<script>
  <scene>
    <character>'22 JULY'</character>
    <dialogue>Written by</dialogue>
    <scene_description>Paul Greengrass Based on: "One of Us" by Åsne Seierstad</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. RURAL NORWAY - WHITE FARMHOUSE - DAY</stage_direction>
    <scene_description>An isolated white farmhouse set within dense pine forest. CAPTION: 21 JULY 2011 VÅLSTUA FARM. 145KM EAST OF OSLO CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. WHITE FARMHOUSE - GARAGE - CONTINUOUS</stage_direction>
    <scene_description>A man (early 30s) fills industrial sacks with thick black powder. Diesel soaked fertiliser mixed with aluminium. Messy work. This is ANDERS BREIVIK and he is preparing for war. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - DUSK</stage_direction>
    <scene_description>A small island on the eastern flank of LAKE TYRIFJORDEN. CAPTION: UTØYA ISLAND. 40KM WEST OF OSLO. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - FERRY DOCK - DUSK</stage_direction>
    <scene_description>The early evening ferry from the mainland. Crowds of excited teenagers arrive for the annual summer camp run by Norway's ruling Labour Party. Among them: VILJAR HANSSEN (17), a striking young man and to all his friends a natural leader. With him, his younger brother TORJE (14). They are met off the boat by MOTHER UTOYA (45). She has run the camp for 20 years.</scene_description>
    <character>MOTHER UTOYA</character>
    <dialogue>Aww nice to see you!</dialogue>
    <character>VILJAR</character>
    <dialogue>Hey!</dialogue>
    <scene_description>The boys head on up to the centre of the island. Stopping at a check-in desk.</scene_description>
    <character>VILJAR</character>
    <dialogue>Hi, er.. Viljar Hanssen...</dialogue>
    <character>BOY AT DESK</character>
    <dialogue>Viljar...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT/EXT. WHITE FARMHOUSE - VAN - EVENING</stage_direction>
    <scene_description>BREIVIK loads the sacks into the white van. Next the detonator and charges - which he packs in with pieces of old mattress. Then he threads a long black wire from the sacks into the driver's compartment. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - DUSK</stage_direction>
    <scene_description>VILJAR and TORJE arrive at the campsite. Make-shift signs: Oslo; Telemark...</scene_description>
    <character>VOICE</character>
    <parenthetical>(as the brothers approach)</parenthetical>
    <dialogue>Hey Viljar!</dialogue>
    <scene_description>VILJAR sees his best friends - SIMON and ANDERS (both 17).</scene_description>
    <character>VILJAR</character>
    <dialogue>Hey!</dialogue>
    <character>SIMON</character>
    <dialogue>We saved a spot for you.</dialogue>
    <character>VILJAR</character>
    <dialogue>Perfect!</dialogue>
    <scene_description>They hug and begin pitching their tents. All around: excitement at the weekend ahead. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. WHITE FARMHOUSE - EVENING</stage_direction>
    <scene_description>BREIVIK loading a black peli-case: A Glock. A rifle. A shotgun. Thousands of rounds of ammunition. Grenades. He exits the farmhouse with the peli-case and drives away. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOVERNEMNT DISTRICT - PM'S OFFICE - EVENING</stage_direction>
    <scene_description>Angle on PM's agenda.</scene_description>
    <character>PM AIDE 3</character>
    <dialogue>So on Saturday you go to the AUF summer camp on Utøya. Here's your schedule and attached is also a draft of your speech.</dialogue>
    <scene_description>CAPTION: OFFICE OF THE PRIME MINISTER. GOVERNMENT CENTRE, OSLO PM reads draft.</scene_description>
    <character>PM AIDE 2 OYSTEIN</character>
    <dialogue>I've started with your personal connection to the island. How it inspired your activism, and then you push on to the issues...</dialogue>
    <character>PRIME MINISTER</character>
    <parenthetical>(scanning)</parenthetical>
    <dialogue>Good. I think it needs to be a bit more personal. More about my memories from the island. And then I want to really address the challenge of youth unemployment.</dialogue>
    <character>PM AIDE 2 OYSTEIN</character>
    <dialogue>Yep. That's good.</dialogue>
    <character>PRIME MINISTER</character>
    <parenthetical>(to AIDE 3)</parenthetical>
    <dialogue>And make sure we schedule enough time for me to really meet with the kids…Two hours maybe?</dialogue>
    <character>PM AIDE 2 OYSTEIN</character>
    <dialogue>And the committee papers are in your briefcase. You should read them before Monday.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>Got it. Well I think we're all set. Get some rest.</dialogue>
    <character>PM AIDE 4</character>
    <parenthetical>(handing him briefcase)</parenthetical>
    <dialogue>You too, sir.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>PM walks away towards the door with AIDE 3.</scene_description>
    <character>PM AIDE 3</character>
    <dialogue>You have National Security at 10 in the morning, right?</dialogue>
    <scene_description>They move out into a corridor.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>Yes, I'll do it in the Residency. And bring the Justice Minister earlier.</dialogue>
    <character>PM AIDE 3</character>
    <dialogue>Yes of course</dialogue>
    <character>PM AIDE 5 (O.O.V)</character>
    <dialogue>Goodnight Prime Minister.</dialogue>
    <scene_description>PM into lift.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>See you back here after lunch.</dialogue>
    <scene_description>The lift doors closes. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. OFFICE OF PM - PRIME MINISTER'S CAR - EVENING</stage_direction>
    <scene_description>PM gets into a waiting car. The car pulls away. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. NORWAY - MAIN ROAD - NIGHT</stage_direction>
    <scene_description>BREIVIK on the road towards OSLO. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S VAN - CONTINUOUS</stage_direction>
    <scene_description>Takes the turning for Oslo City Centre. Outside - Oslo's busy streets. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OSLO STREET - CONTINUOUS</stage_direction>
    <scene_description>Breivik's van turns a corner, out of sight. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - NIGHT</stage_direction>
    <scene_description>Wide of the island in the middle of the lake. Pick up the sound of singing... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CAMPSITE - EVENING</stage_direction>
    <scene_description>A campfire. Music, singing. VILJAR, TORJE, SIMON and ANDERS around a fire pit. SOMEONE strumming a guitar. We see LARA RASHID (16) and her sister BANO (18) too. VILJAR and LARA exchange glances. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. WEST OSLO - BREIVIK'S MOTHER'S APARTMENT - NIGHT</stage_direction>
    <scene_description>BREIVIK pulls up outside an apartment complex, in an up- market part of Oslo. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S VAN - CONTINUOUS</stage_direction>
    <scene_description>He stops the engine. Leans back in his seat. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHERS APARTMENT - CONTINUOUS</stage_direction>
    <scene_description>BREIVIK enters quietly. Goes into his room. In the kitchen his MOTHER listens. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S BEDROOM - CONTINOUS</stage_direction>
    <scene_description>BREIVIK picks up a key from the table and exits. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHER'S KITCHEN - CONTINOUS</stage_direction>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>Anders?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHERS APARTMENT HALLWAY - CONTINOUS</stage_direction>
    <scene_description>BREIVIK leaves without saying a word. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT/EXT. MOTHER'S APARTMENT - NIGHT</stage_direction>
    <scene_description>Angle from a window: Breivik loads the gun cases from the white van into a small Fiat Diablo. His MOTHER watches from behind the curtain, as he drives away in the Fiat. AMU PUTY IBN WIDE SHO0T OF FLAG</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - CAMPSITE - MORNING</stage_direction>
    <scene_description>VILJAR, TORJE, SIMON and ANDERS walk across the campsite to the canteen.</scene_description>
    <character>MOTHER UTØYA (OOV)</character>
    <dialogue>Good morning!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UTOYA ISLAND - CANTEEN/SEMINAR ROOM - DAY</stage_direction>
    <scene_description>VILJAR takes off his coat. TORJE already seated. LARA and BANO enter and find their seats. VILJAR sees. She returns his look.</scene_description>
    <character>MOTHER UTØYA</character>
    <dialogue>So welcome to the first seminar for today. We are going to do an exercise, which I have called 'If I were Prime Minister.' One of the good things about Utøya is that you can meet friends, and you can play music and maybe stay up a bit late... Yeah?</dialogue>
    <scene_description>Laughter in the crowd.</scene_description>
    <character>MOTHER UTØYA</character>
    <dialogue>But it's also an opportunity to think about your future. You grow up so fast, and one day it will be you who will be the leader of your community. Viljar, can you start?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yeah, sure...</dialogue>
    <scene_description>VILJAR laughs and then goes up to the stage.</scene_description>
    <character>VILJAR</character>
    <dialogue>So let's see... OK, so in Svalbard where I come from, everyone is welcome, regardless of nationality. We've got Norwegians, Russians, Chinese, Croatians. All living and working together. And we work really hard to integrate everyone.</dialogue>
    <character>AUF MEMBER 1</character>
    <dialogue>But in Svalbard it's only like two thousand people, how do you translate that to the rest of Europe?</dialogue>
    <character>VILJAR</character>
    <dialogue>It's the principle. Thats what's important and if I was Prime Minister, that's what I'd stand for.</dialogue>
    <scene_description>See LARA smile. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S BEDROOM - MOTHER'S APARTMENT - MORNING</stage_direction>
    <scene_description>BREIVIK at his computer. See his email: Consider this my personal gift to all Europeans. Highlights a file: "2083: A European Declaration of Independence." Presses "Send all"</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S BEDROOM - MOTHERS APARTMENT - DAY</stage_direction>
    <scene_description>BREIVIK dresses in a police uniform. Puts on a bullet proof vest. Takes a couple of pills. Loads his pistol. Stands back to admire himself in the mirror. He's ready.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHER'S APARTMENT HALLWAY - CONTINOUS</stage_direction>
    <scene_description>BREIVIK leaves as his MOTHER watches TV in the lounge.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CENTRAL OSLO - DAY</stage_direction>
    <scene_description>Aerial of the Government Centre</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT BUILDING - OFFICE OF PM - DAY</stage_direction>
    <scene_description>Breivik's van enters the Government district. Parks behind the Office of the Prime Minister. Puts on his helmet. Lights the long wire protruding from the back of the van. As the fuse burns, he exits the van, locking the door gently. He calmly walks away.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOVERNMENT OFFICE LOBBY - CONTINUOUS</stage_direction>
    <scene_description>THE SECURITY GUARD sees the van on his CCTV screen. Watches the uniformed figure walk away.</scene_description>
    <character>SECURITY GUARD</character>
    <parenthetical>(picks up phone)</parenthetical>
    <dialogue>We've got a white van parked out back. Is it one of ours?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - FOOTBALL PITCH - DAY</stage_direction>
    <scene_description>VILJAR, LARA, SIMON and ANDERS play football. TORJE and BANO watch from the sidelines. MOTHER UTØYA marshals crowds of TEENAGERS. Laughter and excitement. VILJAR at the heart of it. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT DISTRICT STREET - DAY</stage_direction>
    <scene_description>BREIVIK walks around a corner, and gets into the Fiat Diablo. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OSLO - MAIN ROAD NORTH - DAY</stage_direction>
    <scene_description>BREIVIK drives out of Oslo. Turns on the radio. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OFFICE OF THE PRIME MINISTER - SAME TIME</stage_direction>
    <scene_description>BREIVIK's white van parked... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. GOVERNMENT OFFICE LOBBY - SAME TIME</stage_direction>
    <scene_description>SECURITY GUARD on the phone to the DVLA.</scene_description>
    <character>SECURITY GUARD</character>
    <dialogue>I'll check the number plate and I'll try to find the driver.</dialogue>
    <scene_description>He glances over to CCTV screen, where another GUARD approaches the van. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT OFFICE REAR - SAME TIME</stage_direction>
    <scene_description>A second SECURITY GUARD is approaching the van.</scene_description>
    <character>GUARD</character>
    <dialogue>Can you check a number plate for me please?</dialogue>
    <scene_description>Suddenly: BOOM. The van explodes in a massive fireball. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY - STUDY - SECONDS LATER</stage_direction>
    <scene_description>PM goes to the window. Sees a huge tower of smoke rising in the distance. Suddenly:</scene_description>
    <character>BODYGUARD 1</character>
    <parenthetical>(enters at speed)</parenthetical>
    <dialogue>Sir, follow me.</dialogue>
    <scene_description>His SECURITY DETAIL drag him out of the room. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S FIAT DIABLO - SAME TIME</stage_direction>
    <scene_description>BREIVIK drives away, checking his rear-view mirror. CUT BACK TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY - STUDY TO SECURE ROOM - SECONDS LATER</stage_direction>
    <scene_description>PM through the residency by his BODYGUARD. More GUARDS responding. Shouting, sirens.</scene_description>
    <character>BODYGUARD 2</character>
    <dialogue>Come on! Move!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT OFFICE REAR - SAME TIME</stage_direction>
    <scene_description>Government quarter devastated. Smoke, debris, paper cascading through the air. A gaping hole in the ground where Breivik's van was parked. And from every direction the sound of sirens and screaming. CUT BACK TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PRIME MINITER'S RESIDENCE. SAME TIME</stage_direction>
    <scene_description>PM is led around a corner and through a set of doors and into a bare situation room. The lights turned on.</scene_description>
    <character>BODYGUARD 1</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Prime Minister secure.</dialogue>
    <scene_description>The doors close. The PM protected, but powerless. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT QUARTER - SAME TIME</stage_direction>
    <scene_description>Burning buildings. Screaming. Bloody VICTIMS. Sirens. POLICE, PARAMEDICS and FIREFIGHTERS arriving on the scene. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. FIAT DOBLO/TUNNEL - ROAD TO UTØYA - SAME TIME</stage_direction>
    <scene_description>BREIVIK heading west out of the city. News of the explosion breaks on the radio. He listens. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT BUILDING - REAR & LOBBY - SAME TIME</stage_direction>
    <scene_description>Blood-stained VICTIMS emerge. PEOPLE screaming. BODIES on the ground. Receiving treatment. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY- SECURE ROOM - SAME TIME</stage_direction>
    <scene_description>Chaos as the SECURE ROOM begins to fill with AIDES. The PM watches news coverage.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>Call the cabinet. I want the Police Director, the Head of Defense and the PST.</dialogue>
    <character>AIDE</character>
    <dialogue>Yes sir.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>Inform the King: The Prime Minister is safe, government is functioning.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. FIAT DOBLO/TUNNEL - ROAD TO UTØYA - SAME TIME</stage_direction>
    <scene_description>BREIVIK's van still on the road. Radio coverage of the explosion continues. See BREIVIK. He looks down at his GPS. His destination: UTØYA ISLAND. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UTOYA ISLAND - CANTEEN - SAME TIME</stage_direction>
    <scene_description>We follow VILJAR and TORJE into the crowded canteen. SIMON and ANDERS too. Across the room: LARA and her sister BANO.</scene_description>
    <character>MOTHER UTØYA</character>
    <dialogue>As you've probably heard, there's been an explosion in the government district Oslo. We don't have much information yet, but many of you have parents who work there okay, so you should probably call them, if you haven't already.</dialogue>
    <scene_description>TORJE looks up at VILJAR.</scene_description>
    <character>MOTHER UTØYA</character>
    <dialogue>In the meantime, we will suspending activities until we get some more information. But for now, you go and call your parents.</dialogue>
    <scene_description>VILJAR pulls out his phone. Starts to dial. As kids question MOTHER UTØYA.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(into phone)</parenthetical>
    <dialogue>Mum?</dialogue>
    <character>CHRISTIN (OOV)</character>
    <dialogue>Hi Viljar</dialogue>
    <character>VILJAR</character>
    <dialogue>Are you OK?</dialogue>
    <scene_description>CUT TO: EXT STREET/BUILDING - CENTRAL OSLO - SAME TIME VILJAR'S PARENTS, CHRISTIN and SVEINN (30) emerge from a hotel door. The sound of sirens in the distance. Ahead of them, PEOPLE hurrying towards government centre. POLICE CARS passing.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(on phone)</parenthetical>
    <dialogue>Hi, I'm fine. Dad's with me. We're at the hotel. We're fine.</dialogue>
    <character>SVEINN</character>
    <parenthetical>(looking at his phone)</parenthetical>
    <dialogue>They're saying it's an explosion.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Dad says there's been some kind of explosion.</dialogue>
    <character>VILJAR (OOV)</character>
    <dialogue>Was it a bomb?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>We don't know. Are you both OK?</dialogue>
    <character>VILJAR (OOV)</character>
    <dialogue>Yeah, we're fine...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UTOYA ISLAND - CANTEEN - SAME TIME</stage_direction>
    <character>VILJAR</character>
    <dialogue>Torje's a bit scared but I'll take care of him.</dialogue>
    <scene_description>CUT BACK TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. STREET - OSLO - SAME TIME</stage_direction>
    <character>CHRISTIN</character>
    <dialogue>Ok we'll call you when we know what's happened, OK?</dialogue>
    <scene_description>CUT BACK TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - CANTEEN - CONTINUOUS</stage_direction>
    <character>VILJAR</character>
    <dialogue>Bye.</dialogue>
    <scene_description>Viljar hangs up.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(to Torje)</parenthetical>
    <dialogue>She's fine. She said they were nowhere near. Let's go, I need to change.</dialogue>
    <scene_description>CUT TO: EXT STREET/BUILDING - CENTRAL OSLO - SAME TIME CHRISTIN and SVEINN keep walking towards whatever has happened. More EMERGENCY VEHICLES pass by.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(still on phone)</parenthetical>
    <dialogue>Lena? Are you OK? Have you heard from Erik and the others? ...OK. Cancel all the campaign meetings. Call me when you hear anything.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S FIAT DIABLO - ROAD TO UTØYA - CONTINUOUS</stage_direction>
    <scene_description>BREIVIK driving. His phone rings: "Mother". He doesn't answer. Behind him Utøya Island comes into view. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHERS APARTMENT - SAME TIME</stage_direction>
    <scene_description>BREIVIK'S MOTHER calling his mobile. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S FIAT DIABLO - ROAD TO UTØYA & MAINLAND FERRY</stage_direction>
    <scene_description>DOCK - CONTINUOUS Up ahead, a sign to UTØYA ISLAND. He takes the exit. Rounds a bend to reveal the beauty of LAKE TYRIFJORDEN. UTØYA ISLAND in the middle. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CAMPSITE - SAME TIME</stage_direction>
    <scene_description>VILJAR, TORJE, ANDERS and SIMON walk towards their tent. CUT BACK TO: IEX. MAINLAND FERRY DOCK - SAME TIME BREIVIK parks. Gets out. Sees a COUPLE of TEENAGE VOLUNTEERS in high-vis jackets, standing by the jetty.</scene_description>
    <character>BREIVIK</character>
    <parenthetical>(approaching)</parenthetical>
    <dialogue>Hi, I'm Martin Nilsen from OSLO P.D. You heard about the bomb in the city?</dialogue>
    <character>FEMALE VOLUNTEER</character>
    <dialogue>Yes?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I've been sent to secure the island. Where's the ferry?</dialogue>
    <character>FEMALE VOLUNTEER</character>
    <dialogue>Oh, the ferry got cancelled.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Get it over here. I need it now.</dialogue>
    <character>FEMALE VOLUNTEER</character>
    <dialogue>OK.</dialogue>
    <scene_description>BREIVIK unloads the cases from the van.</scene_description>
    <character>FEMALE VOLUNTEER</character>
    <parenthetical>(into her radio)</parenthetical>
    <dialogue>Monica? There's a policeman over here...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CAMPSITE - SAME TIME</stage_direction>
    <scene_description>MOTHER UTØYA listens to her radio.</scene_description>
