<script>
  <scene>
    <character>CRAZY RICH ASIANS</character>
    <dialogue>Screenplay by</dialogue>
    <scene_description>Peter Chiarelli and Adele Lim based on the novel by Kevin Kwan This script is the confidential and proprietary property of Warner Bros. Pictures and no portion of it may be performed, distributed, reproduced, used, quoted or published without prior written permission.</scene_description>
    <character>FINAL AS FILMED</character>
    <dialogue>Release Date</dialogue>
    <scene_description>Biscuit Films Sdn Bhd - Malaysia August 15, 2018 Infinite Film Pte Ltd - Singapore © 2018 4000 Warner Boulevard WARNER BROS. ENT. Burbank, California 91522 All Rights Reserved OPENING TITLES MUSIC IN. SUPERIMPOSE: Let China sleep, for when she wakes, she will shake the world. - Napoleon Bonaparte FADE IN:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CALTHORPE HOTEL - NIGHT (1995) (HEAVY RAIN AND</stage_direction>
    <scene_description>THUNDER) SUPERIMPOSE: LONDON</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CALTHORPE HOTEL - CLOSE ON A PORTRAIT - NIGHT</stage_direction>
    <scene_description>of a modern ENGLISH LORD. The brass placard reads: "Lord Rupert Calthorpe-Cavendish-Gore." REVEAL we're in the lobby of an ostentatious hotel. It's deserted except for TWO CLERKS at the front desk. It is the middle of the night and RAINING HEAVILY outside. ANGLE ON HOTEL ENTRANCE The revolving doors start to swing as TWO CHILDREN (NICK 8, ASTRID 8) and TWO CHINESE WOMEN, ELEANOR and FELICITY YOUNG (30s) enter. They're DRIPPING WET, dragging their soaked luggage behind them. Nick SLIDES his feet around the polished floor, leaving a MUDDY CIRCLE in his wake. The clerks look horrified. Eleanor makes her way to the front desk, while complaining to Felicity about having to walk in the bad weather.</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(in Cantonese; subtitled)</parenthetical>
    <dialogue>If you didn't make us walk, we wouldn't be soaked.</dialogue>
    <scene_description>Felicity grabs the children by the hand and follows Eleanor to the front desk.</scene_description>
    <character>CLERK #1</character>
    <dialogue>May I help you? This is the Calthorpe, a private hotel --</dialogue>
    <scene_description>CONTINUED: Eleanor goes to the desk and replies in PERFECT ENGLISH -- her pronunciation is BRITISH, with a lilt unique to upper- crust Chinese from former British colonies. (NOTE: The specific accents of our players are important character details, indications of their background, education, and socioeconomic status.)</scene_description>
    <character>ELEANOR</character>
    <dialogue>I'm Mrs. Eleanor Young. I have a reservation. The Lancaster suite.</dialogue>
    <parenthetical>(sees his name tag)</parenthetical>
    <dialogue>We spoke on the phone when I confirmed yesterday.</dialogue>
    <character>CLERK #1</character>
    <dialogue>Sorry, don't seem to have your reservation.</dialogue>
    <scene_description>Clerk #2 surreptitiously presses a BUTTON under the counter. Eleanor and Felicity exchange glances. Felicity rolls her eyes, sensing what's going on. REGINALD ORMSBY (50s, pompous) pops out of a door behind the front desk and the clerks move aside.</scene_description>
    <character>ORMSBY</character>
    <dialogue>Good evening. I'm Reginald Ormsby, hotel manager. Is there a problem?</dialogue>
    <character>ELEANOR</character>
    <dialogue>I'm Mrs. Eleanor Young. My family and I would like to be shown to our suite. We've had a long flight.</dialogue>
    <scene_description>Ormsby takes in Eleanor et al, makes a snap judgment.</scene_description>
    <character>ORMSBY</character>
    <dialogue>We're fully booked, madam. You must have made a mistake. I'm sure you and your lovely family can find other accommodations. May I suggest you explore Chinatown?</dialogue>
    <character>FELICITY</character>
    <parenthetical>(in Cantonese; subtitled; mutters)</parenthetical>
    <dialogue>You can explore Hell. You dog turd.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>Please, may I use your phone to call my husband? It's the least you can do.</dialogue>
    <scene_description>Eleanor levels a glare at Ormsby, who looks at her with a tight smile.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CALTHORPE HOTEL (LONDON) - NIGHT</stage_direction>
    <scene_description>RAIN POURS on the children and Felicity as they watch Eleanor in a PHONE BOOTH. "THE CALTHORPE" sign casts a glow over them. We don't know what she's saying, but we hear Eleanor angrily speaking on the pone.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CALTHORPE HOTEL (LONDON) - NIGHT</stage_direction>
    <scene_description>Eleanor bursts through the front door with her family right behind her. Eleanor approaches the front desk again. Ormsby is not pleased.</scene_description>
    <character>ORMSBY</character>
    <dialogue>Mrs. Young! I must ask you to leave, or I'll have to call the police.</dialogue>
    <character>ELEANOR</character>
    <dialogue>Please, go right ahead.</dialogue>
    <scene_description>Ormsby is taken aback. He moves to stop her when the elevator DINGS and OPENS and an ELDERLY MAN IN A SILK ROBE AND SLIPPERS comes out -- LORD CALTHORPE, the same man in the opening portrait and owner of the hotel. Ormsby snaps to.</scene_description>
    <character>ORMSBY</character>
    <dialogue>Lord Calthorpe! My apologies for this disturbance --</dialogue>
    <scene_description>Lord Calthorpe ignores Ormsby and beelines for Eleanor.</scene_description>
    <character>LORD CALTHORPE</character>
    <dialogue>Eleanor! I just got off the phone with your husband.</dialogue>
    <scene_description>Lord Calthorpe kisses Eleanor on the cheek, and snaps at the clerks.</scene_description>
    <character>LORD CALTHORPE</character>
    <dialogue>Get the Lancaster suite ready. Now.</dialogue>
    <scene_description>Ormsby reacts, confused. CONTINUED:</scene_description>
    <character>ORMSBY</character>
    <dialogue>Surely you're joking, sir.</dialogue>
    <character>LORD CALTHORPE</character>
    <dialogue>I assure you, I'm not. As of this evening, my family's long history as custodians of the Calthorpe is ended. I am selling the hotel to my dear friends, the Young family of Singapore.</dialogue>
    <scene_description>Ormsby looks at Eleanor, shocked.</scene_description>
    <character>LORD CALTHORPE</character>
    <dialogue>Meet the new lady of the house, Eleanor Young.</dialogue>
    <parenthetical>(to Eleanor)</parenthetical>
    <dialogue>Join me for a toast.</dialogue>
    <character>ELEANOR</character>
    <dialogue>We'd be delighted.</dialogue>
    <parenthetical>(turns to address Ormsby)</parenthetical>
    <dialogue>Do get a mop. The floor's wet.</dialogue>
    <scene_description>Eleanor winks at Nick, who grins and looks back at Ormsby.</scene_description>
    <character>ORMSBY</character>
    <parenthetical>(to Clerk #1)</parenthetical>
    <dialogue>Get a mop.</dialogue>
    <scene_description>SMASH CUT TO: OPENING TITLES CONTINUE OVER MUSIC. SUPERIMPOSE: CRAZY RICH ASIANS FADE IN:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. DARK ROOM - PRESENT DAY (2017)</stage_direction>
    <scene_description>Staring across a table is RACHEL CHU (29, Chinese- American, beautiful, sharp). She exudes confidence. PULL BACK to reveal a pile of chips in front of her. We see someone else's hand checking the cards they've been dealt: 2 KINGS, 2 NINES, and a JACK. They're in the middle of a five card draw poker game. CONTINUED: As the CAMERA TILTS UP we see CURTIS (late 20s, T.A., white) is the player sitting across from Rachel. He stares at her over his black-rimmed glasses, trying to read her. She stares back, revealing nothing. Rachel pushes the pile of chips to the center of the poker table.</scene_description>
    <character>RACHEL</character>
    <dialogue>I'm all in.</dialogue>
    <scene_description>Curtis has FIVE CHIPS left. He checks his cards again, then FOLDS.</scene_description>
    <character>CURTIS</character>
    <dialogue>Fold.</dialogue>
    <scene_description>Rachel flips over her cards. She's got nothing.</scene_description>
    <character>CURTIS</character>
    <dialogue>Nothing!</dialogue>
    <parenthetical>(as Rachel laughs)</parenthetical>
    <dialogue>This whole time you had nothing.</dialogue>
    <scene_description>The lights come up and we see A ROOM FULL OF PEOPLE CLAP AND TITTER. REVEAL we're in: AN AUDITORIUM CLASSROOM with UNDERGRAD STUDENTS. The poker table onstage is being shown on two LARGE FLATSCREENS so the students can follow the action. Rachel takes the lectern. "Game Theory 290" appears on the side screens.</scene_description>
    <character>RACHEL</character>
    <dialogue>All right, so, how did I beat T.A. Curtis so very, very badly? Well, I know for a fact that Curtis is cheap.</dialogue>
    <scene_description>The students all smile and laugh, totally engaged.</scene_description>
    <character>RACHEL</character>
    <dialogue>So, he's not playing using logic or math, but using his psychology. Our brains so hate the idea of losing something that's valuable to us, that we abandon all rational thought and make some really poor decisions. So Curtis wasn't playing to win. He was playing not to lose.</dialogue>
    <parenthetical>(to Curtis; tosses him a chip)</parenthetical>
    <dialogue>Here. Put it towards a haircut.</dialogue>
    <scene_description>CONTINUED: The class LAUGHS. Curtis takes the $10 with a BANDAGED HAND.</scene_description>
    <character>RACHEL</character>
    <dialogue>All right, that's it for today. Don't forget your essays on conditional probability are due next week --</dialogue>
    <scene_description>As students file out, NICK walks in and smiles lasciviously. TRANSITION TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. NEW YORK - NIGHT</stage_direction>
    <scene_description>SUPERIMPOSE: NEW YORK, 2018</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CAKE & CARRY - NIGHT</stage_direction>
    <scene_description>Nick and Rachel share a STICKY TOFFEE PUDDING like an old married couple.</scene_description>
    <character>NICK</character>
    <parenthetical>(digging in)</parenthetical>
    <dialogue>Yes!</dialogue>
    <character>RACHEL</character>
    <dialogue>You know what, you can order your own.</dialogue>
    <character>NICK</character>
    <parenthetical>(taking a bite; chewing)</parenthetical>
    <dialogue>Mm, I'm okay with coffee. Thanks.</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah, well, you always say that, and then you end up eating all my dessert.</dialogue>
    <scene_description>Nick takes a huge bite.</scene_description>
    <character>NICK</character>
    <parenthetical>(mouth full)</parenthetical>
    <dialogue>I don't know what you're talking about? 'Cause I have, like, a tiny bit.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Uh-huh. Okay.</dialogue>
    <parenthetical>(to waiter)</parenthetical>
    <dialogue>Can we have one more of these, please.</dialogue>
    <parenthetical>(chuckling)</parenthetical>
    <dialogue>Thank you.</dialogue>
    <character>NICK</character>
    <dialogue>So, what about us taking an adventure east?</dialogue>
    <character>RACHEL</character>
    <dialogue>You wanna get pork buns in the East Village. That's what it is, isn't it?</dialogue>
    <character>NICK</character>
    <dialogue>I was actually thinking of further east.</dialogue>
    <character>RACHEL</character>
    <dialogue>Like Queens.</dialogue>
    <character>NICK</character>
    <dialogue>Like Singapore? For spring break?</dialogue>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>Colin's wedding. We've been dating for over a year now, and I think it's about time people met my beautiful girlfriend. Come on, I'm Colin's best man. Don't you wanna see where I grew up? Meet my family, my Ah Ma? And meet up with that strange college roommate of yours.</dialogue>
    <character>RACHEL</character>
    <dialogue>Peik Lin.</dialogue>
    <character>NICK</character>
    <dialogue>Mm-hmm. Peik Lin.</dialogue>
    <character>RACHEL</character>
    <dialogue>She has been begging me to come visit her, you know?</dialogue>
    <character>NICK</character>
    <dialogue>The universe has spoken. It wants you over there. Come to Singapore. I want the whole island to meet the brilliant Rachel Chu.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Aw.</dialogue>
    <scene_description>A woman sitting at a booth behind them watches Rachel and Nick, interested in their every move. She gets up and walks past them with her cell phone and snaps a photo as she passes in front of them. She immediately starts TEXTING -- SERIES OF TEXTS Radio1Asia: OMG. You'll never believe who I saw. Girl: WHO? Radio1Asia e-mails the picture of Rachel and Nick. Girl: Is that NICK YOUNG? Radio1Asia: Yes. Girl: Who's the girl? Radio1Asia: Said her name was Rachel Chu. Group TEXT with photo: Who IS this girl? Nick and Rachel's picture is sent out all over Social Media. They Google Rachel Chu. TEXT: Wah, so many Rachel Chu's lah We see photos of searches matching Rachel Chu. TEXT: Did you try Choo? Or Chiu? Or Chew? Or Zhu? TEXT: OMFG! yah, which one? Ask the Twins? Twin #1 TEXT: Found her! Twin #2 TEXT: Found her? TEXT: Rachel Chu TEXT: Is there a ring? TEXT: Looks ABC TEXT: WTF! TEXT: NEVER TEXT: u joking? CONTINUED: TEXT: Hate her!!!! TEXT: Be serious TEXT: Better not TEXT: No thanks Radio1Asia: He's bringing her to the wedding! TEXT: Alamak!!! TEXT: SRSLY!? TEXT: Kantang!!! TEXT: Drama! TEXT: No way! TEXT: OMFG!!! TEXT: So not TEXT: NOOOOO Does Amanda know? TEXT: NO WAY TEXT: Why her! TEXT: DEAD TEXT: WTF?!?! TEXT: serious TEXT: LOSER TEXT: ew no TEXT: walao!! TEXT: Basic AF TEXT: Like Really?? TEXT: OK and?? TEXT: baiiiii TEXT: Does his Mother know? INSERT - MAP OF SINGAPORE CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PHILLIP AND ELEANOR'S HOUSE (SINGAPORE) - MORNING</stage_direction>
    <scene_description>ELEANOR reads a Bible verse aloud to a group of ladies.</scene_description>
    <character>ELEANOR</character>
    <dialogue>'If then you have been raised with Christ, seek the things that are above, where Christ is seated at the right hand of God.'</dialogue>
    <scene_description>It's been twenty years since we've seen Eleanor, but she looks amazing. She sits with FOUR FABULOUSLY DRESSED, BEJEWELED WOMEN: JACQUELINE LING (50s), ALIX YOUNG (50s), NADINE (30s), AND LORENA (40s). Uniformed MAIDS serve tea and "kuih," local cakes.</scene_description>
    <character>ELEANOR</character>
    <dialogue>'Set your minds on things that are above, not on things that are on Earth.'</dialogue>
    <scene_description>Eleanor's interrupted by BUZZING. She looks disapproving as Alix and Jacqueline check their messages. These matriarchs speak with UPPER-CRUST CHINESE SINGAPOREAN ACCENTS (perfect grammar with local flourishes). Jacqueline reacts, surprised.</scene_description>
    <character>JACQUELINE</character>
    <dialogue>Eleanor, is Nicki bringing a girl to Colin's wedding? My Amanda heard it from her friend, Francesca...</dialogue>
    <scene_description>Eleanor is surprised, but tries not to let on.</scene_description>
    <character>ALIX</character>
    <parenthetical>(looking at phone)</parenthetical>
    <dialogue>Eddie says her name is Rachel Chu?</dialogue>
    <character>NADINE</character>
    <dialogue>Oh! I thought that Nick was coming alone. Did you know he had a girlfriend?</dialogue>
    <scene_description>All eyes are on Eleanor who covers, not wanting to get into the details. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>Nick dates many girls. It's hard to keep track.</dialogue>
    <character>JACQUELINE</character>
    <dialogue>Amanda knows everyone and she has never heard of her.</dialogue>
    <character>NADINE</character>
    <dialogue>Rachel Chu. Or maybe she's from the Taiwan plastics Chu family?</dialogue>
    <character>ALIX</character>
    <parenthetical>(low; conspiratorial)</parenthetical>
    <dialogue>If you want, I have a private investigator. Very discreet --</dialogue>
    <character>ELEANOR</character>
    <parenthetical>(interrupting)</parenthetical>
    <dialogue>I think we should return to the word of God. Alix?</dialogue>
    <scene_description>The women reluctantly return to their Bibles.</scene_description>
    <character>ALIX</character>
    <dialogue>Ephesians. Chapter six, verse four. 'Bring up your children in the discipline and instruction of the Lord.'</dialogue>
    <parenthetical>(can't help herself)</parenthetical>
    <dialogue>Oh, I do hope she's a good, Christian girl.</dialogue>
    <character>JACQUELINE</character>
    <dialogue>Well, if he's bringing her home, it must be serious.</dialogue>
    <character>NADINE</character>
    <dialogue>Exactly.</dialogue>
    <scene_description>The women all look at Eleanor.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CAKE & CARRY - NIGHT</stage_direction>
    <scene_description>RESUME Rachel and Nick. Nick's phone rings.</scene_description>
    <character>NICK</character>
    <dialogue>It's my mum. Do you mind?</dialogue>
    <character>RACHEL</character>
    <dialogue>Mm, go ahead.</dialogue>
    <scene_description>Rachel is about to dig into pudding #2. CONTINUED:</scene_description>
    <character>NICK</character>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>All right. Save me some of that.</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay.</dialogue>
    <scene_description>Nick gets up to take the call away from the counter.</scene_description>
    <character>NICK</character>
    <parenthetical>(into phone)</parenthetical>
    <dialogue>Hey, Mum, everything okay?</dialogue>
    <character>ELEANOR (V.O.)</character>
    <dialogue>Does something have to wrong for me to call?</dialogue>
    <character>NICK</character>
    <dialogue>Yeah, usually.</dialogue>
    <character>ELEANOR (V.O.)</character>
    <dialogue>Ha, ha, ha. Very funny.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PHILLIP AND ELEANOR'S HOUSE (SINGAPORE) - DAY</stage_direction>
    <scene_description>Eleanor is on her phone standing away from her Bible group. Keeps her voice low, casual. INTERCUT AS NECESSARY with Nick and Eleanor talking on the phone.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Are you bringing the girl you're seeing to Colin's wedding?</dialogue>
    <character>NICK</character>
    <parenthetical>(confused)</parenthetical>
    <dialogue>Hmm. We were literally just talking about that. How could you know?</dialogue>
    <character>ELEANOR</character>
    <dialogue>Everybody knows.</dialogue>
    <scene_description>Nick sees Celine (the only other Asian in the restaurant) leaving through a revolving door.</scene_description>
    <character>NICK</character>
    <dialogue>Radio One Asia.</dialogue>
    <scene_description>Eleanor notices the other women trying to eavesdrop. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(to ladies)</parenthetical>
    <dialogue>Move on to Corinthians, I'll catch up.</dialogue>
    <character>ALIX</character>
    <dialogue>Ah, yes.</dialogue>
    <character>ELEANOR</character>
    <parenthetical>(back to phone; low)</parenthetical>
    <dialogue>We're looking forward to having you home. And your room is all ready... for you.</dialogue>
    <scene_description>Nick hears this, gets the implication.</scene_description>
    <character>NICK</character>
    <dialogue>Thanks, Mom. But Rachel and I will be staying together.</dialogue>
    <scene_description>Eleanor is disappointed, makes another attempt:</scene_description>
    <character>ELEANOR</character>
    <dialogue>I see. Well, I'm having the house redone. And it's not ready for guests. If Rachel comes, I think she might be more comfortable staying somewhere else?</dialogue>
    <scene_description>Nick returns to the counter, to see the second sticky toffee pudding is gone, except for a TINY PIECE.</scene_description>
    <character>NICK</character>
    <dialogue>All right. Sorry about that.</dialogue>
    <character>RACHEL</character>
    <dialogue>I saved you a piece.</dialogue>
    <character>NICK</character>
    <dialogue>You did, did you? A very small piece at that. Thank you very much.</dialogue>
    <character>RACHEL</character>
    <dialogue>How's your mom? Everything okay?</dialogue>
    <character>NICK</character>
    <dialogue>Mm. Couldn't be better.</dialogue>
    <scene_description>Rachel kisses nick.</scene_description>
    <character>RACHEL (V.O.)</character>
    <parenthetical>(pre-lap)</parenthetical>
    <dialogue>Hey, Mom, this one's kind of cute.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CLOTHING BOUTIQUE - DAY</stage_direction>
    <scene_description>Rachel looks at her reflection in a mirror as she holds a blue and white dress to her body. Her mother, KERRY (50s, real estate agent, Chico chic), shakes her head. Kerry has a slight Chinese immigrant accent.</scene_description>
    <character>RACHEL</character>
    <dialogue>What do you think?</dialogue>
    <character>KERRY</character>
    <dialogue>No! No! No! No! You can't wear that to meet Nick's Ah Ma. Blue and white is for Chinese funerals. Now this, this symbolizes good fortune and fertility.</dialogue>
    <scene_description>Kerry holds up a conservative RED dress.</scene_description>
    <character>RACHEL</character>
    <dialogue>Great! I was really going for that 'lucky baby-maker' vibe.</dialogue>
    <character>KERRY</character>
    <dialogue>Hey! You are the one who asked for my help picking out a dress to meet Nick's family.</dialogue>
    <character>RACHEL</character>
    <dialogue>It's only 'cause I hardly know anything about them. Every time I bring them up Nick changes the subject.</dialogue>
    <character>KERRY</character>
    <dialogue>Maybe he's embarrassed. Maybe his parents are poor, and he has to send them money. That's what all good Chinese children do.</dialogue>
    <scene_description>Rachel chuckles and they keep searching for the right dress.</scene_description>
    <character>KERRY</character>
    <dialogue>Oh, you are going to have a wonderful time. You've always wanted to go to Asia and who knows, if all goes well in Singapore, you might just come back with a souvenir.</dialogue>
    <character>RACHEL</character>
    <dialogue>Mom, stop! Nick and I haven't even talked about that.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>I mean, his parents can't not like me, right?</dialogue>
    <scene_description>Kerry has a sour look on her face and turns away to begin rummaging through a clothes rack.</scene_description>
    <character>RACHEL</character>
    <dialogue>What was that look? I saw that.</dialogue>
    <character>KERRY</character>
    <dialogue>Nothing. It's just, Nick bringing a girl all the way there to meet them can mean a lot to these overseas families. Eh, they're different from us.</dialogue>
    <character>RACHEL</character>
    <dialogue>How are they different? They're Chinese, I'm Chinese. I'm so Chinese, I'm an economics professor with lactose intolerance.</dialogue>
    <character>KERRY</character>
    <dialogue>Yeah, but you grew up here.</dialogue>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Ni kan qilai shi huaren, ni jiang de shi zhongwen. Keshi zheli he zheli... \[Your face is Chinese. You speak Chinese. But here...</dialogue>
    <parenthetical>(points to Rachel's head and mouth)</parenthetical>
    <dialogue>... and here...</dialogue>
    <parenthetical>(in English)</parenthetical>
    <dialogue>You're different. But wearing a lucky color will make a good first impression.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. JFK - CURBSIDE - DAY</stage_direction>
    <scene_description>Amid the hectic bustle, Nick and Rachel exit a taxi. An airport sign behind them reads: Kuwait Airways, Pacific Asian Airlines, Qatar Airways, Malaysian Airlines, Cathay Pacific.</scene_description>
    <character>FEMALE ANNOUNCER (V.O.)</character>
    <dialogue>Attention, the white zone is for passenger loading and unloadings only.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Okay, game plan. Check our bags, get through security, and then we could eat one of the three homemade Tupperware meals my mom packed for us.</dialogue>
    <scene_description>An elegant PACIFIC ASEAN AIRLINES FLIGHT ATTENDANT approaches, flanked by TWO PORTERS with luggage carts.</scene_description>
    <character>FLIGHT ATTENDANT</character>
    <dialogue>Good afternoon, Mr. Young, Ms. Chu. We'll take your bags and get you checked into first class.</dialogue>
    <character>NICK</character>
    <dialogue>Great.</dialogue>
    <scene_description>Rachel looks confused as the porters take their bags.</scene_description>
    <character>RACHEL</character>
    <dialogue>Oh. No, there's a mistake. We're not first class. We're economy people.</dialogue>
    <character>FLIGHT ATTENDANT</character>
    <dialogue>This way, please.</dialogue>
    <scene_description>Nick puts a hand in the small of her back:</scene_description>
    <character>NICK</character>
    <dialogue>Just go with it. Come on.</dialogue>
    <character>RACHEL</character>
    <dialogue>But...</dialogue>
    <character>NICK</character>
    <dialogue>Yeah, they'll be fine. Just leave them there.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PLANE - ON NICK - DAY</stage_direction>
    <scene_description>FLIGHT ATTENDANT #2 pulls back a gold, silk curtain revealing a luxurious part of the plane that looks more like a hotel. Another attendant serves them champagne.</scene_description>
    <character>FLIGHT ATTENDANT #2</character>
    <dialogue>Welcome aboard, Mr. Young, Ms. Chu. Here's the way to your private suite. And some champagne.</dialogue>
    <scene_description>They walk up to a full bar where champagne is poured for them. Rachel turns to Nick like "what's going on?" CONTINUED:</scene_description>
    <character>NICK</character>
    <parenthetical>(to serving flight attendant)</parenthetical>
    <dialogue>Thank you.</dialogue>
    <scene_description>Rachel is blown away to see the leather armchairs, two huge flatscreen TVs, even a full-length wardrobe.</scene_description>
    <character>NICK</character>
    <dialogue>Thank you very much.</dialogue>
    <character>FLIGHT ATTENDANT #2</character>
    <dialogue>You're welcome. After takeoff, would you like to enjoy the lounge chairs or should we convert your suite into a bedroom?</dialogue>
    <scene_description>Rachel clobbers Nick with a bag to keep him from responding.</scene_description>
    <character>RACHEL</character>
    <dialogue>Uh, we're good. Thank you.</dialogue>
    <character>FLIGHT ATTENDANT #2</character>
    <dialogue>Enjoy.</dialogue>
    <scene_description>Nick looks to Rachel. The Flight Attendant leaves. As Nick settles in, Rachel looks at the complimentary pajamas.</scene_description>
    <character>RACHEL</character>
    <dialogue>Nick. We can't afford this. These pajamas are fancier than any of my real clothes.</dialogue>
    <character>NICK</character>
    <dialogue>Hmm? My family has business with the airline. The tickets, they're a perk.</dialogue>
    <scene_description>Rachel senses there's more to this. Pursues it:</scene_description>
    <character>RACHEL</character>
    <dialogue>What kind of business?</dialogue>
    <character>NICK</character>
    <dialogue>Real estate, investment, other things. Nothing interesting.</dialogue>
    <parenthetical>(reading menu)</parenthetical>
    <dialogue>Dim sum.</dialogue>
    <character>RACHEL</character>
    <dialogue>So your family is, like, rich?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>Uh, we're comfortable.</dialogue>
    <character>RACHEL</character>
    <dialogue>That is exactly what a super rich person would say. It's not a big deal, obviously. I just think it's kind of weird that I had no idea. I mean, you have a Jamba Juice card, you use my Netflix password. You play basketball at that Y that kind of smells.</dialogue>
    <scene_description>Nick sees Rachel is a little thrown.</scene_description>
    <character>NICK</character>
    <dialogue>I really like that place, thank you very much. And yes, my family has money, but I've always thought of it as theirs. Not mine.</dialogue>
    <character>RACHEL</character>
