surrounded by strangers.</scene_description>
    <character>NURSE #2</character>
    <dialogue>Did you check your bleeding?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah</dialogue>
    <scene_description>She nibbles on crackers. They are dry and the crumbs stick to her lips. She wipes them away. She takes small sips of water.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BLEECKER STREET CLINIC - WAITING ROOM - DAY</stage_direction>
    <scene_description>Autumn comes into the waiting room.</scene_description>
    <character>SKYLAR</character>
    <dialogue>Are you done?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yes.</dialogue>
    <character>SKYLAR</character>
    <dialogue>What do you want to do?</dialogue>
    <character>AUTUMN</character>
    <dialogue>I'm really hungry.</dialogue>
    <character>SKYLAR</character>
    <dialogue>So let's eat and head back?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Yeah. Sounds good.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CHINATOWN BAKERY</stage_direction>
    <scene_description>They enter the bakery. They pick a bunch of different desserts. They take an orange tray to a table. They both zone out and Autumn eats and eats and eats and eats, as if she hasn't eaten in days. Skylar watches her.</scene_description>
    <character>SKYLAR</character>
    <dialogue>How was it?</dialogue>
    <character>AUTUMN</character>
    <dialogue>What do you mean?</dialogue>
    <character>SKYLAR</character>
    <dialogue>What was it like?</dialogue>
    <character>AUTUMN</character>
    <dialogue>It was kinda whatever.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Did it hurt?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Not really. But sorta.</dialogue>
    <character>SKYLAR</character>
    <dialogue>Were they nice?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Nice enough. But I mean I wouldn't wanna go back.</dialogue>
    <character>SKYLAR</character>
    <dialogue>I get that. Did it hurt?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Just uncomfortable.</dialogue>
    <character>SKYLAR</character>
    <dialogue>How do you feel now?</dialogue>
    <character>AUTUMN</character>
    <dialogue>Just tired.</dialogue>
    <scene_description>Skylar looks at her. Autumn smiles and stuffs her face.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY - DAY</stage_direction>
    <scene_description>They walk through Port Authority. Classical music plays from a piano somewhere...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY</stage_direction>
    <scene_description>They haul their suitcase down the escalator.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PORT AUTHORITY GATES TERMINAL - DAY</stage_direction>
    <scene_description>They drag their suitcase looking for their gate. They finally find it. They wait on line to board, anxious to get home. Autumn swallows some ibuprofen and drinks water.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BUS (NYC TO WILKES-BARRE) - DAY</stage_direction>
    <scene_description>They get on the bus with several other passengers. They sit next to each other. Autumn takes the window. Skylar takes the aisle. Autumn settles in and turns off her phone. They look at each other with a shared sense of relief. The bus leaves on the same route that it came in. They go through Lincoln Tunnel, which is dark except for the flicker of fluorescent lights. The light strobes in Autumn's eyes. The light strobes in Autumn's pupils. The bus re-emerges into the light. Autumn finally drifts into a deep sleep.</scene_description>
    <character>BLACK</character>
  </scene>
</script>

Summary: Seventeen-year-old Autumn Callahan suspects she is pregnant and goes to a crisis pregnancy center. At the center, she takes a drugstore test that confirms she is pregnant. She is told she is 10 weeks along, given literature on adoption, and shown an anti-abortion video. After learning that she cannot get an abortion in Pennsylvania without parental consent, she tries to induce a miscarriage by swallowing pills and punching herself in the stomach. When those methods fail, she tells her cousin, Skylar, that she is pregnant. Skylar steals cash from the grocery store where they work, and the two buy bus tickets to New York City. On the bus they meet Jasper, a young man persistently interested in Skylar even though she tries to blow him off. At a Planned Parenthood clinic in Brooklyn, Autumn learns that the crisis pregnancy center lied to her about how far along she was and that she is actually 18 weeks pregnant. Though she is still able to get an abortion, she must go to a Manhattan clinic the next morning to have it performed. Autumn and Skylar spend an uncomfortable night riding the subway and playing games at an arcade. The next morning at the clinic, Autumn learns that a second-trimester abortion is a two-day procedure and that paying for it will take most of her funds. The counselor also asks her a series of questions about her sexual partners that reveal that Autumn's partners have been physically and sexually abusive. Out of money, Skylar realizes the two have no way of going home. As Autumn asks Skylar not to call either of their mothers, Skylar reaches out to Jasper, who takes them bowling and to karaoke. At the end of the night, Skylar asks Jasper to lend them money for their bus tickets, and he agrees. Skylar leaves with Jasper to find an ATM, and Autumn later goes looking for them. She finds them kissing. Realizing Skylar is only doing it for the loan, Autumn discreetly grabs Skylar's hand to comfort her. In the morning, Autumn goes to her appointment and has the abortion. Autumn and Skylar go to a restaurant, where Skylar asks her questions about the procedure, which Autumn answers tersely. The two ride a bus back to Pennsylvania.