    <character>FEMALE VOLUNTEER (OOV)</character>
    <dialogue>He says he needs the ferry immediately.</dialogue>
    <character>MOTHER UTØYA</character>
    <parenthetical>(into radio)</parenthetical>
    <dialogue>Yeah, I'll be there...</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. MAINLAND FERRY DOCK - SAME TIME</stage_direction>
    <character>FEMALE VOLUNTEER</character>
    <parenthetical>(to BREIVIK)</parenthetical>
    <dialogue>It will be here soon.</dialogue>
    <character>BREIVIK</character>
    <dialogue>OK, good.</dialogue>
    <scene_description>BREIVIK places his cases on the ground as he waits. Sees the FERRY in the distance leaving the island.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FERRY TRAVELLING - SAME TIME</stage_direction>
    <scene_description>MOTHER UTØYA on the foredeck. Sees the mainland.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MAINLAND FERRY DOCK - MOMENTS LATER</stage_direction>
    <scene_description>As the ferry ramp lowers, MOTHER UTØYA sees BREIVIK clearly for the first time. He's heavily armed and wearing what looks like a black combat suit.</scene_description>
    <character>MOTHER UTØYA</character>
    <dialogue>I'm Monica, I'm in charge here.</dialogue>
    <character>BREIVIK</character>
    <parenthetical>(they shake hands)</parenthetical>
    <dialogue>Hi. Martin Nilsen. Oslo Police Department. You heard about the explosion in Oslo?</dialogue>
    <character>MOTHER UTØYA</character>
    <dialogue>Is it bad?</dialogue>
    <character>BREIVIK</character>
    <dialogue>The whole Prime Minister's Office. Everything. I need you to take me to the island.</dialogue>
    <character>MOTHER UTØYA</character>
    <dialogue>Yeah.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Get everyone together and I'll give a debrief about the bomb.</dialogue>
    <character>MOTHER UTØYA</character>
    <dialogue>Everyone?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yeah, everyone. It's important.</dialogue>
    <character>MOTHER UTØYA</character>
    <dialogue>What's in the cases?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Weapons.</dialogue>
    <character>MOTHER UTØYA</character>
    <dialogue>Well you have to cover them up. They will scare the children.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Sure.</dialogue>
    <scene_description>They start back towards the island. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CAMPSITE - SAME TIME</stage_direction>
    <scene_description>TROND leaves the canteen.</scene_description>
    <character>GIRL</character>
    <dialogue>What's going on?</dialogue>
    <character>TROND</character>
    <dialogue>Don't worry - the police have arrived. It's fine.</dialogue>
    <scene_description>TROND, walks down towards the dock. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FERRY - SAME TIME</stage_direction>
    <scene_description>The ferry crosses the lake. Tight on BREIVIK. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CAMPSITE - SAME TIME</stage_direction>
    <scene_description>KIDS mill around the campsite, on their phones. Waiting for more news. Unaware and unprotected.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(in his tent)</parenthetical>
    <dialogue>Simon? Do you have my sweater?</dialogue>
    <parenthetical>(to TORJE)</parenthetical>
    <dialogue>Any news on the bomb?</dialogue>
    <scene_description>SIMON throws the sweater.</scene_description>
    <character>SIMON</character>
    <dialogue>Here you go.</dialogue>
    <character>TORJE</character>
    <dialogue>It hit the Prime Minister's Office</dialogue>
    <character>ANDERS</character>
    <dialogue>Yeah. The Department of Justice.</dialogue>
    <character>VILJAR</character>
    <dialogue>Was it Al-Qaida?</dialogue>
    <character>TORJE</character>
    <dialogue>It doesn't say.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - FERRY DOCK - MOMENTS LATER</stage_direction>
    <scene_description>The ferry docks. MOTHER UTØYA and BREIVIK disembark. TROND approaches them.</scene_description>
    <character>MOTHER UTØYA</character>
    <parenthetical>(to Breivik)</parenthetical>
    <dialogue>This is Trond Berntsen, our head of security.</dialogue>
    <scene_description>BREIVIK shakes hands.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Hi. Martin Nilsen. Oslo PD.</dialogue>
    <character>TROND</character>
    <dialogue>They only sent one officer? Why didn't anyone call?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Everyone's needed in Oslo. It's chaos. They sent me to secure the island.</dialogue>
    <scene_description>They start to walk up the hill.</scene_description>
    <character>TROND</character>
    <parenthetical>(something about this not right)</parenthetical>
    <dialogue>Which precinct are you from?</dialogue>
    <character>BREIVIK</character>
    <dialogue>PST. Police Security Service.</dialogue>
    <character>TROND</character>
    <dialogue>So you must know Jørn. He works down at PST, doesn't he?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Jørn? Yeah, sure. He's one of my superiors.</dialogue>
    <scene_description>Breivik Is everyone gathered up there for the debrief? Monica Yes. We're calling them in now.</scene_description>
    <character>BREIVIK</character>
    <dialogue>We need to get on with this.</dialogue>
    <scene_description>Trond stops. A moment between them. Who's lying here?</scene_description>
    <character>TROND</character>
    <dialogue>Actually, can I see your ID?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yeah, sure.</dialogue>
    <scene_description>He goes to get his ID. MONICA's radio goes. Suddenly, BREIVIK pulls out the Glock. BANG! TROND falls. Then he turns the gun on MOTHER UTØYA. BANG! CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - CAMPSITE - SAME TIME</stage_direction>
    <scene_description>VILJAR, TORJE, ANDERS, and SIMON turn in the direction of the noise.</scene_description>
    <character>ANDERS</character>
    <dialogue>What was that?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FERRY DOCK - SAME TIME</stage_direction>
    <scene_description>BREIVIK shoots two more shots into TROND and MONICA's bodies. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - CAMPSITE - SAME TIME</stage_direction>
    <scene_description>Back to Viljar and the others.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(to ANDERS)</parenthetical>
    <dialogue>Maybe you should go and check it out.</dialogue>
    <character>ANDERS</character>
    <dialogue>Yeah.</dialogue>
    <character>VILJAR</character>
    <dialogue>And use your radio.</dialogue>
    <character>ANDERS</character>
    <dialogue>I will.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. FERRY DOCK - SAME TIME</stage_direction>
    <scene_description>BREIVIK unpacks his guns. Loads. Cocks them. Then heads up the slope. Towards the campsite. CUT BACK TO: EXT. Campsite - SAME TIME VILJAR and TORJE wait by their tent.</scene_description>
    <character>VILJAR</character>
    <dialogue>It's probably nothing.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SLOPE UP TO CANTEEN - SAME TIME</stage_direction>
    <scene_description>BREIVIK still coming. Fast. Through the trees towards the campsite. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CAMPSITE - SAME TIME</stage_direction>
    <scene_description>ANDERS walks up towards the canteen. Suddenly: More loud bangs. And the sound of screaming on the wind. A few PEOPLE start running. See VILJAR and TORJE. As... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SLOPE UP TO CANTEEN - SAME TIME</stage_direction>
    <scene_description>BREIVIK approaches the top of the rise. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. CAMPSITE - SAME TIME</stage_direction>
    <scene_description>VILJAR sees in the distance screaming TEENAGERS running towards their car. And behind them, BREIVIK cresting the hill. A moment suspended in time... as he raises his gun.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(realising)</parenthetical>
    <character>RUN!</character>
    <dialogue>VILJAR grabs TORJE and runs, as BREIVIK opens fire. They sprint across the campsite.</dialogue>
    <dialogue>A few TEENAGERS are hit and fall.</dialogue>
    <dialogue>BREIVIK firing relentlessly.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CANTEEN - SAME TIME</stage_direction>
    <scene_description>BREIVIK approaches the main building.</scene_description>
    <character>BREIVIK</character>
    <parenthetical>(Sees faces at the window)</parenthetical>
    <dialogue>It's okay. Police. Stay away from the windows. Get down on the floor. And I'll come inside.</dialogue>
    <character>KID AT WINDOW</character>
    <dialogue>OK</dialogue>
    <character>BREIVIK</character>
    <dialogue>OK?</dialogue>
    <scene_description>He goes into the building. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - LOVER'S PATH - SAME TIME</stage_direction>
    <scene_description>Back to VILJAR and TORJE, running into the woods. Panic. Hundreds of TEENAGERS. Gunfire, screaming behind them. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UTOYA ISLAND - CANTEEN CORRIDOR - CONTINUOUS</stage_direction>
    <scene_description>BREIVIK down a corridor. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UTOYA ISLAND - CANTEEN - SAME TIME</stage_direction>
    <scene_description>BREIVIK enters. Sees them.</scene_description>
    <character>BREIVIK</character>
    <dialogue>You will die today. Marxists. Liberals. Members of the elite.</dialogue>
    <scene_description>Raises his gun. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - CANTEEN - SAME TIME</stage_direction>
    <scene_description>The sound of gunfire and screaming from inside. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>ANDERS, BANO, and OTHERS hide below a low crest of a hill.</scene_description>
    <character>ANDERS</character>
    <dialogue>Get down. Stay down.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - LOVER'S PATH - SAME TIME</stage_direction>
    <scene_description>VILJAR and TORJE running. Looking for somewhere - anywhere - to hide. VILJAR sees a break in a fence.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(to SIMON)</parenthetical>
    <dialogue>Simon. This way.</dialogue>
    <character>SIMON</character>
    <dialogue>Run!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - CANTEEN - SAME TIME</stage_direction>
    <scene_description>BREIVIK leaves the canteen. Crosses the campsite. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - LEDGE - SAME TIME</stage_direction>
    <scene_description>TORJE and VILJAR go through a break in a fence. They tumble down a muddy bank.</scene_description>
    <character>SIMON</character>
    <dialogue>Get on to the ledge!</dialogue>
    <scene_description>They scramble sideways onto a ledge. A dead end. Below them an 8ft drop to the lake. They're trapped. TORJE beginning to cry. Other TEENAGERS crawl onto the ledge behind them. VILJAR and TORJE crammed together on the ledge. The shooting getting louder. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>TEENAGERS fleeing. BREIVIK firing. CUT BACK TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. LEDGE - SAME TIME</stage_direction>
    <scene_description>VILJAR, TORJE, SIMON and others cling on, listening. VILJAR take out his phone. Dials. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT DISTRICT STREET - SAME TIME</stage_direction>
    <scene_description>Viljar's PARENTS, CHRISTIN and SVEINN, arrive at a corner just down from government centre. POLICE CARS, AMBULANCES. CROWDS milling around. Chaos.</scene_description>
    <character>STREET POLICE OFFICER</character>
    <dialogue>Please move back! Please move back!</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Can you at least tell me which buildings have been hit?</dialogue>
    <character>STREET POLICE OFFICER</character>
    <dialogue>We don't know. You just need to move back. Please.</dialogue>
    <scene_description>Suddenly her phone rings... The sound of screaming, running, and the phone being fumbled through hands.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Viljar?</dialogue>
    <character>VILJAR (V.O.)</character>
    <dialogue>Mum, they're shooting at us!</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Viljar?? What's-</dialogue>
    <scene_description>The phone line goes dead.</scene_description>
    <character>SVEINN</character>
    <dialogue>What is it?</dialogue>
    <character>CHRISTIN</character>
    <parenthetical>(trying to call them back)</parenthetical>
    <dialogue>It was Viljar. He said someone was shooting at them.</dialogue>
    <character>SVEINN</character>
    <dialogue>At them? Where?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>And then he hung up.</dialogue>
    <character>SVEINN</character>
    <dialogue>He said... what did he say exactly?</dialogue>
    <character>CHRISTIN</character>
    <parenthetical>(dialing)</parenthetical>
    <dialogue>He said 'mom, someone's shooting at us.' It went really quickly, it was just like that.</dialogue>
    <character>SVEINN</character>
    <dialogue>Shooting at us?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Yes</dialogue>
    <parenthetical>(listens)</parenthetical>
    <dialogue>It's going to voicemail.</dialogue>
    <scene_description>A look between them. Then: They push their way through the chaos and run to their car. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. HØNEFOSS POLICE STATION - CONTINUOUS</stage_direction>
    <scene_description>HONEFOSS POLICEMAN #1 and his team scrambling to Utøya.</scene_description>
    <character>POLICE DISPATCH (OOV)</character>
    <dialogue>Multiple reports of gunfire on Utøya Island...</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>Copy that. This is 05 responding. What's the RV? Over.</dialogue>
    <character>POLICE DISPATCH (OOV)</character>
    <dialogue>Please repeat.</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>What's the RV? RV for Utøya? Over.</dialogue>
    <character>POLICE DISPATCH (OOV)</character>
    <dialogue>Standby</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>Come on, come on</dialogue>
    <character>POLICE DISPATCH</character>
    <dialogue>RV is Storøya. We'll get back-up to you as soon as we can, but we have a major incident in progress in Oslo.</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>Copy that, we're on our way.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM RESIDENCY - SECURE ROOM - DAY</stage_direction>
    <scene_description>Follow behind SECURITY OFFICIAL LARS on the phone as he approaches the PM - who is standing, watching news coverage, surrounded by several AIDES.</scene_description>
    <character>SECURITY OFFICIAL LARS</character>
    <parenthetical>(holding phone)</parenthetical>
    <dialogue>Sir, we may have another attack. Reports of gunfire on Utøya.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>What? The summer camp?</dialogue>
    <character>SECURITY OFFICIAL LARS</character>
    <dialogue>We're just getting details now.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>But we have hundreds of kids there.</dialogue>
    <character>PM AIDE OYSTEIN</character>
    <parenthetical>(also on phone)</parenthetical>
    <dialogue>Hold on, hold on. Local police are responding. But everything else, everything, DELTA, is in the city. Dealing with the bomb.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>Get on to the Police Director. Tell him to get everything they can down to Utøya. Now!</dialogue>
    <character>SECURITY OFFICIAL LARS</character>
    <dialogue>Sir.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>BREIVIK hunts more victims.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Where are you?! Come out you Marxists!</dialogue>
    <scene_description>Opens fire. Another VICTIM falls. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - LEDGE - SAME TIME</stage_direction>
    <scene_description>VILJAR and the others still clinging on. TORJE crying, panicking.</scene_description>
    <character>TORJE</character>
    <dialogue>He's coming for us! He's coming!</dialogue>
    <scene_description>More gunshots.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(to TORJE)</parenthetical>
    <dialogue>Look at me. It's going to be ok. I promise you.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>ANDERS and BANO still hiding. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. MAINLAND - GOLF COURSE JETTY - DAY</stage_direction>
    <scene_description>HONEFOSS POLICEMAN #1 arrives at RV point. DELTA UNITS arriving. The sound of distant gunfire throughout. A police RHIB is frantically deployed. But it's overloaded. The engine won't start.</scene_description>
    <character>DELATE OFFICER 2</character>
    <dialogue>Come on! Come on!</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>Delta 2, you take the north side! We take the west side! Got it?</dialogue>
    <character>DELTA 2</character>
    <dialogue>Yeah! Got it!</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>Go, go, go, go</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM RESIDENCY - SECURE ROOM - SAME TIME</stage_direction>
    <scene_description>The PM on a conference call. Grappling to make sense of the unfolding attack.</scene_description>
    <character>SECURITY OFFICIAL ENDRE (OOV)</character>
    <parenthetical>(on phone)</parenthetical>
    <dialogue>I need an update on DELTA.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>This is taking too long, right!</dialogue>
    <character>SECUTIRY OFFICIAL LARS</character>
    <parenthetical>(on phone)</parenthetical>
    <dialogue>That's because there is no helicopter. No there is no helicopter at all.</dialogue>
    <character>SECURITY OFFICIAL ENDRE</character>
    <parenthetical>(on phone)</parenthetical>
    <dialogue>Are they on the island yet?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OSLO STREETS - DAY</stage_direction>
    <scene_description>CHRISTIN and SVEINN driving towards Utøya. CHRISTIN keeps trying Viljar's phone, listening to the radio.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Come on</dialogue>
    <character>RADIO (V.O.)</character>
    <dialogue>We're getting news of an attack at Utøya Island. Gunfire...</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Oh God...</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>BREIVIK moves through the trees, searching.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Hey?!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>ANDERS and BANO still hiding. ANDERS looks over the crest of the hill and sees BREIVIK coming.</scene_description>
    <character>ANDERS</character>
    <dialogue>Shhh.. He's coming</dialogue>
    <scene_description>BANO looks over the hill</scene_description>
    <character>ANDERS</character>
    <dialogue>Get down, get down</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>BREIVIK moves closer towards them. Notices something...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>ANDERS wraps his arm around BANO. Closes his eyes.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>BREIVIK moves towards their hiding place... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <character>ANDERS</character>
    <dialogue>Play dead, play dead...</dialogue>
    <scene_description>As BREIVIK comes right for them...</scene_description>
    <character>ANDERS</character>
    <dialogue>Shhh...</dialogue>
    <scene_description>Tight on BANO, lying face down in the mud. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>BREIVIK finds them and shoots them. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - LEDGE - SAME TIME</stage_direction>
    <scene_description>VILJAR and the OTHERS recoil at the gunshots. They're close.</scene_description>
    <character>TORJE</character>
    <parenthetical>(crying)</parenthetical>
    <dialogue>Viljar</dialogue>
    <character>VILJAR</character>
    <dialogue>Shhh shhh...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - LOVERS PATH - SAME TIME</stage_direction>
    <scene_description>BREIVIK down the path. Sees the gap in the fence ahead. Climbs through it. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - LEDGE - SAME TIME</stage_direction>
    <character>BOY ON LEDGE</character>
    <parenthetical>(whispers)</parenthetical>
    <dialogue>I can hear him, quiet..</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CLIFFTOP ABOVE LEDGE - SAME TIME</stage_direction>
    <scene_description>BREIVIK scans the beach below... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - LEDGE - SAME TIME</stage_direction>
    <scene_description>VILJAR looking up... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CLIFFTOP ABOVE LEDGE - SAME TIME</stage_direction>
    <scene_description>BREIVIK hears something. Turns towards the ledge... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - LEDGE - SAME TIME</stage_direction>
    <scene_description>VILJAR turns to see BREIVIK appearing on the cliffs above him. Sees them all clustered on the ledge. Lifts his gun... He opens fire. PEOPLE falling. Panic. Screaming. VILJAR and TORJE jump. They land on rocks at the water's edge and scramble for cover. BREIVIK shoots again. Simon hit. Two others as well. And then VILJAR is hit. He struggles back up, holding his shoulder. Another shot, he falls again. Another, still he keeps going. Desperately struggling to escape. And another. And then one last impact punctures his skull. TORJE turns back to see his brother on the ground.</scene_description>
    <character>TORJE</character>
    <parenthetical>(running back to him)</parenthetical>
    <dialogue>Viljar! Viljar!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CLIFFTOP ABOVE BEACH - SAME TIME</stage_direction>
    <scene_description>BREIVIK reloads his gun.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - BEACH - SAME TIME</stage_direction>