    <dialogue>I get that. But I'm going all the way over there to meet them... Kind of just wanna know what I'm getting into. And, you know, they're your family.</dialogue>
    <character>NICK</character>
    <dialogue>Well... My family is much like anybody else's. There's half of them that you love and respect, and then there's the other half.</dialogue>
    <character>RACHEL</character>
    <dialogue>Which half am I meeting?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MOVIE SET (TAIWAN) - NIGHT</stage_direction>
    <scene_description>A HERO faces off against a VILLAIN. In the b.g., a BUXOM HEROINE is chained to a wall. The Hero and villain launch into a fast-paced, stylistic KUNG-FU FIGHT. The Hero wins and sets free the Heroine, who clutches him. SUPERIMPOSE: TAIWAN</scene_description>
    <character>NICK (V.O.)</character>
    <dialogue>Well, there's my cousin Alistair, based in Taiwan, works in movies.</dialogue>
    <scene_description>CONTINUED: Sitting on movie set is ALISTAIR CHENG (30s, sunglasses, dapper). The empty chair next to him has the name KITTY PONG on the back.</scene_description>
    <character>MALE DIRECTOR</character>
    <dialogue>And cut!</dialogue>
    <character>NICK (V.O.)</character>
    <dialogue>He's dating Kitty Pong, an actress.</dialogue>
    <character>ALISTAIR</character>
    <dialogue>Kitty.</dialogue>
    <scene_description>Buxom Heroine KITTY PONG (20s, DD implants) runs into the arms of Alistair. She speaks with a GIRLY TAIWANESE ACCENT.</scene_description>
    <character>KITTY</character>
    <dialogue>Alistair. You like it? I was feeling very... very the emotions. Can you feel it?</dialogue>
    <scene_description>Kitty grabs his hand and places it forcefully on her boob.</scene_description>
    <character>ALISTAIR</character>
    <dialogue>Oh, I can feel all of you. And all of me.</dialogue>
    <scene_description>Alistair grabs Kitty's left thigh and yanks it up onto his hip. The DIRECTOR and Hero/Actor have an aside. On the back of the chair "TAIPEI TIGER 2."</scene_description>
    <character>MOVIE HERO</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Ta zhen de lan toule. Keyi huan ren ma? \[She's terrible. Can we get someone else?\]</dialogue>
    <character>MALE DIRECTORT</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Zhe bu xi ta nanpengyou dou zhidao. Ni neng shuo huan ren ma. \[He's financing the whole movie. You tell him his girlfriend sucks.\]</dialogue>
    <scene_description>They look on as Alistair and Kitty make out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PLANE</stage_direction>
    <scene_description>Nick and Rachel continue their conversation.</scene_description>
    <character>RACHEL</character>
    <dialogue>Okay, and what about your cousin Eddie? You don't ever talk about him.</dialogue>
    <character>NICK</character>
    <dialogue>Well, Eddie is a big finance guy in Hong Kong. A real family man.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PENTHOUSE APARTMENT (HONG KONG) - MORNING</stage_direction>
    <scene_description>Eddie, his wife FIONA CHENG (30s, Hong Kong Chinese, in a simple but elegant dress), and their three sons (all under 8 and wearing matching Gucci outfits) are frozen in "natural" poses -- Eddie and Fiona "laugh" as their boys "play" with wooden airplanes that look more like props than toys -- as photographer RUSSELL WONG takes their portrait. Behind them, wide, floor-to-ceiling windows frame a panoramic view of Hong Kong. SUPERIMPOSE: HONG KONG EDDIE CHENG (30s, intense investment banker), ASTRID (30s, gorgeous, elegant).</scene_description>
    <character>RUSSELL WONG</character>
    <dialogue>You know if you move, it will look more natural.</dialogue>
    <character>EDDIE</character>
    <dialogue>No, this way you get our optimal angles.</dialogue>
    <character>RUSSELL WONG</character>
    <dialogue>Uh, then we're done.</dialogue>
    <scene_description>As Russell wraps up, Eddie scurries over, all smiles.</scene_description>
    <character>EDDIE</character>
    <dialogue>Russell, thank you so much. It's an honor to be photographed by you.</dialogue>
    <character>FIONA</character>
    <parenthetical>(to kids)</parenthetical>
    <dialogue>Good job, guys.</dialogue>
    <parenthetical>(to nannies)</parenthetical>
    <dialogue>Yes.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RUSSELL WONG</character>
    <dialogue>My pleasure. People will love it in the next Hong Kong Vogue.</dialogue>
    <character>NANNY</character>
    <parenthetical>(to kids)</parenthetical>
    <dialogue>Give me that. You have to take a bath now.</dialogue>
    <character>FIONA</character>
    <dialogue>Thank you, Russell.</dialogue>
    <scene_description>Eddie beams, but the moment Russell and his ASSISTANTS exit, Eddie loses his smile. Turns on his wife, annoyed.</scene_description>
    <character>EDDIE</character>
    <dialogue>Hong Kong Vogue? I knew it. Your dress is a disaster. If you wore a Bottega gown, like I told you to, we'd be in the American Vogue.</dialogue>
    <character>FIONA</character>
    <dialogue>You can wear that gown to Hell, Eddie.</dialogue>
    <scene_description>Fiona walks off as the children jump into 2 TOY BENTLEYS and start chasing their beleaguered NANNIES...</scene_description>
    <character>NANNY</character>
    <parenthetical>(to kids)</parenthetical>
    <dialogue>Stop!</dialogue>
    <character>NICK (V.O.)</character>
    <dialogue>Then there's Astrid.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. PLANE</stage_direction>
    <character>RACHEL</character>
    <dialogue>I remember Astrid. She's like who I wanna be when I grow up.</dialogue>
    <character>NICK</character>
    <dialogue>Astrid is awesome. And she's probably the only one I'm actually close with. And she's really grounded and down to earth once you get to know her.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JEWELRY BOUTIQUE (SHANGHAI)</stage_direction>
    <scene_description>SUPERIMPOSE: SHANGHAI CONTINUED: ASTRID (30s), striking, enters a LUXE HIGH-END BOUTIQUE where WEALTHY FEMALE CUSTOMERS look over FINE JEWELRY.</scene_description>
    <character>NICK (V.O.)</character>
    <dialogue>Not only did she graduate top of her class at Oxford, start multiple charities and is a fashion icon, Astrid has the biggest heart of any of my cousins.</dialogue>
    <scene_description>Astrid sees a LITTLE GIRL, the daughter of a customer, holding a TINY, STUFFED BUNNY with a YARN BOW as she tugs on her mother's sleeve.</scene_description>
    <character>LITTLE GIRL</character>
    <dialogue>Mummy? See what I made for bunny --</dialogue>
    <scene_description>But her mother waves her away, busy looking over baubles with her friend.</scene_description>
    <character>LITTLE GIRL'S MOTHER</character>
    <dialogue>No, not now, not now.</dialogue>
    <scene_description>But the customers, including the Little Girl's mother, soon notice Astrid and sneak looks and whisper to one another about her. Astrid walks by them and goes to the Little Girl, much to her mother's surprise.</scene_description>
    <character>ASTRID</character>
    <parenthetical>(bends down; to Girl)</parenthetical>
    <dialogue>Hi, I'm Astrid. What's your name?</dialogue>
    <character>LITTLE GIRL</character>
    <dialogue>Vita.</dialogue>
    <character>ASTRID</character>
    <parenthetical>(re: bunny)</parenthetical>
    <dialogue>And who's this?</dialogue>
    <character>LITTLE GIRL</character>
    <dialogue>Bun-Bun.</dialogue>
    <character>ASTRID</character>
    <dialogue>Well, I think Bun-Bun looks very dashing with his bow. You have a good eye.</dialogue>
    <character>LITTLE GIRL</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>The Little Girl BEAMS, delighted. The girl's MOTHER lights up, proud. CONTINUED: The JEWELER approaches.</scene_description>
    <character>JEWELER</character>
    <dialogue>Ms. Leong, right this way.</dialogue>
    <character>ASTRID</character>
    <dialogue>It's very nice to meet you both.</dialogue>
    <scene_description>The patrons watch Astrid and the Jeweler disappear through a hallway into a restricted area...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. JEWELRY STORE - BACK ROOM - DAY</stage_direction>
    <scene_description>It's a private room reserved for elite clientele. An ASSISTANT brings Astrid tea in a tiny antique cup as she surveys A STUNNING SELECTION OF OVER-THE-TOP JEWELRY.</scene_description>
    <character>JEWELER</character>
    <dialogue>These are all brand new from Antwerp. You're the first person I've shown them to.</dialogue>
    <scene_description>Astrid is unimpressed. Then she sees in ANOTHER DISPLAY CASE an understated pair of pearl drop earrings. She looks at them, intrigued.</scene_description>
    <character>ASTRID</character>
    <dialogue>What are those?</dialogue>
    <scene_description>The Jeweler smiles, approving of Astrid's taste. He takes the earrings out so she can get a closer look.</scene_description>
    <character>JEWELER</character>
    <dialogue>Those. Those are very special. Burmese pearl drop earrings. Set with emeralds, and rare pigeon- blood-red rubies. They were worn by Queen Supayalat at her self- anointed coronation in 1878.</dialogue>
    <scene_description>The assistant brings the earrings to Astrid. She picks them up to look closer, intrigued.</scene_description>
    <character>ASTRID</character>
    <dialogue>How much?</dialogue>
    <character>JEWELER</character>
    <dialogue>Having you wear one of my pieces is better publicity than I can buy. I'll let them go at cost.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>One point two million.</dialogue>
    <scene_description>Astrid gives a subtle nod.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PLANE - NIGHT</stage_direction>
    <scene_description>The plane is now in the air and Nick and Rachel's suite has been converted into a bedroom. They wear the complimentary pajamas as they lie in bed, continuing their conversation about Nick's family.</scene_description>
    <character>RACHEL</character>
    <dialogue>So, if you have all this family there, why are we staying in a hotel? Aren't good Chinese sons supposed to stay with their parents?</dialogue>
    <character>NICK</character>
    <dialogue>Well, because A) I'm not that good a son, and B) I just want you to myself, just for a bit. That okay?</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay.</dialogue>
    <scene_description>Rachel smiles and kisses Nick. He rolls on top of her.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SKYLINE (SINGAPORE) - NIGHT</stage_direction>
    <scene_description>The plane flies across the South China Sea into the sunset, heading for a SHINING JEWEL at the tip of the Malaysian Peninsula. INERT - WORLD MAP SUPERIMPOSE: NORTH PACIFIC OCEAN, SOUTH PACIFIC OCEAN, NEW YORK, NORTH ATLANTIC OCEAN, SOUTH ATLANTIC OCEAN, CHINA, INDIA, INDIAN OCEAN, SINGAPORE, AUSTRALIA We ZOOM IN ON SINGAPORE -- SUPERIMPOSE: MALAYSIA, SINGAPORE, SINGAPORE STRAIT, MAIN STRAIT, INDONESIA</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SINGAPORE (ESTABLISHING)</stage_direction>
    <scene_description>SUPERIMPOSE: SINGAPORE</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHANGI AIRPORT - DAY</stage_direction>
    <scene_description>Nick and Rachel emerge with other TRAVELERS, pushing luggage carts as they emerge from customs. Rachel looks around the shiny arrival hall in wonderment. CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>I can't believe this airport has a butterfly garden and a movie theater. JFK is just salmonella and despair.</dialogue>
    <character>WOMAN (O.S.)</character>
    <dialogue>Nick!!! Nick!!!</dialogue>
    <scene_description>Through the crowd runs a willowy, young woman, ARAMINTA (20s) clutching BALLOONS, rushing up to meet them. She throttles Nick, wrapping her legs tightly around his waist. Behind her is a ruggedly handsome man, COLIN (30s), holding a PLACARD that reads "Best Man." Nick lights up to see them.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Nick!!! Nick!!!</dialogue>
    <character>NICK</character>
    <dialogue>Araminta!</dialogue>
    <character>ARAMINTA</character>
    <dialogue>I missed you.</dialogue>
    <character>NICK</character>
    <dialogue>I missed you, too.</dialogue>
    <scene_description>Araminta releases Nick and immediately grabs Rachel in a tight hug. Rachel reacts, surprised, amused. Colin grabs Nick in a big bear hug, pulling him back and forth.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Rachel.</dialogue>
    <character>NICK</character>
    <parenthetical>(to Colin)</parenthetical>
    <dialogue>Hey.</dialogue>
    <character>RACHEL</character>
    <dialogue>Hi!</dialogue>
    <character>COLIN</character>
    <dialogue>(to Nick)</dialogue>
    <character>ARAMINTA</character>
    <dialogue>(to Rachel)</dialogue>
    <scene_description>There he is. How are you? It's so nice to finally meet you.</scene_description>
    <character>NICK</character>
    <dialogue>(to Colin)</dialogue>
    <character>RACHEL</character>
    <dialogue>(to Araminta)</dialogue>
    <scene_description>I'm good. It's so nice to meet you, too. Araminta has no makeup on under her spectacles, and is wearing pajama pants, a tank top, and flip-flops. Nick gives Colin a big hug. CONTINUED:</scene_description>
    <character>COLIN</character>
    <dialogue>Ah! Nicki-Nick! Welcome!</dialogue>
    <character>NICK</character>
    <dialogue>It's been too long, brother.</dialogue>
    <character>COLIN</character>
    <dialogue>It has been too long. Welcome back.</dialogue>
    <character>NICK</character>
    <dialogue>You guys didn't have to pick us up.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Of course we did. We had to!</dialogue>
    <character>COLIN</character>
    <dialogue>Of course I had to come welcome my best man properly.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Hi, Rachel.</dialogue>
    <character>RACHEL</character>
    <dialogue>Hello.</dialogue>
    <scene_description>They embrace warmly.</scene_description>
    <character>COLIN</character>
    <dialogue>Oh! Lovely to finally meet you.</dialogue>
    <character>RACHEL</character>
    <dialogue>Nice to meet you, too.</dialogue>
    <character>COLIN</character>
    <dialogue>Shall we? Let me help you with this.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Yes.</dialogue>
    <parenthetical>(handing Rachel the balloons)</parenthetical>
    <dialogue>And these are for you.</dialogue>
    <character>NICK</character>
    <dialogue>Yes! I can grab these. All right.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh! Thank you.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>I know they're a bit over the top.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>COLIN</character>
    <dialogue>Let's get you all localized.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Are you hungry?</dialogue>
    <character>RACHEL</character>
    <dialogue>I'm always hungry. So let's eat everything we can.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Okay.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. CHANGI AIRPORT - DAY</stage_direction>
    <scene_description>Colin pushes the luggage cart out the door, flanked by Rachel, Nick, and Araminta.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SINGAPORE (ESTABLISHING)</stage_direction>
  </scene>
  <scene>
    <stage_direction>EXT./INT. HIGHWAY/SUV - DUSK</stage_direction>
    <scene_description>The open-top SUV flies down the highway. Colin is at the wheel as Nick, Rachel, and Araminta take in the sites.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HAWKER CENTER - NIGHT</stage_direction>
    <scene_description>FLAMES LEAP over a wok as a CRAB is thrown in. QUICK CUTS OF FOOD: stir-fried clams, turnip cakes, banana leaf rice, laksa soup noodles, ice being shaved over an ice kachang bowl. Rachel stares in wonderment at an endless hive of food stalls underneath swaying palm trees, right on the beach. Even though it is late, the place teems with HUNDREDS of DINERS. All eating with great relish. Nick, Araminta, and Colin move like seasoned locals. Colin scans the seating area, spots a table.</scene_description>
    <character>COLIN</character>
    <dialogue>Minty, three o'clock!</dialogue>
    <scene_description>Araminta hurries over, buys TISSUE PACKETS from an OLD WOMAN.</scene_description>
    <character>WOMAN AT MARKET</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Guam Xia. \[Thank you.\]</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ARAMINTA</character>
    <parenthetical>(in Mandarin)</parenthetical>
    <dialogue>Guam Xia.</dialogue>
    <parenthetical>(in English)</parenthetical>
    <dialogue>Hey, guys! Here!</dialogue>
    <scene_description>Araminta tosses a tissue packet to Nick and Rachel. Nick grabs Rachel, kicking off our --</scene_description>
    <character>NICK</character>
    <dialogue>Oh, thank you.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Come with me.</dialogue>
    <scene_description>MONTAGE -- They walk by the dizzying array of stalls, Nick is excited to share this world with Rachel:</scene_description>
    <character>NICK</character>
    <dialogue>Each of these hawker stalls sells pretty much one dish, and they've been perfecting it for generations. You know, this is one of the only places in the world where street food vendors actually earn Michelin stars.</dialogue>
    <scene_description>-- A beaming PRAWN NOODLE SELLER HUGS Nick.</scene_description>
    <character>NOODLE SELLER</character>
    <dialogue>Hey! How are you, sir? Long time, no see, my friend.</dialogue>
    <parenthetical>(calls to worker; handing Nick food)</parenthetical>
    <dialogue>Here you go. Thank you very much, sir.</dialogue>
    <character>NICK</character>
    <dialogue>Uncle! Oh. Cheers.</dialogue>
    <scene_description>-- Colin brings food to a table where Araminta sits, tissue packets holding a place for all of them.</scene_description>
    <character>COLIN</character>
    <dialogue>Ooh! Look at this. Look at this.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Oh, my favorite.</dialogue>
    <scene_description>-- Nick orders from a MALAY SATAY vendor. CONTINUED:</scene_description>
    <character>NICK</character>
    <parenthetical>(in Malay)</parenthetical>
    <dialogue>Sate dua puluh. Sepuluh ayam. Sepuluh daging. \[Twenty pieces of satay. Ten chicken satay. Ten beef satay.\]</dialogue>
    <scene_description>SAME SCENE - LATER The table is OVERFLOWING with various dishes.</scene_description>
    <character>RACHEL</character>
    <dialogue>Hmm.</dialogue>
    <character>COLIN</character>
    <dialogue>There he is. Nice.</dialogue>
    <character>NICK</character>
    <dialogue>Where do you want me to put this?</dialogue>
    <scene_description>Nick and Rachel go off to order more food.</scene_description>
    <character>NICK</character>
    <parenthetical>(in Mandarin)</parenthetical>
    <dialogue>Luxa, liang wan, yi wan buyao lajiang. \[Luxa, give me one bowl of that, one of them without spicy sauce.\]</dialogue>
    <scene_description>BACK AT THE TABLE Nick hands each of them mug of beer.</scene_description>
    <character>NICK</character>
    <dialogue>One of those for you.</dialogue>
    <character>RACHEL</character>
    <dialogue>Yes, thank you.</dialogue>
    <scene_description>SHAVED ICE VENDOR Nick and Rachel ordering shaved ice.</scene_description>
    <character>NICK</character>
    <parenthetical>(in Mandarin)</parenthetical>
    <dialogue>Guan Xia.</dialogue>
    <character>RACHEL</character>
    <dialogue>Looks a little vomity.</dialogue>
    <scene_description>AT ANOTHER VENDOR Nick is now ordering soup. BACK AT THE TABLE They are finally enjoying all the various dishes.</scene_description>
    <character>RACHEL</character>
    <dialogue>Oh, my God!</dialogue>
    <character>NICK</character>
    <dialogue>Yes! I told you! I told you. The best satay on the island. For sure. All right.</dialogue>
    <scene_description>Araminta and Colin grin with approval.</scene_description>
    <character>COLIN</character>
    <dialogue>All right, dig in, guys.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Oh, really? So yummy, isn't it?</dialogue>
    <character>COLIN</character>
    <parenthetical>(to Nick)</parenthetical>
    <dialogue>Oh, before I forget, I need your help tomorrow. Uh, I need to do some groomsmen stuff and I don't wanna do it alone with Bernard Tai.</dialogue>
    <character>NICK</character>
    <dialogue>I still cannot believe that you got that guy to be your groomsman.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Thank you. Thank you. I rest my case.</dialogue>
    <character>NICK</character>
    <dialogue>Minty...</dialogue>
    <character>COLIN</character>
    <dialogue>Well, it wasn't up to me, was it? It's not my choice. Bernard is the human douche nozzle who used to steal my tuck shop money when we were kids, until Nicki-Nick beat him up.</dialogue>
    <character>NICK</character>
    <dialogue>Well...</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Um...</dialogue>
    <character>RACHEL</character>
    <dialogue>You beat somebody up?</dialogue>
    <character>NICK</character>
    <dialogue>Hold on -- I threw a single punch. I fell on the floor and the guy sat on me. So, wasn't really much of a fight.</dialogue>
    <character>COLIN</character>
    <parenthetical>(raises glass)</parenthetical>
    <dialogue>A toast, guys. To my best man, Nick Young, who can't fight for nuts, but will always have your back!</dialogue>
    <character>NICK</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>Colin and Nick continue to laugh and reminisce.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>A toast to married life.</dialogue>
    <character>COLIN</character>
    <dialogue>Oh! Not yet! Not yet! Too early.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Oh, God!</dialogue>
    <character>NICK</character>
    <dialogue>Oh! Well, this time next week, guys!</dialogue>
    <character>NICK</character>
    <dialogue>We gotta get over your bachelor party first, matey.</dialogue>
    <character>COLIN</character>
    <dialogue>Is that necessary, man? Come on!</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Listen, Rachel, I know we've only just met, but it's my bachelorette party this weekend and I would love for you to come.</dialogue>
    <scene_description>Rachel is surprised, happy to be embraced by Nick's pals. Nick and Colin still bantering in the b.g. CONTINUED:</scene_description>
    <character>COLIN</character>
    <dialogue>(to Nick)</dialogue>
    <character>RACHEL</character>
    <dialogue>(to Araminta)</dialogue>
    <scene_description>Hold on, if I make it out That would be amazing. alive! I would be -- Thank you so much!</scene_description>
    <character>NICK</character>
    <dialogue>That's gonna be the least...</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Good!</dialogue>
    <character>NICK</character>
    <dialogue>If I -- Am I out of the picture?</dialogue>
    <character>COLIN</character>
    <dialogue>Thanks, man.</dialogue>
    <character>NICK</character>
    <dialogue>Am I totally out of the picture?</dialogue>
    <character>COLIN</character>
    <dialogue>Yes, I've replaced you with Bernard.</dialogue>
    <character>NICK</character>
    <dialogue>Well, that --</dialogue>
    <character>COLIN</character>
    <dialogue>Screw that, man.</dialogue>
    <scene_description>Nick and Colin joke and laugh with each other.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Also, I have to say, I can't remember the last time I saw Nick like this.</dialogue>
    <character>NICK</character>
    <parenthetical>(overlaps)</parenthetical>
    <dialogue>No, that's funny, though.</dialogue>
    <character>RACHEL</character>
    <dialogue>He's just happy to be home.</dialogue>
    <character>ARAMINTA</character>
    <parenthetical>(making a face)</parenthetical>
    <dialogue>Oh, yeah, he's just happy to be home. With you.</dialogue>
    <character>NICK</character>
    <parenthetical>(overlaps)</parenthetical>
    <dialogue>I'm sorry. I'm sorry, man. Your dad will be the death of you.</dialogue>
    <scene_description>We STAY ON Rachel -- she looks at Nick, happy, in his element. He glances at her with that smile -- and she falls that much more in love with him. CONTINUED:</scene_description>
    <character>COLIN</character>
    <dialogue>My dad will be the death of me. Oh, cheers to that.</dialogue>
    <character>COLIN</character>
    <dialogue>Guys, we have to dig in 'cause this crab is not gonna eat itself.</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Yeah. Pass me that.</dialogue>
    <character>RACHEL</character>
    <dialogue>What should I try first?</dialogue>
    <parenthetical>(to Colin)</parenthetical>
    <dialogue>Do you want some of this?</dialogue>
    <character>COLIN</character>
    <dialogue>Eat up, eat up! Try some of this. Oh, thank you.</dialogue>
    <character>RACHEL</character>
    <dialogue>It's really spicy.</dialogue>
    <character>NICK</character>
    <dialogue>It is really spicy. Oh, God!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. CITY</stage_direction>
    <scene_description>The four of them driving down the highway in the open-top SUV enjoying the beautiful city. Nick points to various landmarks with glee. We see a MONTAGE of beautiful fountains, boats going under bridges, etc. The girls, in the back seat, put their arms around their guys' necks and snuggle.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Whoo!</dialogue>
    <parenthetical>(shouting)</parenthetical>
    <dialogue>Nick's in Singapore!</dialogue>
    <character>NICK</character>
    <dialogue>It's good to be home.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ASTRID'S APARTMENT - NIGHT</stage_direction>
    <scene_description>Astrid enters, followed by the porters. The apartment isn't enormous, but each room is straight out of the pages of Architectural Digest. TWO MAIDS quickly swing into action, taking the bags and unpacking them. CONTINUED:</scene_description>
    <character>ASTRID</character>
    <dialogue>Is Michael here?</dialogue>
    <character>MAID</character>
    <dialogue>Not yet, ma'am. Also, your son woke up. He wants to see you.</dialogue>
    <character>ASTRID</character>
    <dialogue>All right. You know what to do. Quickly.</dialogue>
    <character>MAID</character>
    <dialogue>Okay. Put over here. Okay... Move, move.</dialogue>
    <scene_description>The Maids nod, knowing the drill. The head Maid hides two bags labeled "Dior" and "Lotus - Arts de Vivre" in a drawer. The begin scurrying around the apartment in a frenzy. SERIES OF QUICK CUTS -- One maid puts a small jewelry-sized box tied with a bow in a metal tin and places the lid back on. -- Another maid stashes a small box in a kitchen drawer and covers it with the cloth napkins. -- In the bathroom, Astrid takes off her EARRINGS, puts them back in their original box and places the box above the mirror.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ASTRID'S APARTMENT - CASSIAN'S ROOM - NIGHT</stage_direction>
    <scene_description>Astrid lies by her son, CASSIAN (3), who's half-asleep in bed as she reads The Little Prince to him in French.</scene_description>
    <character>ASTRID</character>
    <parenthetical>(in perfect French)</parenthetical>
    <dialogue>-- Cette visite fut très courte, mais elle plongea le petit prince dans une grande mélancolie...</dialogue>
    <scene_description>Astrid pauses when she hears SOMEONE enter the apartment. She looks to Cassian, now sound asleep, and heads out.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ASTRID'S APARTMENT - BEDROOM - NIGHT</stage_direction>
    <scene_description>We see a man taking a shower. This is MICHAEL TEO, 30s, Astrid's husband, former Army Sergeant, and ripped/hot as all hell, exits the bathroom in a towel. CONTINUED: He talks to Astrid, who's on the bed as he dries off and gets ready for bed.</scene_description>
    <character>MICHAEL</character>
    <dialogue>I'm sorry. Got stuck in a meeting.</dialogue>
    <character>ASTRID</character>
    <dialogue>It's okay. I get it. But don't forget, wedding festivities start on Wednesday, so no emergencies next week.</dialogue>
    <character>MICHAEL</character>
    <parenthetical>(facetious)</parenthetical>