    <scene_description>VILJAR sees TORJE coming back for him.</scene_description>
    <character>TORJE</character>
    <dialogue>Viljar!</dialogue>
    <character>VILJAR</character>
    <dialogue>Go</dialogue>
    <character>TORJE</character>
    <dialogue>No, no, Viljar!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CLIFFTOP ABOVE BEACH - SAME TIME</stage_direction>
    <scene_description>BREIVIK prepares to open fire again...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - BEACH - SAME TIME</stage_direction>
    <character>VILJAR</character>
    <dialogue>GO!</dialogue>
    <character>TORJE</character>
    <dialogue>No! You have to come with me!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CLIFFTOP ABOVE BEACH - SAME TIME</stage_direction>
    <scene_description>BREIVIK takes aim... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - BEACH - SAME TIME</stage_direction>
    <character>VILJAR</character>
    <dialogue>Go! Go!</dialogue>
    <scene_description>A gunshot hits the sand just next to TORJE's face. Forcing him to run away and find cover. Leaving VILJAR alone. BREIVIK stops firing. Scans the beach for movement. VILJAR's body still. BREIVIK leaves. VILJAR turns and looks up to the now deserted cliffs.</scene_description>
    <character>VILJAR</character>
    <dialogue>Simon! Anders!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. DELTA 1 BOAT - MOMENTS LATER</stage_direction>
    <scene_description>HONEFOSS POLICEMAN 1 and DELTA speed towards the island. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY - SECURE ROOM - SAME TIME</stage_direction>
    <scene_description>PM waits for news. Pacing. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME</stage_direction>
    <scene_description>VILJAR lying on the rocks. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST AREA 2 - SAME TIME</stage_direction>
    <scene_description>BREIVIK moves through the trees. Searching.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - MAIN JETTY - DAY</stage_direction>
    <scene_description>HONEFOSS POLICEMAN #1 and DELTA UNITS lands on the island.</scene_description>
    <character>DELTA LEADER</character>
    <dialogue>Move! Move! Move! Move! Move! Shield!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - FOREST - SAME TIME</stage_direction>
    <scene_description>BREIVIK still on the move. Hears the police...</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - PINE FOREST - DAY</stage_direction>
    <scene_description>HONEFOSS POLICEMAN 1 and DELTA move through trees. Suddenly, a group of TEENAGERS burst out from bushes to his left, screaming.</scene_description>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>Get down! GET DOWN! Down! Stay hidden!</dialogue>
    <scene_description>He bundles the terrified TEENAGERS past him.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME</stage_direction>
    <scene_description>VILJAR, going into shock, looks down at his wounded body.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ROAD TO UTØYA (NEAR SOLLIHØGDA)- DAY</stage_direction>
    <scene_description>CHRISTIN and SVEINN speeding to UTOYA. The lake comes into view. And a police roadblock. SVEINN slams on the brakes. They get out of car. The sound of gunfire in the distance.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Oh my god! Look at this!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - VILJAR'S SHORE - SAME TIME</stage_direction>
    <scene_description>VILJAR lying helpless. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ROAD TO UTØYA (NEAR SOLLIHØGDA)- DAY</stage_direction>
    <scene_description>CHRISTIN and SVEINN run up the roadblock.</scene_description>
    <character>ROADBLOCK POLICEMAN</character>
    <dialogue>The road is closed! Please turn around.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>You have to let me through! My children are on the island!</dialogue>
    <character>ROADBLOCK POLICEMAN</character>
    <dialogue>We can't, Ma'm.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME</stage_direction>
    <scene_description>VILJAR uses his uninjured hand to touch the flesh of his exposed brain. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - FOREST AREA 4 - SAME TIME</stage_direction>
    <scene_description>BREIVIK moves through the trees. Finally sees the police coming... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - CANTEEN / FOREST AREA 5 - SAME TIME</stage_direction>
    <scene_description>HONEFOSS POLICEMAN #1 AND HIS UNIT move through the trees. Suddenly he spots movement. Sees a black uniformed figure. Raises his gun until he has BREIVIK in his sights. BREIVIK lowers his gun, and stands, open-armed. He starts to walk towards them.</scene_description>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>ARMS DOWN BY THE SIDE! COME</dialogue>
    <character>FORWARD! COME FORWARD! STOP!</character>
    <dialogue>BREIVIK lies down.</dialogue>
    <character>HONEFOSS POLICEMAN #1</character>
    <dialogue>DOWN ON YOUR KNEES! DOWN ON YOUR</dialogue>
    <character>KNEES. ON YOUR STOMACH! ON YOUR</character>
    <dialogue>STOMACH!</dialogue>
    <parenthetical>(to his UNIT)</parenthetical>
    <dialogue>GO, GO, GO! Cuff him, cuff him.</dialogue>
    <parenthetical>(to BREIVIK)</parenthetical>
    <dialogue>Look away. Look away from him.</dialogue>
    <scene_description>DELTA OFFICERS bind his wrists with plastic strip cuffs. BREIVIK's head in the mud.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - VILJAR SHORE - SAME TIME</stage_direction>
    <scene_description>DELTA OFFICERS finds the shore littered with dead. VILJAR among them, lying motionless. They check his pulse and administer first aid.</scene_description>
    <character>DELTA OFFICER</character>
    <dialogue>Casualties over here!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - BEACH - MOMENTS LATER</stage_direction>
    <scene_description>The SECOND UNIT move through the woods, among the dead. Checking for any signs of life.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. UTOYA ISLAND - CANTEEN / MAIN HALL - DAY</stage_direction>
    <scene_description>HONEFOSS POLICEMAN #1 walks into the main hall... Reveals a scene of utter horror. BODIES. Blood. Tight on him. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ULLEVÅL HOSPITAL - HELIPAD - EVENING</stage_direction>
    <scene_description>The air ambulance lands on the roof. VILJAR unloaded. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - OPERATING THEATRE - CONTINUOUS</stage_direction>
    <scene_description>VILJAR into the trauma unit. DOCTORS cut through his bloody clothes.</scene_description>
    <character>OTHER DOCTOR</character>
    <dialogue>On me. One, two, three</dialogue>
    <scene_description>The transfer VILJAR onto the surgical table.</scene_description>
    <character>OTHER DOCTOR</character>
    <dialogue>A young male, multiple gunshot wounds. Pressure dropping, 60/30</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>OK, we have to tranfuse him.</dialogue>
    <character>OTHER DOCTOR 2</character>
    <dialogue>O minus, 6 units</dialogue>
    <character>TRAUMA SURGEON</character>
    <parenthetical>(examining)</parenthetical>
    <dialogue>There is an injury here to his left shoulder...</dialogue>
    <scene_description>A machine bleeps.</scene_description>
    <character>OTHER DOCTOR</character>
    <dialogue>We've got cardiac arrest, we're losing him.</dialogue>
    <character>OTHER DOCTOR 2</character>
    <dialogue>Starting chest compressions</dialogue>
    <character>OTHER DOCTOR</character>
    <dialogue>We're losing him</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>OK, put the pads on. Charge to 150.</dialogue>
    <character>OTHER DOCTOR</character>
    <dialogue>Charging 150</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>OK, clear!</dialogue>
    <scene_description>VILJAR'S chest convulses, as the charge hits.</scene_description>
    <character>OTHER DOCTOR</character>
    <dialogue>Still V-fib</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Come on, come on, go for 200...</dialogue>
    <character>OTHER DOCTOR</character>
    <dialogue>I got a pulse</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>OK, good. Let's continue. We have a gunshot here to his lower extremity on the right side. And there is another wound here to his right arm.</dialogue>
    <scene_description>The machine bleeps again</scene_description>
    <character>OTHER DOCTOR</character>
    <dialogue>Guys, we're losing him again</dialogue>
    <character>OTHER DOCTOR 2</character>
    <dialogue>V-fib! Starting compressions.</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Go for 200</dialogue>
    <character>OTHER DOCTOR</character>
    <dialogue>200, charging</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Clear</dialogue>
    <scene_description>VILJAR is shocked again.</scene_description>
    <character>OTHER DOCTOR</character>
    <dialogue>Got sinus rift, and a pulse</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>There is an entry wound to his right orbita. There is an exit wound here on the posterior.</dialogue>
    <character>OTHER DOCTOR 2</character>
    <dialogue>Blood pressure stable</dialogue>
    <character>OTHER DOCTOR</character>
    <dialogue>80 over 40</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Do we have the bleeding under control?</dialogue>
    <character>OTHER DOCTOR</character>
    <dialogue>Yes</dialogue>
    <scene_description>Adrenaline is inserted.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Ok, we have to go for surgery</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTØYA ISLAND - EVENING</stage_direction>
    <scene_description>Wide shot of the island. Helicopters hang in the air. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - WHITE BUILDING - EVENING</stage_direction>
    <scene_description>POLICE lead BREIVIK to the white building down by the jetty. Ahead of them, more boats arriving. ARMED POLICE and PARAMEDICS. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. UTOYA ISLAND - WHITE BUILDING - UPSTAIRS ROOM -</stage_direction>
    <scene_description>DUTY DETECTIVE arrives and BREIVIK is sat in a chair. A dictaphone turned on.</scene_description>
    <character>DELTA OFFICER</character>
    <parenthetical>(to BREIVIK)</parenthetical>
    <dialogue>OK, stand up</dialogue>
    <scene_description>Photos are taken. DNA and fingerprints too.</scene_description>
    <character>DUTY DETECTIVE</character>
    <parenthetical>(to BREIVIK)</parenthetical>
    <dialogue>I'm the duty detective from Honefoss Police Station. Who are you?</dialogue>
    <character>BREIVIK</character>
    <dialogue>My name is Anders Behring Breivik. This is a military operation. A coup d'etat.</dialogue>
    <character>BREIVIK</character>
    <dialogue>The bomb has removed the Government. And here I have liquidated a political camp.</dialogue>
    <character>DUTY DETECTIVE</character>
    <dialogue>Did anyone help you?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I was selected for this mission. Now my brothers are waiting for my signal. To begin the third attack.</dialogue>
    <character>DUTY DETECTIVE</character>
    <dialogue>So you're telling me there's another attack planned?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Oh yes.</dialogue>
    <character>DUTY DETECTIVE</character>
    <dialogue>Where?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I can't go into details. But I'm authorised to negotiate.</dialogue>
    <character>DUTY DETECTIVE</character>
    <dialogue>What do you want?</dialogue>
    <character>BREIVIK</character>
    <dialogue>A complete ban on immigration. An end to enforced multiculturalism. And if the Prime Minister is still alive tell him if he fails to agree, the attacks will continue.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM RESIDENCY - SECURE ROOM - DUSK</stage_direction>
    <character>SECURITY OFFICIAL LARS</character>
    <parenthetical>(interrupting)</parenthetical>
    <dialogue>They've arrested the shooter. A white Norwegian. He says he wants you to know another attack is coming. But that he's willing to negotiate.</dialogue>
    <scene_description>Hold on PM.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>Keep him talking. Bring him to Oslo.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT / INT. OSLO POLICE STATION - NIGHT</stage_direction>
    <scene_description>BREIVIK arrives in convoy into the rear entrance. We follow him as he is brought inside, and booked.</scene_description>
    <character>DESK OFFICER</character>
    <dialogue>Name?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Anders Behring Breivik</dialogue>
    <character>DESK OFFICER</character>
    <dialogue>Arrested?</dialogue>
    <character>POLICE OFFICER</character>
    <dialogue>Utøya.</dialogue>
    <character>DESK OFFICER</character>
    <dialogue>Lawyer?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yeah, there's a particular lawyer that I would like to represent me. His name is Geir Lippestad.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LIPPESTAD'S HOUSE - BEDROOM - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD sat at his dining table. Watching the TV. Rolling news of the attacks.</scene_description>
    <character>SIGNE LIPPESTAD</character>
    <parenthetical>(to ANNA AU PAIR)</parenthetical>
    <dialogue>Thank you so much Anna, for staying.</dialogue>
    <character>ANNA AU PAIR</character>
    <dialogue>Of course. Do you need anything?</dialogue>
    <character>SIGNE LIPPESTAD</character>
    <dialogue>Just keep the kids away from the television.</dialogue>
    <scene_description>The phone rings.</scene_description>
    <character>SIGNE LIPPESTAD</character>
    <dialogue>And thank you so much.</dialogue>
    <character>LIPPESTAD</character>
    <parenthetical>(answers phone)</parenthetical>
    <dialogue>Hi, it's Lippestad</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>For me?</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Breivik? I've never heard of him.</dialogue>
    <scene_description>SIGNE looks to him.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>I understand.</dialogue>
    <scene_description>He puts down the phone. Turns to SIGNE.</scene_description>
    <character>SIGNE LIPPESTAD</character>
    <dialogue>What is it?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>The person they've arrested. He's asked for me.</dialogue>
    <character>SIGNE</character>
    <dialogue>Why?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. SUNDVOLLEN HOTEL - NIGHT</stage_direction>
    <scene_description>CAPTION: VICTIM RECEPTION CENTRE. 6KM NORTH OF UTØYA. CHRISTIN and SVEINN arrive at a hotel, now a makeshift crisis- centre. We follow them into the lobby is packed with MEDICS; VOLUNTEERS; REPORTERS; VICTIMS' FAMILIES; and TRAUMATISED SURVIVORS wrapped in towels and bathrobes. CHRISTIN, taking it all in. Suddenly:</scene_description>
    <character>SVEINN</character>
    <dialogue>Torje? Torje!</dialogue>
    <scene_description>She pushes through the CROWD towards TORJE.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(grabbing him)</parenthetical>
    <dialogue>It's OK. It's OK, Torje.</dialogue>
    <scene_description>SVEINN puts his arms around him too. TORJE sobs.</scene_description>
    <character>SVEINN</character>
    <dialogue>It's OK.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>You're safe now.</dialogue>
    <character>SVEINN</character>
    <dialogue>Where's Viljar? Do you know where he is?</dialogue>
    <character>TORJE</character>
    <dialogue>We hid on the cliffs. But when he was shooting. We had to jump.</dialogue>
    <character>SVEIIN</character>
    <dialogue>Did Viljar jump?</dialogue>
    <character>TORJE</character>
    <dialogue>Yes.</dialogue>
    <parenthetical>(he breaks down)</parenthetical>
    <character>SVEINN</character>
    <dialogue>Was he shot?</dialogue>
    <scene_description>TORJE unable to reply. CHRISTIN hugs him tightly as he weeps.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(to SVEINN)</parenthetical>
    <dialogue>I'll go and check.</dialogue>
    <scene_description>CHRISTIN leaves SVEINN looking after TORJE.</scene_description>
    <character>SVEINN</character>
    <dialogue>Oh my God</dialogue>
    <scene_description>CHRISTIN walks back into the sea of desperate PEOPLE. She sees a VOlUNTEER surrounded by distressed parents.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Can you check for Viljar Hanssen? Viljar Hanssen. Can you check?</dialogue>
    <character>VOLUNTEER</character>
    <dialogue>Who?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Viljar Hanssen.</dialogue>
    <scene_description>She waits. Desperate moments. And then....</scene_description>
    <character>VOLUNTEER</character>
    <parenthetical>(checking list)</parenthetical>
    <dialogue>He's not here.</dialogue>
    <scene_description>She walks back to TORJE and SVEINN. Pulls out her phone.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(to SVEINN)</parenthetical>
    <dialogue>He's not here.</dialogue>
    <character>SVEINN</character>
    <dialogue>What do you mean?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>He's not on any list. I'm calling the hospital now.</dialogue>
    <scene_description>The phone connects.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Yes hello, I"m looking for my son. Viljar Hanssen. He was on Utoya. Do you have any admissions by that name? OK, thank you.</dialogue>
    <scene_description>She puts the phone down.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(to SVEINN)</parenthetical>
    <dialogue>No.</dialogue>
    <parenthetical>(dials again)</parenthetical>
    <dialogue>He was on Utøya. Do you have any admissions by that name? OK, thank you.</dialogue>
    <parenthetical>(dials again)</parenthetical>
    <dialogue>Yes, hello. I"m looking for Viljar Hanssen....</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - OPERATING THEATRE - NIGHT</stage_direction>
    <scene_description>VILJAR being operated on. Hovering, like Norway, between life and death. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE STATION - NIGHT</stage_direction>
    <scene_description>BREIVIK is led from his prison cell. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OSLO POLICE STATION - NIGHT</stage_direction>
    <scene_description>LIPPESTAD arrives at the police station.</scene_description>
    <character>LIPPESTAD</character>
    <parenthetical>(to OFFICER)</parenthetical>
    <dialogue>Hi.</dialogue>
    <scene_description>He is led down a windowless corridor. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE STATION - LIFT TO INTERVIEW ROOM - CONTINUOUS</stage_direction>
    <scene_description>BREIVIK exits a lift, surrounded by OFFICERS. Is led into the interview room. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE STATION - CORRIDOR TO INTERVIEW ROOM - MOMENTS</stage_direction>
    <scene_description>LATER LIPPESTAD waits as the cell door is opened, to reveal ANDERS BREIVIK.</scene_description>
    <character>LIPPESTAD</character>
    <parenthetical>(to a GUARD)</parenthetical>
    <dialogue>Please remove the restraints. Then please give us the room.</dialogue>
    <scene_description>BREIVIK extends his hand as the GUARDS leave. LIPPESTAD hesitates, then shakes it.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Anders Behring Breivik.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Geir Lippestad.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Thank you for coming.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>So...how do you know who I am?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I've seen your work before. Nine years ago. The Benjamin Hermansen Neo-Nazi case. We met during the trial.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Did we?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yes. I knew I would need a lawyer one day.</dialogue>
    <scene_description>See LIPPESTAD, dimly remembering.</scene_description>
    <character>LIPPESTAD</character>
    <parenthetical>(tries to take charge)</parenthetical>
    <dialogue>Tell me Mr Breivik, what have you done today?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I have started a war. To take back control. Of Norway. Of the West. And defending me will be the greatest thing you will ever do.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>I don't agree with what you have done Mr. Breivik. They were innocent. Children.</dialogue>
    <character>BREIVIK</character>
    <dialogue>They were traitors. Children of the elite. The leaders of tomorrow.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>My own children have been to Utoya. I'm an active member of the Labour Party. Does that make me a traitor too?</dialogue>
    <character>BREIVIK</character>
    <dialogue>You're my lawyer. You're an exception.</dialogue>
    <scene_description>Hold on LIPPESTAD. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SUNDVOLLEN HOTEL - NIGHT</stage_direction>
    <scene_description>TORJE asleep. CHRISTIN holding him. Across the lobby, SVEINN talking to a group of DISTRAUGHT PARENTS. He hugs them. CHRISTIN watches SVEINN come back. He expression desolate.</scene_description>
    <character>SVEINN</character>
    <dialogue>Simon and Anders are dead.</dialogue>
    <scene_description>CHRISTIN hangs her head. Cries. Moments pass. Her phone rings.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Hello?</dialogue>
    <parenthetical>(listens)</parenthetical>
    <dialogue>Yes?</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>He has a bad scar on his neck. A fire burn.</dialogue>
    <parenthetical>(stands)</parenthetical>
    <dialogue>OK, thank you.</dialogue>
    <scene_description>Puts down the phone.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(to SVEINN and TORJE)</parenthetical>
    <dialogue>He's in the hospital. Let's go.</dialogue>
    <scene_description>HARD CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OSLO POLICE STATION - CORRIDOR / INTERROGATION ROOM -</stage_direction>
    <scene_description>NIGHT BREIVIK and LIPPESTAD are led into a small interrogation room. A one-way glass window. They're being watched. BREIVIK is uncuffed.</scene_description>
    <character>BREIVIK</character>
    <parenthetical>(to GUARD)</parenthetical>
    <dialogue>Don't be afraid. I'm not operative.</dialogue>
    <scene_description>He's led to a chair. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHER'S HOME - NIGHT</stage_direction>
    <scene_description>BREIVIK'S MOTHER watches the news. Her phone rings.</scene_description>
    <character>BREIVIKS MOTHER</character>
    <dialogue>Hello?</dialogue>
    <character>VOICE</character>
    <dialogue>Police. Open the door.</dialogue>
    <character>BREIVIKS MOTHER</character>
    <dialogue>Police?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE STATION - INTERROGATION ROOM - SAME TIME</stage_direction>
    <scene_description>BREIVIK sits waiting. LIPPESTAD next to him. A WOMAN enters.</scene_description>
    <character>FEMALE DETECTIVE</character>
    <parenthetical>(as she sits)</parenthetical>
    <dialogue>I'm Nina Anderson. I'm a detective at the Homicide and Serious Crimes Unit. Do you understand you've been arrested in connection with the explosion in Oslo, and the shootings on Utøya Island?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yeah, of course.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHER'S HOME - NIGHT</stage_direction>
    <scene_description>BREIVIK'S MOTHER goes to the door. Opens it to reveal: Dazzling light. Armed DELTA OFFICERS. They storm the apartment. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE STATION - INTERROGATION ROOM - SAME TIME</stage_direction>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>Did anyone help you with it?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I am just one cog in a network. The Knight's Templar. Named in honour of the Knights of the Crusade. We want Islam out of Europe.</dialogue>
    <scene_description>DETECTIVe ANDERSON Can you give me any names?</scene_description>
    <character>BREIVIK</character>
    <dialogue>No. Of course not.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHER'S APARTMENT - BREIVIKS ROOM - SAME TIME</stage_direction>
    <scene_description>We follow DELTA into Breivik's bedroom. To his computer. On the screen: Breivik's manifesto. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. POLICE STATION - INTERROGATION ROOM - SAME TIME</stage_direction>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>We have found your computer, at your mother's apartment. Can you tell me what's on it?</dialogue>
    <character>BREIVIK</character>
    <dialogue>My manifesto. I sent it out so people will understand what I've done. It's all there. 1500 pages.</dialogue>
    <scene_description>A message on Nina's computer screen: Convince him to elaborate on further attacks.</scene_description>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>We need to know if there are more attacks planned.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yeah, this is a war. Attacks can come at any moment. But you need to agree to my demands.</dialogue>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>This isn't a negotiation.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I don't believe you're in a position to dictate terms.</dialogue>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>Is another attack coming?</dialogue>
    <character>BREIVIK</character>
    <parenthetical>(to LIPPESTAD)</parenthetical>
    <dialogue>Can we take a break?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I've been trying to get medical attention ever since I was arrested.</dialogue>
    <scene_description>He shows a small cut on his finger.</scene_description>
    <character>BREIVIK</character>
    <dialogue>I cut it on a piece of someone's skull when it shattered. And this might be infection if I don't get treatment.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Yes. Can we pause the interview whilst my client is seen by a medic?</dialogue>
    <character>PM AIDE OYSTEIN (V.O.)</character>
    <dialogue>He could be bluffing, Sir...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY - SECURE ROOM - NIGHT</stage_direction>
    <scene_description>The PM stands alone. Chaos all around. SECURITY OFFICIAL ENDRE approaches.</scene_description>
    <character>PM AIDE OYSTEIN</character>
    <dialogue>We just don't know.</dialogue>
    <scene_description>Only the PM can make a call like this.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>Tell him I'm listening. Tell him personally from me. I'm listening to him.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OSLO POLICE STATION - INTERROGATION ROOM - NIGHT</stage_direction>
    <scene_description>BREIVIK eating pizza, being treated by a medic. A can of coke. DETECTIVE ANDERSON enters.</scene_description>
    <character>DETECTIVE ANDERSON</character>
    <parenthetical>(sitting)</parenthetical>
    <dialogue>The Prime Minister has seen your demands. He can't accept your terms. But he wanted me to give you a message.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Really? He said that?</dialogue>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>It was a personal message from the Prime Minister. He said he wants you to know he's listening to you.</dialogue>
    <scene_description>This lands. BREIVIK looks at the window, studying the dark glass.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Is he in there? Watching us?</dialogue>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>We need to know if there are anymore attacks planned.</dialogue>
    <character>BREIVIK</character>
    <parenthetical>(eventually)</parenthetical>
    <dialogue>Tell him I'm prepared to call off the attacks. For the moment.</dialogue>
    <character>DETECTIVE ANDERSON</character>
    <dialogue>And how do we know that we can trust you?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Because you're all listening to me now.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - LOBBY/ICU ROOM - NEAR DAWN</stage_direction>
    <scene_description>VILJAR'S FAMILY arrive. Go through the busy lobby. CAPTION: ULLEVAL HOSPITAL. CENTRAL OSLO.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OPERATING THEATRE. NIGHT</stage_direction>
    <scene_description>VILJAR having brain surgery. Fragments of bullets pulled from his exposed brain tissue.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Ok, more of these patches please.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - LOBBY/ICU ROOM - NEAR DAWN</stage_direction>
    <scene_description>The FAMILY arrive on the ICU ward. A NURSE tells them to wait. Anxious moments. The TRAUMA SURGEON arrives.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Hi.</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Hi.</dialogue>
    <parenthetical>(shakes CHRISTIN's hand)</parenthetical>
    <dialogue>I'm Dr. Tomas. I'm the trauma and Neuro surgeon.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Christin.</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>I don't know how much you know.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Very little.</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Yeah. Viljar has very severe injuries. Gunshot wounds to both of his arms and to his lower extremity on the right side. But what concerns us most is that one of the bullets exploded in his head.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>OK.</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>So I needed to do emergency surgery on him. It was complex. There are several bullet fragments close to his brain stem.</dialogue>
    <character>SVEINN</character>
    <dialogue>But what - what does this mean?</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>That means that if he survives, we will have to perform another surgery. But his condition is critical.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Can we see him?</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>Of course. Please.</dialogue>
    <scene_description>He leads them into a bare hospital room. See VILJAR. No signs of life. Just the soft bleep of machines. CHRISTIN begins to weep, despite herself. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. PM'S RESIDENCY - SECURE ROOM 2 FRONT DOOR - DAWN 158</stage_direction>
    <scene_description>The PM alone at the sink. On the phone.</scene_description>
    <character>AIDE</character>
    <parenthetical>(knocks)</parenthetical>
    <dialogue>Sir? The Press are ready outside.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>One moment.</dialogue>
    <character>SECURITY OFFICIAL (OOV)</character>
    <dialogue>We've got the final number... 8 dead in Oslo. 69 on Utøya.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>Wounded?</dialogue>
    <character>SECURITY OFFICIAL</character>
    <dialogue>At least 200.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>The line cuts. Leaving the PM, alone with his reflection.</scene_description>
    <character>PRIME MINISTER (V.O.)</character>
    <dialogue>We are all shocked...</dialogue>
    <scene_description>The door opens to reveal: a MASS OF CAMERAS. The PM faces them.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>...This was an attack on our government, and on our children. We are a long way from understanding why.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>But what is clear is that our nation has been attacked by someone who would see it changed...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S ROOM - SAME TIME</stage_direction>
    <scene_description>CHRISTIN sits down next to VILJAR. Holds his hand.</scene_description>
    <character>PRIME MINISTER (V.O.)</character>
    <dialogue>...He would see our democracy become tyranny. See our humanity fall... We must not give in to this terror. We must fight. But we must not become changed. Instead, we must strengthen our values. And fight this terror with the rule of law, not the barrel of the gun. Thank you.</dialogue>
    <scene_description>It's a rousing call to arms.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ILA PRISON - DAY</stage_direction>
    <scene_description>LIPPESTAD enters through the main gates. CAPTION: ILA DETENTION CENTRE. 12KM WEST OF OSLO.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON. BREIVIK'S CELL / CORRIDOR - DAY</stage_direction>
    <scene_description>BREIVIK is taken out of his cell, towards a holding room.</scene_description>
    <character>BREIVIK (V.O.)</character>
    <dialogue>I had a very happy upbringing. I grew up in west Oslo. My parents divorced amicably when I was very young....</dialogue>
    <character>GUARD</character>
    <parenthetical>(having uncuffed BREIVIK)</parenthetical>
    <dialogue>Sit down.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - HOLDING ROOM - DAY</stage_direction>
    <character>BREIVIK</character>
    <dialogue>...I maintain a close relationship with my mother. My half-sister and I are not very close but we speak occasionally.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>What about your father?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I haven't seen him since I was 16. We spoke a couple of years ago. But there was really no time to meet. I was focused on my career, my internet businesses. And he was living in France.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>How would you describe your relationship with your mother?</dialogue>
    <character>BREIVIK</character>
    <dialogue>My mother had nothing to do with this. She's really not relevant.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>It's all about understanding what led you to do this.</dialogue>
    <character>BREIVIK</character>
    <dialogue>How many children do you have, Mr. Lippestad?</dialogue>
    <character>LIPPESTAD</character>
    <parenthetical>(caught off guard)</parenthetical>
    <dialogue>Five.</dialogue>
    <character>BREIVIK</character>
    <dialogue>And you love them?</dialogue>
    <character>LIPPESTAD</character>
    <parenthetical>(uncomfortable)</parenthetical>
    <dialogue>Yes, of course.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I wanted to hit them where it would hurt the most.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. GOVERNMENT BUILDING REAR - DAY</stage_direction>
    <scene_description>The PM's car pulls into the government quarter. He gets out. Ahead of him: devastation. See the PM, lost in thought at the magnitude.</scene_description>
    <character>PRIME MINISTER (V.O.)</character>
    <dialogue>So he buys 900 kilos of fertilser...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY - LIVING ROOM (MEETING ROOM) - LATER</stage_direction>
    <scene_description>The PM in his living room - hastily transformed into a make- shift office. A security meeting: The PST DIRECTOR, SECURITY OFFICIAL LARS, SECURITY OFFICIAL ENDRE, AIDE MARIT, AIDE OYSTEIN.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>... and aluminum nitrate, and there were no red flags?</dialogue>
    <character>HEAD OF PST</character>
    <dialogue>Our focus has been on Islamist terror.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>But we know the Far-Right is growing fast.</dialogue>
    <character>SECURITY OFFICIAL LARS</character>
    <dialogue>We can't stop every threat. We did the best we could, Sir.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>We all know that this is not good enough.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I want to upgrade our national security. Intelligence. Defence. Policing. Everything. And I'm ordering a public inquiry. An inquiry into what happened and how we responded. Something went badly wrong. And we need to find out what. It's the only way we'll get through this.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - ICU WARD - NIGHT</stage_direction>
    <scene_description>SVEINN on the phone.</scene_description>
    <character>SVEINN</character>
    <dialogue>Christin asked me to call. She's suspending the campaign...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - OPERATING THEATRE - NIGHT</stage_direction>
    <scene_description>A surgical drill cuts into bone. VILJAR'S second operation.</scene_description>
    <character>SVEINN (V.O.)</character>
    <dialogue>...We're going to be staying here in Oslo with Viljar. And Torje's here with us, so he, I called the school, yeah. Yeah, they're operating on him right now.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - ICU WAITING ROOM - LATER</stage_direction>
    <scene_description>SVEINN, TORJE and CHRISTIN wait in silence. The TRAUMA SURGEON enters.</scene_description>
    <character>TRAUMA SURGEON</character>
    <parenthetical>(shakes their hands)</parenthetical>
    <dialogue>Nice to see you. I just came from the operating room. And I'm sorry that I don't bring better news than this. I tried to get the bullet fragments out, and I managed to take some of them out... but not all. Some of them were too close to his brain stem. It would have been too dangerous unfortunately.</dialogue>
    <character>SVEINN</character>
    <dialogue>So it's ...if he wakes up now, he's not the same as he was?</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>To evaluate his brain injury, we have to wait and see if he wakes up. It's up to him now. But we are trying to do everything to save Viljar's life.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Thank you.</dialogue>
    <scene_description>The TRAUMA SURGEON exits. The FAMILY try to absorb the news.</scene_description>
    <character>SVEINN</character>
    <dialogue>This is, this is wrong.</dialogue>
    <scene_description>He kicks the chair and exits. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LIPPESTAD'S OFFICE - MEETING ROOM - DAY</stage_direction>
    <scene_description>Boxes of police evidence on the table. LIPPESTAD, VIBEKE DEF. LAWYER, and TWO ASSISTANTS leaf through files.</scene_description>
    <character>VIBEKE DEF. LAWYER (V.O.)</character>
    <dialogue>It was a very dysfunctional family. Breivik's parents split acrimoniously when he was very young.</dialogue>
    <scene_description>Insert: LIPPESTAD looks at ABB's SOCIAL SERVICES FILES.</scene_description>
    <character>VIBEKE DEF LAWYER</character>
    <dialogue>She wrote to Social Services asking for help. They had serious doubts about his mother's capacity to parent.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>And his father?</dialogue>
    <character>VIBEKE DEF. LAWYER</character>
    <dialogue>After the marriage collapsed, his father cut him off.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>What about his half-sister?</dialogue>
    <scene_description>Insert: LIPPESTAD looks at a photo of YOUNG BREIVIK.</scene_description>
    <character>VIBEKE DEF. LAWYER</character>
    <dialogue>She emigrated to California. When he was about 16 I think.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>16? 17?… Yeah ok… Thank you.</dialogue>
    <character>VIBEKE DEF. LAWYER</character>
    <dialogue>It was just him and his mother after that.</dialogue>
    <scene_description>Insert: LIPPESTAD looks at photos of TEENAGE BREIVIK.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>So he was obviously very isolated all the way into adulthood.</dialogue>
    <character>LIPPESTAD ASSISTANT 2</character>
    <dialogue>Not exactly the picture he painted.</dialogue>
    <character>VIBEKE DEF. LAWYER</character>
    <dialogue>No, no it's not.</dialogue>
    <scene_description>INSERT: LIPPESTAD opens a file of crime scene photos. Photos of DEAD BODIES.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>So what are we talking about here? Developing insanity as a defense?</dialogue>
    <character>LIPPESTAD ASSISTANT 2</character>
    <dialogue>I think so.</dialogue>
    <character>VIBEKE DEF. LAWYER</character>
    <dialogue>How else do we explain it?</dialogue>
    <scene_description>LIPPESTAD looks back at the desperate photos. Closes the file.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>Yes.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. BREIVIK'S MOTHER'S HOUSE - DAY</stage_direction>
    <scene_description>LIPPESTAD pulls up outside. Enters the building.</scene_description>
    <character>LIPPESTAD (V.O.)</character>
    <dialogue>I've been appointed by your son to lead his defense...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S MOTHER'S HOUSE - DAY</stage_direction>
    <scene_description>LIPPESTAD opposite BREIVIK'S MOTHER.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>Now I know he doesn't have a relationship with his father. So I wanted to ask you some questions. What was Anders like as a child?</dialogue>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>Oh he was a normal boy. Kind, clever. Lots of friends. He loved affection. Since his father left up, I was a single parent.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Any mental health issues?</dialogue>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>No.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Was he ever violent?</dialogue>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>Never.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Did he ever have any dealings with social services?</dialogue>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>After his father left, I thought I needed their help, but I didn't. He was fine.</dialogue>
    <scene_description>He sees her hands shaking. She's on the edge.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>And did you have any sense recently that Anders was having problems?</dialogue>
    <character>BREIVIKS MOTHER</character>
    <dialogue>No.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I told the police that I saw he had guns in his bedroom. But he told me he needed them for hunting. And I believed him.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Would you consider testifying in Anders' defense?</dialogue>
    <character>BREIVIKS MOTHER</character>
    <dialogue>What would I say?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Just that there were problems, in his childhood. It would help him.</dialogue>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>But then everyone will know who I am.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Anders is entitled to a defense, just like everyone else.</dialogue>
    <character>BREIVIKS MOTHER</character>
    <parenthetical>(crying)</parenthetical>
    <dialogue>I can't do it.</dialogue>
    <character>LIPPESTAD</character>
    <parenthetical>(packing up)</parenthetical>
    <dialogue>Thank you for your time.</dialogue>
    <scene_description>LIPPESTAD goes to the door.</scene_description>
    <character>BREIVIK'S MOTHER</character>
    <dialogue>He's kind of right though, isn't he. The way the country's going. It's not like it used to be.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>These are difficult times.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - NIGHT</stage_direction>
    <scene_description>VILJAR still unconscious. CHRISTIN exhausted. Outside the TRAUMA SURGEON confers with SVEINN, obviously concerned.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>His situation is still quite critical.</dialogue>
    <scene_description>In Viljar's room, CHRISTIN and TORJE listen in.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>He's fighting an infection....</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. LIPPESTAD'S HOUSE - NIGHT</stage_direction>
    <scene_description>LIPPESTAD parks. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LIPPESTAD'S HOUSE - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD enters. SIGNE is asleep in front of the TV. Goes upstairs. Checks on their CHILDREN. The phone goes. He crosses the landing. Answers.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>Hello?</dialogue>