    <dialogue>I know. Wouldn't dream of missing a second with your family and their friends.</dialogue>
    <character>ASTRID</character>
    <dialogue>Come on, it won't be all bad. Nick and his new girlfriend will be there. You'll like her.</dialogue>
    <character>MICHAEL</character>
    <dialogue>Oh, yeah? Why? 'Cause she's a commoner like me?</dialogue>
    <character>ASTRID</character>
    <dialogue>You know that's not what I meant.</dialogue>
    <character>MICHAEL</character>
    <dialogue>Oh... You know, I thought I caught the maids trying to shove a pair of Jimmy Choos behind the dryer.</dialogue>
    <parenthetical>(off Astrid kissing his shoulder)</parenthetical>
    <dialogue>Yeah, I don't know why you bother trying to hide your shopping from me. You can buy whatever you want. I get it. Besides, everybody knows you wear the money pants in this family.</dialogue>
    <character>ASTRID</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>Pants are overrated.</dialogue>
    <parenthetical>(kisses his shoulder; then)</parenthetical>
    <dialogue>Oh, I got you something, too. To celebrate the launch of your startup. I know you don't like expensive gifts, but you're not a captain in the Army anymore.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ASTRID</character>
    <dialogue>You're a CEO. You should look the part.</dialogue>
    <scene_description>She takes the gift out from under the pillow revealing an expensive men's watch.</scene_description>
    <character>ASTRID</character>
    <dialogue>To celebrate the launch of your startup. I know you don't like expensive gifts, but you're not a captain in the Army anymore, you're a CEO. You should look the part.</dialogue>
    <character>MICHAEL</character>
    <dialogue>I -- I love it. Thank you.</dialogue>
    <scene_description>He KISSES her. She kisses back.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MARINA (SINGAPORE)</stage_direction>
  </scene>
  <scene>
    <stage_direction>INT. RAFFLES HOTEL - SUITE - MORNING</stage_direction>
    <scene_description>Radio alarms goes off. It's playing Marvin Gaye's "You're All I Need to Get By." REVEAL Rachel waking up in a luxurious, Colonial suite -- smiles when she remembers where she is. Nick's arm is around her. She turns to see he's awake, smiling.</scene_description>
    <character>RACHEL</character>
    <dialogue>What time is it?</dialogue>
    <character>NICK</character>
    <dialogue>Morning. I'm afraid it's time for me to do some groomsman duties.</dialogue>
    <character>RACHEL</character>
    <dialogue>Ummmmmmmmmm... Stay in bed.</dialogue>
    <character>NICK</character>
    <dialogue>You stay here. I'll get you a breakfast tray.</dialogue>
    <scene_description>Nick gets out of bed as Rachel lazily sits up, putting her glasses on.</scene_description>
    <character>RACHEL</character>
    <dialogue>You know, I have to get up, too. I told Peik Lin I would meet up with her today.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>Ah, a little college reunion. But don't forget. Dinner at Ah Ma's tonight.</dialogue>
    <character>RACHEL</character>
    <dialogue>Mm-hmm.</dialogue>
    <character>NICK</character>
    <dialogue>The whole family's gonna be there.</dialogue>
    <character>RACHEL</character>
    <dialogue>Yes.</dialogue>
    <character>NICK</character>
    <dialogue>I can't wait to show you off.</dialogue>
    <scene_description>She moves her glasses back and forth on her nose, in and out as if trying to get a better focus on Nick's body.</scene_description>
    <character>RACHEL</character>
    <dialogue>Hubba-hubba.</dialogue>
    <character>NICK</character>
    <dialogue>How can I resist?</dialogue>
    <character>RACHEL</character>
    <dialogue>Ah. Ooga-ooga.</dialogue>
    <scene_description>Rachel looks at him lovingly. He comes back for one more kiss.</scene_description>
    <character>NICK</character>
    <dialogue>You put those glasses on on purpose.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. SINGAPORE (ESTABLISHING)</stage_direction>
  </scene>
  <scene>
    <stage_direction>EXT. TAXI/GOH FAMILY HOME - DAY</stage_direction>
    <scene_description>Rachel exits a taxi wearing the red dress her mother picked. She goes to the gate of a showy mansion. We hear a BUZZER, then the gate opens. We hear another BUZZER and the front door opens. PEIK LIN (29), emerges carrying one of her Pekingese dogs. Peik Lin is half type-A go-getter, half hip-hop, all attitude.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>New York in the house! Yeah! Yeah!</dialogue>
    <scene_description>CONTINUED: Peik Lin rushes to her, as they hug:</scene_description>
    <character>RACHEL</character>
    <dialogue>Aw! Peik Lin!</dialogue>
    <character>PEIK LIN</character>
    <dialogue>What up, bitch? Yeah! Yeah!</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, my God! You look amazing.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>I know. Some things never change, right?</dialogue>
    <character>RACHEL</character>
    <parenthetical>(re: mansion)</parenthetical>
    <dialogue>And this is q-- quite a place.</dialogue>
    <scene_description>SIX GOLDEN-HAIRED PEKINGESE DOGS run out, their high- pitched yaps filling the air.</scene_description>
    <character>NEENAH</character>
    <dialogue>Astor! Vanderbilt! Rockefeller! Naughty, naughty boys, stop barking. Hey, Rachel!</dialogue>
    <character>RACHEL</character>
    <dialogue>Hi!</dialogue>
    <scene_description>NEENAH GOH (50s), Peik Lin's mother, comes out. A short woman with a bouffant perm. She wears a tight blouse, a belt of interlinked gold Medusa heads, tight trousers, and pink slippers.</scene_description>
    <character>NEENAH</character>
    <dialogue>Singapore is so hot. Come in and enjoy the aircon. Come, come on. Whole family waiting to meet you. Very excited.</dialogue>
    <scene_description>They head into:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - DAY</stage_direction>
    <scene_description>Neena and Peik Lin show Rachel into the cavernous living room, everything is covered with gold or mirrors. Rachel takes it in, amazed.</scene_description>
    <character>NEENAH</character>
    <dialogue>Rachel, welcome, welcome.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Wow! Oh, my gosh! Your house is amazing, Mrs. Goh.</dialogue>
    <character>NEENAH</character>
    <parenthetical>(in Hokkien; subtitled)</parenthetical>
    <dialogue>Li gaou kong wei ah. \[You're such a sweet talker.\]</dialogue>
    <parenthetical>(in English)</parenthetical>
    <dialogue>Call me Auntie. Auntie Neenah.</dialogue>
    <character>RACHEL</character>
    <dialogue>Sorry. Auntie Neenah.</dialogue>
    <character>NEENAH</character>
    <dialogue>Oh, yeah. Uh... Yeah, yeah, yeah, yeah. We were inspired by the Hall of Mirrors in Versailles.</dialogue>
    <character>PEIK LIN</character>
    <parenthetical>(to Rachel; low)</parenthetical>
    <dialogue>And Donald Trump's bathroom, as well.</dialogue>
    <character>RACHEL</character>
    <dialogue>Really?</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Yeah.</dialogue>
    <character>NEENAH</character>
    <dialogue>You like it or not?</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, yes. Uh, the gold is very brilliant.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - DINING ROOM - DAY</stage_direction>
    <scene_description>SEVEN MEMBERS of the Goh family sit at a long dining table as four maids serve the anything-but-"small" lunch. It's a free-for-all as everyone reaches for food. It's a colorful bunch. There's Peik Lin's father WYE MUN (50s), and a multitude of children including: P.T. (30s) shy, overweight, TWO ADORABLE TWIN GIRLS who eat CHICKEN NUGGETS from a TAKEOUT BOX on heavy, gold-rimmed Limoges plates, and a BABY in a TRICKED-OUT GOLD BASSINET. Neena waves chopsticks at Rachel. CONTINUED:</scene_description>
    <character>WYE MUN</character>
    <dialogue>Uh, uh, uh. Rachel Chu, we are so, uh, grateful for all the help you have given my, uh, Peik Lin back in her uni days. I mean, without you, uh, she would be a hot mess.</dialogue>
    <scene_description>He chuckles.</scene_description>
    <character>RACHEL</character>
    <dialogue>Oh, my God, no. Actually, if it wasn't for her, I'd be a big mess. She was a huge help to me in college.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>It's nice to meet you, Mr. Goh.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Nice to meet you, too, uh, Chu. Ku-ku. Ku-Chu. You. Poo-poo.</dialogue>
    <parenthetical>(laughs)</parenthetical>
    <dialogue>No, I'm just kidding. I don't have an accent. I'm just messing with you.</dialogue>
    <scene_description>Neenah chuckles.</scene_description>
    <character>WYE MUN</character>
    <dialogue>No, no, I, I studied in the States, too. Yeah, Cal State Fullerton. Yeah. I majored in Thought.</dialogue>
    <character>RACHEL</character>
    <dialogue>Hmm.</dialogue>
    <character>NEENAH</character>
    <dialogue>Don't stand on ceremony, Rachel. This is simple food, lah.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Ah! Cha-cha-cha. Don't be shy.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh. Thank you.</dialogue>
    <character>WYE MUN</character>
    <dialogue>You're not a model.</dialogue>
    <character>RACHEL</character>
    <dialogue>I am definitely not.</dialogue>
    <scene_description>Rachel looks at thirteen different dishes, which look anything but simple. CONTINUED: Wye Mun puts food on Rachel's plate. Neena feeds her dog with chopsticks sitting in a chair next to her.</scene_description>
    <character>WYE MUN</character>
    <dialogue>No, you're not. Not at all. You're far from it.</dialogue>
    <character>RACHEL</character>
    <dialogue>I know.</dialogue>
    <character>WYE MUN</character>
    <dialogue>And make sure you eat it all. 'Cause I'm watching you.</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay, thank you.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Okay, yeah.</dialogue>
    <character>TWIN GIRL #1</character>
    <dialogue>Ah pa, can we go trampoline!</dialogue>
    <character>TWIN GIRL #2</character>
    <dialogue>... go trampoline.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Ay, you haven't finished your nuggets yet, sweetie. Okay, there's a lot of children starving in America, right? I mean, take a look at her. She's American. Huh? Really skinny. You wanna look like that?</dialogue>
    <character>TWIN GIRL #1 AND #2</character>
    <dialogue>No.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Then eat your nuggets.</dialogue>
    <scene_description>The girls dutifully return to their food.</scene_description>
    <character>NEENA</character>
    <dialogue>So, Rachel, what you do in America?</dialogue>
    <character>RACHEL</character>
    <dialogue>Um, I'm an economics professor.</dialogue>
    <character>WYE MUN</character>
    <parenthetical>(impressed)</parenthetical>
    <dialogue>Whoa. Very impressive. Econ professor, eh? Wow! You must be very smart. Good for you.</dialogue>
    <character>RACHEL</character>
    <dialogue>Mm-hmm.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>WYE MUN</character>
    <parenthetical>(to Peik Lin)</parenthetical>
    <dialogue>Let me get this straight. You both went to the same school, yet someone came back with a degree that's useful. And the other came back as Asian Ellen.</dialogue>
    <scene_description>Peik Lin reacts, grandpa laughs. Wye Mun turns to his son, P.T.</scene_description>
    <character>WYE MUN</character>
    <parenthetical>(nods toward Rachel)</parenthetical>
    <dialogue>Psst. P.T.</dialogue>
    <character>P.T.</character>
    <dialogue>Hmm?</dialogue>
    <character>WYE MUN</character>
    <parenthetical>(nodding toward Rachel)</parenthetical>
    <dialogue>Look over here. She's a hottie. This is the kind of girl you should date. Smart, beautiful. Not those, like, K-Pop skanks, with, like, no brain, big eyes and small backsides. She has an amazing backside. This is Goh standard. Don't be shy. Just talk to her.</dialogue>
    <scene_description>P.T. looks up from his noodles, clueless.</scene_description>
    <character>P.T.</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>I love you.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Okay. No, just, uh...</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Pa, she's here with her boyfriend.</dialogue>
    <character>WYE MUN</character>
    <dialogue>I don't see no ring on her finger.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, well, my boyfriend's actually from Singapore and that's why we're here. We're here to go to his best friend's wedding where he's gonna be the best man.</dialogue>
    <character>WYE MUN</character>
    <dialogue>Hmm.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NEENAH</character>
    <dialogue>What's his name? This is a very small island. Maybe we know his family.</dialogue>
    <character>RACHEL</character>
    <dialogue>His name is Nick Young.</dialogue>
    <scene_description>The food drops out of Wye Mun's mouth. The whole table STOPS EATING. Eyes go wide. Jaws drop. Even grandpa and the twins stop what they're doing and look at Rachel. Rachel becomes self-conscious.</scene_description>
    <character>RACHEL</character>
    <dialogue>Uh...</dialogue>
    <character>PEIK LIN</character>
    <dialogue>The Nick you're dating is Nick Young?!</dialogue>
    <character>NEENAH</character>
    <parenthetical>(puts it together)</parenthetical>
    <dialogue>His best friend... You're invited to Colin Khoo's wedding, ah?!!</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah. You guys know them or something?</dialogue>
    <scene_description>P.T. snaps a quick pic of Rachel on his cell. He smiles and admires it like it's the Mona Lisa.</scene_description>
    <character>WYE MUN</character>
    <dialogue>Hells yeah. The Khoos, the Youngs, I mean, who doesn't know who they are?!</dialogue>
    <parenthetical>(getting worked up)</parenthetical>
    <dialogue>They're just the biggest developers in all of Singapore. And Malaysia, Thailand, Brunei, New Mexico.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>She gets it.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Colin and Araminta's wedding is, like, Singapore's event of the century! The Youngs are like royalty.</dialogue>
    <scene_description>Wye Mun vigorously shakes his head, "yes."</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Did you not know? Does she not know?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NEENAH</character>
    <dialogue>Why you never say before?! Tell, tell, what are they like?</dialogue>
    <character>RACHEL</character>
    <dialogue>I don't really know what they're -- I, I mean, I haven't met them yet. I'm gonna meet them tonight. I'm going to Nick's grandma's house.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>You're going to Nick's grandma's house wearing this?</dialogue>
    <parenthetical>(re: Rachel's dress)</parenthetical>
    <dialogue>Wearing that?</dialogue>
    <scene_description>They all laugh.</scene_description>
    <character>P.T.</character>
    <dialogue>No way. No way.</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah, I thought red was a lucky color, right?</dialogue>
    <character>WYE MUN</character>
    <dialogue>Yeah, if you're an envelope. Zing! Nailed it!</dialogue>
    <scene_description>P.T. takes another picture of Rachel, but she waves him off.</scene_description>
    <character>RACHEL</character>
    <dialogue>No.</dialogue>
    <character>TWINS</character>
    <dialogue>Zing zing!</dialogue>
    <scene_description>Peik Lin looks Rachel up and down, shaking her head disgusted with her outfit.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PEIK LIN'S BEDROOM - CLOSET - DAY</stage_direction>
    <scene_description>Peik Lin throws open the doors to her massive walk-in closet. Clothes are color-coded, wrapped in plastic, with a string of POLAROIDS over them showing the different looks. Rachel looks around, in awe.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Rachel, these people aren't just rich, okay. They're crazy rich.</dialogue>
    <scene_description>Peik Lin looks around, pulls out a LARGE HANDBAG with a WORLD MAP on it, which she points to as she explains: CONTINUED:</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Look, there's new money all over Asia. We got the Beijing Billionaires, the Taiwan Tycoons. But the Young family, they're old money rich. They had money when they left China in the 1800s. And they went all the way down here. Not there. Here. They came to Singapore when there was nothing but jungle and pig farmers. There was a snake here, eating an apple. You know what I mean? And they built all of this. Now, they're the landlords of the most expensive city in the world. Here you go.</dialogue>
    <parenthetical>(hands Rachel the purse)</parenthetical>
    <dialogue>These people are so posh and snobby, they're snoshy. Here you go.</dialogue>
    <scene_description>Peik Lin hands her a pair of platform shoes.</scene_description>
    <character>RACHEL</character>
    <dialogue>Yeah, but Nick's not like that.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Even if he isn't, I guarantee you the family is. Which is why tonight, you need to not look like Sebastian of The Little Mermaid. You know, little crab guy.</dialogue>
    <scene_description>Peik Lin throws her a dress...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - NIGHT</stage_direction>
    <scene_description>AN AUDI SWERVES ERRATICALLY through traffic, brakes squealing, horns honking.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AUDI - NIGHT</stage_direction>
    <scene_description>Rachel, in an elegant cocktail dress, holds on for dear life as Peik Lin drives like she's on the Indy circuit.</scene_description>
    <character>PEIK LIN</character>
    <parenthetical>(shouting at cars)</parenthetical>
    <dialogue>Come on, this isn't your grandma's road. God damn it.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Thank you for driving me.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Duh. This is, like, my one chance to see the Young family mansion.</dialogue>
    <character>RACHEL</character>
    <dialogue>Mm.</dialogue>
    <scene_description>They turn off onto a private road.</scene_description>
    <character>FEMALE GPS VOICE (V.O.)</character>
    <dialogue>At the next intersection, make a U- turn. Make a U-turn.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Uh, are you sure you gave me the right address? The GPS says there's, like, nothing here. Like literally nothing.</dialogue>
    <scene_description>They pull over on a deserted road.</scene_description>
    <character>RACHEL</character>
    <dialogue>I mean, I -- I put in the exact address. This is --</dialogue>
    <character>PEIK LIN</character>
    <dialogue>You copied and your pasted it?</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Did you just copy and paste 'jungle' and just kind of threw it in there?</dialogue>
    <character>RACHEL</character>
    <dialogue>No, it says this is the address...</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Because I feel like that's -- You actually used the --</dialogue>
    <scene_description>A bearded man wearing a red turban appears at her side window.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>-- Okay. All right. That's a -- Hi! So we'll just --</dialogue>
    <parenthetical>(rolls down window just a crack)</parenthetical>
    <dialogue>Hello, sir. How are you?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>PEIK LIN</character>
    <dialogue>We're here for the party, and we're... We come in peace.</dialogue>
    <character>RACHEL</character>
    <dialogue>Do you know where the Young family house is?</dialogue>
    <scene_description>Another man appears at Rachel's window. These are uniformed SIKH GUARDS.</scene_description>
    <character>RACHEL</character>
    <dialogue>Nicholas Young? I'm, I'm Rachel Chu. I'm here to, to go to his family dinner.</dialogue>
    <scene_description>The one guard carrying a rifle creeps around the car, inspecting it. The other speaks on his walkie-talkie.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Uh, Rachel Chu for the list. If there is a list.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. TYERSALL GROUNDS/AUDI - CONTINUOUS ACTION - NIGHT</stage_direction>
    <scene_description>In the middle of nowhere, a MASSIVE GATE looms with TYERSALL PARK written across the top. The gate is closed. The guard on the walkie walks to the gate looking back at Peik Lin and Rachel.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>He's on the phone. He's on the phone. Is that a gun knife? It's a knife gun. It's a --</dialogue>
    <scene_description>The other guard now comes around to Peik Lin's window.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Okay, and there's a friend. Hi! Very, very nice to --</dialogue>
    <scene_description>Guard #1 motions for them to drive forward.</scene_description>
    <character>GUARD #1</character>
    <dialogue>Uh-huh. Yeah, yeah.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>We can go through? We're going through? Okay. Don't stab the car.</dialogue>
    <scene_description>The gates swing open.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Okay. Thank you. Bye!</dialogue>
    <scene_description>CONTINUED: As Peik Lin drives through the gates, she and Rachel look around, entranced. STREET LIGHTS/LANTERNS illuminate both sides of the large driveway, which seems to wind endlessly up through a hilly rainforest. Unlike the rest of developed Singapore, it feels old, untouched. Peik Lin has her mouth hanging open, amazed.</scene_description>
    <character>RACHEL</character>
    <dialogue>Oh, my God, it's beautiful.</dialogue>
    <scene_description>The forest finally gives way to rolling grounds and an avenue lined with tall palms. A VAST COLONIAL MANSION comes INTO VIEW. This is not a house, it is a palace.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Beautiful? It's two hundred mil worth of real estate.</dialogue>
    <parenthetical>(almost tearing up)</parenthetical>
    <dialogue>... It's spectacular.</dialogue>
    <scene_description>They drive up to the front of the house. Servants are posted in various locations outside. Two of the servants open the front doors and Nick, in a linen suit and perfectly-tousled hair, walks out. Looking every bit the prince of the manor.</scene_description>
    <character>PEIK LIN</character>
    <parenthetical>(awestruck)</parenthetical>
    <dialogue>Damn, Rachel. He's like the Asian 'Bachelor.'</dialogue>
    <scene_description>Nick walks up to the car and opens Rachel's door.</scene_description>
    <character>NICK</character>
    <dialogue>Hello, gorgeous.</dialogue>
    <scene_description>He takes her hand as she exits the car. Nick looks at her outfit, impressed.</scene_description>
    <character>NICK</character>
    <dialogue>Wow! I think I've just fallen in love with you all over again.</dialogue>
    <scene_description>He kisses her -- Peik Lin clears her throat.</scene_description>
    <character>RACHEL</character>
    <dialogue>I missed you.</dialogue>
    <character>NICK</character>
    <dialogue>Missed you, too.</dialogue>
    <scene_description>Peik Lin keeps clearing her throat, trying to get Rachel's attention. CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Yeah?</dialogue>
    <character>NICK</character>
    <dialogue>What did you get up to?</dialogue>
    <character>PEIK LIN</character>
    <parenthetical>(hisses)</parenthetical>
    <dialogue>Rachel!</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, uh, this is my friend, Peik Lin.</dialogue>
    <character>NICK</character>
    <dialogue>Hey, there.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Howdy.</dialogue>
    <character>NICK</character>
    <dialogue>Thank you very much for bringing Rachel.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Oh, no worries.</dialogue>
    <character>NICK</character>
    <dialogue>Do you wanna stop by for some dinner?</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Oh, no, I couldn't impose. It's a --</dialogue>
    <character>NICK</character>
    <parenthetical>(interrupts)</parenthetical>
    <dialogue>No, it's not a problem.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>You know, I had some dinner plans --</dialogue>
    <character>NICK</character>
    <dialogue>Seriously, we've got a lot of --</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Yeah, I'll fucking come to dinner.</dialogue>
    <character>RACHEL</character>
    <dialogue>I missed you.</dialogue>
    <character>NICK</character>
    <dialogue>Did you?</dialogue>
    <character>RACHEL</character>
    <dialogue>Yes.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>How was your day?</dialogue>
    <character>RACHEL</character>
    <dialogue>It was fun! I got to meet Peik Lin's whole family, and her dogs.</dialogue>
    <scene_description>Nick and Rachel continue to chit-chat in the b.g. --</scene_description>
    <character>NICK</character>
    <dialogue>Yeah?</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah, and twin sisters. And Peik Lin dressed me.</dialogue>
    <scene_description>Peik Lin jumps out, pops the trunk, and sorts through several outfits covered in garment bags labeled: "Clubbing," "Cocktail," and "Walk of Shame."</scene_description>
    <character>PEIK LIN</character>
    <parenthetical>(re: "Walk of Shame")</parenthetical>
    <dialogue>Nope.</dialogue>
    <scene_description>She pulls out the COCKTAIL DRESS and a pair of HEELS.</scene_description>
    <character>RACHEL</character>
    <dialogue>You have a cocktail dress in your trunk?</dialogue>
    <character>PEIK LIN</character>
    <parenthetical>(of course)</parenthetical>
    <dialogue>I'm not an animal, Rachel.</dialogue>
    <scene_description>As they head in, Rachel and Peik Lin look around at all the guests --</scene_description>
    <character>RACHEL</character>
    <parenthetical>(to Nick)</parenthetical>
    <dialogue>I thought this was just a family thing.</dialogue>
    <character>NICK</character>
    <dialogue>Grandmother's invited some of her friends over tonight. Her tan huas are blooming.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh.</dialogue>
    <character>NICK</character>
    <dialogue>It's a whole thing. You ready for this?</dialogue>
    <scene_description>CONTINUED: Rachel nods. Servants open the doors. Holding her hand, they enter:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL PARK - NIGHT</stage_direction>
    <scene_description>Chanteuse JASMINE CHEN, backed by a JAZZ BAND, sings a Chinese number as Rachel, Nick, and Peik Lin enter.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Oh, damn, Nick. It's a party, though. Okay.</dialogue>
    <scene_description>Many guests mingle and talk in the b.g.</scene_description>
    <character>WOMAN IN RED FLOWER DRESS WOMAN IN BLUE DRESS</character>
    <dialogue>(to women) Hi. Yes.</dialogue>
    <scene_description>Hello. Mrs... Mrs...</scene_description>
    <character>NICK</character>
    <parenthetical>(to Peik Lin)</parenthetical>
    <dialogue>The good bathrooms are up the stairs, and you can get changed in there.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Okay, good, I'll find it. Thank you.</dialogue>
    <scene_description>Peik Lin climbs the stairs, then stops to take a SELFIE, climbs a few more stairs, and takes another SELFIE.</scene_description>
    <character>RACHEL</character>
    <dialogue>You know, when you said you grew up in your grandma's house, I wasn't expecting this.</dialogue>
    <scene_description>A waiter approaches carrying finger bowls with flowers floating in them. Rachel thinks they are drinks and begins to bring one to her mouth --</scene_description>
    <character>RACHEL</character>
    <parenthetical>(to waiter)</parenthetical>
    <dialogue>Thank you.</dialogue>
    <character>NICK</character>
    <dialogue>Oh, no, no, no. Those are for your fingers.</dialogue>
    <parenthetical>(to server)</parenthetical>
    <dialogue>Thank you very much.</dialogue>
    <character>RACHEL</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>Uh, a little bit much, I know.</dialogue>