    <character>VOICE</character>
    <dialogue>You fucking Nazi lover. I know where you live. I'm going to make sure you and your family rot in hell...</dialogue>
    <scene_description>LIPPESTAD puts down the phone. He comes back down to the lounge. A furtive look out the window. As from the TV we hear: announcement of the PM's public inquiry:</scene_description>
    <character>GJORV (ON TV)</character>
    <parenthetical>(leaving PM's residency)</parenthetical>
    <dialogue>I have just met with the Prime Minister. He has asked me to conduct a searching and independent inquiry into the attacks on 22 July. I have accepted and our work will begin immediately. Thank you.</dialogue>
    <scene_description>He wakes SIGNE. As she gets up:</scene_description>
    <character>PRIME MINISTER (ON TV)</character>
    <dialogue>This public inquiry is of vital importance. Whatever went wrong we must confront it. If we fail to do so, the terrorist will surely win.</dialogue>
    <character>SIGNE</character>
    <dialogue>Who was that?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>It's from the office.</dialogue>
    <character>SIGNE</character>
    <dialogue>It's the third one tonight.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OSLO - DAWN</stage_direction>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - EARLY MORNING 175</stage_direction>
    <scene_description>A tap at the door. CHRISTIN looks up. It's LARA.</scene_description>
    <character>LARA</character>
    <dialogue>I'm Lara…</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Hi Lara..</dialogue>
    <character>LARA</character>
    <dialogue>I was also on the island. I'm just here visiting survivors. How's Viljar?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>He needs to wake up.</dialogue>
    <scene_description>They both look down at VILJAR.</scene_description>
    <character>LARA</character>
    <dialogue>Yeah.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Are you OK?</dialogue>
    <character>LARA</character>
    <dialogue>My sister didn't make it so...</dialogue>
    <character>CHRISTIN</character>
    <parenthetical>(hugging her)</parenthetical>
    <dialogue>I'm so sorry. What was her name?</dialogue>
    <character>LARA</character>
    <dialogue>Bano.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>She'd be so happy you're alive, Lara.</dialogue>
    <scene_description>SVEINN enters with TORJE, fresh coffee. He looks exhausted. Sees LARA.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>This is Lara. She was on the island. She wanted to see how Viljar was doing.</dialogue>
    <character>LARA</character>
    <dialogue>Hi.</dialogue>
    <character>SVEINN</character>
    <dialogue>That's kind.</dialogue>
    <character>LARA</character>
    <parenthetical>(to TORJE)</parenthetical>
    <dialogue>Hi, you ok?</dialogue>
    <character>TORJE</character>
    <dialogue>Hi. Yeah...</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Do you know Viljar well?</dialogue>
    <character>LARA</character>
    <dialogue>I think everyone knows Viljar. I just played against him in the football.</dialogue>
    <character>TORJE</character>
    <dialogue>Yeah, he foaled you.</dialogue>
    <character>LARA</character>
    <parenthetical>(laughs)</parenthetical>
    <dialogue>Yeah</dialogue>
    <scene_description>SVEINN smiles. An awkward silence.</scene_description>
    <character>LARA</character>
    <dialogue>But I will leave you.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Maybe I can come back when he wakes up?</dialogue>
    <scene_description>It's a small but powerful gesture of faith.</scene_description>
    <character>SVEINN</character>
    <dialogue>Yes please, that would be very kind of you.</dialogue>
    <character>LARA</character>
    <dialogue>OK. See you.</dialogue>
    <scene_description>She hugs Torje. A moment between them. Then leaves. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - HOLDING ROOM - DAY</stage_direction>
    <scene_description>LIPPESTAD opposite BREIVIK.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>My recommendation is that you plead insanity. The court will have you assessed by psychiatrists. They will give a diagnosis. And the court will then decide whether to accept it. If they do, you'll go to hospital for treatment.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Not jail?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Not jail.</dialogue>
    <character>BREIVIK</character>
    <dialogue>People will be very angry.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>It's the law.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Will I be able to address the court?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>I will petition them and you will have the same rights as any other defendant.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Okay.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - MIDDLE OF NIGHT</stage_direction>
    <scene_description>VILJAR unconscious. The soft bleep of intensive care machines. CHRISTIN and TORJE sleeping. SVEINN sitting. Angle on VILJAR'S hand. A slight movement. Suddenly: Viljar starts to choke.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(waking)</parenthetical>
    <dialogue>He's choking! Can't you help him?</dialogue>
    <scene_description>A NURSE checks VILJAR.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Can you call someone?</dialogue>
    <character>NURSE</character>
    <parenthetical>(on phone)</parenthetical>
    <dialogue>Can you come to Room 5? Quickly.</dialogue>
    <scene_description>Still VILJAR chokes on the tube. TRAUMA SURGEON and ANOTHER DOCTOR arrives.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>What's going on?</dialogue>
    <character>NURSE</character>
    <dialogue>He's reacting to the tube.</dialogue>
    <character>TRAUMA SURGEON</character>
    <dialogue>OK. That's good news. I think we should extobate him. His saturation is good.</dialogue>
    <character>ANOTHER DOCTOR</character>
    <dialogue>Viljar, I'm going to take this tube out of your throat. It's going to give slight discomfort. Are you ready?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>We are here Viljar.</dialogue>
    <scene_description>VILJAR gives a tiny nod. ANOTHER DOCTOR pulls out the tube. VILJAR coughs and gasps. See CHRISTIN.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Viljar? Do you hear me?</dialogue>
    <scene_description>VILJAR moans.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Very good, Viljar. Can you raise your left arm?</dialogue>
    <scene_description>With immense effort, VILJAR does.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Yes. Very good Viljar. Can you move the fingers of your right arm?</dialogue>
    <scene_description>Viljar wiggles his fingers.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Unbelievable. Where are you from?</dialogue>
    <character>VILJAR</character>
    <parenthetical>(eventually)</parenthetical>
    <dialogue>Svalbard.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OSLO - DAWN</stage_direction>
    <scene_description>A wide shot over Oslo. Church bells ringing. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S ICU ROOM - EARLY MORNING 179</stage_direction>
    <scene_description>As the sun rises, VILJAR wakes again. He's highly medicated.</scene_description>
    <character>VILJAR</character>
    <dialogue>What happened?</dialogue>
    <scene_description>CHRISTIN looks at SVEINN, not sure what to say.</scene_description>
    <character>SVEINN</character>
    <parenthetical>(stepping in)</parenthetical>
    <dialogue>It was a terrorist attack. You were shot. But it's alright, you're safe now.</dialogue>
    <character>VILJAR</character>
    <dialogue>Is Torje OK?</dialogue>
    <character>TORJE</character>
    <dialogue>I'm here.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Torje's fine, he's absolutely fine, Viljar.</dialogue>
    <character>VILJAR</character>
    <dialogue>There was so much shooting.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Yes.</dialogue>
    <character>SVEINN</character>
    <dialogue>There was just one man. Some kind of Right wing extremist.</dialogue>
    <scene_description>VILJAR processes. His mind moving slowly with the drugs.</scene_description>
    <character>VILJAR</character>
    <dialogue>How many did he kill?</dialogue>
    <character>SVEINN</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Simon and Anders are dead, Viljar. I'm so sorry.</dialogue>
    <scene_description>VILJAR begins to cry. Desperate moments.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - VILJAR'S NEW ROOM - NIGHT</stage_direction>
    <scene_description>VILJAR in bed. Sleeping fitfully. Bring up the sound of screaming and VILJAR's voice</scene_description>
    <character>VILJAR (V.O.)</character>
    <dialogue>Simon! Simon!</dialogue>
    <scene_description>HARD CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. UTOYA ISLAND - VILJAR SHORE - A FLASHBACK</stage_direction>
    <scene_description>BREIVIK opening fire. VILJAR being shot. HARD CUT BACK: TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - VILJAR'S NEW ROOM - NIGHT/DAY</stage_direction>
    <scene_description>VILJAR wakes in panic. Later: his head bandages removed to reveal the scars.</scene_description>
    <character>TRAUMA SURGEON (V.O.)</character>
    <dialogue>It is clear that this is going to be a long recovery...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - EXAMINATION ROOM - MORNING</stage_direction>
    <scene_description>VILJAR wheeled in by his PARENTS.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Two years. Or three years.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Of course there is brain damage and these bullet fragments that are close to the brain stem - these fragments could shift. And, that could be fatal.</dialogue>
    <scene_description>CHRISTIN rubs VILJAR'S back.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>So we're going to have to take it one day at a time.</dialogue>
    <scene_description>On VILJAR, taking this in.</scene_description>
    <character>TRAUMA SURGEON</character>
    <dialogue>Do you have any questions for me Viljar?</dialogue>
    <character>VILJAR</character>
    <dialogue>No.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S NEW ROOM - LATER</stage_direction>
    <scene_description>VILJAR is wheeled back to his room.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>OK, Viljar?</dialogue>
    <character>VILJAR</character>
    <dialogue>Can you give me a minute?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Yes, of course.</dialogue>
    <scene_description>CHRISTIN and SVEINN leave the room. See VILJAR, alone. The pain, the fear, the shock. His fucked up body. Hitting him all at once. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - ASSESSMENT ROOM - DAY</stage_direction>
    <scene_description>BREIVIK chained like Hannibal Lector. Sat opposite him: DR HUSBY and DR SORHEIM.</scene_description>
    <character>LIPPESTAD</character>
    <parenthetical>(seeing the restraints)</parenthetical>
    <dialogue>Is it necessary to restrain my client?</dialogue>
    <character>DR. SORHEIM</character>
    <dialogue>For the moment.</dialogue>
    <character>BREIVIK</character>
    <dialogue>So I imagine every psychiatrist in the world envies you right now.</dialogue>
    <character>DR. SORHEIM</character>
    <dialogue>Why do you say that?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Because I am The Monster. And you get to look inside my head.</dialogue>
    <character>DR. SORHEIM</character>
    <dialogue>You think you are a monster?</dialogue>
    <character>BREIVIK</character>
    <dialogue>No. But I think you do.</dialogue>
    <character>DR. HUSBY</character>
    <dialogue>You can rad our minds?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Within 70% of accuracy.</dialogue>
    <character>DR. HUSBY</character>
    <dialogue>Do you know or do you think you know?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I know. And there's a difference.</dialogue>
    <character>DR. HUSBY</character>
    <dialogue>Do you think people can read your mind?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Sometimes. I think they try.</dialogue>
    <character>DR. HUSBY</character>
    <dialogue>Did you feel like that before the attacks, or is it a new feeling?</dialogue>
    <character>BREIVIK</character>
    <dialogue>It's not new. But it got worse when I was planning the attacks.</dialogue>
    <character>DR. SORHEIM</character>
    <dialogue>Worse?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yeah. Much worse.</dialogue>
    <scene_description>See LIPPESTAD watched BREIVIK. Wonders if this is all an act. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S NEW ROOM - DAY</stage_direction>
    <scene_description>A NURSE carefully removes VILJAR'S bandages on his shoulder. Revealing angry red wounds. CHRISTIN watches. Sees VILJAR is in pain.</scene_description>
    <character>NURSE</character>
    <dialogue>Take a deep breath now.</dialogue>
    <character>CHRISTIN</character>
    <parenthetical>(to NURSE)</parenthetical>
    <dialogue>Can we get him something for the pain?</dialogue>
    <character>VILJAR</character>
    <dialogue>No. No more morphine.</dialogue>
    <character>NURSE</character>
    <dialogue>Sure? OK. We're done now.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVÅL HOSPITAL - VILJAR'S NEW ROOM - DAY</stage_direction>
    <scene_description>VILJAR in his hospital bed. A knock at the door.</scene_description>
    <character>LARA</character>
    <dialogue>Hi.</dialogue>
    <character>VILJAR</character>
    <dialogue>Hi. What are you doing around here?</dialogue>
    <character>LARA</character>
    <dialogue>I live around here. We're checking on survivors. Can I come in?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yeah sure.</dialogue>
    <character>LARA</character>
    <dialogue>How you feeling?</dialogue>
    <character>VILJAR</character>
    <dialogue>I'm OK. Are you?</dialogue>
    <character>LARA</character>
    <dialogue>Yeah. I was in the shower block when it started. So I managed to run and hide.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>But I got separated from my sister Bano...</dialogue>
    <character>LARA</character>
    <dialogue>I'm sorry about Simon and Anders too.</dialogue>
    <character>VILJAR</character>
    <dialogue>It's shit.</dialogue>
    <scene_description>It sits there. Survival is a strange land for both of them.</scene_description>
    <character>LARA</character>
    <dialogue>How's the food here? Is it OK?</dialogue>
    <character>VILJAR</character>
    <dialogue>That's shit too... Actually it's really shit.</dialogue>
    <character>LARA</character>
    <dialogue>If you want I can bring you something? Food or...</dialogue>
    <scene_description>VILJAR shakes his head.</scene_description>
    <character>VILJAR</character>
    <dialogue>No, I'm fine. I don't have much appetite.</dialogue>
    <character>LARA</character>
    <dialogue>Do you want anything else? Cigarettes or?</dialogue>
    <character>VILJAR</character>
    <dialogue>That would be nice... Except I don't smoke.</dialogue>
    <scene_description>He laughs. The first time since the attack. But then pain. He puts his right hand to his head.</scene_description>
    <character>LARA</character>
    <dialogue>Does it hurt?</dialogue>
    <character>VILJAR</character>
    <dialogue>No, it's just, I have to be careful.</dialogue>
    <character>LARA</character>
    <dialogue>It's going to take time.</dialogue>
    <character>VILJAR</character>
    <dialogue>That's what everyone keeps saying.</dialogue>
    <character>LARA</character>
    <dialogue>Yeah, that's what they say to me too.</dialogue>
    <parenthetical>(a moment between them)</parenthetical>
    <dialogue>I'll leave you in peace. But if you want I can come back and check on you again?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yeah. That'd be nice.</dialogue>
    <character>LARA</character>
    <dialogue>OK. Take care.</dialogue>
    <character>VILJAR</character>
    <dialogue>You too.</dialogue>
    <character>LARA</character>
    <dialogue>Bye.</dialogue>
    <scene_description>And she's gone - leaving VILJAR alone. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - HOLDING ROOM - DAY</stage_direction>
    <scene_description>LIPPESTAD watching BREIVIK reading his psychiatric report.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>It's only the diagnosis. It will be up to the court whether to accept it.</dialogue>
    <character>BREIVIK</character>
    <dialogue>What's their decision?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Paranoid Schizophrenia.</dialogue>
    <parenthetical>(hands him a bundle of newspapers, letters)</parenthetical>
    <dialogue>In the meantime, the judge has modified the terms of your detention. You're allowed to read newspapers. And you've got some mail.</dialogue>
    <scene_description>BREIVIK scans the headlines - furious denunciations of his insanity plea.</scene_description>
    <character>BREIVIK</character>
    <parenthetical>(holds up paper)</parenthetical>
    <dialogue>Geir, I told you they'd be angry.</dialogue>
    <parenthetical>(opens letters)</parenthetical>
    <dialogue>Fan mail...</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I will be allowed to speak at the trial?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>This hasn't been decided yet.</dialogue>
    <character>BREIVIK</character>
    <dialogue>That's very important. There are witnesses I need to cross-examine.</dialogue>
    <parenthetical>(hands LIPPESTAD a list)</parenthetical>
    <dialogue>LIPPESTAD scans a who's-who of Norway, starting with the King. Then the Prime Minister.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Anders, you can't call the Prime Minister. Norway isn't on trial. You are.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Are you sure about that?</dialogue>
    <scene_description>CUT TO DARKNESS:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - PHYSIO ROOM - MORNING</stage_direction>
    <scene_description>VILJAR trying to stand. A PHYSIOTHERAPIST assisting. His good hand pushes down hard into the bench. His legs shake as he forces his body up.</scene_description>
    <character>PHYSIO</character>
    <dialogue>Come on, come on... Yes very good. And the right leg. Come on, very good.</dialogue>
    <scene_description>VILJAR takes a step.</scene_description>
    <character>PHYSIO</character>
    <dialogue>One more. That's good.</dialogue>
    <scene_description>Then his legs buckle. The PHYSIO catches him.</scene_description>
    <character>PHYSIO</character>
    <dialogue>And breath.</dialogue>
    <character>VILJAR</character>
    <dialogue>I can't do this.</dialogue>
    <character>PHYSIO</character>
    <dialogue>Very good Viljar, come on.</dialogue>
    <character>VILJAR</character>
    <dialogue>No. It's not.</dialogue>
    <scene_description>Close on VILJAR, all energy spent, angry and afraid.</scene_description>
    <character>CHRISTIN (V.O.)</character>
    <dialogue>I'm not enjoying this campaign...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - CORRIDOR TO MEETING AREA - DAY</stage_direction>
    <scene_description>CHRISTIN pushes VILJAR in the wheelchair.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>People are angry.</dialogue>
    <character>VILJAR</character>
    <dialogue>Shouldn't you be there?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>I'm not leaving you.</dialogue>
    <character>VILJAR</character>
    <dialogue>So how will that work on election night?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>I'll Skype.</dialogue>
    <character>VILJAR</character>
    <dialogue>Skype? Seriously?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>A modern mayor. Maybe you could skype with me, if you feel up to it?</dialogue>
    <character>VILJAR</character>
    <dialogue>Only if you win...</dialogue>
    <character>CHRISTIN</character>
    <dialogue>I'll try.</dialogue>
    <scene_description>Her phone goes.</scene_description>
    <character>VILJAR</character>
    <dialogue>Take it.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>No, I'll call them later. It's ok.</dialogue>
    <character>VILJAR</character>
    <dialogue>Seriously take it. It's important. It's a fucking election.</dialogue>
    <scene_description>A moment between them. She takes the call, leaving VILJAR. He looks around, uncertain in the BUSY corridor. Then he hears the sound of a TV. Wheels towards it...</scene_description>
    <character>TV REPORT</character>
    <dialogue>...the Norwegians Anders Behring Breivik who killed 77 people in July is criminally insane. Breivik who has admitted carrying out the attacks in Oslo and on Utoya Island has been diagnosed with paranoid schizophrenia that developed over a long period of time... The psychiatric evaluation may mean that he will not be sent to prison.</dialogue>
    <scene_description>VILJAR turns a corner. Comes face-to-face with BREIVIK on the TV. Being led into court.</scene_description>
    <character>TV REPORT</character>
    <dialogue>Breivik was described as living in a delusional universe, governing his thoughts and acts. If the conclusions are upheld, he could be detained in a psychiatric unit instead...</dialogue>
    <scene_description>See VILJAR panicking. CHRISTIN enters. Puts her hand on VILJAR shoulder.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Viljar? He can't get you. He's never going to get you.</dialogue>
    <scene_description>She wheels him away.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PM'S RESIDENCY - LIVING ROOM - NIGHT</stage_direction>