    <character>RACHEL</character>
    <dialogue>I mean, this place is gorgeous. And like the rolling green hills. I mean, there are armed guards out there.</dialogue>
    <scene_description>Rachel is looking at A STUFFED TIGER, mouth open, about to pounce.</scene_description>
    <character>RACHEL</character>
    <dialogue>And a giant tiger.</dialogue>
    <scene_description>Nick laughs.</scene_description>
    <character>RACHEL</character>
    <dialogue>Okay.</dialogue>
    <character>NICK</character>
    <dialogue>Now, that is Mr. Harimau. Now, my great-grandfather actually shot him when he ran into the house. But Astrid and I, we used to hide cigarettes in his paws.</dialogue>
    <character>RACHEL</character>
    <dialogue>Do you wanna head in?</dialogue>
    <character>NICK</character>
    <dialogue>Actually, I wanted to bring you over to my mum first.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh.</dialogue>
    <character>NICK</character>
    <dialogue>Come on.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL PARK - KITCHEN - NIGHT</stage_direction>
    <scene_description>The DISTANT JAZZ RIFF CONTINUES as we ENTER a bustling scene with MAIDS plating food, choppers chopping veggies madly, COOKS working over WOKS that BURST INTO FLAME, CHILDREN sneaking snacks. Amidst it all is Eleanor in Carolina Herrera, presiding over everything. She inspects various dishes, dispatching orders with calm authority: CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(in Cantonese; subtitled)</parenthetical>
    <dialogue>Qie de you xi di, mi bao de han hou, di zhu wu hao tai. Fang lajiao... Shi fenzhong hao la. \[Cut it thinner. Don't wrap it too thick. Watch it, don't make it too soft. Add chili... Ten minutes only.\]</dialogue>
    <scene_description>She's clearly used to running a great house and being obeyed. She pauses when she sees Nick enter. She's delighted, but keeps her composure. Nick gives his mother a peck on the cheek.</scene_description>
    <character>NICK</character>
    <dialogue>Mum.</dialogue>
    <scene_description>Eleanor affectionately touches his hair.</scene_description>
    <character>ELEANOR</character>
    <dialogue>You need a haircut. So unkempt.</dialogue>
    <parenthetical>(concerned)</parenthetical>
    <dialogue>And you look tired from your trip. I'm gonna ask the cook to make you some herbal soup.</dialogue>
    <parenthetical>(in Cantonese to cook)</parenthetical>
    <dialogue>Dun di jitang bi shaoye.</dialogue>
    <parenthetical>(to Nick)</parenthetical>
    <dialogue>I'll send it to the hotel later.</dialogue>
    <scene_description>Eleanor sees Rachel.</scene_description>
    <character>NICK</character>
    <dialogue>Mum, this is Rachel Chu.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, my gosh! I, I'm so happy to meet you, Mrs. Young.</dialogue>
    <parenthetical>(gives her a big hug)</parenthetical>
    <dialogue>Or, uh, Auntie. Right?</dialogue>
    <parenthetical>(giggles)</parenthetical>
    <dialogue>I'm learning the lingo.</dialogue>
    <scene_description>Eleanor smiles, subtly scans Rachel, evaluating her.</scene_description>
    <character>ELEANOR</character>
    <dialogue>I'm very glad to finally meet you, too. And I'm sorry Nick's father couldn't be here. He was called to business in Shanghai.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>I told Rachel when duty calls, Dad answers.</dialogue>
    <character>ELEANOR</character>
    <dialogue>As it should be.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Nick tells me you're a professor, too. What do you teach?</dialogue>
    <character>RACHEL</character>
    <dialogue>Um, I teach Economics.</dialogue>
    <character>NICK</character>
    <dialogue>And she's brilliant. NYU's youngest faculty member.</dialogue>
    <scene_description>To Nick and Rachel's surprise, Eleanor suddenly leaves the conversation to inspect a tray of hors d'oeuvres. She fixes the tray and then returns.</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(to cooks; in Cantonese; subtitled)</parenthetical>
    <dialogue>Wu hao luo ge ge, lingwai. \[Don't take that one. Another one.\]</dialogue>
    <parenthetical>(back to Nick and Rachel)</parenthetical>
    <dialogue>So, economics. Sounds challenging.</dialogue>
    <parenthetical>(subtly fishing)</parenthetical>
    <dialogue>Are your parents academics, as well?</dialogue>
    <character>RACHEL</character>
    <dialogue>Uh, no. Well, my dad actually died before I was born and, um, my mom didn't even go to college. She actually hardly spoke any English when she immigrated to the United States.</dialogue>
    <character>ELEANOR</character>
    <parenthetical>(in Cantonese; to cook; subtitled)</parenthetical>
    <dialogue>Fang di yan qian xi ge du. \[Put some cilantro there.\]</dialogue>
    <character>RACHEL</character>
    <dialogue>But she worked really hard, and she studied, and she earned her real estate license while she was waiting tables to support us.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Now, she likes to say that she's Flushing's top real estate broker.</dialogue>
    <scene_description>Nick glances at his mother, gauging her reaction.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Self-made woman. She must be so proud of you.</dialogue>
    <scene_description>Eleanor continues fiddling and fussing with the table, inspecting the food, coldly turning her back on the couple.</scene_description>
    <character>RACHEL</character>
    <dialogue>Well, she knows that I'm passionate about what I do, and she's always wanted that for me.</dialogue>
    <character>ELEANOR</character>
    <dialogue>Pursuing one's passions. How American. Well, your mother is very open-minded, not like here, where parents are obsessed with shaping the life of their children.</dialogue>
    <scene_description>It sounds like a compliment, but Rachel isn't entirely sure. Eleanor turns away again to talk to a passing COOK before returning to Rachel: Eleanor shoots Nick a look. He shifts, uncomfortable, and is relieved to hear a MUSICAL GONG from upstairs.</scene_description>
    <character>NICK</character>
    <dialogue>Hmm. Oh. That's dinner.</dialogue>
    <character>ELEANOR</character>
    <dialogue>Hmm. Go ahead. I'll be out in a minute. Rachel, it was lovely meeting you.</dialogue>
    <character>RACHEL</character>
    <dialogue>Thank you. You, too.</dialogue>
    <scene_description>Rachel smiles as she and Nick head off.</scene_description>
    <character>RACHEL</character>
    <dialogue>Okay, she hates me.</dialogue>
    <character>NICK</character>
    <parenthetical>(optimistic)</parenthetical>
    <dialogue>She takes a little minute to warm up, but we'll get there.</dialogue>
    <scene_description>OFF Eleanor, watching Rachel leave...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL PARK - LIVING ROOM - NIGHT</stage_direction>
    <scene_description>Rachel and Nick enter. She is stunned. The expansive "living room" looks more like a glamorous club in Shanghai. DOZENS of impeccably-dressed, bejeweled GUESTS cluster in seating areas. A buffet is STACKED with gorgeous dishes and desserts.</scene_description>
    <character>ASTRID (O.S.)</character>
    <dialogue>Nicki!</dialogue>
    <character>NICK</character>
    <dialogue>Astrid.</dialogue>
    <character>ASTRID</character>
    <dialogue>Rachel!</dialogue>
    <character>NICK</character>
    <dialogue>Hey, good to see you.</dialogue>
    <character>ASTRID</character>
    <dialogue>I'm so glad you could make it.</dialogue>
    <scene_description>As we GO TO different tableaus and conversations, CAMERA DANCES ALONG, giving the feel of a choreographed number. Astrid, in a perfect cocktail dress, heads for them, followed by Michael. She hugs Nick and Rachel, delighted.</scene_description>
    <character>NICK</character>
    <dialogue>Michael.</dialogue>
    <character>RACHEL</character>
    <dialogue>Astrid! So good to see a face I know.</dialogue>
    <character>MICHAEL</character>
    <dialogue>Nick.</dialogue>
    <character>ASTRID</character>
    <dialogue>This is my husband, Michael.</dialogue>
    <character>MICHAEL</character>
    <dialogue>Nice to meet you. Heard so much about you.</dialogue>
    <character>RACHEL</character>
    <dialogue>Nice to meet you, Michael.</dialogue>
    <scene_description>Eddie barrels in, smacks Nick too hard on the back. CONTINUED:</scene_description>
    <character>EDDIE</character>
    <dialogue>Hey, the golden boy's back! Nick!</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>And you must be Rachel. I'm Edison Cheng. This is my wife.</dialogue>
    <character>FIONA</character>
    <dialogue>HI, I'm Fi--</dialogue>
    <character>EDDIE</character>
    <dialogue>Her name is Fiona. So, I see you've already met Princess Astrid and her little soldier toy-boy, Mikey.</dialogue>
    <parenthetical>(busts Michael's balls)</parenthetical>
    <dialogue>You know Mikey is a big-shot tech startup guy. So if you, uh, forget your password, he's your man.</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>So, you're from the Taiwan plastic Chus, right?</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, well, actually...</dialogue>
    <scene_description>As Eddie commandeers Rachel, Michael has an aside with Nick.</scene_description>
    <character>MICHAEL</character>
    <dialogue>Can I punch him in the face? Just once.</dialogue>
    <character>NICK</character>
    <dialogue>Take a number.</dialogue>
    <character>MICHAEL</character>
    <dialogue>I'll be in my usual corner.</dialogue>
    <parenthetical>(to Astrid)</parenthetical>
    <dialogue>Champagne?</dialogue>
    <character>ASTRID</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>Astrid goes over to Nick.</scene_description>
    <character>ASTRID</character>
    <dialogue>So, have you prepped Rachel to face the wolves?</dialogue>
    <character>NICK</character>
    <dialogue>Rachel is a New Yorker, and she lectures Millennials for a living. I think she can manage our family.</dialogue>
    <scene_description>CONTINUED: Astrid looks at Nick like he's crazy.</scene_description>
    <character>ASTRID</character>
    <dialogue>You've been away too long.</dialogue>
    <scene_description>BACK WITH RACHEL AND EDDIE</scene_description>
    <character>EDDIE</character>
    <dialogue>Okay, sorry, time out. So, you're not from a Taiwan Chu family?</dialogue>
    <character>RACHEL</character>
    <dialogue>Nope.</dialogue>
    <character>EDDIE</character>
    <dialogue>Hong Kong telecom Chus?</dialogue>
    <character>RACHEL</character>
    <dialogue>No.</dialogue>
    <character>EDDIE</character>
    <dialogue>Malaysian packing peanut Chus?</dialogue>
    <character>RACHEL</character>
    <dialogue>Is that really a thing?</dialogue>
    <character>EDDIE</character>
    <dialogue>Yeah, it's everywhere. You just --</dialogue>
    <scene_description>Before Eddie can continue, Nick cuts in.</scene_description>
    <character>NICK</character>
    <dialogue>I'm gonna stop you there because I'm gonna take her on the rounds. We'll be back, though.</dialogue>
    <scene_description>As Nick and Rachel leave, Eddie calls after.</scene_description>
    <character>EDDIE</character>
    <dialogue>No, wait. Hang on. China instant noodle Chus. Rachel...</dialogue>
    <parenthetical>(as Rachel turns)</parenthetical>
    <dialogue>Chu are you?</dialogue>
    <parenthetical>(to Fiona)</parenthetical>
    <dialogue>Let's go.</dialogue>
    <scene_description>Eddie laughs hysterically at his own horrible joke. Rachel politely smiles and moves on. Francesca and Celine hover nearby to listen in and get the dirt on Rachel. PARTY SEQUENCE The jazz band breaks into a DRUM SECTION as Nick introduces his family to Rachel, who's anxious to make a good impression. CAMERA DOES 360 LOOPS AROUND them, REVEALING a new set of people each time: -- WITH AUNTIES ALIX AND FELICITY:</scene_description>
    <character>NICK</character>
    <dialogue>This is Auntie Alix and Auntie Felicity.</dialogue>
    <character>RACHEL</character>
    <dialogue>Hi! It's so nice to meet you. I've never been to a tan hua party before.</dialogue>
    <character>FELICITY</character>
    <dialogue>We love any excuse to throw a soirée. Do your parents like to entertain? Oh! I'm sorry. Your mother's single.</dialogue>
    <scene_description>Alix shoots Felicity a "don't be insensitive" look.</scene_description>
    <character>RACHEL</character>
    <dialogue>Yup.</dialogue>
    <scene_description>OFF Rachel, amused, realizing word has gotten around. ON AUNTY JACQUELINE</scene_description>
    <character>NICK</character>
    <dialogue>Auntie Jacqueline. One of my parents' oldest friends.</dialogue>
    <character>JACQUELINE</character>
    <dialogue>I actually met Nick's father at Cambridge.</dialogue>
    <parenthetical>(fishing)</parenthetical>
    <dialogue>So, what line of work is your father in?</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, my father died before I was born. But he was a factory worker in China.</dialogue>
    <scene_description>Jacqueline slurps her wine loudly to drown out the horror on her face. In the b.g. Francesca and Celine overhear, smirk. CONTINUED: -- An OLDER CHINESE LADY (60s) in traditional Chinese dress, speaks to Nick, happy to see him.</scene_description>
    <character>LING CHEH (OLDER CHINESE LADY)</character>
    <parenthetical>(to Nick; in Mandarin; subtitled)</parenthetical>
    <dialogue>Nicki a, shi ni nv pengyou a? Yao gankuai jiehun luo, a? \[Nicki, is this your girlfriend? You should hurry up and get married, okay?\]</dialogue>
    <scene_description>Nick laughs. Rachel smiles, assumes she's Nick's grandmother.</scene_description>
    <character>RACHEL</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Ah Ma, xiexie nin yaoquing wo lai nin de jia. Zheli hao piaoliang. \[Grandma, thank you for inviting me to your home. It's very beautiful.\]</dialogue>
    <scene_description>The Older Lady looks at Rachel, confused.</scene_description>
    <character>NICK</character>
    <parenthetical>(low; to Rachel)</parenthetical>
    <dialogue>This is Ling Cheh, my old nanny.</dialogue>
    <scene_description>Rachel is mortified. Francesca and Celine laugh in the b.g.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL - LIBRARY - NIGHT</stage_direction>
    <scene_description>Astrid holds a covered plate, looks for Michael. She sees him in the corner of the library, on his phone:</scene_description>
    <character>MICHAEL</character>
    <parenthetical>(into phone)</parenthetical>
    <dialogue>Look, now's the time we need all hands on deck. Please, please, just do me this favor. Thank you. Bye-bye.</dialogue>
    <scene_description>He hangs up.</scene_description>
    <character>ASTRID</character>
    <dialogue>They started clearing away dinner.</dialogue>
    <scene_description>Astrid hands him the plate.</scene_description>
    <character>ASTRID</character>
    <dialogue>Your favorites.</dialogue>
    <scene_description>CONTINUED: Michael takes the plate, kisses her.</scene_description>
    <character>MICHAEL</character>
    <dialogue>Thank you.</dialogue>
    <character>ASTRID</character>
    <dialogue>You know, if you need bodies at the office, I could always come in and help out.</dialogue>
    <character>MICHAEL</character>
    <parenthetical>(playfully)</parenthetical>
    <dialogue>The glamorous Astrid Leong working as an assistant?</dialogue>
    <character>ASTRID</character>
    <dialogue>Mm-hmm.</dialogue>
    <character>MICHAEL</character>
    <parenthetical>(realizing)</parenthetical>
    <dialogue>Wait, isn't Araminta's bachelorette party tomorrow?</dialogue>
    <character>ASTRID</character>
    <dialogue>And this would be the perfect excuse to get out of it.</dialogue>
    <character>MICHAEL</character>
    <dialogue>Thank you. Really. But I've got everything covered.</dialogue>
    <character>ASTRID</character>
    <dialogue>Okay.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I forgot to get you a fork. Um...</dialogue>
    <character>MICHAEL</character>
    <dialogue>It's okay, you stay. I'll go get it.</dialogue>
    <scene_description>He winks at her and takes off. Astrid smiles as she watches him go. She hears a BUZZ from his phone which he's left on the bench.</scene_description>
    <character>ASTRID</character>
    <dialogue>Michael, I think it's the office!</dialogue>
    <scene_description>But Michael doesn't hear her. He's gone. There's a PING and a text pops up. She glances at the screen: TEXT: The bed feels empty without you. Astrid is stricken. Astrid drops the phone, her world caving in. BACK AT THE PARTY Jacqueline and others in the b.g. subtly clock this. A dapper man, OLIVER T'SIEN (30s), looks on with interest.</scene_description>
    <character>RACHEL</character>
    <dialogue>Oh, my God! Nick, I can't believe I just did that.</dialogue>
    <character>NICK</character>
    <dialogue>It's fine. I don't think anybody even noticed.</dialogue>
    <character>RACHEL</character>
    <dialogue>I think I freaked out your nanny --</dialogue>
    <scene_description>She spills her drink down the front of Nick's shirt.</scene_description>
    <character>NICK</character>
    <dialogue>Oh! My God!</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, my God! So sorry.</dialogue>
    <character>NICK</character>
    <dialogue>It's fine, don't worry about it.</dialogue>
    <parenthetical>(to bartender)</parenthetical>
    <dialogue>Can I have a tissue, please?</dialogue>
    <scene_description>Oliver swoops in offering a napkin.</scene_description>
    <character>OLIVER</character>
    <dialogue>Oh, go, go. Get changed. I'll keep Rachel company.</dialogue>
    <scene_description>Nick smiles to see him.</scene_description>
    <character>NICK</character>
    <dialogue>Thanks you, Oli.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>You're in good hands. Give me two minutes. I'll change.</dialogue>
    <character>RACHEL</character>
    <dialogue>Sorry.</dialogue>
    <character>NICK</character>
    <dialogue>It's okay.</dialogue>
    <scene_description>Nick takes off -- Rachel extends her hand to Oliver --</scene_description>
    <character>RACHEL</character>
    <dialogue>Hi, I'm Rachel.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>OLIVER</character>
    <dialogue>Oh, I know.</dialogue>
    <scene_description>Peik Lin scampers up.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Rachel!</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, I --</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Rachel! I heard you thought Ah Ma was the cook!</dialogue>
    <scene_description>Rachel cringes and covers her face in embarrassment.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Ah!</dialogue>
    <character>OLIVER</character>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>Uh, on the bright side, you're the talk of the party. People like your dress.</dialogue>
    <scene_description>Peik Lin and Oliver take each other in. It's instant fashion chemistry.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Oh, I did that.</dialogue>
    <character>OLIVER</character>
    <dialogue>Oh!</dialogue>
    <character>PEIK LIN</character>
    <dialogue>I know!</dialogue>
    <character>OLIVER</character>
    <dialogue>Such a chic seventies goddess.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>I know.</dialogue>
    <character>OLIVER</character>
    <dialogue>It's very disco Cleopatra, but in a good way.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>That's exactly what I was going for.</dialogue>
    <character>OLIVER</character>
    <dialogue>Oh, well. Oliver.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Hi.</dialogue>
    <character>OLIVER</character>
    <dialogue>I like your shoes.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Oh, thank you. I'm Peik Lin. Ditto.</dialogue>
    <character>OLIVER</character>
    <dialogue>Cheers.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>There you go.</dialogue>
    <scene_description>Rachel looks on, amazed Peik Lin's already made a friend.</scene_description>
    <character>OLIVER</character>
    <parenthetical>(re: her earrings)</parenthetical>
    <dialogue>Gosh, these are lovely.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>They're clip-ons. Thank you.</dialogue>
    <character>OLIVER</character>
    <dialogue>Are they? Oh, wow!</dialogue>
    <character>RACHEL</character>
    <dialogue>So, Oliver, are you a cousin, too?</dialogue>
    <character>OLIVER</character>
    <dialogue>Mm, well, I'm one of the poorer relations. The rainbow sheep of the family. But I make myself useful. Whatever the Youngs want, I procure. Golden koi fish, Huanghuali furniture. A rare Cambodian gong.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Mm.</dialogue>
    <character>RACHEL</character>
    <dialogue>Why would they want to buy a rare Cambodian gong?</dialogue>
    <scene_description>On cue, A RESONANT GONG sounds and all eyes turn to Alix.</scene_description>
    <character>OLIVER</character>
    <dialogue>Because they can.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL PARK - NICK'S OLD ROOM - NIGHT</stage_direction>
    <scene_description>Nick opens a closet, sees a row of meticulously pressed shirts hanging in a row. He smiles, takes one out. Eleanor walks in.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Ah Ma insists all your clothes be washed and pressed every two weeks.</dialogue>
    <scene_description>Nick sees his mother standing in the doorway. She walks over, takes the shirt from his hands and selects another shirt for him. (Throughout the scene she also quietly caters to Nick -- dusting his jacket, etc.)</scene_description>
    <character>ELEANOR</character>
    <dialogue>This one.</dialogue>
    <scene_description>As Nick takes off his soiled shirt he looks around at his childhood room filled with pictures and mementoes.</scene_description>
    <character>NICK</character>
    <dialogue>Everything is exactly as I left it.</dialogue>
    <scene_description>Nick moves to a nearby desk and rifles through a drawer.</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(glances over at him)</parenthetical>
    <dialogue>Looking for your cigars? I had them thrown out years ago.</dialogue>
    <character>NICK</character>
    <dialogue>Never could get anything past you, could I?</dialogue>
    <scene_description>Eleanor smiles while she fiddles with Nick's clean shirt laying on the bed.</scene_description>
    <character>ELEANOR</character>
    <dialogue>I keep telling Ah Ma to put your things away, but she says this room makes her feel like you're still here.</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>Well, I got an earful when you didn't move back last year.</dialogue>
    <scene_description>Nick reacts, it's a loaded subject. Eleanor helps Nick put on the clean shirt. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>Your father and I are really looking forward to having you home. He's not getting any younger. With you onboard, maybe he'll take a day off once in a while.</dialogue>
    <character>NICK</character>
    <dialogue>I know, Mum. I'm just not ready yet. There's things in New York that I wanna see through.</dialogue>
    <scene_description>It's not the answer Eleanor was looking for. She presses on another front:</scene_description>
    <character>ELEANOR</character>
    <dialogue>Well, I'm happy I finally met Rachel. She is very impressive.</dialogue>
    <character>NICK</character>
    <dialogue>I think so, too. And I thought you might be excited that the first girl that I bring home is a Chinese professor.</dialogue>
    <character>ELEANOR</character>
    <parenthetical>(noncommittal smile)</parenthetical>
    <dialogue>Chinese-American.</dialogue>
    <parenthetical>(fishes)</parenthetical>
    <dialogue>You know, bringing her home, introducing her at a large family gathering... Some people may say --</dialogue>
    <character>NICK</character>
    <dialogue>When there's something to say about Rachel and me, you'll be first to hear.</dialogue>
    <parenthetical>(off Eleanor)</parenthetical>
    <dialogue>But some things I need to figure out on my own.</dialogue>
    <scene_description>Nick grins as Eleanor helps him put on his jacket.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Is that an American accent I'm hearing?</dialogue>
    <scene_description>Nick scoffs.</scene_description>
    <character>NICK</character>
    <dialogue>How do I look?</dialogue>
    <scene_description>Eleanor adjusts the pocket square in his jacket pocket, regards her son. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>Perfect.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. TYERSALL PARK - CONSERVATORY - NIGHT</stage_direction>
    <scene_description>Guests stream into a vast open-air courtyard. Alix and Felicity hold court as guests admire the large, spidery, white flowers which are STARTING TO BLOOM.</scene_description>
    <character>ALIX</character>
    <dialogue>Everyone! Everyone! The tan hua plants very rarely bloom, and even then only at night.</dialogue>
    <character>FELICITY</character>
    <dialogue>Their beauty is spectacular, but fleeting. By dawn they'll be gone.</dialogue>
    <character>ALIX</character>
    <dialogue>So... come. Come.</dialogue>
    <scene_description>The crowd claps. ZOOM IN ON the tan hua plant taking center stage in the conservatory. IN ANOTHER AREA Oliver pretends to admire the flowers as he points out the social scene to Peik Lin and Rachel.</scene_description>
    <character>OLIVER</character>
    <dialogue>Oh! Someone forgot to wear a bra.</dialogue>
    <scene_description>He gestures to Kitty Pong, who's entered with Alistair.</scene_description>
    <character>OLIVER</character>
    <dialogue>Kitty Pong. Cousin Alistair's latest flame. An actress. Rumor is, she was in a porno. Two Girls, One Cup a Noodles.</dialogue>
    <scene_description>Kitty bends down to smell a tan hua, her boobs almost spilling out of her dress. The Aunties are horrified.</scene_description>
    <character>KITTY</character>
    <parenthetical>(kissing one of the guests)</parenthetical>
    <dialogue>Baby!</dialogue>
    <character>PEIK LIN</character>
    <parenthetical>(matter-of-fact)</parenthetical>
    <dialogue>You know, I thought I would like that more than I did.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>OLIVER</character>
    <dialogue>The book is much better.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Mm-hmm.</dialogue>
    <scene_description>Rachel is distracted seeing some YOUNG WOMEN sneak cold glances at her.</scene_description>
    <character>RACHEL</character>
    <dialogue>Is it just me or are people, like, staring at me?</dialogue>
    <character>OLIVER</character>
    <dialogue>Oh, they're just jealous. You nabbed the crown prince.</dialogue>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>Nicki is Ah Ma's favorite, in line to inherit everything. No surprise there when that's the competition.</dialogue>
    <scene_description>Oliver looks to Eddie checking himself out on his iPhone cam, and Alistair who's hypnotized by Kitty's cleavage. Rachel is uncomfortable with the implication.</scene_description>
    <character>OLIVER</character>
    <dialogue>Oh, speaking of the grande dame...</dialogue>
    <scene_description>Rachel turns to see guests make way for an elderly lady, Nick's AH MA (80s). She's regal, elegant, but frail, leaning on Eleanor to help her walk. She doesn't say a word, but everyone, her own family included, acts in total deference and respect to her. As Rachel takes it in, feeling a little out of place. Nick appears.</scene_description>
    <character>NICK</character>
    <dialogue>There you are. I've been looking all over for you. You ready to meet my grandmother?</dialogue>
    <scene_description>As Nick takes her by the hand and leads her through the crowd -- They reach Ah Ma who LIGHTS UP to see her favorite grandson. The veneer of decorum drops as she reaches out to him, hugging him and touching his face.</scene_description>
    <character>NICK</character>
    <dialogue>Ah Ma...</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Guai sunzi, ni huilai la! Zheme duo rizi ye bu huilai kan kan Ah Ma. Hai hao wo hai huozhe. Ni qule na'er? Ni zenme shou le? \[Nicki, you're home! Not coming to see your grandma for so long. I'm glad I'm still alive. Did you eat yet? You've become too skinny.</dialogue>
    <character>NICK</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Wo xiangnian nin zhu de cai. \[That's because I miss your cooking.\] Ah Ma, zhe shi wo de hao pengyou, Rachel Chu. \[Grandma, this is my good friend, Rachel Chu.</dialogue>
    <scene_description>Rachel steps forward, replies in perfect Mandarin.</scene_description>
    <character>RACHEL</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Ah Ma, xiexie nin yaoqing wo lai nin de jia. Nick jingchang tiqi nin. Ta shuo nin bao de shuijiao shi quan shijie zui hao chi de. \[Grandma, thank you for inviting me to your home. Nick always talks about you. He says no one in the world makes better dumplings.</dialogue>
    <scene_description>The old lady looks pleased.</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Na mei shenme de. Ni yuanyi wo keyi jiao ni. \[It's nothing. I can show you how to make them, too.\]</dialogue>
    <character>RACHEL</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Na shizai tai haole. \[I would be honored.\]</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Buguo ni yao zao dian huilai. Bie zai zheme duo ren de difang. \[You must come back soon, then, when there are not so many craning necks around...\]</dialogue>
    <scene_description>Ah Ma smiles and nods.</scene_description>
    <character>ALIX (O.S.)</character>
    <dialogue>Look, they're in full bloom.</dialogue>
    <scene_description>PAN OVER TO the tan hua plant. People clap --</scene_description>
    <character>PEOPLE AT PARTY</character>
    <dialogue>Aww...</dialogue>
    <scene_description>Nick stands up to let Rachel sit next to Ah Ma.</scene_description>
    <character>JACQUELINE (O.S.)</character>
    <dialogue>It's so nice having Nick back home. But he seems... different.</dialogue>
    <scene_description>ANGLE ON ANOTHER PART OF THE COURTYARD where Eleanor has been watching with Jacqueline. She sees Nick and Rachel embracing, laughing, KISSING. Looking every bit the couple in love.</scene_description>
    <character>ELEANOR</character>
    <dialogue>When children are away from home too long, they forget who they are.</dialogue>
    <scene_description>FADE OUT.: FADE IN:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HANGAR - MORNING</stage_direction>
    <scene_description>A THUMPING CLUB BEAT PLAYS as we PAN DOWN A LINE OF ULTRA LUXURY CARS: fully-customized Lamborghinis, Maseratis, Bugattis.</scene_description>
    <character>BERNARD</character>
    <dialogue>What's up? Let's jam!</dialogue>
    <scene_description>More cars pull in as Singapore's JET-SET CROWD piles out and greets each other. CONTINUED: Valets load luggage onto sleek golf carts before transporting them to a PRIVATE JET and THREE MATCHING HELICOPTERS outside the hangar.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HANGAR</stage_direction>
    <scene_description>In the middle of the hangar is a SLEEK HELICOPTER surrounded by a circular bar, which divides the bachelors from the bachelorettes. Rachel and Nick enter the hangar as Araminta runs up to them.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Ah! Rachel! So happy you're here. Oh! Oh, my God. Your Gap look, brilliant.</dialogue>
    <character>RACHEL</character>
    <dialogue>Thanks.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>She's coming with me.</dialogue>
    <character>NICK</character>
    <dialogue>Ah! Hold on.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Kiss. Thirty-six hours. Bye.</dialogue>
    <parenthetical>(to Araminta)</parenthetical>
    <dialogue>Minty, one piece, please.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Yeah. Yeah. Yeah. Yeah.</dialogue>
    <character>NICK</character>
    <dialogue>Not listening at all.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>So, I'm gonna intro you to my posse. We're flying to my mom's resort in Sumatra. She's closed down the whole place just for us. We're gonna have so much fun. Come on, meet the girls.</dialogue>
    <scene_description>Araminta drags Rachel over to a group of girls. Rachel gives Nick a last look as Araminta pulls her away:</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Girls, this is Rachel Chu.</dialogue>
    <character>RACHEL</character>
    <dialogue>Hi.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ARAMINTA'S FRIEND</character>
    <dialogue>Hi!</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh!</dialogue>
    <character>ARAMINTA'S NICE FRIEND</character>
    <dialogue>Nice to meet you.</dialogue>
    <scene_description>Colin, in rumpled Comme des Garcons, finds Nick. As Bernard makes his way toward them --</scene_description>
    <character>EXCITED GUY</character>
    <dialogue>Yeah!</dialogue>
    <character>NICK</character>
    <parenthetical>(surprised)</parenthetical>
    <dialogue>So you let Bernard Tai organize all of this?</dialogue>
    <character>COLIN</character>
    <dialogue>Yeah. Bernard.</dialogue>
    <character>NICK</character>
    <dialogue>Hey.</dialogue>
    <character>BERNARD</character>
    <dialogue>This is for you, asshole.</dialogue>
    <character>MAN IN PINK JACKET</character>
    <dialogue>Asshole.</dialogue>
    <scene_description>OFF Nick and Colin, realizing the weekend they're in for. ANOTHER AREA Araminta and posse, including Celine and Francesca, drink bellinis served by HOT, SHIRTLESS WAITERS as they admire each others' hair/boobs/handbags and gossip. Rachel hangs on the outskirts, aware she doesn't fit in, catching bits of conversation. Rachel and the women turn to see -- -- TWO GORGEOUS WOMEN STEP OUT OF A SPORTS CAR. They're SISTERS.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>TINA! TINI! The twins are in the house! Ooh, I'm so glad you made it! How are you?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>TINI</character>
    <dialogue>Hi!</dialogue>
    <scene_description>Araminta and the bachelorettes flock to the sisters, leaving Rachel and another woman, AMANDA (30s). Unlike Araminta's other friends, Amanda doesn't look or act like a high-maintenance model.</scene_description>
    <character>AMANDA</character>
    <parenthetical>(re: Tina and Tini)</parenthetical>
    <dialogue>It's easy to make a killer entrance when you come as a matching set. Hi, we haven't met. I'm Amanda Ling.</dialogue>
    <scene_description>Rachel laughs.</scene_description>
    <character>RACHEL</character>
    <dialogue>Hi, I'm Rachel Chu.</dialogue>
    <character>AMANDA</character>
    <dialogue>Oh, you're Nick Young's friend?</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah.</dialogue>
    <character>AMANDA</character>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>Word gets around fast here. You're a professor at NYU, right?</dialogue>
    <character>RACHEL</character>
    <dialogue>Yes. Um, what, what about you?</dialogue>
    <character>AMANDA</character>
    <dialogue>Oh, I'm a lawyer. General counsel to the Young Family Corporation, actually.</dialogue>
    <character>RACHEL</character>
    <dialogue>That's very impressive.</dialogue>
    <character>AMANDA</character>
    <dialogue>Mm, nah. Just good old-fashioned nepotism. I grew up with Nick and Colin. We're family friends.</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>It's nice to meet you, Rachel Chu.</dialogue>
    <scene_description>Rachel smiles, happy to find a like-minded friend. They hear a BEEP BEEP as Araminta arrives in a golf cart.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Ladies, come on! We're wheels up in five.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AMANDA</character>
    <dialogue>Let's do this?</dialogue>
    <character>RACHEL</character>
    <dialogue>Let's go.</dialogue>
    <character>AMANDA</character>
    <dialogue>Oh! Fuck! Yeah!</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay!</dialogue>
    <scene_description>The golf cart takes off as Rachel and Amanda are barely seated and almost drop their drinks.</scene_description>
    <character>AMANDA</character>
    <dialogue>Yeah!</dialogue>
    <scene_description>The cart takes off towards the jet... BACK TO NICK AND COLIN</scene_description>
    <character>COLIN</character>
    <dialogue>All I wanted was a weekend away with my boys. And some beer. Maybe some rugby.</dialogue>
    <character>NICK</character>
    <dialogue>Don't worry. It's gonna be great, whatever happens.</dialogue>
    <character>BERNARD (O.S.)</character>
    <dialogue>Let's make some babies!</dialogue>
    <character>COLIN</character>
    <dialogue>Yeah. I don't think it will be.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT./INT. SINGAPORE HARBOR/HELICOPTER - DAY</stage_direction>
    <scene_description>The 3 helicopters fly over the open sea. Wagner's Ride of the Valkyries plays. SUPERIMPOSE: INTERNATIONAL WATERS In one chopper, Bernard brags to Nick and Colin.</scene_description>
    <character>BERNARD</character>
    <dialogue>Any asshole can plan a normal stag party. Hookers, drugs, dog- fighting. That's minor league shit. To organize a party this massive --</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <parenthetical>(low; to Colin)</parenthetical>
    <dialogue>Takes a massive asshole?</dialogue>
    <character>BERNARD</character>
    <dialogue>Takes a goddamn mastermind.</dialogue>
    <scene_description>Colin looks out to see nothing but the ocean around them.</scene_description>
    <character>COLIN</character>
    <dialogue>Where exactly is this party?</dialogue>
    <character>BERNARD</character>
    <dialogue>It's right there.</dialogue>
    <scene_description>They all look out the window at a LARGE CARGO SHIP. Colin and Nick exchange looks, WTF? But as they get closer...</scene_description>
    <character>COLIN</character>
    <dialogue>Bloody hell!</dialogue>
    <scene_description>REVEAL: The containers on the ship have been arranged and modified to create a HUGE PARTY PLAYGROUND. A floating Disneyland for adults. Painted on the side is "BALLIN' COLIN'S BACHELOR PARTY." The guys descend on the scene.</scene_description>
    <character>BERNARD</character>
    <dialogue>Y-y-yeah!</dialogue>
    <scene_description>The partiers respond in kind welcoming them to the revelry.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CARGO PARTY SHIP - NIGHT (LATER)</stage_direction>
    <scene_description>In a LONG SHOT we see a flare go off into the sky. We hear it enter the sea with a splash.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SHIP PARTY</stage_direction>
    <scene_description>"Hello Bitches" by CL POUNDS. STYLISTIC FLASHES as the guys walk past CARGO CONTAINERS THAT HAVE BEEN CONVERTED into a POOL and DANCE FLOOR manned by attractive MODEL WAITRESSES. Some of the women wear beauty pageant-type sashes across their chests: UKRAINE, UNITED KINGDOM, NETHERLANDS. Bernard, standing in front of the beauty queens, is holding a bazooka-like flare gun setting off another flare. He laughs manically. CONTINUED: The other guys are drinking surrounded by girls in bikinis.</scene_description>
    <character>EDDIE</character>
    <dialogue>Oh, my God, Nick. What are you worried about? You don't have to keep Rachel happy. She's just lucky to be here.</dialogue>
    <character>COLIN</character>
    <dialogue>Nice, Eddie.</dialogue>
    <character>EDDIE</character>
    <dialogue>Oh, what? So do we pretend like that's not the truth? Are we in some kinda fairy tale story that I don't know about? Did you find a shoe at midnight and jump in a pumpkin? Yo, I got so much shit about marrying Fiona and her parents own the biggest shipping company in Hong Kong.</dialogue>
    <parenthetical>(to Colin)</parenthetical>
    <dialogue>Hey, Araminta's adorable, but you think your dad would be spending millions on this wedding if her parents didn't own a billion- dollar resort chain? What's Rachel bringing to the table?</dialogue>
    <scene_description>Alistair sits with his arms wrapped around two women, one wearing a sash labeled "ISRAEL."</scene_description>
    <character>ALISTAIR</character>
    <dialogue>Oh! Small tits!</dialogue>
    <scene_description>They all laugh. Nick steps to Alistair, about to hit him, but Colin stands in the way.</scene_description>
    <character>EDDIE</character>
    <dialogue>Oh...</dialogue>
    <character>ALISTAIR</character>
    <dialogue>Oh!</dialogue>
    <scene_description>Colin stops Nick --</scene_description>
    <character>COLIN</character>
    <dialogue>Hey, hey, hey. It's not worth it, man. They're drunk.</dialogue>
    <scene_description>ANOTHER ON STAGE lined with bikini-clad women. Bernard yells toward Colin and the guys --</scene_description>
    <character>BERNARD</character>
    <dialogue>Hey, guys, this is boring. Massage time. And you, the bachelor. You gonna get one before this weekend is over. Or we gonna tie you up and shave your coo coo chara.</dialogue>
    <scene_description>Everyone laughs uproariously as Bernard brandishes the bazooka.</scene_description>
    <character>PEOPLE AT BACHELOR PARTY</character>
    <parenthetical>(yell)</parenthetical>
    <dialogue>Coo coo chara. Coo coo chara. Coo coo chara. Coo coo chara.</dialogue>
    <scene_description>Bernard has a missile-type launcher on his shoulder --</scene_description>
    <character>BERNARD</character>
    <dialogue>Shit! Come try this.</dialogue>
    <scene_description>Nick and Colin start walking away from the party.</scene_description>
    <character>COLIN</character>
    <dialogue>We have to get off this ship.</dialogue>
    <character>ARAMINTA (V.O.)</character>
    <parenthetical>(pre-lap)</parenthetical>
    <dialogue>Welcome to paradise...</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT (SAMSARA ISLAND) - ON ARAMINTA - DAY</stage_direction>
    <scene_description>SUPERIMPOSE: SAMSARA ISLAND</scene_description>
    <character>ARAMINTA</character>
    <dialogue>This is Samsara Island.</dialogue>
    <scene_description>SHOT OF the lush island as Araminta addresses the girl --</scene_description>
    <character>ARAMINTA</character>
    <dialogue>This weekend is about sisterhood and connecting with the divine in all of us. So, I hope you'll all find your bliss... starting with...</dialogue>
    <parenthetical>(yelling; psyched)</parenthetical>
    <dialogue>... an all-paid shopping spree at the fashion boutique!!</dialogue>
    <scene_description>CONTINUED: The women SCREAM with excitement! Araminta runs to Rachel and grabs her hand and drags her off toward the shopping boutique.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Come on! Come on!</dialogue>
    <scene_description>SMASH CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RESORT - BOUTIQUE - DAY</stage_direction>
    <scene_description>It's CHAOS as women grab and fight over clothes. Francesca and Celine are in a tug-o-war over a caftan.</scene_description>
    <character>FRANCESCA</character>
    <dialogue>Bitch, I saw this first!</dialogue>
    <character>CELINE</character>
    <dialogue>But you have ping-pong tits!</dialogue>
    <character>FRANCESCA</character>
    <dialogue>Oh, what about your mosquito bites?</dialogue>
    <character>CELINE</character>
    <dialogue>No!</dialogue>
    <character>FRANCESCA</character>
    <dialogue>You know it's true!</dialogue>
    <character>CELINE</character>
    <dialogue>You're such a bitch!</dialogue>
    <character>ARAMINTA</character>
    <dialogue>One more minute! You keep what you can carry. One more minute. You keep what you can carry.</dialogue>
    <scene_description>With little time to spare, women FIGHT OVER outfits. Rachel has a new dress she's just tried on. She watches the carnage, confused. Amanda clocks this.</scene_description>
    <character>AMANDA</character>
    <dialogue>Yep, no one loves free stuff more than rich people.</dialogue>
    <parenthetical>(re: dress)</parenthetical>
    <dialogue>Just the one dress for you?</dialogue>
    <character>RACHEL</character>
    <dialogue>I don't wanna lose an arm.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AMANDA</character>
    <dialogue>Ooh. Well, in that case... one last touch.</dialogue>
    <scene_description>Amanda looks around, picks out a NECKLACE from a display and puts it on Rachel.</scene_description>
    <character>AMANDA</character>
    <dialogue>Well, isn't Nick a lucky guy.</dialogue>
    <scene_description>Rachel looks at herself in the mirror -- Amanda is right -- it's the perfect accent.</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Time's up!!! Next stop, SPA!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RAWA ISLAND (MALAYSIA) - DAY</stage_direction>
    <scene_description>SUPERIMPOSE: RAWA ISLAND Nick and Colin sit on lounge chairs at a GORGEOUS DESERTED BEACH. Colin takes in the view, at peace, and takes a sip of a beer.</scene_description>
    <character>COLIN</character>
    <dialogue>You're a genius. You know that, right?</dialogue>
    <character>NICK</character>
    <dialogue>What's a best man for? I guess that pilot's license came in handy after all.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Here you go, champ.</dialogue>
    <character>COLIN</character>
    <dialogue>Oh, thank you, sir. Mmm. I think that is the best beer I've ever had.</dialogue>
    <character>NICK</character>
    <dialogue>I'm gonna have to agree with you on that.</dialogue>
    <character>COLIN</character>
    <dialogue>You know, if it wasn't for Araminta, I'd ask you to marry me.</dialogue>
    <character>NICK</character>
    <dialogue>Although...</dialogue>
    <parenthetical>(reaches into his pocket)</parenthetical>
    <dialogue>... there is a little something that might get in the way of that.</dialogue>
    <scene_description>CONTINUED: Nick pulls out a jewelry box, opens it displaying a beautiful engagement ring.</scene_description>
    <character>COLIN</character>
    <dialogue>Mmm. No!</dialogue>
    <character>NICK</character>
    <dialogue>Yeah.</dialogue>
    <character>COLIN</character>
    <dialogue>Is that real?</dialogue>
    <character>NICK</character>
    <dialogue>Yes!</dialogue>
    <character>COLIN</character>
    <dialogue>Wow! Yes! Yes, man! Congratulations!</dialogue>
    <character>NICK</character>
    <dialogue>I know.</dialogue>
    <character>COLIN</character>
    <dialogue>That is freaking amazing.</dialogue>
    <character>NICK</character>
    <dialogue>I'm ready.</dialogue>
    <character>COLIN</character>
    <dialogue>You're ready. You're doing it! Nick, I'm really happy for you, man.</dialogue>
    <character>NICK</character>
    <dialogue>Thanks, dude.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT SPA - CABANA - DAY</stage_direction>
    <scene_description>PAN ACROSS Araminta and the women enjoying various spa treatments: hot stone massages, mani-pedis, mud baths... Rachel and Amanda are getting Thai massages. Rachel's MASSEUSE pushes up her leg, gets uncomfortably close.</scene_description>
    <character>RACHEL</character>
    <parenthetical>(grunts)</parenthetical>
    <dialogue>I think my masseuse just got me pregnant.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AMANDA</character>
    <parenthetical>(laughs)</parenthetical>
    <dialogue>I can see why Nick put off coming back to Singapore.</dialogue>
    <character>RACHEL</character>
    <dialogue>What do you mean?</dialogue>
    <character>AMANDA</character>
    <dialogue>You know. He was supposed to come back last year, take over the family business. His parents freaked out when he didn't. But, now that he's back, I'm sure all is forgiven.</dialogue>
    <character>RACHEL</character>
    <dialogue>But he's not back for good. I mean, we're just here for a wedding.</dialogue>
    <scene_description>Amanda looks at her, sympathetic.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RAWA ISLAND (MALAYSIA) - DAY</stage_direction>
    <character>COLIN</character>
    <dialogue>Wow!</dialogue>
    <character>NICK</character>
    <dialogue>But?</dialogue>
    <character>COLIN</character>
    <dialogue>No, I'm really happy for you.</dialogue>
    <character>NICK</character>
    <dialogue>Colin, I've known you since you were in nappies. I know when there's something on your mind.</dialogue>
    <character>COLIN</character>
    <dialogue>Well, it wasn't that long ago that you were sure you were moving back home. And I mean, Rachel loves her job in New York.</dialogue>
    <character>NICK</character>
    <dialogue>Yeah, we're gonna figure that out.</dialogue>
    <character>COLIN</character>
    <dialogue>You're going to figure it out. Right.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AMANDA (V.O.)</character>
    <parenthetical>(pre-lap)</parenthetical>
    <dialogue>Rachel, I get it.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT SPA - CABANA - DAY</stage_direction>
    <character>AMANDA</character>
    <dialogue>It's hard knowing where you stand with someone like Nicholas Young. He has all that pressure from his family. Not just in business, but in who he's dating. It's like, you just never know what's quite going on in that gorgeous head of his --</dialogue>
    <scene_description>Rachel stares at Amanda who realizes she's overstepped.</scene_description>
    <character>AMANDA</character>
    <dialogue>Nick told you that we were together, right? It's ancient history now. Although our families, particularly his mother, always wanted us to get married. I guess we weren't ready then.</dialogue>
    <scene_description>As Rachel reacts at this revelation:</scene_description>
    <character>COLIN (V.O.)</character>
    <parenthetical>(pre-lap)</parenthetical>
    <dialogue>Dude...</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RAWA ISLAND (MALAYSIA) - DAY</stage_direction>
    <character>COLIN</character>
    <dialogue>... ever since primary school, you were always going to be the next chairman of the Young Corporation, your family's shining heir. You really think your family's going to accept anything less than that? I mean, unless you... No. Are you thinking of walking out? Leaving everything to bloody Alistair and Eddie?</dialogue>
    <character>NICK</character>
    <dialogue>I'm not walking out on anything. I met a girl, I fell in love and I want to marry her. And it can't just be one thing or the other.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>COLIN</character>
    <dialogue>Uh, no, no, no, no, no. It's, it's not that simple. You know that.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT SPA - CABANA - DAY</stage_direction>
    <character>AMANDA</character>
    <dialogue>I really admire you. Takes guts, coming all the way over here, facing Nick's family. Especially when Eleanor isn't exactly in your corner.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RAWA ISLAND (MALAYSIA) - DAY</stage_direction>
    <character>COLIN</character>
    <dialogue>Okay. Your family aside, have you ever thought about what your relationship with Rachel will be like if you got married? I mean, okay, you're, you're Nicholas Young, you're untouchable. You always have been. But Rachel's not. And if...</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT SPA - CABANA - DAY</stage_direction>
    <character>COLIN (V.O.)</character>
    <dialogue>... she becomes Mrs. Nicholas Young, every day for her is going to be a struggle.</dialogue>
    <scene_description>Rachel gets up, feels uneasy. Amanda TEXTS: She's on the move... Hook, line, and SINK HER.</scene_description>
    <character>CELINE (O.S.)</character>
    <dialogue>I heard she told Tini that Nick is a good catch.</dialogue>
    <character>FRANCESCA</character>
    <dialogue>Oh! So typical. She's not even that pretty. It's like she's never heard of plastic surgery.</dialogue>
    <character>CELINE</character>
    <parenthetical>(chuckling)</parenthetical>
    <dialogue>Oh, shit.</dialogue>
    <scene_description>CONTINUED: Rachel feels sick. After hearing Celine and Francesca, she exits, fleeing.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT VILLA - WALKWAY - DAY</stage_direction>
    <scene_description>Rachel flees, upset, when she COLLIDES with someone. It's Astrid, who's just arrived. She clutches a bag while PORTERS behind her carry her luggage.</scene_description>
    <character>RACHEL</character>
    <dialogue>Sorry.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. RAWA ISLAND (MALAYSIA) - DAY</stage_direction>
    <character>COLIN</character>
    <dialogue>You sure she's ready for that?</dialogue>
    <scene_description>Nick sighs.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RESORT VILLA - WALKWAY - DAY</stage_direction>
    <character>ASTRID</character>
    <dialogue>Rachel?</dialogue>
    <scene_description>They head to the resort villa suite --</scene_description>
    <character>ASTRID</character>
    <dialogue>I'm so sorry.</dialogue>
    <character>RACHEL</character>
    <dialogue>It's okay.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. RESORT VILLA - SUITE - EVENING</stage_direction>
    <scene_description>Rachel enters with Astrid who she's downloaded to.</scene_description>
    <character>ASTRID</character>
    <dialogue>Let's just forget about those girls. Camp out here and order room service.</dialogue>
    <scene_description>Astrid looks at Rachel, concerned. Rachel suddenly SCREAMS. On the bed is a LARGE, GUTTED FISH. Its blood and guts all over the white sheets. On one of the windows are words scrawled in red: "CATCH THIS, YOU GOLD-DIGGING BITCH!" CONTINUED:</scene_description>
    <character>ASTRID</character>
    <dialogue>I'll call security --</dialogue>
    <character>RACHEL</character>
    <dialogue>No.</dialogue>
    <scene_description>Astrid reacts, surprised. Rachel pulls herself together.</scene_description>
    <character>RACHEL</character>
    <dialogue>I'm not gonna make a scene.</dialogue>
    <scene_description>ZOOM IN ON the window and the nasty message --</scene_description>
    <character>RACHEL</character>
    <dialogue>I'm not gonna give them the satisfaction.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. BEACH - NIGHT</stage_direction>
    <scene_description>The drunken bachelorettes dance as a DJ spins tracks. FURTHER DOWN THE BEACH Rachel rants as she and Astrid dig a HOLE in the sand.</scene_description>
    <character>RACHEL</character>
    <dialogue>This weekend was supposed to be mani-pedis, cocktails served in pineapples. This definitely wasn't on the menu --</dialogue>
    <scene_description>Rachel dumps the wrapped fish in the hole.</scene_description>
    <character>RACHEL</character>
    <dialogue>Why would Araminta even have friends like them? They're so mean.</dialogue>
    <scene_description>As Rachel fills the hole:</scene_description>
    <character>ASTRID</character>
    <dialogue>Well, you grow up your whole lives together, you make excuses for people. Specially the morons.</dialogue>
    <character>RACHEL</character>
    <dialogue>I mean, I know Michael didn't have to deal with catty, fish-killing sociopaths, but how did you two get through all this?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ASTRID</character>
    <dialogue>Well, I didn't have it quite this bad, but it wasn't pretty.</dialogue>
    <character>RACHEL</character>
    <dialogue>Well, at least tell me it gets better.</dialogue>
    <character>ASTRID</character>
    <dialogue>Of course it does.</dialogue>
    <scene_description>Astrid wants to reassure Rachel, but she can't. Rachel recognizes that something is wrong.</scene_description>
    <character>RACHEL</character>
    <dialogue>You okay?</dialogue>
    <character>ASTRID</character>
    <dialogue>Yeah...</dialogue>
    <parenthetical>(beat; close to tears)</parenthetical>
    <dialogue>Actually... no...</dialogue>
    <character>RACHEL</character>
    <dialogue>You could talk to me.</dialogue>
    <character>ASTRID</character>
    <parenthetical>(tough to say)</parenthetical>
    <dialogue>Michael is... having an affair.</dialogue>
    <character>RACHEL</character>
    <dialogue>I'm really sorry, Astrid.</dialogue>
    <scene_description>Astrid manages a smile, appreciates it. Rachel nods. Astrid smiles, puts her head on Rachel's shoulder, hold each other's hands, and watch the waves crash into the shore.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RAFFLES HOTEL - DAY</stage_direction>