    <scene_description>The PM watching election results. Alone. The mood is sombre. The Labour Party retain power, but the Right have made striking gains across the country.</scene_description>
    <character>TV REPORTER</character>
    <dialogue>According to his critics, Prime Minister Stoltenberg has been accused of wasting a once in a lifetime economic boom. His Labour Party is still predicting to win the most votes, but polls suggest overall power will go to a coalition of centre-right parties. In many ways it's a peculiar shift. One change Norwegians may get as a result of this election is the Progress Party. It's a populist anti-immigration movement that mass- killed Anders Breivik used to be a member of.</dialogue>
    <scene_description>Hold on the PM.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL - VILJAR'S NEW ROOM - NIGHT</stage_direction>
    <scene_description>CHRISTIN on her laptop. Her family around her.</scene_description>
    <character>CHRISTIN</character>
    <parenthetical>(to Skype camera)</parenthetical>
    <dialogue>Hi, yeah everyone is there. That's great. And you can see me? Good. So OK.. I just want to say that I'm really honoured to become Mayor of Svalbard, and I want to thank everyone for being so understanding. As you know this has been a difficult time for us, but hopefully we will be home soon.</dialogue>
    <character>CHRISTIN</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>So yeah and Viljar has a message.</dialogue>
    <scene_description>She adjusts the computer.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(this is difficult)</parenthetical>
    <dialogue>Hi, everybody! Hope you can hear me and... I don't look too scary!</dialogue>
    <parenthetical>(he struggles, then)</parenthetical>
    <dialogue>I just want to say that I'm very proud of my mum. Hopefully they'll let me out of this place soon and we'll all get home for Christmas.</dialogue>
    <character>CHRISTIN</character>
    <parenthetical>(steps in)</parenthetical>
    <dialogue>Thank you and maybe we could say goodbye?</dialogue>
    <scene_description>SVEINN, TORJE and VILJAR wave into the camera.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Bye bye. See you soon.</dialogue>
    <character>VILJAR</character>
    <dialogue>Bye.</dialogue>
    <character>SVEINN</character>
    <dialogue>Bye.</dialogue>
    <scene_description>She ends the call. The room subdued, the whole family strangely empty.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON. BREIVIK'S CELL - DAY</stage_direction>
    <scene_description>BREIVIK in his cell.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ULLEVAL HOSPITAL GARDENS - DAY</stage_direction>
    <scene_description>VILJAR and LARA sit in the hospital cafe. LARA looks over to a newspaper picture of BREIVIK.</scene_description>
    <character>VILJAR</character>
    <dialogue>They're saying he's insane. Do you think he's insane?</dialogue>
    <character>LARA</character>
    <dialogue>I don't know. Maybe.</dialogue>
    <character>VILJAR</character>
    <dialogue>I saw him. Like this close.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>He knew what he was doing. Definitely.</dialogue>
    <character>LARA</character>
    <dialogue>So, what are you going to do? When you get out?</dialogue>
    <character>VILJAR</character>
    <dialogue>I can't see the future. I just can't see it. It's like I'm still there on the rocks. Like I'm out in this no man's land. Do you know what I mean?</dialogue>
    <character>LARA</character>
    <dialogue>Yeah. But we survived. Right?</dialogue>
    <character>VILJAR</character>
    <dialogue>But what does that even mean?</dialogue>
    <character>LARA</character>
    <dialogue>I really don't know.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTHOUSE - DAY</stage_direction>
    <scene_description>FAMILY LAWYER (female, 40s) METTE LARSEN, walkS towards court through a crowd of JOURNALISTS.</scene_description>
    <character>REPORTER 1</character>
    <dialogue>Ms Larsen, how do the families feel about Breivik's insanity plea?</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>I can say on behalf of my clients, that they strongly oppose Mr. Breivik's psychiatric diagnosis, and as the coordinating lawyer for the families and the survivors of the 22nd July attacks, I will be petitioning the court today to order further assessments. We demand that Mr. Breivik faces justice and is held accountable. Thank you.</dialogue>
    <scene_description>Flurry of flashlights. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - JUDGES CHAMBERS - NIGHT</stage_direction>
    <character>JUDGE ARTNZEN</character>
    <dialogue>Good afternoon. After careful consideration the Court has decided to allow further psychiatric assessment of Mr. Breivik.</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>Your Honour, the families welcome this decision. And they thank you. We will of course be calling our own psychiatric experts. Thank you.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Your Honour, the court has already had Mr. Breivik psychiatrically examined. Allowing further assessments has no precedent in law. Thank you.</dialogue>
    <character>JUDGE ARTNZEN</character>
    <dialogue>Mr, Lippestad, the court is trying to do what's best for Norway.</dialogue>
    <scene_description>See LIPPESTAD. This is a reverse. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. HANSSEN CAR - DAY</stage_direction>
    <scene_description>VILJAR and FAMILY are driven through a vast snowy landscape. Arriving in a small town, nestled between the mountains and the Arctic Sea. CAPTION: SVALBARD, NORWAY. 2,000KM NORTH OF OSLO. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. SVALBARD - VILJAR'S HOME - DAY</stage_direction>
    <scene_description>They pull up outside a small clapper-board home. A snow- mobile parked outside. VILJAR gets out of the car. He struggles to walk. They enter and CHRISTIN helps VIlJAR with his coat.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Do you want me to take your jacket?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yeah.</dialogue>
    <scene_description>TORJE goes ahead of him to his bedroom and shuts the door. SVEINN takes the cases upstairs.</scene_description>
    <character>VILJAR</character>
    <dialogue>OK, thanks.</dialogue>
    <scene_description>Alone in his bedroom, VILJAR sees the life he once had. Smiling photos with his friends, his Arsenal poster, his skis. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - LIVING ROOM - CONTINUOUS</stage_direction>
    <scene_description>Meanwhile upstairs, SVEINN unpacks. CHRISTIN looks around, lost in thought. See the whole FAMILY coming to terms with being home. TIME-LAPSE TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PLAY SCHOOL - DAY</stage_direction>
    <scene_description>Establisher of play-school. KIDS play outside.</scene_description>
    <character>HEADMISTRESS (V.O.)</character>
    <dialogue>Thank you so much for coming in...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. PLAY SCHOOL - EMPTY CLASSROOM - CONTINUOUS</stage_direction>
    <scene_description>SIGNE and LIPPESTAD in a meeting with HEADMISTRESS.</scene_description>
    <character>HEADMISTRESS</character>
    <dialogue>This is very difficult. Some of the parents are unhappy. There have been complaints. Because you are defending such a dangerous man.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Meaning?</dialogue>
    <character>HEADMISTRESS</character>
    <dialogue>They think the school might be a target.</dialogue>
    <character>SIGNE LIPPESTAD</character>
    <dialogue>Oh for God's sake.</dialogue>
    <character>HEADMISTRESS</character>
    <dialogue>I know it's very unlikely, but we have to think about what's best for everyone.</dialogue>
    <character>SIGNE</character>
    <dialogue>So what exactly are you saying?</dialogue>
    <character>HEADMISTRESS</character>
    <dialogue>We wonder if you should perhaps find another school. I'm sorry.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>That's OK.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. PLAY SCHOOL - STREET - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD and SIGNE leaving the school, with their DAUGHTER. AND WE CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - HOLDING ROOM - DAY</stage_direction>
    <scene_description>LIPPESTAD enters.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>Hi Anders.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I want to change my plea.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>What?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I'm not insane. I was playing a role.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>What role?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I was playing the monster in a nightmare. But I'm not a monster. I'm a soldier in a war, doing my duty. A leader. And a leader does not give away his power. I've allowed the families to take control, but this is my trial. I decide how it ends. I have to prove these attacks meant something.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>You'll go to prison. For the rest of your life.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I have to finish what I've started. And standing up in the court. That's the third attack. That's the whole point of this. That's why I surrendered. That is how I win.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ILA PRISON - NIGHT</stage_direction>
    <scene_description>LIPPESTAD walks away from the prison.</scene_description>
    <character>LIPPESTAD (V.O.)</character>
    <dialogue>He wants to change his defense...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. LIPPESTAD'S OFFICE - NIGHT</stage_direction>
    <scene_description>Piles of files across every surface. LIPPESTAD looks tired.</scene_description>
    <character>LIPPESTAD</character>
    <parenthetical>(to his TEAM)</parenthetical>
    <dialogue>He wants to plead guilty.</dialogue>
    <character>LIPPESTAD ASSISTANT 1</character>
    <dialogue>Has he given any reason? I mean, why?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>He wants to stay in control.</dialogue>
    <character>VIBEKE DEF LAWYER</character>
    <dialogue>And he knows the consequences?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>He wants to stand up and be accountable for his actions.</dialogue>
    <character>LIPPESTAD ASSISTANT 2</character>
    <dialogue>The psychiatric assessment was clear. And the Prosecution are legally obliged to stick with it. So how do we get around that?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Ok so we have to start again. And show that he knew what he was doing. Every step of the way. That only someone rational could have planned and executed something this complex. And then we have to look into the Far-Right. Find witnesses who share his beliefs. So we can show that he's not alone in his views. That's the only way we can do this.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - DAY</stage_direction>
    <scene_description>Wide shot of Svalbard. Hemmed in by mountains on one side, and the Arctic Sea on the other. A pick-up pulls up at a remote building. SVEINN gets out. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVEINN'S OFFICE - DAY</stage_direction>
    <scene_description>SVEINN in his more spartan office space. A couple of computers. Science equipment, outdoor gear, charts tracking migration patterns across the Arctic Sea.</scene_description>
    <character>SVEINN'S CO-WORKER</character>
    <dialogue>Hi</dialogue>
    <character>SVEINN</character>
    <dialogue>Hi. It's good to be back.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD MAYOR'S OFFICE - DAY</stage_direction>
    <scene_description>CHRISTIN arrives in her new office.</scene_description>
    <character>CHRISTIN'S CO-WORKER</character>
    <dialogue>Welcome to Svalbard.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Thank you so much.</dialogue>
    <character>CHRISTIN'S CO-WORKER</character>
    <dialogue>How is Viljar?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Oh he's fine...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVEINN'S OFFICE - DAY</stage_direction>
    <scene_description>SVEINN at work. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHRISTIN'S OFFICE - DAY</stage_direction>
    <scene_description>CHRISTIN sits at her new desk. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVEINN'S OFFICE - DAY</stage_direction>
    <scene_description>SVEINN at his. Trying to engage... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. CHRISTIN'S OFFICE - DAY</stage_direction>
    <scene_description>CHRISTIN with her TEAM. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD HOSPITAL - MRI UNIT - DAY</stage_direction>
    <scene_description>VILJAR lying in an MRI tunnel. The screen showing his damaged brain. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD HOSPITAL - EXAMINATION ROOM - DAY</stage_direction>
    <scene_description>A SECOND DOCTOR carefully fits a prosthetic eye into VILJAR'S empty socket. Bright blue, but lifeless.</scene_description>
    <character>SECOND DOCTOR</character>
    <parenthetical>(as he fits eye)</parenthetical>
    <dialogue>Just relax. OK. Does it hurt?</dialogue>
    <character>VILJAR</character>
    <dialogue>Does it look normal?</dialogue>
    <character>SECOND DOCTOR</character>
    <dialogue>Yeah. Would you like to have a look?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yeah.</dialogue>
    <scene_description>Hands a mirror to VILJAR. VILJAR looks at his reflection. Bring up the sound of screaming and gunfire. He puts the mirror down. SECOND DOCTOR begins examining VILJAR's body.</scene_description>
    <character>SECOND DOCTOR</character>
    <dialogue>So Viljar, how are you?</dialogue>
    <character>VILJAR</character>
    <dialogue>My head hurts, all the time. My shoulder. I have a lot of phantom pains.</dialogue>
    <character>SECOND DOCTOR</character>
    <dialogue>OK phantom pains are normal when you have a serious head injury. The bullet fragments are sitting deeply in your brain, close to the brain stem, and if they move just the slightest bit...</dialogue>
    <character>VILJAR</character>
    <parenthetical>(interrupting)</parenthetical>
    <dialogue>I know, I know what the fucking dangers are.</dialogue>
    <character>SECOND DOCTOR</character>
    <dialogue>I understand that you're frustrated. But you have to be careful.</dialogue>
    <scene_description>Hold on VILJAR, anger rising... CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD HOSPITAL - CORRIDOR - CONTINOUS</stage_direction>
    <scene_description>VILJAR, with a stick, walks slowly down the corridor. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - STREET - DAY</stage_direction>
    <scene_description>VILJAR walking painfully back from the hospital. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - BATHROOM - DAY</stage_direction>
    <scene_description>VILJAR watches coverage of the upcoming trial on TV. Hold on VILJAR. No escape. As we track in, we feel his anger rising. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. VILJAR'S HOME - CONTINUOUS</stage_direction>
    <scene_description>VILJAR slewing his snow mobile down the hill. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. VILJAR'S HOME - SAME TIME</stage_direction>
    <scene_description>TORJE runs out of his room and shouts up the stairs</scene_description>
    <character>TORJE</character>
    <dialogue>Mum, Dad! He's on the snow mobile!</dialogue>
    <scene_description>CHRISTIN and SVEINN appear at the top of the stairs.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>What?</dialogue>
    <character>TORJE</character>
    <dialogue>Viljar! He's on the snow mobile!</dialogue>
  </scene>
  <scene>
    <stage_direction>EXT. VILJAR'S HOME - MOMENTS LATER</stage_direction>
    <scene_description>CHRISTIN and SVEINN race out of the house. Speed away in SVEINN's pick-up truck.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - SNOW - SNOWMOBILE - NIGHT</stage_direction>
    <scene_description>A POV at speed through dense snow. VILJAR on the snow mobile. Riding hard. Back to the POV again: Round a bend. See Viljar pushing on. Faster, faster. As if daring to crash. Now lights behind... SVEINN and CHRISTIN coming after him in a pick-up.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVEINN'S TRUCK - SAME TIME</stage_direction>
    <character>SVEINN</character>
    <dialogue>He's there.</dialogue>
    <scene_description>They see VILJAR up ahead. Desperate to catch him.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - SNOW - SNOWMOBILE - NIGHT</stage_direction>
    <scene_description>VILJAR turns a sharp bend. Faster still. Another bend. And another. His PARENTS follow.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVEINN'S TRUCK - SAME TIME</stage_direction>
    <character>CHRISTIN</character>
    <dialogue>What is he doing?</dialogue>
    <scene_description>Ahead of them VILJAR drives the snowmobile across the road and across another snowy plain.</scene_description>
    <character>SVEINN</character>
    <dialogue>What the fuck is he doing?!</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - SNOW - SNOWMOBILE - NIGHT</stage_direction>
    <scene_description>See VILJAR, faster and faster. He ploughs into a snow drift. Is thrown off. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVEINN'S TRUCK - SAME TIME</stage_direction>
    <character>SVEINN</character>
    <dialogue>Oh no, he's down.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - SNOW - SNOWMOBILES - NIGHT</stage_direction>
    <scene_description>VILJAR gets to his feet. Staggers forward. In the distance behind him, the pick-up approaches. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT/EXT SVEINN'S TRUCK / SNOW - SAME TIME</stage_direction>
    <scene_description>SVEINN pulls over.</scene_description>
    <character>SVEINN</character>
    <parenthetical>(out of the pickup)</parenthetical>
    <dialogue>Viljar!!</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Viljar!</dialogue>
    <scene_description>He and CHRISTIN run over to him. VILJAR walking away.</scene_description>
    <character>VILJAR</character>
    <dialogue>Go away! I'm fine! I'm fine.</dialogue>
    <character>SVEINN</character>
    <dialogue>Viljar.</dialogue>
    <scene_description>They reach him.</scene_description>
    <character>VILJAR</character>
    <dialogue>I can't live like this! Pretending everything is going to get better. It's not. It's all still here. In my head. And I can't get rid of it.</dialogue>
    <scene_description>They get closer. He turns.</scene_description>
    <character>VILJAR</character>
    <dialogue>What the fuck am I supposed to do?</dialogue>
    <character>SVEINN</character>
    <dialogue>Come on</dialogue>
    <character>VILJAR</character>
    <parenthetical>(shrugging him off)</parenthetical>
    <dialogue>Tell me!</dialogue>
    <character>SVEINN</character>
    <dialogue>I don't know. I just wish it had been me not you.</dialogue>
    <scene_description>This lands.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Viljar...</dialogue>
    <scene_description>She hugs him tightly.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Let's go home, OK.</dialogue>
    <scene_description>They walk back to the truck. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. EAST OSLO - EXTREMIST' HOUSE - DAY</stage_direction>
    <scene_description>A part of Oslo we haven't seen before. Poorer, harsher. Neglected. LIPPESTAD parks outside a block of flats. A huddle of MUSLIM MEN on chairs outside a corner shop. LIPPESTAD heads for a tower block. Sees Far-Right graffiti. The Norwegian flag.</scene_description>
    <character>LIPPESTAD (V.O.)</character>
    <dialogue>My client writes about you in his manifesto...</dialogue>
    <scene_description>He enters the block and gets into lift. Doors close.</scene_description>
    <character>LIPPESTAD (V.O.)</character>
    <dialogue>He obviously admires you...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. EAST OLSO - EXTREMIST'S APARTMENT - DAY</stage_direction>
    <scene_description>LIPPESTAD sits in front of A WHITE MAN (40s).</scene_description>
    <character>EXTREMIST</character>
    <dialogue>Many people admire me. But it's not because of me. It's because of my ideas about what's going on in the world.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Did you ever meet him?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>He asked. But I'm careful who I work with. What I do. And he's not from round here you know. He's from your side of Oslo. But yes, we share the same vision for the world.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>He says a war is coming.</dialogue>
    <character>EXTREMIST</character>
    <dialogue>I'd say the war already started.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Are you a member of the Knight's Templar?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>There are many other organisations. We are very strong, all across Scandinavia. Northern Europe. Eastern Europe of course. Very strong in the UK. New groups forming all the time.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>How about America?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>Stormfront. Growing fast. Very fast. And joining up with Europe.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You know Lippestad, there's a lot of fear and anger out there.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>And that's why tomorrow is going to belong to us.</dialogue>
    <scene_description>That hangs there.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>Will you testify in my client's defense?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - SVEINN'S OFFICE - DAY</stage_direction>