    <scene_description>Nick enters the hotel --</scene_description>
    <character>MALE HOTEL GREETER</character>
    <dialogue>Welcome back.</dialogue>
    <character>NICK</character>
    <dialogue>Cheers, sir.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. RAFFLES HOTEL - LANDING - DAY</stage_direction>
    <scene_description>Nick enters the hotel having returned from his trip. He sees Rachel reading in a quiet area. He heads over, throws his bag down.</scene_description>
    <character>RACHEL (O.S.)</character>
    <dialogue>I thought I was here to meet your family...</dialogue>
    <scene_description>ON NICK AND RACHEL</scene_description>
    <character>RACHEL</character>
    <dialogue>... go to your best friend's wedding, eat some good food. Instead, I feel like I'm a villain in a soap opera who's plotting to steal your family fortune.</dialogue>
    <scene_description>Nick blanches. Knows this isn't good.</scene_description>
    <character>NICK</character>
    <dialogue>What happened?</dialogue>
    <character>RACHEL</character>
    <dialogue>I mean, I met Amanda. She told me that everyone here thinks that I'm the evil person that prevented you from moving back to Singapore last year but, when I didn't even know you were supposed to come home.</dialogue>
    <character>NICK</character>
    <dialogue>You have every reason to be upset - -</dialogue>
    <character>RACHEL</character>
    <dialogue>I'm not done yet! There was also the gutted, bloody fish that Araminta's friends left for me in my hotel room on my bed next to the words 'Catch this, you gold- digging bitch'... written in big fat serial-killer letters --</dialogue>
    <character>NICK</character>
    <dialogue>Is that all that happened?</dialogue>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>I mean, please tell me that's all that happened.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>You know what? I don't even care about those stupid girls, with their stupid little designer handbags and sunglasses. I don't care about that. I don't care that your ex-girlfriend told me all this crap. It's that you didn't tell me any of it.</dialogue>
    <character>NICK</character>
    <dialogue>I screwed up.</dialogue>
    <character>RACHEL</character>
    <dialogue>Why?</dialogue>
    <character>NICK</character>
    <dialogue>I really messed up, okay?</dialogue>
    <character>RACHEL</character>
    <dialogue>Why? What -- Were you trying to test me? Why would you do that?</dialogue>
    <scene_description>Nick takes a beat, comes clean.</scene_description>
    <character>NICK</character>
    <dialogue>I made a mistake. When we first met, you had no idea who I was, who my family were. You didn't care!</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah, I don't care about that stupid stuff.</dialogue>
    <character>NICK</character>
    <dialogue>Well, exactly. You are so different from all of the women that I grew up with. And I love who I am around you. And I don't want that to change. And that's selfish, I know.</dialogue>
    <scene_description>Nick takes her hand.</scene_description>
    <character>RACHEL</character>
    <dialogue>Mm-hmm.</dialogue>
    <character>NICK</character>
    <dialogue>And I'm sorry that you had to deal with that on your own. But I'm here now. And whatever happens, we'll get through it together. Dead fish and all.</dialogue>
    <scene_description>CONTINUED: As Rachel scoffs --</scene_description>
    <character>NICK</character>
    <dialogue>All right?</dialogue>
    <character>RACHEL</character>
    <dialogue>It was so gross. But I buried it.</dialogue>
    <character>NICK</character>
    <dialogue>You dealt with it.</dialogue>
    <scene_description>They laugh. He holds her. Rachel is touched.</scene_description>
    <character>NICK</character>
    <dialogue>Come here.</dialogue>
    <character>RACHEL</character>
    <dialogue>You know what? We need to do something tonight. We need to do something that's just you and me, okay?</dialogue>
    <character>NICK</character>
    <dialogue>100% agree.</dialogue>
    <character>RACHEL</character>
    <dialogue>Yes.</dialogue>
    <character>NICK</character>
    <dialogue>But... we do have to go make some dumplings first. Okay?</dialogue>
    <character>RACHEL</character>
    <dialogue>Then can we eat them?</dialogue>
    <character>NICK</character>
    <dialogue>We can eat as many as you like.</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay, fine.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL PARK - DINING ROOM - DAY</stage_direction>
    <scene_description>QUICK CUTS of food being expertly prepared by half a dozen MAIDS: -- Small balls of dough are rolled into flat circles. -- Minced meat is quickly rolled into dozens of perfectly- formed, uniform BALLS. CONTINUED: A maid takes a tray of the mincemeat balls to the center of the room, where Eleanor and other family members -- Nick, Rachel, Astrid, Cassian, Oliver, Alix, and Felicity -- are clustered around a large table. They're busy folding the dumplings, which are placed in neatly-stacked bamboo steamers. It's a family tradition, and they work expertly while having multiple conversations.</scene_description>
    <character>NICK</character>
    <dialogue>I can't believe this is your first time making dumplings.</dialogue>
    <scene_description>Rachel laughs.</scene_description>
    <character>ALIX</character>
    <dialogue>Gotta make sure this time we don't run out of baskets.</dialogue>
    <character>ASTRID</character>
    <dialogue>Cassian, that's not how you do it.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Very good. Very good, Cassian.</dialogue>
    <scene_description>Cassian laughs.</scene_description>
    <character>ASTRID</character>
    <dialogue>And now you roll it up.</dialogue>
    <scene_description>As Eleanor inspects the tray and nods her approval, Felicity eyes DOZENS of waiting trays with alarm.</scene_description>
    <character>ALIX</character>
    <dialogue>This is too much. We're hosting a rehearsal dinner, not feeding an army --</dialogue>
    <character>ELEANOR</character>
    <dialogue>Better too many than have people say we're stingy.</dialogue>
    <scene_description>Meanwhile, Nick teaches Rachel how to fold a dumpling -- putting the mincemeat ball in the dough wrapper and sealing it closed.</scene_description>
    <character>NICK</character>
    <dialogue>So, right. You put the baby in bed and tuck, tuck, tuck. Same on the other side. And you give him a kiss goodnight --</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay. That's so cute. And then you eat the baby.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>How's that?</dialogue>
    <parenthetical>(chuckles)</parenthetical>
    <dialogue>Then you eat the baby. Not until he's cooked.</dialogue>
    <character>RACHEL</character>
    <dialogue>No, you gotta make sure he's cooked. Did Ah Ma teach you that?</dialogue>
    <character>NICK</character>
    <dialogue>She did.</dialogue>
    <character>OLIVER</character>
    <dialogue>I, on the other hand, was taught by Grand Aunty Mabel. 'You put the Botox in the face and then you pinch, pinch, pinch, then voila!'</dialogue>
    <character>RACHEL</character>
    <dialogue>Did you guys all learn when you were kids?</dialogue>
    <character>ASTRID</character>
    <dialogue>We didn't have a choice.</dialogue>
    <scene_description>Nods to Cassian as he happily pounds balls of dough with his fist and rips apart dumplings.</scene_description>
    <character>FELICITY</character>
    <dialogue>We taught you so you'd know the blood, sweat, and tears it took to raise and feed you monkeys.</dialogue>
    <character>ALIX</character>
    <dialogue>Not like ang-mohs, microwaving macaroni and cheese for their own children.</dialogue>
    <parenthetical>(shudders)</parenthetical>
    <dialogue>No wonder they put their parents in the old folks' home when they all grow up.</dialogue>
    <character>FELICITY</character>
    <dialogue>I know!</dialogue>
    <character>ELEANOR</character>
    <dialogue>Ah Ma says if we don't pass traditions down like this, they'll disappear.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ASTRID</character>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>God forbid we lose the ancient Chinese tradition of guilting your children.</dialogue>
    <scene_description>The others all laugh --</scene_description>
    <character>NICK</character>
    <dialogue>It's totally worth it. Mother used to wait for me after school with a nice basket of these.</dialogue>
    <character>ALIX</character>
    <parenthetical>(in Cantonese; subtitled)</parenthetical>
    <dialogue>Ni hao ming. \[Lucky you.\]</dialogue>
    <scene_description>Eleanor smiles at the memory.</scene_description>
    <character>ASTRID</character>
    <parenthetical>(to Felicity)</parenthetical>
    <dialogue>Hey, I never got after-school dumplings.</dialogue>
    <character>OLIVER</character>
    <dialogue>Well, that's because Aunty Felicity was doing after-school microdermabrasion.</dialogue>
    <character>FELICITY</character>
    <parenthetical>(mock-scolds; in Cantonese; subtitled)</parenthetical>
    <dialogue>Ni le wu qie, ruguo a ye zhong xi du, shi qing ni shi teng tiao wen zhurou. \[Smart ass. If your grandfather was alive, he'd kick you into next week.\]</dialogue>
    <scene_description>Everyone LAUGHS. Alix sees Rachel smiling. Felicity throws dough at Oliver.</scene_description>
    <character>OLIVER</character>
    <parenthetical>(brushing shirt)</parenthetical>
    <dialogue>Aunty, this is Dolce.</dialogue>
    <character>ALIX</character>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>You speak Cantonese?</dialogue>
    <character>RACHEL</character>
    <dialogue>No, I don't. It's just great seeing you guys all like this.</dialogue>
    <scene_description>CONTINUED: The family exchanges looks. What does Rachel mean?</scene_description>
    <character>RACHEL</character>
    <dialogue>When I was growing up, it was just me and my mom. Which I loved, uh, but we didn't really have a big family like this. It's really nice.</dialogue>
    <character>OLIVER</character>
    <dialogue>That's so lovely of you to say, Rachel. We all are very lucky to have each other.</dialogue>
    <scene_description>Alix and Felicity smile, approving. Feeling more comfortable, Rachel tries to engage Eleanor, who's been largely silent. She sees Eleanor's RING, a beautiful piece studded with diamonds and emeralds.</scene_description>
    <character>RACHEL</character>
    <dialogue>That's a beautiful ring, Aunty Eleanor. I've never seen anything like it.</dialogue>
    <scene_description>The other women look at Eleanor, trying to gauge her reaction to Rachel.</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(surprised; then)</parenthetical>
    <dialogue>Nick's father had it made when he proposed to me.</dialogue>
    <character>RACHEL</character>
    <dialogue>That's very romantic. How did you guys meet?</dialogue>
    <character>NICK</character>
    <dialogue>Actually, they met at Cambridge. They were both studying law together.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, I didn't know you were a lawyer.</dialogue>
    <character>ELEANOR</character>
    <dialogue>I wasn't. I withdrew from university when we got married.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh...</dialogue>
    <scene_description>Eleanor reads into Rachel's reaction. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>I chose to help my husband run a business and to raise a family. For me, it was a privilege. But for you, you may think it's old- fashioned. It's nice you appreciate this house and us being here together wrapping dumplings. But all this doesn't just happen. It's because we know to put family first, instead of chasing one's passion.</dialogue>
    <scene_description>An awkward SILENCE falls over the table. Rachel feels chided, isn't sure how to react when:</scene_description>
    <character>AH MA (O.S.)</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>O, nimen dajia douzai zhe'er a! \[Ah, everyone's here!\]</dialogue>
    <scene_description>Ah Ma enters with her Thai maids. Oblivious to the tension, she smiles to see Nick and Rachel.</scene_description>
    <character>NICK</character>
    <dialogue>Ah Ma.</dialogue>
    <character>ASTRID</character>
    <dialogue>Ah Ma.</dialogue>
    <character>ALIX</character>
    <dialogue>Ah Ma.</dialogue>
    <character>NICK</character>
    <parenthetical>(to maids)</parenthetical>
    <dialogue>Thank you.</dialogue>
    <parenthetical>(takes his grandma's arm)</parenthetical>
    <dialogue>Ah Ma.</dialogue>
    <character>AH MA</character>
    <dialogue>Oh, Nick.</dialogue>
    <character>NICK</character>
    <dialogue>Come and sit.</dialogue>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>O, Nicki. O, ni ba Rachel ye dailai le? \[Oh, Nicki. You brought Rachel. Good.\]</dialogue>
    <scene_description>Ah Ma looks at Rachel's face, scrutinizing it. CONTINUED:</scene_description>
    <character>AH MA</character>
    <dialogue>Baitian wo kan ni kan de geng qingchu le. Ni de bizi zhang de henhao, hen you fuqi. Wo kan kan ni de lian. Guolai. \[I can see you more clearly in the day. The shape of your nose is auspicious. Let me have a look, come closer...</dialogue>
    <parenthetical>(leans in)</parenthetical>
    <dialogue>En... en... zhang de zhen haokan. Qingchu le. \[Very nice looking.\]</dialogue>
    <scene_description>Rachel is unsure what to make of it, but it feels like approval.</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Sit, sit, grandson.</dialogue>
    <character>OLIVER</character>
    <dialogue>Right, right. We're almost done here. Just a few more baskets.</dialogue>
    <scene_description>Ah Ma looks at the dumplings.</scene_description>
    <character>AH MA</character>
    <parenthetical>(to Eleanor; in Mandarin; subtitled)</parenthetical>
    <dialogue>Aiyo, zheshi ni bao de jiaozi ma? Zenme bao name nankan a? Tuibule. \[You made those dumplings? They don't look very good. You lost your touch.\]</dialogue>
    <scene_description>Astrid watches this exchange, then looks at Rachel.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Hmm.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. TYERSALL - HALLWAY - DAY</stage_direction>
    <scene_description>Rachel exits the dining room, looking for anywhere to go. She walks up the long staircase, takes a few steps one way, realizes she's going the wrong direction, then turns around to find Eleanor standing in front of her.</scene_description>
    <character>RACHEL</character>
    <parenthetical>(surprised)</parenthetical>
    <dialogue>Oh. Hi. I think I'm a little lost. This house is pretty big.</dialogue>
    <scene_description>Eleanor comes to Rachel and they walk and talk through the halls of Tyersall. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>I'm glad I found you. I'm afraid that I've been unfair.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, no, you know what? I'm sorry I made an assumption. I didn't mean to offend you.</dialogue>
    <character>ELEANOR</character>
    <dialogue>Not at all.</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>You asked about my ring. The truth is Nick's father had it made when he wanted to propose to me, because Ah Ma wouldn't give him the family ring. I wasn't her first choice. Honestly, I wasn't her second.</dialogue>
    <character>RACHEL</character>
    <dialogue>Gosh, I'm so sorry. I had no idea.</dialogue>
    <character>ELEANOR</character>
    <dialogue>I didn't come from the right family, have the right connections. And Ah Ma thought I would not make an adequate wife to her son.</dialogue>
    <scene_description>Rachel is surprised how Eleanor is seemingly opening up.</scene_description>
    <character>RACHEL</character>
    <dialogue>But, she came around, obviously.</dialogue>
    <scene_description>Eleanor gives a tight smile.</scene_description>
    <character>ELEANOR</character>
    <dialogue>It took many years, and she had good reason to be concerned.</dialogue>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>Because I had no idea the work and the sacrifice it would take. There were many days when I wondered if I would ever measure up --</dialogue>
    <scene_description>Eleanor pauses, looks at Rachel.</scene_description>
    <character>ELEANOR</character>
    <dialogue>But having been through it all, I know this much...</dialogue>
    <parenthetical>(gets close; gently)</parenthetical>
    <dialogue>You will never be enough.</dialogue>
    <scene_description>CONTINUED: Rachel is eviscerated. Eleanor draws back, placid, calm. Then, as if they've been talking about the weather Eleanor walks off:</scene_description>
    <character>ELEANOR</character>
    <dialogue>We should head back. I wouldn't want Nick to worry.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. CAR - DAY</stage_direction>
    <scene_description>Nick drives as Rachel sits in the passenger seat, silent.</scene_description>
    <character>NICK</character>
    <dialogue>You all right?</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah.</dialogue>
    <character>NICK</character>
    <dialogue>I know my mum can be tough at times, but there isn't anything she wouldn't do for me...</dialogue>
    <parenthetical>(off Rachel's silence)</parenthetical>
    <dialogue>And there is a reason why I lived with Ah Ma growing up. It's because my mother knew she wasn't the favorite. So she let her raise me so I would be.</dialogue>
    <character>RACHEL</character>
    <dialogue>You were just a kid?</dialogue>
    <character>NICK</character>
    <dialogue>Yeah. But... It's hard to understand from the outside. But she did what she thought was best for the family... For everyone involved.</dialogue>
    <scene_description>Rachel hears the tiny reminder of her otherness.</scene_description>
    <character>RACHEL</character>
    <dialogue>Mm-hmm.</dialogue>
    <scene_description>Rachel takes it in, hears Nick's regard for his mother. Which makes her feel even more unsettled.</scene_description>
    <character>NICK</character>
    <dialogue>Anyway, I think I've had enough with dumplings for the rest of my life. What should we do? Sushi, movies, anything you like. Really.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. COFFEE SHOP - PATIO - DAY</stage_direction>
    <character>PEIK LIN (O.S.)</character>
    <dialogue>Wait, what? Was she like --</dialogue>
    <scene_description>TILT DOWN -- Peik Lin and Rachel sit at a table.</scene_description>
    <character>PEIK LIN</character>
    <parenthetical>(Eleanor impression)</parenthetical>
    <dialogue>'You will NEVER be good enough for my son,' OR was it like, 'YOU, YOU will never be good enough for my son.'</dialogue>
    <character>RACHEL</character>
    <dialogue>It's like the second one.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Oh.</dialogue>
    <character>RACHEL</character>
    <dialogue>Except for in a way that made me wanna, like, cry and puke at the same time.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>God, she's so badass.</dialogue>
    <parenthetical>(idea)</parenthetical>
    <dialogue>You know, I bet if you told her you'd leave Nick for a million dollars, she will write that check. They do that around here --</dialogue>
    <character>RACHEL</character>
    <dialogue>-- And she looked at me like I was nothing...</dialogue>
    <character>PEIK LIN</character>
    <dialogue>-- Like a ten million dollar check. I feel like she would do that.</dialogue>
    <character>RACHEL</character>
    <dialogue>I don't even know what I should do. I mean, I can't even tell Nick because he like worships her.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Yeah, Chinese sons think their moms fart Chanel No. 5. What about the Ah Ma? Does she hate your face, too?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Okay, nobody said they hated my face. And Ah Ma, she liked my face. She said I had a lucky nose.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>That's great! You know, Eleanor can hate you all day long, but you can't beat two thousand years of Chinese filial piety.</dialogue>
    <character>RACHEL</character>
    <dialogue>I feel like I shouldn't even go to the wedding. You know, it's Colin and Araminta's day, I don't wanna cause any drama there. I feel like I should just sit it out. You know? Tell Nick I had food poisoning or something.</dialogue>
    <parenthetical>(off Peik Lin's look)</parenthetical>
    <dialogue>What?</dialogue>
    <character>PEIK LIN</character>
    <dialogue>That's bullshit. You're just scared.</dialogue>
    <character>RACHEL</character>
    <dialogue>No, I'm not.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Okay, here's what you need to understand, all right? It's not about getting Eleanor to like you. It's about getting her to respect you. All right? Right now, she just thinks you're some like undeserving, clueless, gold- digging --</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay, yeah, I got it.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>-- trashy, unrefined banana, yellow on the outside, white on the inside --</dialogue>
    <character>RACHEL</character>
    <dialogue>I know what a banana is --</dialogue>
    <character>PEIK LIN</character>
    <dialogue>-- When in reality, you're like a super sophisticated, smart professor of freaking game theory.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Show her that side of you, you know.</dialogue>
    <scene_description>This hits home with Rachel.</scene_description>
    <character>RACHEL</character>
    <dialogue>You're right.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Damn straight, I'm right. It's Peik Lin, I'm always right.</dialogue>
    <character>RACHEL</character>
    <dialogue>Yeah, she's like trying to play a game of chicken with me, where she's like coming at me, and like, thinking I'm going to swerve like a chicken.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>But you can't swerve.</dialogue>
    <character>RACHEL</character>
    <dialogue>I'm not gonna swerve. Not for her.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>No. Chickens are bitches, dude!</dialogue>
    <character>RACHEL</character>
    <dialogue>And I'm not a chicken</dialogue>
    <character>PEIK LIN</character>
    <dialogue>You're not a chicken. You gonna roll up to that wedding, you gonna be like, 'Bak-bak, bitch!'</dialogue>
    <character>RACHEL</character>
    <parenthetical>(chuckles)</parenthetical>
    <dialogue>Bak-bak, bitch!</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Chickens are bitches.</dialogue>
    <scene_description>A man on one of the upper balconies overhears her, gives her a disapproving look.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Sorry Uncle.</dialogue>
    <character>RACHEL</character>
    <dialogue>What are you doing tonight?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Uh, I was gonna go to FedEx or something. Why? Oh!</dialogue>
    <scene_description>Peik Lin breaks into a smile. OFF Rachel, determined.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - LIVING ROOM - ON RACHEL - DAY</stage_direction>
    <scene_description>standing in front of a tall tri-fold mirror as Peik Lin scrutinizes her.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>I have been waiting to do this properly for so long. I'm thinking eyebrow triage, root crimps, maybe some eyelid tape.</dialogue>
    <parenthetical>(to Oliver)</parenthetical>
    <dialogue>What do you think?</dialogue>
    <scene_description>REVEAL OLIVER standing off to the side with his entourage.</scene_description>
    <character>OLIVER</character>
    <dialogue>All of it. And I would throw in a Korean snail face mask. Sweetie, your skin is so dry, it's hurting my face.</dialogue>
    <character>RACHEL</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>As Oliver walks around her, scrutinizing.</scene_description>
    <character>OLIVER</character>
    <dialogue>You know, it's about time someone stood up to Aunty Eleanor. Well, you, not me. Oh, God! She can't know I was ever here.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>No.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh, no</dialogue>
    <character>OLIVER</character>
    <parenthetical>(yelling to the air)</parenthetical>
    <dialogue>Right. Well, okay, let's get to work. Cappuccinos.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. FIRST METHODIST CHURCH - DAY</stage_direction>
    <scene_description>A long line of stately cars lead to the entrance. Throngs have gathered hoping to catch sight of arriving celebrities. It's a mix of FOREIGN DIGNITARIES, GOVERNMENT LEADERS, and Asia's brightest stars. QUICK CUTS of reporters and photographers continues throughout the following scene.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - LIVING ROOM - DAY</stage_direction>
    <character>OLIVER</character>
    <dialogue>Pull the plum Balenciaga, the peach Chloé, the Giambattista, all the Bottegas, oh, and that Jason Wu with the deconstructed ruffles.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>And a sandwich for Peik Lin.</dialogue>
    <scene_description>Rachel enters modeling different dresses.</scene_description>
    <character>OLIVER</character>
    <dialogue>Oh!</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Okay. All right.</dialogue>
    <character>OLIVER</character>
    <dialogue>Right. I'm not sure if it's working or if she looks like a clown's tampon.</dialogue>
    <character>RACHEL</character>
    <dialogue>Oh!</dialogue>
    <character>PEIK LIN</character>
    <dialogue>On a heavy day.</dialogue>
    <character>OLIVER</character>
    <parenthetical>(next dress)</parenthetical>
    <dialogue>Y-You look like a flower. Like a sad, lonely flower no one wants to be around.</dialogue>
    <character>RACHEL</character>
    <dialogue>Ahh!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. FIRST METHODIST CHURCH - DAY</stage_direction>
    <character>AMANDA</character>
    <parenthetical>(to Reporter)</parenthetical>
    <dialogue>I mean, it's the wedding of the century. So, of course we're here. It's the natural...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - LIVING ROOM - ON RACHEL - DAY</stage_direction>
    <character>OLIVER</character>
    <dialogue>Oh! Oh! It's not that bad. It's holding you up.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>It's a hands-on dress. You know what I mean?</dialogue>
    <character>WYE MUN</character>
    <parenthetical>(throws dress over partition)</parenthetical>
    <dialogue>Incoming.</dialogue>
    <scene_description>Peik Lin points for him to leave.</scene_description>
    <character>WYE MUN</character>
    <dialogue>Okay. Okay</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. FIRST METHODIST CHURCH - DAY</stage_direction>
    <character>REPORTER</character>
    <dialogue>And this fantastic celebration here with --</dialogue>
    <scene_description>Francesca and Celine pose for the cameras. Alistair poses with Kitty Pong, who's delighted by all the attention.</scene_description>
    <character>KITTY</character>
    <dialogue>I love my fans... I love my fans.</dialogue>
    <character>ALISTAIR</character>
    <parenthetical>(to reporters)</parenthetical>
    <dialogue>Taipei Tiger Two is going to redefine the genre. She's a star.</dialogue>
    <character>KITTY</character>
    <dialogue>TT-Two, honey!</dialogue>
    <character>ALISTAIR</character>
    <dialogue>She's a star.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - LIVING ROOM - ON RACHEL - DAY</stage_direction>
    <character>PEIK LIN</character>
    <dialogue>Oh! I'm blinded by the light.</dialogue>
    <character>OLIVER</character>
    <dialogue>Oh. Okay. This is why disco died.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>You kinda look like a slutty Ebola virus.</dialogue>
    <character>OLIVER</character>
    <dialogue>It's like a bag of Skittles. Taste the rainbow.</dialogue>
    <character>OLIVER</character>
    <dialogue>Could work, if we... Yes. I, I think we just alter the --</dialogue>
    <scene_description>Wye Mun comes back in offering another outfit --</scene_description>