    <scene_description>CHRISTIN drives to Sveinn's office. SVEINN loading caged birds onto his truck.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>We just got an email from the lawyers. There's a briefing on the mainland. They want us to go. So we know what to expect from the trial.</dialogue>
    <character>SVEINN</character>
    <dialogue>You should go.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Sveinn. We both need to engage with this. It's important.</dialogue>
    <character>SVEINN</character>
    <dialogue>Engaging nearly cost our sons their lives.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>They're still here.</dialogue>
    <character>SVEINN</character>
    <dialogue>Are they?</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I don't care about Anders fucking Breivik and his trial.</dialogue>
    <character>SVEINN</character>
    <dialogue>I just want us to get on with our lives. That's it. That's all.</dialogue>
    <character>CHRISTIN</character>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - MAIN STREET - DAY</stage_direction>
    <scene_description>VILJAR walking slowly along Longyearbyen's main street.</scene_description>
    <character>LARA (V.O.)</character>
    <dialogue>Hi... I haven't heard from you. I'm just wondering if you're okay...</dialogue>
    <scene_description>He looks in through a cafe window. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - CAFE - CONTINUOUS</stage_direction>
    <scene_description>VILJAR at a table alone. Putting away his phone.</scene_description>
    <character>LARA (V.O.)</character>
    <dialogue>...Call me if you want to talk.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - LATER</stage_direction>
    <scene_description>TORJE comes downstairs and heads for his room. VILJAR enters. Sees TORJE at the end of the corridor.</scene_description>
    <character>VILJAR</character>
    <dialogue>Hey.</dialogue>
    <character>TORJE</character>
    <dialogue>Hey</dialogue>
    <character>VILJAR</character>
    <dialogue>Do you want to watch a movie or something?</dialogue>
    <character>TORJE</character>
    <dialogue>Maybe later. I'm just doing some music.</dialogue>
    <scene_description>TORJE goes into his room. Closes his door. VILJAR goes to TORJE's door.</scene_description>
    <character>VILJAR</character>
    <dialogue>Torje, talk to me.</dialogue>
    <character>TORJE (OOV)</character>
    <dialogue>I'm fine.</dialogue>
    <character>VILJAR</character>
    <dialogue>No you're not. You know you can talk to me.</dialogue>
    <character>TORJE (OOV)</character>
    <dialogue>You're the one who got hurt. Not me.</dialogue>
    <character>VILJAR</character>
    <dialogue>You were there too.</dialogue>
    <character>VILJAR</character>
    <dialogue>Look, I'm sorry that Mum and Dad have been looking after me so much. I know it has been tough for you. But we're home now.</dialogue>
    <character>TORJE (OOV)</character>
    <dialogue>Yep.</dialogue>
    <scene_description>See TORJE, remembering the island. Crying.</scene_description>
    <character>TORJE</character>
    <dialogue>Yep.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. TROMSO ESTABLISHER (AIRPORT TOWN)</stage_direction>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. TROMSO - HOTEL/MEETING ROOM - DAY</stage_direction>
    <scene_description>Follow CHRISTIN towards a room, crowded with PARENTS and their LAWYERS.</scene_description>
    <character>FAMILY LAWYER (V.O.)</character>
    <dialogue>So the court has decided that...</dialogue>
    <scene_description>CHRISTIN crosses the lobby.</scene_description>
    <character>FAMILY LAWYER</character>
    <dialogue>Breivik can speak in his own defense.</dialogue>
    <scene_description>PARENTS react angrily.</scene_description>
    <character>FAMILY LAWYER</character>
    <dialogue>I understand...</dialogue>
    <character>ANGRY PARENT 2</character>
    <dialogue>How can it be right that he's allowed to speak? How?</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>The court has to preserve his rights.</dialogue>
    <scene_description>CHRISTIN enters and slips into the back as the argument rages.</scene_description>
    <character>ANGRY FATHER</character>
    <dialogue>They are talking about the man who killed my son! I would hang him from a tree!</dialogue>
    <character>ANGRY PARENT 3</character>
    <dialogue>He shouldn't be allowed to turn this trial into propaganda!</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>I agree, I agree, and I'm going to be there to make sure that doesn't happen. We are closing the trial with victims' testimonies. That's why it's important that those who survived speak about their experience to stand up against his defense. I think it will be a very very strong statement.</dialogue>
    <character>ANGRY PARENT 3</character>
    <dialogue>He gets to speak? My daughter's too scared to leave her bedroom!</dialogue>
    <character>ANGRY MOTHER</character>
    <dialogue>What about my daughter's voice?!</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>They will be the voices of those who cannot speak. Because they were there. And we need to hear their stories.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - STREET - NIGHT</stage_direction>
    <scene_description>VILJAR walks away from the house. Opens an envelope. Reads.</scene_description>
    <character>CHRISTIN (OOV)</character>
    <dialogue>They've sent Viljar a letter. They want him to testify at the trial.</dialogue>
    <character>SVEINN (O.O.V)</character>
    <dialogue>He doesn't have to do it. We can just get the doctor to excuse him...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - KITCHEN - LATER</stage_direction>
    <scene_description>SVEINN and CHRISTIN clear up after dinner.</scene_description>
    <character>CHRISTIN</character>
    <dialogue>Maybe he needs to do it.</dialogue>
    <character>SVEINN</character>
    <dialogue>What does that mean?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Maybe he needs to face it.</dialogue>
    <character>SVEINN</character>
    <dialogue>How do we know it won't set him back?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>We don't.</dialogue>
    <character>SVEINN</character>
    <dialogue>So it's a hell of a risk.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>It's his choice.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - STREET - BEDROOM - SAME TIME</stage_direction>
    <scene_description>VILJAR gets out phone and dials.</scene_description>
    <character>LARA'S VOICE</character>
    <dialogue>Hey.</dialogue>
    <character>VILJAR</character>
    <dialogue>Hey.</dialogue>
    <character>LARA'S VOICE</character>
    <dialogue>I've worried about you.</dialogue>
    <character>VILJAR</character>
    <dialogue>I'm fine...</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I just received a letter. They want me to appear. At the trial.</dialogue>
    <character>LARA</character>
    <dialogue>Yeah. Me too.</dialogue>
    <scene_description>On Viljar, flash of relief.</scene_description>
    <character>LARA</character>
    <dialogue>Do you think you can face him?</dialogue>
    <scene_description>Suddenly the sound of: gunfire. Screaming. Then a FLASHBACK: BREIVIK opening fire. VILJAR falling.</scene_description>
    <character>LARA'S VOICE</character>
    <dialogue>Are you still there?</dialogue>
    <scene_description>VILJAR forces himself back.</scene_description>
    <character>VILJAR</character>
    <dialogue>Yeah. I'm here.</dialogue>
    <character>LARA'S VOICE</character>
    <dialogue>Do you think you can do it?</dialogue>
    <character>VILJAR</character>
    <dialogue>Well, I can't even walk down the fucking street.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ILA PRISON - DAY</stage_direction>
    <scene_description>Breivik's white van convoy leaves through the prison gates. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTHOUSE - DAY 1 - DAY</stage_direction>
    <scene_description>ANGRY CROWDS mass behind barriers. ARMED POLICE, SNIFFER DOGS. And the world's MEDIA too. CAPTION: OSLO DISTRICT COURTHOUSE. CENTRAL OSLO. Bring up the voice of the prosecution's opening statement, as LAWYERS enter the courthouse.</scene_description>
    <character>PROSECUTION INGA</character>
    <dialogue>Your Honour. On the 22 of July 2011, Anders Behring Breivik...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY 1 - DAY</stage_direction>
    <scene_description>Follow LIPPESTAD into the courtroom.</scene_description>
    <character>PROSECUTION INGA (V.O.)</character>
    <dialogue>...carried out a dual-terror attack taking the lives of 77 innocent people. 100s more were injured and left forever scarred by his actions...</dialogue>
    <scene_description>AND WE CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK'S CONVOY - SAME TIME</stage_direction>
    <scene_description>BREIVIK sits chained in the back of the van.</scene_description>
    <character>PROSECUTION INGA</character>
    <dialogue>The law is clear: if there is any doubt of the sanity of a person accused...</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR' HOME - SAME TIME</stage_direction>
    <scene_description>VILJAR turns on the TV.</scene_description>
    <character>PROSECUTION INGA (V.O.)</character>
    <dialogue>...We are required by law to request treatment, not imprisonment. Given the court- ordered psychiatric diagnosis the Prosecution...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT/INT. COURTHOUSE - STAIRWELL - CONTINUOUS</stage_direction>
    <scene_description>BREIVIK is led up through the building...</scene_description>
    <character>PROSECUTION INGA (V.O.)</character>
    <dialogue>...believes there is clearly significant doubt as to Anders Behring Breivik's...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - CONTINUOUS</stage_direction>
    <scene_description>EVERYONE in the courtroom stands.</scene_description>
    <character>PROSECUTION INGA (V.O.)</character>
    <dialogue>...state of mind on the 22 July. Therefore we...</dialogue>
    <scene_description>A ripple through the room as BREIVIK enters.</scene_description>
    <character>PROSECUTION INGA</character>
    <dialogue>...request the court to find him guilty, but sentence him to mandatory psychiatric treatment in a secure facility.</dialogue>
    <scene_description>LIPPESTAD watches as he is uncuffed.</scene_description>
    <character>LIPPESTAD (V.O.)</character>
    <dialogue>We will not seek to deny the crimes committed on July 22nd. However, we will argue that Mr. Breivik was not psychotic during these attacks. Instead we say, he knew exactly what he was doing. His were political acts.</dialogue>
    <scene_description>BREIVIK sits. Behind him the PARENTS.</scene_description>
    <character>JUDGE ARTNZEN</character>
    <parenthetical>(eventually)</parenthetical>
    <dialogue>Mr Breivik.</dialogue>
    <scene_description>BREIVIK goes to the witness stand. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - CONTINUOUS</stage_direction>
    <scene_description>VILJAR watches Breivik. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <scene_description>BREIVIK turns to face the crowded courtroom. Looks at the parents. Going from face-to-face. Then turns and punches the air with a Nazi salute. The room recoils with shock. Cameras click. See LIPPESTAD, he knows the third attack is a call to arms. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - CONTINUOUS</stage_direction>
    <scene_description>VILJAR watches Breivik's salute. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <scene_description>BREIVIK sits.</scene_description>
    <character>BREIVIK</character>
    <parenthetical>(his opening statement)</parenthetical>
    <dialogue>Today I speak on behalf of Europeans who have been deprived of their ethnic, indigenous, cultural, and territorial rights.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>The Prosecution tell you I'm insane. They do this because they fear me. Because I have committed the most sophisticated, the most spectacular, political assassination in Europe since World War Two. And why? Because Norway, Europe. These are not real democracies. Is it democratic for a nation not to be consulted about whether it becomes multicultural?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - GYMNASIUM - DAY</stage_direction>
    <scene_description>VILJAR at the edge of an empty gymnasium.</scene_description>
    <character>BREIVIK (V.O.)</character>
    <dialogue>To force them to become a minority in their own capital?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <character>BREIVIK</character>
    <dialogue>Many will realise this in the coming decades and pick up arms. Just as I did.</dialogue>
    <scene_description>FAMILY LAWYER LARSEN stands to object.</scene_description>
    <character>FAMILY LAWYER</character>
    <dialogue>The Defendant has said enough, Your Honour.</dialogue>
    <character>JUDGE ARTNZEN</character>
    <dialogue>You must hurry up, Mr. Breivik.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I must be allowed to finish my statement.</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>This is extremely upsetting for the families.</dialogue>
    <character>LIPPESTAD</character>
    <parenthetical>(stands)</parenthetical>
    <dialogue>Your Honour, the Defendant must be allowed to finish his statement. Thank you.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - GYMNASIUM - DAY</stage_direction>
    <scene_description>VILJAR nearly in the centre of the hall. Behind him, a PHYSIOTHERAPIST watches.</scene_description>
    <character>JUDGE ARTNZEN (V.O.)</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>You may continue, Mr. Breivik.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - LIVING ROOM - DAY</stage_direction>
    <scene_description>Tight on VILJAR, still watching BREIVIK's testimony.</scene_description>
    <character>BREIVIK (V.O.)</character>
    <dialogue>When peaceful revolution is made impossible, then violent revolution is the only option...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <character>BREIVIK</character>
    <dialogue>I demand to be acquitted because I acted in defense of my country.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - GYMNASIUM - DAY</stage_direction>
    <scene_description>VILJAR stops. Turns around. Drops his stick.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(to PHYSIOTHERAPIST)</parenthetical>
    <dialogue>I've got eight weeks. I want to walk unassisted. No stick. No shaking. No breathlessness.</dialogue>
    <character>SVALBARD DOCTOR</character>
    <dialogue>You are still very weak.</dialogue>
    <character>VILJAR</character>
    <dialogue>Just tell me what I need to do.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. INQUIRY HQ - EVENING</stage_direction>
    <scene_description>The PM's car pulls into the basement of the anonymous government building.</scene_description>
    <character>GJØRV (V.O.)</character>
    <dialogue>Thank you for coming today, Prime Minister...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. INQUIRY HQ - INTERVIEW ROOM - CONTINUOUS</stage_direction>
    <scene_description>The PM sits alone in front of the Inquiry panel, STAFF at tables to one side.</scene_description>
    <character>GJØRV</character>
    <dialogue>I want to begin to explore to what extent Government was aware of the threat posed by Anders Behring Breivik prior to his attacks on 22nd of July.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>That was obviously a question that concerned me greatly. The Security Services told me they had no warnings. That he operated completely out of sight.</dialogue>
    <character>GJORV</character>
    <dialogue>Prime Minister, our investigation suggests something different. We have discovered that Mr. Breivik's purchase of chemicals that he used in the construction of the bomb came to the attention of the customs services in January 2011. But this was not acted on.</dialogue>
    <character>PRIME MINISTER</character>
    <dialogue>That was not what I was told, Madam Chair.</dialogue>
    <character>GJORV</character>
    <dialogue>Can we turn now to the issue of physical security around the Government Quarters? You can turn to tab 3.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>It appears from the papers there were proposals discussed inside government to improve physical security around the Prime Minister's Office.</dialogue>
    <scene_description>The PM reads.</scene_description>
    <character>GJØRV</character>
    <dialogue>Were you aware of these discussions?</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <character>BREIVIK</character>
    <dialogue>The Knights Templar are a network. Patriots, who think the way I do and are willing take up arms just as I did, in order to defend their way of life.</dialogue>
    <character>INGA</character>
    <dialogue>Mr. Breivik, you told police that this organisation was set up in 2002. Is that true?</dialogue>
    <character>BREIVIK</character>
    <dialogue>Yes. After September 11th.</dialogue>
    <character>INGA</character>
    <dialogue>Did you attend this first meeting?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I did.</dialogue>
    <character>INGA</character>
    <dialogue>What happened?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I was given my mission. This mission.</dialogue>
    <character>INGA</character>
    <dialogue>Mr. Breivik, the police have tracked your movements in 2002 and found no evidence that you attended such a meeting. Can you explain this?</dialogue>
    <character>BREIVIK</character>
    <dialogue>It was a covert meeting.</dialogue>
    <character>INGA</character>
    <dialogue>But now it is no longer a secret, so can you prove this meeting actually took place?</dialogue>
    <character>BREIVIK</character>
    <dialogue>No comment.</dialogue>
    <character>INGA</character>
    <dialogue>Can you tell me the names of those who attended the meeting?</dialogue>
    <character>BREIVIK</character>
    <dialogue>No comment.</dialogue>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - GYMNASIUM - DAY</stage_direction>
    <scene_description>VILJAR in physio. Sweating hard. Battling the pain.</scene_description>
    <character>RADIO REPORTER (OOV)</character>
    <dialogue>The mastermind of Norway's suffering was led in, his hands cuffed. He seemed relaxed. Eager.</dialogue>
    <character>RADIO REPORTER 2 (V.O.)</character>
    <dialogue>Watching this man he is fascinating Robert, in a repulsive sort of way. There is a calmness. A serenity to him.</dialogue>
    <character>RADIO REPORTER 3 (V.O.)</character>
    <dialogue>When he first walked in, and I think we've seen the same again today, he looked as if he owned the place. And to some extent you know, he does. This courtroom was built specifically for this trial, costing 10 million pounds of tax- payers money...</dialogue>
    <scene_description>Finally VILJAR's hits the wall. Unable to go on...</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <scene_description>LIPPESTAD is cross-examining BREIVIK now.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Then I carefully began to assemble the components of the bomb. I did it very slowly of course, so that the authorities wouldn't see me.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Turning to the attack. Did you feel empathy? For the victims?</dialogue>
    <character>BREIVIK</character>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Shall I make this easier for you all?</dialogue>
    <character>BREIVIK</character>
    <dialogue>I will forego any appeal, any re- trial, I will spare the families all for this, if the court finds me sane.</dialogue>
    <scene_description>On LIPPESTAD, watching BREIVIK holding the justice system hostage. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - GYMNASIUM - NIGHT</stage_direction>
    <scene_description>VILJAR training hard. Pushing himself to the point of failing. Behind him his PARENTS watch. VILJAR buckles and falls. CHRISTIN walks over.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(seeing them)</parenthetical>
    <dialogue>I'm not ready.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>That's okay. You don't need to do it.</dialogue>
    <character>VILJAR</character>
    <dialogue>It's not okay. I need to do it.</dialogue>
    <character>CHRISTIN</character>
    <dialogue>Then don't push yourself so hard. Just say a few words. That's all.</dialogue>
    <character>VILJAR</character>
    <dialogue>And say what?</dialogue>
    <character>CHRISTIN</character>
    <dialogue>What happened. The truth.</dialogue>
    <scene_description>SVEINN starts to walk over to them.</scene_description>
    <character>VILJAR</character>
    <dialogue>That I cry in my sleep? That I can't talk to strangers? That I'm frightened of dying? I'd rather not go than let him hear that.</dialogue>
    <character>SVEINN</character>
    <dialogue>Then what is it you want?</dialogue>
    <character>VILJAR</character>
    <dialogue>I want to smash him into a bloody pulp. I want to smash his fucking face in. For what he did to everyone. For what he did to Simon and Anders, and Torje, and you. I want to make him see what he's done.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I just want to beat him.</dialogue>
    <scene_description>Finally:</scene_description>
    <character>SVEINN</character>
    <dialogue>Then maybe this is your chance.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY</stage_direction>