    <character>WYE MUN</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>I, I, just think if we could just maybe just tell her this is coming from you because she probably doesn't wanna hear it from a guy. Okay. Okay.</dialogue>
    <scene_description>Peik Lin throws him out again.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FIRST METHODIST CHURCH - DAY</stage_direction>
    <scene_description>Eddie, Fiona, and their three boys, again in adorable matching suits, pose for photographers. Eddie nudges his eldest son.</scene_description>
    <character>EDDIE</character>
    <dialogue>Okay, remember. Optimal angles.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - LIVING ROOM - ON RACHEL - DAY</stage_direction>
    <scene_description>Oliver and Neenah are accessorizing the sparkly disco- type dress Rachel is now wearing. When Rachel goes behind the partition to change her outfit, Neenah, Wye Mun, P.T., and the twins all start dancing to the music. Peik Lin's parents get carried away and start making out on the chaise lounge.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FIRST METHODIST CHURCH - DAY</stage_direction>
    <scene_description>Eddie trails off as the photographers suddenly head to -- -- a custom GOLD BENTLEY MULSANE. It's driven by Peik Lin, who wears a fetching driver's uniform. Seeing the car, Oliver steps up as Peik Lin opens the door -- a shapely stilettoed leg steps out. It's RACHEL in a glittering gown. Her hair is swept up, her jewelry catches the light, she's a VISION. It's an EXPLOSION OF FLASHES as photographers, reporters, and looky-loos take pictures, yell to get her attention. Rachel is a little overwhelmed, but Oliver helps navigate her through the crowd.</scene_description>
    <character>NEENAH</character>
    <dialogue>Just right here! Just right here!</dialogue>
    <character>PHOTOGRAPHER</character>
    <dialogue>Beautiful dress. Thank you. Thanks for the... Excuse me. Excuse me, can I get a picture of you? Lovely. Oh, fantastic. Looking gorgeous. Little closer together. Who's this one? What's your name?</dialogue>
    <character>PEIK LIN</character>
    <dialogue>Ma'am.</dialogue>
    <character>OLIVER</character>
    <parenthetical>(mouthing)</parenthetical>
    <dialogue>You look wonderful. Breathe.</dialogue>
    <parenthetical>(to paparazzi)</parenthetical>
    <dialogue>Everyone, I've got Rachel Chu of New York. Rachel Chu of New York. Real estate heiress, Rachel Chu of the New York Chus.</dialogue>
    <character>FEMALE SPECTATOR</character>
    <dialogue>Rachel! Rachel! Over here!</dialogue>
    <character>PHOTOGRAPHER</character>
    <dialogue>Rachel, this way. Rachel! Rachel! To me!</dialogue>
    <character>MALE PHOTOGRAPHER</character>
    <dialogue>Okay, ladies, looking good. Looking good. Okay, out of the way, please. Out of the way.</dialogue>
    <scene_description>Amanda, Celine, and Francesca, look agape, incredulous. CONTINUED:</scene_description>
    <character>KITTY</character>
    <dialogue>So gorgeous!</dialogue>
    <character>RACHEL</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>A Photographer gestures for Celine to get out of the way so he can take Rachel's picture. OFF Celine, pissed.</scene_description>
    <character>MALE PHOTOGRAPHER</character>
    <dialogue>Ladies, move please. Out of the way! Good, good. That's great. Beautiful dress.</dialogue>
    <character>RACHEL</character>
    <dialogue>Ladies. Amanda.</dialogue>
    <character>AMANDA</character>
    <dialogue>Hmm.</dialogue>
    <character>RACHEL</character>
    <dialogue>You're in my way.</dialogue>
    <character>AMANDA</character>
    <dialogue>Okay, what?</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. BENTLEY - DAY</stage_direction>
    <scene_description>Astrid and Michael, dressed for the wedding, sit in the back of a chauffeured Bentley. Michael chatters on as Astrid listens in silence.</scene_description>
    <character>MICHAEL</character>
    <dialogue>-- Our Chinese investors are getting nervous. I have to fly to Shenzhen on Monday to try and talk them down.</dialogue>
    <scene_description>This gets Astrid's attention.</scene_description>
    <character>ASTRID</character>
    <dialogue>That's Cassian's birthday.</dialogue>
    <character>MICHAEL</character>
    <dialogue>Yeah, I know. I hate to miss it, but this is important.</dialogue>
    <character>ASTRID</character>
    <dialogue>You'd think your son's birthday is important. Get someone else to handle it...</dialogue>
    <parenthetical>(can't help herself)</parenthetical>
    <dialogue>Unless... there's another reason you're out of town.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>MICHAEL</character>
    <dialogue>What are you saying?</dialogue>
    <scene_description>Astrid presses a button on the console, RAISING THE PARTITION between them and the driver.</scene_description>
    <character>ASTRID</character>
    <dialogue>I know you're having an affair.</dialogue>
    <scene_description>Michael reacts, uncomfortable, but he doesn't deny it.</scene_description>
    <character>MICHAEL</character>
    <dialogue>Oh, Jesus, Astrid.</dialogue>
    <character>ASTRID</character>
    <dialogue>Let's just get through the wedding and we'll deal with it after. I don't want to make a scene.</dialogue>
    <scene_description>Michael looks at her, incredulous.</scene_description>
    <character>MICHAEL</character>
    <dialogue>You find out I'm having an affair with another woman, and you're worried about making a scene?</dialogue>
    <character>ASTRID</character>
    <dialogue>You'd rather I scream and carry on?</dialogue>
    <character>MICHAEL</character>
    <dialogue>Yes. Honestly, I wish you would. It would show you cared about more than what people thought of you and your family --</dialogue>
    <character>ASTRID</character>
    <dialogue>Don't try and turn this on me. I'm not the one who screwed up!</dialogue>
    <character>MICHAEL</character>
    <dialogue>Of course not. You're always the prettiest, richest, most perfect girl in the room. While I'm just this lucky bastard who will never measure up.</dialogue>
    <character>ASTRID</character>
    <dialogue>Don't say that --</dialogue>
    <character>MICHAEL</character>
    <dialogue>I know what you're thinking, Astrid. That's why you hide your shoes, the jewelry you buy.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>MICHAEL</character>
    <dialogue>As if every minute of my life I'm not reminded of it. I'm just tired. I'm tired of having nothing I do matter, including having the affair --</dialogue>
    <character>ASTRID</character>
    <dialogue>Of course, what you do matters. How can you say that?</dialogue>
    <scene_description>As the driver pulls over, Astrid reacts, thrown. Michael gets out of the car. Just like that, he's gone. Shell-shocked, Astrid starts to break down... then quickly pulls herself together.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. FIRST METHODIST CHURCH - DAY</stage_direction>
    <scene_description>The interior of the church has been transformed into an ARTFUL ABSTRACT FOREST. Eleanor, Jacqueline, Alix, and Felicity hold court with other SOCIETY WIVES by the front pews. Eleanor looks at the trees, disapproving.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Is this a church or a paddy field?</dialogue>
    <character>ALIX</character>
    <dialogue>They spent 40 million on the wedding.</dialogue>
    <character>FELICITY</character>
    <dialogue>Really? That's too much, we're Methodists. 20 million is our limit.</dialogue>
    <character>ALIX</character>
    <dialogue>I know.</dialogue>
    <character>JACQUELINE</character>
    <dialogue>Princess Intan!</dialogue>
    <scene_description>They turn to see PRINCESS INTAN, 40s, a lofty Southeast Asian royal, and her entourage passing by. The Aunties smile but Princess Intan ignores them.</scene_description>
    <character>JACQUELINE</character>
    <dialogue>Vicious woman. I heard she demanded a whole row to herself, so she wouldn't be bothered by anyone.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>FELICITY</character>
    <dialogue>Really?</dialogue>
    <character>JACQUELINE</character>
    <dialogue>Mm-hmm.</dialogue>
    <character>FELICITY</character>
    <parenthetical>(looking off at someone)</parenthetical>
    <dialogue>Who is that?</dialogue>
    <scene_description>Oliver is in the b.g. greeting one of the female guests.</scene_description>
    <character>OLIVER</character>
    <dialogue>Lovely as always. You made it!</dialogue>
    <scene_description>All the Aunties turn to see Rachel, walking down the aisle. She's confident, luminous, turning heads as she walks by. The Aunties look stunned as Rachel reaches their pew.</scene_description>
    <character>RACHEL</character>
    <dialogue>Aunties.</dialogue>
    <character>ELEANOR</character>
    <dialogue>Rachel, how lovely to see you.</dialogue>
    <character>RACHEL</character>
    <dialogue>The pleasure is all mine.</dialogue>
    <character>ELEANOR</character>
    <dialogue>I'm sorry our row is full.</dialogue>
    <scene_description>Rachel smiles, placid.</scene_description>
    <character>ALIX</character>
    <parenthetical>(whispering; re: dress)</parenthetical>
    <dialogue>I love it.</dialogue>
    <character>RACHEL</character>
    <parenthetical>(chuckles)</parenthetical>
    <dialogue>Bak-bak. Okay.</dialogue>
    <scene_description>Rachel looks for an empty seat, sees one by Princess Intan, and heads over. Jacqueline and Eleanor see this and exchange glances, looking forward to seeing Rachel being taken down a peg. Rachel approaches the Princess.</scene_description>
    <character>RACHEL</character>
    <dialogue>Princess Intan? Rachel Chu.</dialogue>
    <scene_description>CONTINUED: Princess Intan ignores her, Rachel presses on.</scene_description>
    <character>RACHEL</character>
    <dialogue>I read your great article about microloans in the Asian Economics Journal --</dialogue>
    <scene_description>ANGLE ON ELEANOR AND FELICITY watching, incredulous.</scene_description>
    <character>PRINCESS INTAN (O.S.)</character>
    <dialogue>I received so much criticism about that article.</dialogue>
    <character>RACHEL</character>
    <dialogue>Well, you know what? I think your critics missed the point. 'Cause your microloans helped women, and women lift up economies.</dialogue>
    <scene_description>The Princess is surprised. The Princess looks at Rachel, reassessing her.</scene_description>
    <character>PRINCESS INTAN</character>
    <dialogue>What is your name again?</dialogue>
    <character>RACHEL</character>
    <dialogue>Rachel Chu.</dialogue>
    <character>PRINCESS INTAN</character>
    <dialogue>It's a pleasure to meet you. Now, what brings you here.</dialogue>
    <scene_description>All the Aunties look disappointed that Rachel has been accepted by the Princess.</scene_description>
    <character>RACHEL</character>
    <dialogue>I followed a boy...</dialogue>
    <scene_description>ANOTHER ANGLE AN EXCITED BUZZ ripples through the crowd. Heads turn to see Astrid, statuesque, gorgeous, enter with AH MA, in a beautiful stately gown, her two Thai servants following behind. Eleanor and the Aunties react, surprised.</scene_description>
    <character>FELICITY</character>
    <dialogue>Ah Ma's here? She never comes to these things!</dialogue>
    <scene_description>Astrid and Ah Ma walk down the aisle. CONTINUED:</scene_description>
    <character>ASTRID</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Xiexie ni, Ah Ma. \[Thank you, Grandma.\]</dialogue>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Yijia ren bu yong shuo xie, a. \[Family never says thank you.\]</dialogue>
    <scene_description>Astrid leads Ah Ma to a seat.</scene_description>
    <character>ASTRID</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>Sit down.</dialogue>
    <character>ELEANOR</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>It's lovely to see you here.</dialogue>
    <scene_description>IN THE BACK ALCOVE Nick, Colin, and other GROOMSMEN wait. Colin is peeking out at the audience as Nick walks up to him.</scene_description>
    <character>NICK</character>
    <dialogue>How are you feeling?</dialogue>
    <character>COLIN</character>
    <dialogue>Ah, good.</dialogue>
    <character>NICK</character>
    <dialogue>All right. Don't be nervous.</dialogue>
    <character>COLIN</character>
    <dialogue>I'm not nervous.</dialogue>
    <character>NICK</character>
    <dialogue>You look great.</dialogue>
    <character>COLIN</character>
    <dialogue>Thank you. Hey, uh, Rachel's not sitting with your family.</dialogue>
    <character>NICK</character>
    <dialogue>Yeah, I don't blame her. Mother hasn't exactly been the most welcoming. But I'm sure she'll be at the back somewhere laying low.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>COLIN</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>No. She's right at the front. Take a look.</dialogue>
    <scene_description>Nick turns to where Colin is looking and sees: RACHEL AND THE PRINCESS -- Rachel looks GORGEOUS, AT EASE, as she chats happily with the Princess.</scene_description>
    <character>COLIN</character>
    <parenthetical>(surprised; smiles)</parenthetical>
    <dialogue>I think you've got a fighter.</dialogue>
    <scene_description>Nick is thrilled -- he beams with pride. A GROOMSMAN walks up.</scene_description>
    <character>GROOMSMAN</character>
    <dialogue>Guys, it's time.</dialogue>
    <character>COLIN</character>
    <dialogue>Okay.</dialogue>
    <character>NICK</character>
    <dialogue>Okay. All right.</dialogue>
    <character>BERNARD</character>
    <dialogue>Hey.</dialogue>
    <character>COLIN</character>
    <dialogue>Yeah?</dialogue>
    <character>BERNARD</character>
    <dialogue>Make sure she doesn't take your balls.</dialogue>
    <scene_description>As Bernard hits Colin in the gut. Colin hunches over and groans.</scene_description>
    <character>BERNARD</character>
    <dialogue>Just checking. Just checking.</dialogue>
    <character>COLIN</character>
    <parenthetical>(winces and groans)</parenthetical>
    <dialogue>Thanks for dressing up, Bernard.</dialogue>
    <character>BERNARD</character>
    <dialogue>Hey. It's not about me.</dialogue>
    <character>NICK</character>
    <dialogue>Yeah. Come on. Thanks, Bernard.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>BERNARD</character>
    <dialogue>It's not about me.</dialogue>
    <character>NICK</character>
    <dialogue>All right.</dialogue>
    <scene_description>The crowd HUSHES as Colin, Nick, and four GROOMSMEN enter with the PASTOR. They're a dashing pack. Rachel looks at Nick, her heart swelling with pride. Nick finds her gaze, they lock eyes. When a HUSH falls over the crowd. Eyes turn to: KINA GRANNIS, who takes the stage. She starts singing a hauntingly beautiful rendition of "I Can't Help Falling In Love." The MUSIC SOARS as we go into a -- STYLISTIC MONTAGE -- TWO ADORABLE FLOWER GIRLS (6) enter, scattering petals. -- An equally adorable RING BEARER boy (5) toddles in, clutching his ring pillow. -- The congregation, Nick, and Rachel react to the adorable kids. -- Alistair and Kitty are in the audience smooching. -- As the children reach the altar, Nick takes the ring/pillow from the little boy and does a high-five with him. -- As KINA sings with two 12-YEAR-OLD CHINESE VIOLINISTS AND A BASS PLAYER accompanying her:</scene_description>
    <character>KINA</character>
    <dialogue>Like a river flows...</dialogue>
    <scene_description>-- the AISLE OPENS UP and WATER FLOWS DOWN IT. -- The congregations gasps, amazed. Rachel and Nick stare at each other lovingly. THE MUSIC STOPS. The LIGHTS DIM, everyone in the audience are holding delicate lights on long stems. They all stand and look to the back: -- Where a group of BRIDESMAIDS hold large fronds, forming a SCREEN. They part, REVEALING: CONTINUED: -- Araminta, who's luminous, a wedding fantasy come to life. She stands next to her father, holds his arm. -- Araminta steps out of her shoes. The MUSIC swells back up as she steps onto the watery aisle. -- Araminta walks down the aisle with her bridesmaids following, as the audience all wave the GLITTERY LIGHTS towards her. -- Nick looks to Rachel, mouths, "I love you." Rachel catches her breath, mouths back, "I love you, too," tears rolling down her cheeks. -- Araminta and Colin face each other as the pastor officiates. Amid all the pageantry, it's still just a man and a woman, about to be joined together for life. -- All eyes are on Colin and Araminta... except for Eleanor, who watches Nick and Rachel with growing concern. -- Colin lifts Araminta's veil, they kiss, and everyone claps and cheers. TRANSITION TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GARDENS BY THE BAY - NIGHT</stage_direction>
    <scene_description>The botanical gardens have been transformed into a magical reception site. The supertrees tower overhead as a CHINESE BIG BAND plays. Fireworks POP, POP, POP overhead. Colin and Araminta are having their first dance, loosely circled by their wedding party, including Nick and Rachel, who are doing everything they can to keep their hands off each other. As they watch Colin and Araminta:</scene_description>
    <character>NICK</character>
    <dialogue>You look spectacular, you know that?</dialogue>
    <character>RACHEL</character>
    <dialogue>It's the double Spanx. I can't breathe.</dialogue>
    <character>NICK</character>
    <dialogue>It's not the clothes. It's just... you.</dialogue>
    <scene_description>Rachel smiles. Nick leans in to kiss her when Araminta calls to the group: CONTINUED:</scene_description>
    <character>ARAMINTA</character>
    <dialogue>Uh, excuse me. This party isn't gonna dance itself. Come on.</dialogue>
    <character>COLIN</character>
    <dialogue>Come on, Nicki-Nick.</dialogue>
    <character>NICK</character>
    <dialogue>All right.</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Yeah! Whoo!</dialogue>
    <character>NICK</character>
    <dialogue>Okay. You're very good.</dialogue>
    <character>COLIN</character>
    <dialogue>Yeah? I only stepped on her twice.</dialogue>
    <character>NICK</character>
    <dialogue>Very good.</dialogue>
    <character>OLIVER</character>
    <parenthetical>(to Felicity)</parenthetical>
    <dialogue>I mean, obviously...</dialogue>
    <character>FELICITY</character>
    <dialogue>Yeah.</dialogue>
    <character>ALISTAIR</character>
    <dialogue>Yeah! Whoo!</dialogue>
    <scene_description>IN ANOTHER AREA -- Eleanor sees Nick and Rachel dancing. She hears a SQUEAL and turns to see KITTY PONG twerking on Alistair, who has a silly grin on his face. Eleanor reacts with distaste. She's in no mood for this. Eleanor turns to Oliver, gestures to Kitty and Alistair.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Oliver.</dialogue>
    <character>OLIVER</character>
    <dialogue>Yes, Aunty?</dialogue>
    <character>ELEANOR</character>
    <dialogue>Be a dear and take care of that.</dialogue>
    <character>OLIVER</character>
    <dialogue>As you wish.</dialogue>
    <scene_description>CONTINUED: Eleanor leaves. Oliver doesn't love being ordered about, but does as he's told. ANOTHER ANGLE We FIND Nick and Rachel on the dance floor, completely into each other and having fun.</scene_description>
    <character>RACHEL</character>
    <dialogue>You know, you should wear a tux more often.</dialogue>
    <character>NICK</character>
    <dialogue>Like all the time?</dialogue>
    <character>RACHEL</character>
    <dialogue>Hmm, yeah. You know, when you're playing basketball at the Y, shaving, brushing your teeth --</dialogue>
    <scene_description>He pulls her in, close. She looks into his eyes... and they kiss. ON KITTY AND ALISTAIR as Oliver walks up.</scene_description>
    <character>OLIVER</character>
    <dialogue>Alistair, your father's looking for you. Something about an overdrawn discretionary account.</dialogue>
    <scene_description>Alistair's face falls and he takes off. Oliver holds his hand out to Kitty, who takes it. As Oliver leads her in a dance, handling her expertly:</scene_description>
    <character>ALISTAIR</character>
    <dialogue>Oh, my God.</dialogue>
    <character>KITTY</character>
    <dialogue>Baby! Oh, my gosh! Ah! Hey.</dialogue>
    <character>OLIVER</character>
    <dialogue>So...</dialogue>
    <character>KITTY</character>
    <dialogue>Hmm?</dialogue>
    <character>OLIVER</character>
    <dialogue>How do you like the wedding?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>KITTY</character>
    <dialogue>Oh, my gosh! It's so glamorous! When it's Alistair's and my wedding, I want it just like this.</dialogue>
    <character>OLIVER</character>
    <dialogue>Hmm.</dialogue>
    <character>KITTY</character>
    <dialogue>No, no! I want it big! Big! Better!</dialogue>
    <character>OLIVER</character>
    <parenthetical>(laughs)</parenthetical>
    <dialogue>Sweetie! You'll be lucky if Alistair's parents give you a tea ceremony.</dialogue>
    <character>KITTY</character>
    <dialogue>Ooh --</dialogue>
    <scene_description>Kitty looks at Oliver, confused.</scene_description>
    <character>OLIVER</character>
    <dialogue>You know, Alistair's only the fourth son of a penny-pinching family, don't you? I mean, he'll get next to nothing. You want a wedding like this? You should've fallen in love with an only child. Someone like... Bernard Tai.</dialogue>
    <scene_description>Oliver twirls her around and dips her to see Bernard surrounded by women and drinking from a champagne bottle. ON NICK AND RACHEL Nick and Rachel pull apart to see one of Ah Ma's THAI SERVANTS. She speaks with a gentle Thai accent:</scene_description>
    <character>THAI SERVANT</character>
    <dialogue>Master Nicholas... your grandmother would like to speak to you and Miss Rachel.</dialogue>
    <character>RACHEL</character>
    <dialogue>Okay.</dialogue>
    <character>NICK</character>
    <dialogue>Come on.</dialogue>
    <scene_description>ON BERNARD AND GIRLS</scene_description>
    <character>BERNARD</character>
    <dialogue>Sick party.</dialogue>
    <character>GIRL</character>
    <dialogue>Yeah!</dialogue>
    <scene_description>As Kitty approaches Bernard to dance with him, he hands a champagne bottle to a girl.</scene_description>
    <character>BERNARD</character>
    <dialogue>Hold that.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. PRIVATE ALCOVE - NIGHT</stage_direction>
    <scene_description>The Thai Servant takes Rachel and Nick to a private area where Ah Ma and Eleanor are seated at a table.</scene_description>
    <character>NICK</character>
    <dialogue>Ah Ma. Mum. What's all this about?</dialogue>
    <scene_description>Ah Ma turns to Rachel.</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Rachel... suiran wo renshi ni de rizi bu chang, ke wo kan de chulai, ni shi ge congming ren. \[Rachel. I've only known you a short time, but it's clear you're a very smart woman.\]</dialogue>
    <scene_description>Nick smiles at Ah Ma's seeming endorsement of Rachel.</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Ke wo buneng rang ni hui le wo de sunzi gen wo de jia. \[But, I will not permit you to ruin my grandson with your ambition.\]</dialogue>
    <scene_description>Rachel is stunned. Nick, reacts, shocked.</scene_description>
    <character>NICK</character>
    <dialogue>Ah Ma!</dialogue>
    <character>ELEANOR</character>
    <dialogue>I'm sorry to tell you, but Rachel has been lying to us about her family and her mother...</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <parenthetical>(guard up)</parenthetical>
    <dialogue>What, uh... What are you talking about?</dialogue>
    <character>ELEANOR</character>
    <dialogue>I hired a private investigator to look into her past --</dialogue>
    <character>NICK</character>
    <dialogue>Mum, you didn't --</dialogue>
    <character>ELEANOR</character>
    <dialogue>She said her father passed away in China, but that's not true.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Your mother's husband is very much alive. During her marriage she cheated on him and became pregnant with another man's child, and before he found out she ran away to America.</dialogue>
    <scene_description>Rachel is gutted, doesn't know what to think. Eleanor opens a DOSSIER on the table. Chinese news articles and police missing person reports featuring Kerry's picture.</scene_description>
    <character>ELEANOR</character>
    <dialogue>It's all in here.</dialogue>
    <character>NICK</character>
    <dialogue>You had no right --</dialogue>
    <character>ELEANOR</character>
    <dialogue>We had every right.</dialogue>
    <character>RACHEL</character>
    <dialogue>Stop -- You're lying.</dialogue>
    <character>NICK</character>
    <dialogue>You did not!</dialogue>
    <character>ELEANOR</character>
    <dialogue>Do you have any idea the scandal this would have caused? For Rachel to hide something like this --</dialogue>
    <character>NICK</character>
    <dialogue>She wouldn't have.</dialogue>
    <scene_description>Eleanor sees Rachel is clearly shocked. CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>We cannot be linked to this sort of family.</dialogue>
    <scene_description>Rachel looks at Eleanor, backs away, reeling.</scene_description>
    <character>RACHEL</character>
    <dialogue>I don't want any part of your family.</dialogue>
    <scene_description>He reaches for her, but Rachel pulls away, stung.</scene_description>
    <character>NICK</character>
    <dialogue>Rachel --</dialogue>
    <scene_description>Rachel takes off, Nick starts after her, when:</scene_description>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled)</parenthetical>
    <dialogue>Buxu zhui ta. Zaojin ni ziji. Buxu dong. Ni yao gen ta zou, jiu bie huilai! \[Don't chase after her and degrade yourself. I forbid it. If you go with her, you can't come back!\]</dialogue>
    <character>NICK</character>
    <dialogue>Let me go! Rachel.</dialogue>
    <scene_description>Nick pulls away and runs after Rachel.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Ah Ma! Nick!</dialogue>
    <character>AH MA</character>
    <parenthetical>(in Mandarin; subtitled; turns on Eleanor)</parenthetical>
    <dialogue>Dou shi wei le ni, dou shi ni ya rang ta zai waitou dai name jiu. Ni kan jintian! \[This is your fault. You let this happen by allowing him to stay away so long. Now, look!\]</dialogue>
    <scene_description>Eleanor stands there, submissive. Ah Ma reacts, stunned, furious. OFF Eleanor, her worst fears coming true...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GARDENS BY THE BAY - CANAL - NIGHT</stage_direction>
    <scene_description>Rachel is upset, disoriented, as she makes her way through the crowd. CONTINUED:</scene_description>
    <character>EDDIE</character>
    <dialogue>Hey, Cinderella. What's wrong? You gotta return your dress before midnight?</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Why? It's all non-fat.</dialogue>
    <character>COLIN</character>
    <dialogue>Nicki-Nick!</dialogue>
    <character>ARAMINTA</character>
    <dialogue>Oh, you're just in time.</dialogue>
    <character>COLIN</character>
    <dialogue>Nick, want some cake? Where are you going?</dialogue>
    <character>FEMALE WEDDING GUEST #1</character>
    <dialogue>Come back here! Come back here!</dialogue>
    <character>FEMALE WEDDING GUEST #2</character>
    <dialogue>Drink girl! Drink!</dialogue>
    <scene_description>She hears a SCREAM and turns to see several guests POINTING and LAUGHING at: A HALF-NAKED Bernard and Kitty behind some bushes. Bernard is completely drunk and paws at Kitty, who's mortified at being discovered. The crowd LAUGHS, derisive, as Kitty struggles to pull her dress up as she flees. It's sickening to Rachel -- it feels like people are talking about her as much as Kitty. She flees... Among the crowd, we FIND Nick searching for Rachel, but he's too late...</scene_description>
    <character>NICK</character>
    <dialogue>Oliver.</dialogue>
    <character>OLIVER</character>
    <dialogue>Oh, Nicki have you...?</dialogue>
    <character>NICK</character>
    <parenthetical>(interrupts)</parenthetical>
    <dialogue>Rachel. Have you seen Rachel?</dialogue>
    <character>OLIVER</character>
    <dialogue>I don't --</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>AMANDA</character>
    <dialogue>Nicholas! How are you? It's been so long.</dialogue>
    <character>NICK</character>
    <dialogue>Oh, Amanda. Yes. Thank you, Amanda. Thank you, Amanda. No, Amanda. Not now.</dialogue>
    <character>AMANDA</character>
    <dialogue>It's good to see you. Let's talk. For old times' sake.</dialogue>
    <scene_description>Nick frantically looks around the party for Rachel. TIME LAPSE as the crowd clears and it starts to rain.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOH HOUSE - NIGHT</stage_direction>
    <scene_description>A PAIR OF BARE FEET walks up to the gate. RACHEL, her once-flawless hair, makeup, and dress are a mess. She carries her HIGH HEELS IN HER HANDS. Peik Lin rushes to Rachel, who bursts into tears and collapses into her friend.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOH HOUSE - PEIK LIN'S ROOM - DAY</stage_direction>
    <scene_description>Rachel lies on the upholstered bench at the end of the bed, unmoving, staring into space. Sparse sunlight filters into the room. Peik Lin enters.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Rachel? Come to breakfast. You need to eat. Or, use the bathroom, or maybe a shower. It's there if you need it.</dialogue>
    <scene_description>But Rachel doesn't move. TIME LAPSE SEQUENCE -- It's NIGHT: Rachel still lies in bed, awake, but not moving. The door opens. It's Neenah and Wye Mun with a dinner tray. They have the twin girls bring the tray to Rachel.</scene_description>
    <character>WYE MUN</character>
    <parenthetical>(whispering)</parenthetical>
    <dialogue>Here, take this tray, okay. Take this to Rachel. Okay, go to her.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>GOH TWIN GIRL #1</character>
    <dialogue>Here, Rachel, this is your dinner.</dialogue>
    <character>RACHEL</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>The girls run back to Neenah and Wye Mun and they all leave Rachel who's just staring at the dinner tray. -- Darkness gives way to dawn, but Rachel is still in bed, unmoving. On the bedside table, her PHONE RINGS. It's NICK, Rachel presses ignore and places the phone face-down on the table. Nick leaves a message --</scene_description>
    <character>NICK (V.O.)</character>
    <parenthetical>(pre-lap)</parenthetical>
    <dialogue>I'll stop by again tonight.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. RAFFLES HOTEL - SUITE - DAY</stage_direction>
    <scene_description>Nick is on the phone, leaving Rachel a message.</scene_description>
    <character>NICK</character>
    <parenthetical>(then)</parenthetical>
    <dialogue>Rachel, please, just give me a call. Anytime. Please.</dialogue>
    <scene_description>Nick hangs up.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOH FAMILY HOUSE - PEIK LIN'S ROOM - DAY</stage_direction>
    <scene_description>Peik Lin enters the dark room.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Rachel, someone's here to see ya.</dialogue>
    <scene_description>Rachel doesn't move.</scene_description>
    <character>RACHEL</character>
    <dialogue>I don't want to see him.</dialogue>
    <character>PEIK LIN</character>
    <dialogue>It's not Nick.</dialogue>
    <scene_description>Someone steps in from behind Peik Lin. It's KERRY. Rachel stirs, can't believe her eyes.</scene_description>
    <character>RACHEL</character>
    <dialogue>Mom!</dialogue>
    <scene_description>CONTINUED: Rachel rushes to her mom, hugging her. Rachel tears up, finally with the person she needed the most. TIME CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOH FAMILY HOUSE - PEIK LIN'S ROOM - DAY</stage_direction>
    <scene_description>The blinds are open and Rachel sits up, looking better, as Kerry fusses over her, bringing her herbal soup.</scene_description>
    <character>KERRY</character>
    <dialogue>Drink more. The dong-quai and the ginseng will give you more energy.</dialogue>
    <character>RACHEL</character>
    <dialogue>Thanks.</dialogue>
    <scene_description>Rachel lets herself be mothered, but Kerry sees the toll the last few days have taken.</scene_description>
    <character>KERRY</character>
    <dialogue>Your spirit has always been so strong, ever since young. You will get through this.</dialogue>
    <scene_description>Rachel nods, needing to hear that. But:</scene_description>
    <character>RACHEL</character>
    <dialogue>Why didn't you tell me about my father?</dialogue>
    <scene_description>Kerry nods, she's been expecting this.</scene_description>
    <character>KERRY</character>
    <dialogue>My husband wasn't a good man. He hurt me.</dialogue>
    <parenthetical>(off Rachel)</parenthetical>
    <dialogue>But an old schoolmate of mine helped me through things and we fell in love and I got pregnant with his baby, that's you. I was so afraid my husband would find out and kill us both, so I just took you and I ran to America.</dialogue>
    <scene_description>Rachel is stunned.</scene_description>
    <character>RACHEL</character>
    <dialogue>Did you ever...? I don't know, think about trying to talk to him? I mean, do you think about him?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>KERRY</character>
    <dialogue>Every day. When we first came to America all I could think about was reaching out for him, but I was so afraid my husband would find us. And now, I, I just don't want to cause any trouble.</dialogue>
    <character>RACHEL</character>
    <dialogue>I'm really sorry.</dialogue>
    <scene_description>Kerry shakes her head, smiles through the tears.</scene_description>
    <character>KERRY</character>
    <dialogue>Oh! Don't be sorry. You listen to me, everything that happened in my past life is the reason why I got you.</dialogue>
    <scene_description>Rachel tears up, vulnerable.</scene_description>
    <character>KERRY</character>
    <dialogue>My brave and clever girl.</dialogue>
    <scene_description>Rachel flops back on the bed. Her mother lies down next to her.</scene_description>
    <character>RACHEL</character>
    <dialogue>I really thought he was the one.</dialogue>
    <scene_description>OFF Rachel as this sinks in.</scene_description>
    <character>RACHEL</character>
    <dialogue>Now, I just wanna go home.</dialogue>
    <character>KERRY</character>
    <dialogue>You know, Nick was the one who called me and brought me out here. Before we go, I think you should go and talk to him.</dialogue>
    <scene_description>Rachel sighs. Then they hear a clicking sound and turn to see P.T. at the doorway holding his phone and taking photos of them.</scene_description>
    <character>P.T.</character>
    <dialogue>I'll e-mail the photo later.</dialogue>
    <character>RACHEL</character>
    <dialogue>P.T., how long you been standing there?</dialogue>
    <character>P.T.</character>
    <dialogue>Just a short while.</dialogue>
    <scene_description>CONTINUED: Rachel and Kerry laugh.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RIVERFRONT - DAY</stage_direction>
    <scene_description>Rachel sits on a bench, when she sees Nick approach, tentative, hopeful. He sits next to her.</scene_description>
    <character>NICK</character>
    <dialogue>I'm so sorry about everything. What my mother did to you is unforgivable --</dialogue>
    <character>RACHEL</character>
    <dialogue>It's not your fault --</dialogue>
    <character>NICK</character>
    <dialogue>It is. Ever since I can remember, my family has been my whole life. And I am done making excuses for them.</dialogue>
    <scene_description>He pulls out the ring he's been carrying. Rachel looks at Nick, astounded.</scene_description>
    <character>RACHEL</character>
    <dialogue>Nick --</dialogue>
    <character>NICK</character>
    <dialogue>Marry me. Marry me and we'll start our new life together in New York, just you and me. I'll leave all of this behind.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - DAY</stage_direction>
    <scene_description>Eleanor, wearing sunglasses, walks by the row of old terraced shophouses, pausing when she hears a familiar CLACKING sound. She walks through an unmarked door, into:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MAHJONG HALL - DAY</stage_direction>
    <scene_description>Eleanor enters to see Rachel playing mahjong with two WOMEN at a back table. It's a FLUID, RHYTHMIC RITUAL -- the staccato clacking of tiles, stacks being formed and moved like clockwork. Eleanor is surprised to see how adept and effortless Rachel is. Eleanor walks up to the table. CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Thanks for meeting me here.</dialogue>
    <parenthetical>(re: women)</parenthetical>
    <dialogue>Don't worry about them. They're half deaf and they only speak Hokkien.</dialogue>
    <character>WOMAN</character>
    <parenthetical>(hands Eleanor dice)</parenthetical>
    <dialogue>Mm-hmm.</dialogue>
    <scene_description>Eleanor sits down at the table, and tosses the dice in the middle of the stacks of tiles. She starts playing the game.</scene_description>
    <character>RACHEL</character>
    <dialogue>My mom taught me how to play. She told me mahjong would teach me important life skills. Negotiation, strategy, cooperation.</dialogue>
    <parenthetical>(NOTE: The game goes on throughout the scene. With cards thrown, picked up, chips exchanging hands, etc.)</parenthetical>
    <character>ELEANOR</character>
    <dialogue>You asked me here. I assume it's not for a mahjong lesson. Pung.</dialogue>
    <scene_description>She puts down a power card combo. The women toss red chips to her.</scene_description>
    <character>ELEANOR</character>
    <dialogue>My mother taught me, too.</dialogue>
    <scene_description>Rachel tosses her a red chip.</scene_description>
    <character>RACHEL</character>
    <dialogue>I know Nick told you the truth about my mom. But you didn't like me the second I got here. Why is that?</dialogue>
    <character>ELEANOR</character>
    <dialogue>There's a Hokkien phrase. Ka gi lan. It means 'our own kind of people.' And you're not our own kind.</dialogue>
    <character>RACHEL</character>
    <dialogue>'Cause I'm not rich? 'Cause I didn't go to a British boarding school or I wasn't born into a wealthy family?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ELEANOR</character>
    <dialogue>You're a foreigner. American. And all Americans think about is their own happiness.</dialogue>
    <character>RACHEL</character>
    <dialogue>Don't you want Nick to be happy?</dialogue>
    <character>ELEANOR</character>
    <dialogue>It's an illusion. We understand how to build things that last. Something you know nothing about.</dialogue>
    <character>RACHEL</character>
    <dialogue>You don't know me.</dialogue>
    <character>ELEANOR</character>
    <dialogue>I know you're not what Nick needs.</dialogue>
    <character>RACHEL</character>
    <dialogue>Well, he proposed to me yesterday.</dialogue>
    <parenthetical>(off Eleanor)</parenthetical>
    <dialogue>He said he'd walk away from his family and from you, for good.</dialogue>
    <scene_description>Eleanor's hand slips, she drops a tile. The other women exchange looks, sensing the tension:</scene_description>
    <character>RACHEL</character>
    <dialogue>Don't worry, I turned him down.</dialogue>
    <scene_description>Eleanor tries to regain her composure.</scene_description>
    <character>ELEANOR</character>
    <dialogue>Only a fool folds a winning hand.</dialogue>
    <character>RACHEL</character>
    <dialogue>There's no winning. You made sure of that. Because if Nick chose me, he would lose his family. And if he chose his family, he might spend the rest of his life resenting you.</dialogue>
    <scene_description>Eleanor grabs a tile that Rachel had just discarded.</scene_description>
    <character>ELEANOR</character>
    <parenthetical>(realizing)</parenthetical>
    <dialogue>So you chose for him.</dialogue>
    <character>RACHEL</character>
    <dialogue>I'm not leaving 'cause I'm scared or because I think I'm not enough. Because... maybe for the first time in my life, I know I am.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>RACHEL</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I just love Nick so much. I don't want him to lose his mom again. So I just wanted you to know that one day, when he marries another lucky girl, who is enough for you, and you're playing with your grandkids while the tan huas are blooming, and the birds are chirping, that it was because of me... a poor, raised by a single mother, low class, immigrant nobody.</dialogue>
    <scene_description>Rachel SHOWS HER HAND -- a WINNING COMBINATION -- but she FOLDS. The game is mucked (no one can win). Rachel gets up. As Rachel reaches the door, REVEAL Kerry has been sitting quietly at another table. As Kerry joins Rachel, she turns to see Eleanor and the two mothers exchange a look.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ASTRID'S APARTMENT - BEDROOM - DAY</stage_direction>
    <scene_description>Astrid enters as Michael packs a bag. Michael is uncomfortable, not wanting to do this in front of her.</scene_description>
    <character>MICHAEL</character>
    <dialogue>Hey. I'm gonna send someone for the rest of my stuff. But I wanna talk to you about my visitation rights with Cassian.</dialogue>
    <character>ASTRID</character>
    <dialogue>Stop talking.</dialogue>
    <character>MICHAEL</character>
    <dialogue>What?</dialogue>
    <character>ASTRID</character>
    <dialogue>Don't worry about packing your things. You bought this apartment, you keep it. We're leaving --</dialogue>
    <character>MICHAEL</character>
    <dialogue>What do you mean, you're leaving? Where are you gonna go?</dialogue>
    <character>ASTRID</character>
    <dialogue>I have fourteen apartment buildings that I own, so probably one of those.</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>ASTRID</character>
    <dialogue>And you'll see Cassian when it's good for him, not when it's good for you.</dialogue>
    <scene_description>Astrid walks away. Michael takes her arm, holds her back.</scene_description>
    <character>MICHAEL</character>
    <dialogue>Hey! Look, you know, it's not just my fault that things didn't work out.</dialogue>
    <scene_description>Astrid pauses, then:</scene_description>
    <character>ASTRID</character>
    <dialogue>You're right. I shouldn't have kept things from you. Hidden my shoes, turned down jobs, charity work, worrying that it might make you feel lesser than. But let's be clear -- the problem with our marriage isn't my family's money. It's that you're a coward. You gave up on us. But I've just realized --</dialogue>
    <parenthetical>(then)</parenthetical>
    <dialogue>It's not my job to make you feel like a man. I can't make you something you're not.</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. CITYSCAPE (SINGAPORE) - DAWN (ESTABLISHING)</stage_direction>
  </scene>
  <scene>
    <stage_direction>EXT. GOH HOUSE - DAY</stage_direction>
    <scene_description>Peik Lin helps Rachel load SUITCASES into a waiting TAXI.</scene_description>
    <character>PEIK LIN</character>
    <dialogue>Good for you. Walking away from Nick and his family's fat-ass property portfolio. You have no one, no net worth, but you have integrity. That's why I respect you.</dialogue>
    <character>RACHEL</character>
    <parenthetical>(hugging Peik Lin)</parenthetical>
    <dialogue>Thank you for everything.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. RAFFLES HOTEL - SUITE - DAY</stage_direction>
    <scene_description>CLOSE ON NICK -- CONTINUED: when he hears a KNOCK. He rushes to the door, hopeful, opens it to see: ELEANOR OFF Nick, disappointed, conflicted at seeing his mother. TIME CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ASTRID'S APARTMENT - BATHROOM - DAY</stage_direction>
    <scene_description>Astrid reaches above the mirror for the box containing the earrings she hid there. She puts them on and looks at her reflection -- she likes what she sees. Emboldened, she exits to:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOH HOUSE - DAY</stage_direction>
    <scene_description>Kerry hurries up, dressed for travel, carrying two TUPPERWARE MEALS.</scene_description>
    <character>PEIK LIN</character>
    <parenthetical>(hugging Kerry)</parenthetical>
    <dialogue>Bye, Mrs. Chu!</dialogue>
    <character>KERRY</character>
    <dialogue>Goodbye and thank you.</dialogue>
    <scene_description>As Kerry gets into the taxi:</scene_description>
    <character>PEIK LIN</character>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Sure I can't get you to stay? You know, my brother P.T. he's still single...</dialogue>
    <scene_description>They turn to see P.T. at the doorway making a hand heart. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. RAFFLES HOTEL - SUITE - BALCONY - DAY</stage_direction>
    <scene_description>Nick and his mother stand on the balcony of Nick's room, silent, staring at nothing. Eleanor finally looks at her son.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOH HOUSE - DAY</stage_direction>
    <scene_description>Rachel and Peik Lin hug goodbye. CONTINUED:</scene_description>
    <character>RACHEL</character>
    <parenthetical>(to Peik Lin)</parenthetical>
    <dialogue>All right.</dialogue>
    <scene_description>Rachel gets in the taxi. Peik Lin runs and stands next to her brother, wraps her arm around his shoulders. He puts his hand on her shoulder as the taxi drives away.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CITYSCAPE (SINGAPORE) - DAY</stage_direction>
    <scene_description>We see Rachel's taxi speeding down the highway heading for the airport.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. AIRPORT - TARMAC</stage_direction>
    <scene_description>Planes taxi in marked "Pacific Asean Airlines."</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AIRPLANE - DAY</stage_direction>
    <scene_description>Rachel and Kerry make their way down the crowded aisle. They're jostled by other passengers and their carry-on bags. A far cry from first class. TIME CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ASTRID'S APARTMENT - DAY</stage_direction>
    <scene_description>Astrid walks away while Michael watches. TIME CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. AIRPLANE - DAY</stage_direction>
    <character>NICK</character>
    <dialogue>Rachel! Rachel! Stay there.</dialogue>
    <character>KERRY</character>
    <dialogue>I'm gonna go and look for some extra blankets.</dialogue>
    <character>CHUBBY WOMAN</character>
    <dialogue>Hello.</dialogue>
    <parenthetical>(in Mandarin)</parenthetical>
    <dialogue>Kuai dian, kuai dian. \[Hurry, hurry.\]</dialogue>
    <character>RACHEL</character>
    <dialogue>Sorry, just one second. Nick, what are you doing here?</dialogue>
    <scene_description>CONTINUED:</scene_description>
    <character>NICK</character>
    <dialogue>I'm flying back to New York with you.</dialogue>
    <character>RACHEL</character>
    <dialogue>God, don't make this harder than it already is --</dialogue>
    <character>NICK</character>
    <dialogue>I always imagined what me proposing to you would be like. And you know what, I had it all planned out.</dialogue>
    <parenthetical>(to sitting man on plane)</parenthetical>
    <dialogue>Oh, yeah, right behind you. Don't mind me.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>I'd bring you to my favorite spot on the island. There's a hidden trail that I used to go to as a child. Now there's a cove there that opens up to this beautiful lake.</dialogue>
    <parenthetical>(to standing man on plane)</parenthetical>
    <dialogue>Um, sorry, dude. Give me a second. Let me just move.</dialogue>
    <scene_description>Nick passes by the standing man as he continues:</scene_description>
    <character>NICK</character>
    <dialogue>When the sun hits the horizon, I'd get down on one knee.</dialogue>
    <scene_description>Rachel sighs.</scene_description>
    <character>NICK</character>
    <dialogue>And the rest of the world would fall away. Because it would just be you and -- Because it's just you and --</dialogue>
    <parenthetical>(to female passenger struggling with carry-on)</parenthetical>
    <dialogue>Sorry, I can help you with that. That's fine.</dialogue>
    <parenthetical>(to Rachel)</parenthetical>
    <dialogue>Stay there.</dialogue>
    <scene_description>Thump. Now, Nick is JOSTLED by a WOMAN trying to jam her carry-on in the overhead compartment. CONTINUED:</scene_description>
    <character>NICK</character>
    <parenthetical>(to woman on plane)</parenthetical>
    <dialogue>Yay. You, too? Watch your fingers. Lift it up. Okay.</dialogue>
    <scene_description>Nick steps into the aisle, helps the Woman and others get their luggage put away.</scene_description>
    <character>NICK</character>
    <parenthetical>(to surrounding passengers)</parenthetical>
    <dialogue>Everybody okay? Because I just need thirty seconds with this woman. Okay, thank you.</dialogue>
    <scene_description>Nick turns back to Rachel... and gets down on one knee. Rachel is astounded, tries to stay strong.</scene_description>
    <character>NICK</character>
    <dialogue>Oh, coming through. Sorry. I know this is a far throw from a hidden paradise...</dialogue>
    <scene_description>Rachel looks into his eyes.</scene_description>
    <character>NICK</character>
    <dialogue>But wherever you are in the world, that's where I belong.</dialogue>
    <scene_description>She takes this in. He pulls out a ring box.</scene_description>
    <character>RACHEL</character>
    <dialogue>But, I --</dialogue>
    <scene_description>Nick opens the box, revealing: ELEANOR'S EMERALD RING. Time stops. Rachel's breath parts from her for the moment. Her eyes meet his and then --</scene_description>
    <character>NICK</character>
    <dialogue>Rachel Chu. Will you marry me and make me the happiest man in this world?</dialogue>
    <scene_description>Rachel, teary-eyed and overwhelmed, is about to respond.</scene_description>
    <character>CHUBBY WOMAN</character>
    <dialogue>Yes! Yes! Yes! She will marry you!</dialogue>
    <scene_description>Nick looks at Rachel, "Is Chubby Woman right?" Rachel hands her neck pillow to Chubby woman. Kerry is standing behind her, all smiles. CONTINUED:</scene_description>
    <character>RACHEL</character>
    <dialogue>Yes!!</dialogue>
    <scene_description>The cabin ERUPTS in HOOTS and CLAPPING! Nick puts the ring on her finger -- a perfect fit. He pulls her into his arms as he kisses her. Chubby Woman high-fives Kerry. Rachel grins as she's inches away from Nick.</scene_description>
    <character>NICK</character>
    <dialogue>I love you.</dialogue>
    <character>RACHEL</character>
    <dialogue>I love you, too. This is gonna be some flight back to New York.</dialogue>
    <character>NICK</character>
    <dialogue>Well, I was actually thinking about staying one more night</dialogue>
    <scene_description>OFF Rachel, intrigued, in love, excited. She kisses him again.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MARINA BAY SANDS (SINGAPORE) - SKY DECK - NIGHT</stage_direction>
    <scene_description>Nick leads Rachel into the middle of a crowd of people with his hands covering her eyes. When he removes his hands, she sees a crowd of Nick's friends screaming and cheering. Araminta and Colin in front leading the pack. It's an ENGAGEMENT PARTY at this mind-blowing location, perched high above the city. Everyone has shown up: Peik Lin, Eddie, Fiona, Alistair, Bernard, Kitty, Oliver, Colin, Araminta, Charlie, and THE GOHs. They all cheer and hug Rachel and Nick. Nick points for Rachel to look at the pool where SYNCHRONIZED SWIMMERS are performing. Rachel spots Eleanor in the distance. There's a look of understanding, respect between them. Nick kisses Rachel as all the revelers clap and scream their congratulations. We PULL AWAY as fireworks explode in the b.g... FADE IN ON: END CREDITS CUT BACK TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MARINA BAY SANDS (SINGAPORE) - SKY DECK - NIGHT</stage_direction>
    <scene_description>Astrid and a handsome man at the party look at each other, then turn away. Then they look back at each other with a sly grin. CUT BACK TO: END CREDITS CONTINUE. FADE OUT.: THIS SCRIPT WAS PREPARED: BY WARNER BROS. PICTURES: SCRIPT PROCESSING DEPARTMENT</scene_description>
    <character>(818) 954-4632</character>
  </scene>
</script>

Summary: Rachel Chu, a professor of economics at New York University, and her boyfriend Nick Young travel to Singapore for the wedding of Nick’s best friend Colin Khoo and Araminta Lee. The following day, Rachel visits her college roommate Goh Peik Lin and her wealthy family, who reveal that Nick's family is extremely wealthy and akin to royalty in Singapore. Later that evening, Rachel and Peik Lin arrive at the sprawling Young family estate for a dinner party. Nick introduces Rachel to his mother Eleanor, while his sister Astrid Leong-Teo discovers that her husband Michael, who comes from a more humble background than the Youngs, has been having an affair. Rachel immediately senses that Eleanor dislikes her. Nick then introduces her to his grandmother, matriarch Shang Su Yi, who takes a liking to Rachel. At Araminta's bachelorette party, Rachel meets Amanda Ling, who reveals she is Nick's ex-girlfriend and tells Rachel that she may face rejection by the Youngs due to her modest background; Rachel is also accused of being a gold digger. Meanwhile, Nick attends Colin's bachelor party and reveals his plan to propose to Rachel. Colin expresses concern about the potential conflicts: apart from their class difference, Nick is expected to stay in Singapore and run his family's corporation, whereas Rachel loves her job in New York City. Nick apologizes to Rachel for not telling her who he really is and takes her back to the Young estate to make dumplings. Eleanor recounts her sacrifices to be a part of the family and calls out Rachel's stereotypically American pursuit of passion. She privately recounts to Rachel how Nick's father had to obtain her engagement ring because Su Yi disapproved of her and refused to give him the family ring, and tells Rachel that she will never be enough for Nick or his family. Peik Lin convinces Rachel to stand up to Eleanor and earn her respect. On the day of the wedding, Peik Lin and Oliver T’sien, Nick’s second cousin, give Rachel a glamorous makeover. Meanwhile, en route to the wedding, Astrid confronts Michael, who blames his infidelity on the financial disparity between them. At the afterparty, Eleanor and Su Yi privately confront Rachel and Nick because via a private investigator they learned that Rachel's father is alive, and she was conceived through an extramarital affair, after which her mother Kerry fled to the United States. They demand that Nick stop seeing Rachel for fear of scandal. The shocked and heartbroken Rachel, whose mother told her that her father was dead, flees to Peik Lin's home, remaining in a depressed stupor. Kerry later arrives upon request by Nick, explaining that her abusive husband led to the comfort of an old classmate who then impregnated her; she fled in fear that her husband would kill them. Nick apologizes to Rachel and proposes, willing to abandon his family to be with her, but Rachel rejects. She then meets Eleanor at a mahjong parlor and points out that Eleanor has created a stalemate: Nick can forsake Rachel and remain dutiful but resentful of his family, or he can forsake his family for love. Making use of her expertise in game theory, she hands Eleanor the mahjong tile that lets her win, and reveals that she could have kept the tile for herself and claimed victory. Having thus demonstrated her willingness to place family over self, she leaves with Kerry to the airport. Meanwhile, Astrid moves out with her son Cassian, and tells Michael that his insecurities caused their marriage to fail. Eleanor gives her blessing to Nick and Rachel by giving Nick her ring, which Nick uses to propose to Rachel on the plane before her flight departs. Rachel accepts and they stay in Singapore for an engagement party. There, Astrid and her ex-boyfriend Charlie Wu spot each other; she discreetly smiles.