    <scene_description>LIPPESTAD cross-examines the FAR-RIGHT EXTREMIST. BREIVIK watching closely.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>Have you ever met the Defendant?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>I met him online.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Online?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>Yes, online. In chat forums, attached to mythic, military games like World of Warcraft. Call of Duty. It's a place to train, it's a place to share ideas.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Recruit?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>Of course.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>How did the defendant strike you?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>He liked to lead missions online.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Was he rational?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>Perfectly.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Was he a leader?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>He certainly wanted to be.</dialogue>
    <scene_description>INGA stands, to begin the Prosecution's cross-examination.</scene_description>
    <character>INGA</character>
    <dialogue>Was Mr. Breivik your leader?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>No he was not.</dialogue>
    <character>INGA</character>
    <dialogue>You wouldn't follow Mr. Breivik?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>I think others are better qualified than him.</dialogue>
    <scene_description>See BREIVIK.</scene_description>
    <character>INGA</character>
    <dialogue>Better than Mr. Breivik?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>Definitely.</dialogue>
    <character>INGA</character>
    <dialogue>Would they be capable of doing what Anders Behring Breivik did?</dialogue>
    <character>EXTREMIST</character>
    <dialogue>The Alt-Right. The Far-Right. Whatever you want to call us. We're deadly serious. About seizing power. About changing society completely. And a single man's violent acts won't help us to reach that goal.</dialogue>
    <scene_description>See BREIVIK watching intently. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - HOLDING ROOM - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD sitting. BREIVIK pacing.</scene_description>
    <character>BREIVIK</character>
    <dialogue>He's a coward. He's a fucking coward.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - CORRIDOR TO HOLDING ROOM - EARLIER</stage_direction>
    <scene_description>BREIVIK is led by GUARDS into the holding room. LIPPESTAD waits for him inside.</scene_description>
    <character>BREIVIK</character>
    <dialogue>To betray me like that. You never betray a brother. Never.</dialogue>
    <scene_description>The door closes. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - HOLDING ROOM - CONTINUOUS</stage_direction>
    <character>BREIVIK</character>
    <dialogue>There are millions of people out there who support me. And this is the best you can do?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>He was the only one.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I'm a commander in the Knight's Templar Europe.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>What about my mother? She could say I was normal.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>She won't do it either.</dialogue>
    <scene_description>See BREIVIK. This lands.</scene_description>
    <character>BREIVIK</character>
    <dialogue>Pathetic. You know there's not once when I could rely on her. Not even once.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Anders, there's not one single person who will agree to defend your actions.</dialogue>
    <character>BREIVIK</character>
    <dialogue>I don't need anyone.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - DAWN</stage_direction>
    <scene_description>VILJAR walking up hill. One foot in front of the other. Behind him: the endless snows of Svalbard. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - DAY 6 - SAME TIME</stage_direction>
    <character>LARA</character>
    <dialogue>We were refugees. We were running from war. It took a long time for Norway to feel like home. And some people were suspicious of us. They were angry that we were even here.</dialogue>
    <scene_description>LIPPESTAD looks at BREIVIK. No reaction.</scene_description>
    <character>LARA</character>
    <dialogue>But my sister Bano, she really helped me. She told me that Norway, Norway's great. It could mean security for us, and freedom, and hope. And that exactly what I felt around the campfire on Utøya. The night before.</dialogue>
    <parenthetical>(pauses)</parenthetical>
    <dialogue>But the next day, when we were attacked - and when my sister died - I just lost all that...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD. VILJAR'S BEDROOM - SAME TIME</stage_direction>
    <scene_description>VILJAR watches Lara's testimony on TV.</scene_description>
    <character>LARA (V.O.)</character>
    <dialogue>I just had to live in a world of pain and fear. And so much anger...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - SAME TIME</stage_direction>
    <character>LARA</character>
    <dialogue>And I-sorry...</dialogue>
    <parenthetical>(holding back her tears)</parenthetical>
    <dialogue>I've just been feeling so guilty. I just keep on wondering how did I live when she died? And how do I face my parents? And what do I say to my brother? And I just couldn't understand why anyone would want to kill us.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I don't understand what's so frightening about me.</dialogue>
    <scene_description>See BREIVIK, no reaction.</scene_description>
    <character>LARA</character>
    <dialogue>Thank you.</dialogue>
    <character>FAMILY LAWYER</character>
    <dialogue>Thank you Lara.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - VILJAR'S HOME - DAWN</stage_direction>
    <scene_description>SVEINN and CHRISTIN head out to the car. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. SVALBARD - VILJAR'S HOME - CONTINUOUS</stage_direction>
    <scene_description>VILJAR stands alone. Coat on. Comes out into hallway. TORJE comes out too.</scene_description>
    <character>VILJAR</character>
    <dialogue>You OK?</dialogue>
    <character>TORJE</character>
    <dialogue>Yeah, I'm fine.</dialogue>
    <scene_description>They head outside. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - VILJAR'S HOME - CONTINOUS</stage_direction>
    <scene_description>Their car drives away from the house.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - BREIVIK'S CELL - NIGHT</stage_direction>
    <scene_description>BREIVIK sits alone. Track in on him. Feel his malignant force.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OSLO HOTEL - VILJAR'S ROOM - NIGHT</stage_direction>
    <scene_description>VILJAR in a hotel room. Oslo stretching out below him. He pulls out his phone.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. OSLO SQUARE - NIGHT</stage_direction>
    <scene_description>VILJAR approaches a cafe. Looks inside. Sees LARA. LARA sees him. LATER: And now they're walking along a street.</scene_description>
    <character>LARA</character>
    <dialogue>You OK?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yeah, I'll be fine.</dialogue>
    <character>LARA</character>
    <dialogue>It's nearly over.</dialogue>
    <character>VILJAR</character>
    <parenthetical>(covering)</parenthetical>
    <dialogue>Definitely.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Look. I'm sorry I got lost. The last few months. I just...</dialogue>
    <character>LARA</character>
    <dialogue>It's OK. So did I.</dialogue>
    <scene_description>They walk on.</scene_description>
    <character>VILJAR</character>
    <dialogue>How close is he? I couldn't tell from the TV.</dialogue>
    <character>LARA</character>
    <parenthetical>(holds her hands apart)</parenthetical>
    <dialogue>He's really close.</dialogue>
    <scene_description>See VILJAR.</scene_description>
    <character>LARA</character>
    <dialogue>You don't have to look at him, if you don't want to.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>Do you know what you're going to say?</dialogue>
    <character>VILJAR</character>
    <dialogue>I've tried to think of things, but I get confused. I just don't want to be weak. That's all. Not in front of him.</dialogue>
    <character>LARA</character>
    <dialogue>You can be weak and still strong, you know that right.</dialogue>
    <scene_description>See VILJAR. They hug.</scene_description>
    <character>LARA</character>
    <dialogue>You're going to be great.</dialogue>
    <character>VILJAR</character>
    <dialogue>Thanks.</dialogue>
    <character>LARA</character>
    <dialogue>I should get back. See you tomorrow.</dialogue>
    <character>VILJAR</character>
    <dialogue>See you tomorrow.</dialogue>
    <scene_description>VILJAR watches her walk away. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK CELL - DAWN</stage_direction>
    <scene_description>BREIVIK gets dressed. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OSLO HOTEL - VILJAR'S ROOM - DAWN</stage_direction>
    <scene_description>VILJAR inserts his prosthetic eye. Looks at his reflection. His scars. It's time. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. BREIVIK CELL - DAWN</stage_direction>
    <scene_description>The cell door opens. BREIVIK is cuffed. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. OSLO HOTEL - VILJAR'S ROOM - DAWN</stage_direction>
    <scene_description>VILJAR looks out over Oslo. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTHOUSE - MORNING</stage_direction>
    <scene_description>BREIVIK's convoy arrives at the courthouse. Passes an ANGRY CROWD. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. COURTHOUSE - MORNING</stage_direction>
    <scene_description>VILJAR AND FAMILY, on foot, arrive outside the courthouse. Moving through the CROWDS. Up the steps. See VILJAR, trying to keep his breathing steady. Goes inside. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD prepares for the session. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - UNDERGROUND CARPARK/BASEMENT - DAY</stage_direction>
    <scene_description>BREIVIK moves towards the courtroom. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - LOBBY - CONTINUOUS</stage_direction>
    <scene_description>The FAMILY through the atrium. Wait outside the courtroom. VILJAR paces the lobby alone. TORJE goes over to him.</scene_description>
    <character>TORJE</character>
    <dialogue>You OK?</dialogue>
    <character>VILJAR</character>
    <dialogue>I'm fine.</dialogue>
    <scene_description>TORJE hugs him.</scene_description>
    <character>TORJE</character>
    <parenthetical>(whispers)</parenthetical>
    <dialogue>Thank you.</dialogue>
    <scene_description>A moment between them. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - MOMENTS LATER</stage_direction>
    <scene_description>BREIVIK is led in. See LARA. See CHRISTIN, SVEINN, and TORJE. The courtroom settles. VILJAR enters. He walks to the witness stand. Concentrating on keeping his breathing steady. His PARENTS watching. LARA too.</scene_description>
    <character>JUDGE ARTNZEN</character>
    <dialogue>Please, sit down Viljar.</dialogue>
    <scene_description>VILJAR sits. Looks up at BREIVIK. Who's looking right at him. VILJAR looks away.</scene_description>
    <character>FAMILY LAWYER</character>
    <dialogue>Can you tell us what happened to you on Utøya, Viljar?</dialogue>
    <character>VILJAR</character>
    <dialogue>Yes.</dialogue>
    <parenthetical>(begins to remember)</parenthetical>
    <dialogue>He tried to... He tried to kill me. I remember seeing him. And running away. Trying to find somewhere to hide. And protecting my little brother. And I remember being shot.</dialogue>
    <parenthetical>(using his right hand)</parenthetical>
    <dialogue>Five times. When I was lying on the beach. I was... all alone. In a kind of pain I couldn't imagine.</dialogue>
    <scene_description>BREIVIK looks up momentarily. Catches VILJAR's eye.</scene_description>
    <character>FAMILY LAWYER</character>
    <dialogue>But you're here now.</dialogue>
    <scene_description>VILJAR steels himself, keeping his emotion at bay.</scene_description>
    <character>VILJAR</character>
    <dialogue>But everything is different. I've had to relearn how to use my body. Learn to walk again, how to feed myself again. I have little use of my left arm. And I'm blind in one eye - but that's... that's a relief.</dialogue>
    <character>PROSECUTION</character>
    <dialogue>A relief? How do you mean?</dialogue>
    <character>VILJAR</character>
    <dialogue>A relief. A relief in that at least now I don't have to look at him.</dialogue>
    <scene_description>Sudden laughter. Breaking the spell. BREIVIK looks around the room. Sees EVERYONE laughing. Can't help but smile himself. And VILJAR sees it. Knows he's got through. LIPPESTAD sees too.</scene_description>
    <character>VILJAR</character>
    <dialogue>But of course it's not that simple, I have a fragment of his bullet lodged in my brain, that could kill me at any time.</dialogue>
    <scene_description>His voice falters.</scene_description>
    <character>VILJAR</character>
    <dialogue>And I don't look like the person I used to anymore. My body. It's broken... And the worst is that he...</dialogue>
    <parenthetical>(begins to cry)</parenthetical>
    <dialogue>Killed Anders and Simon. My best friends. Stopping them from making their mark on the world. They would have made it a better place. And I miss them every day.</dialogue>
    <scene_description>VILJAR stops, swallowing back his pain, trying to keep control. Head down. EVERYONE watching him.</scene_description>
    <character>VILJAR</character>
    <dialogue>I'm sorry, I didn't want to cry. I so much didn't want to cry in front of him. I wanted to stay strong. Because I do this for them. So they will not be forgotten.</dialogue>
    <scene_description>VILJAR looks right at BREIVIK. Tears, but an unwavering stare.</scene_description>
    <character>VILJAR</character>
    <dialogue>When he shot them and left me alone on the beach, I didn't know if I was living or dying. And I've been stuck there ever since.</dialogue>
    <scene_description>On BREIVIK, looking right back at him.</scene_description>
    <character>VILJAR</character>
    <dialogue>But now I realise that I got a choice. Because I still have family. And friends. And memories. And dreams. Hope. And love.</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>And he doesn't. He's completely alone. And he's going to rot in prison, whereas I...</dialogue>
    <parenthetical>(beat)</parenthetical>
    <dialogue>I survived and I choose to live.</dialogue>
    <scene_description>And at that moment, BREIVIK looks away. And VILJAR sees it. VILJAR knows he's won and BREIVIK knows it too.</scene_description>
    <character>VILJAR</character>
    <parenthetical>(to the JUDGE)</parenthetical>
    <dialogue>I'm done.</dialogue>
    <character>JUDGE</character>
    <dialogue>Thank you Viljar.</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTHOUSE - ATRIUM - LATER</stage_direction>
    <scene_description>VILJAR is reunited with his FAMILY.</scene_description>
    <character>SVEINN</character>
    <dialogue>Let's go home.</dialogue>
    <scene_description>They leave together. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MOD - PM'S OFFICE - DAY</stage_direction>
    <scene_description>PM alone, reading through the 22nd July Inquiry Report. The weight of it written into his face. He stands. Looks out the window. Oslo beyond. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. MOD - MEETING ROOM - CONTINUOUS</stage_direction>
    <scene_description>BEREAVED PARENTS sit waiting. The PM arrives. Hugs them.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>Hi.</dialogue>
    <parenthetical>(tearful)</parenthetical>
    <dialogue>It's good to see you.</dialogue>
    <scene_description>The PM sits amongst them.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>Thank you for meeting me. First of all, I want to say, I'm sorry.</dialogue>
    <scene_description>His voice breaks.</scene_description>
    <character>PRIME MINISTER</character>
    <dialogue>We should have done better. I should have done better.</dialogue>
    <scene_description>For a moment there is silence.</scene_description>
    <character>MOTHER</character>
    <dialogue>We all think that the responsibility lies with the terrorist. Only him. Not you.</dialogue>
    <scene_description>See the PM, stunned by her grace.</scene_description>
    <character>JUDGE ARTNZEN (V.O.)</character>
    <dialogue>The verdict is unanimous...</dialogue>
    <scene_description>CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. COURTROOM - VERDICT - DAY</stage_direction>
    <scene_description>BREIVIK standing.</scene_description>
    <character>JUDGE ARTNZEN</character>
    <dialogue>... The conclusion is as follows. The court finds Anders Behring Breivik guilty of all charges. And we judge him accountable for his actions. Anders Behring Breivik is therefore sentenced to indefinite solitary confinement. For as long as he remains a threat to society.</dialogue>
    <scene_description>LIPPESTAD looks across at his colleagues. INGA and SVEINN for the Prosecution. FAMILY LAWYER for the families. And at the JUDGE. Knows they all played their roles, to ensure the system prevailed. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ILA PRISON - DAY</stage_direction>
    <scene_description>LIPPESTAD drives to prison. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - CORRIDOR / HOLDING ROOM - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD is led through the prison by a GUARD. Into the holding room. He and BREIVIK meet for the last time.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>So now the trial is complete. Please sign here. Just some formalities. Thank you.</dialogue>
    <character>BREIVIK</character>
    <dialogue>Do you think you will you visit me?</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>I don't think so, Anders.</dialogue>
    <character>BREIVIK</character>
    <dialogue>So we're done.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Yes. My job is finished.</dialogue>
    <scene_description>BREIVIK holds out his hand. LIPPESTAD doesn't take it. As stands and he reaches the door:</scene_description>
    <character>BREIVIK</character>
    <dialogue>Geir? I'd do it all again if I could.</dialogue>
    <scene_description>LIPPESTAD stops. Turns to face him.</scene_description>
    <character>LIPPESTAD</character>
    <dialogue>You didn't win, Anders. You failed.</dialogue>
    <character>BREIVIK</character>
    <parenthetical>(beat and then)</parenthetical>
    <dialogue>There will be others. To finish what I have started.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>We will beat you. My children, and their children. They will beat you.</dialogue>
    <character>BREIVIK</character>
    <dialogue>You can't even see us.</dialogue>
    <character>LIPPESTAD</character>
    <dialogue>Goodbye, Anders.</dialogue>
    <scene_description>LIPPESTAD leaves. BREIVIK sits for a moment and then stands to be taken away by a GUARD.</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ILA PRISON - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD exits the prison. Out into the sunshine.</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - CORRIDOR / CELL - DAY</stage_direction>
    <scene_description>BREIVIK is led down the corridor by the GUARDS. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. ILA PRISON - CONTINUOUS</stage_direction>
    <scene_description>LIPPESTAD walks away. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>INT. ILA PRISON - BREIVIK'S CELL/CORRIDOR - DAY</stage_direction>
    <scene_description>As BREIVIK is unchained and put into his cell. The door closes. CUT TO:</scene_description>
  </scene>
  <scene>
    <stage_direction>EXT. SVALBARD - DAY</stage_direction>
    <scene_description>Tight on VILJAR. Standing alone in the snowy wilderness.</scene_description>
    <character>END</character>
  </scene>
</script>

Summary: On July 22, 2011, Anders Behring Breivik dresses in a police uniform, loads a van with home-made explosives, and drives to Regjeringskvartalet, the executive government quarter in Oslo, Norway. He leaves the van outside the office of Prime Minister Jens Stoltenberg. Moments later, it explodes, causing several casualties. On the island of Utøya in Tyrifjorden, Buskerud, teenagers have arrived for Workers' Youth League (AUF) summer camp, organised by the ruling Labour Party. When they learn of the bombing, one student, Viljar Hanssen, calls his parents to make sure they are unhurt. Breivik arrives at the ferry landing and informs staff that he is a police officer, sent to secure the island following the attack in Oslo. The camp director transports him to the island by boat. Breivik instructs the staff to gather the children in one location. When the head of security asks for ID, Breivik shoots him and the director dead. The children flee as Breivik opens fire, murdering dozens. Viljar and his brother Torje hide on a rocky embankment on the beach. Viljar calls his mother to tell her a shooting is in progress. Breivik finds the group and starts shooting. Viljar is shot multiple times, but Torje escapes unharmed. Breivik surrenders to a tactical team, and is brought inland for interrogation. Breivik claims he is the leader of a white nationalist group called the Knights Templar and that more attacks will happen on his signal. He requests the aid of lawyer Geir Lippestad, who defended a Neo-Nazi. Lippestad is morally conscientious of his client and professionally bonded by his ethics as a lawyer. Lippestad tries to argue an insanity defense for Breivik, which draws criticism as it means he will be institutionalized instead of imprisoned. With the help of various psychiatrists and psychologists, Breivik is initially diagnosed with paranoid schizophrenia. Breivik tells Lippestad he wants to be declared competent to legitimize his attacks. Viljar wakes from a coma with life-changing injuries and returns home with his family. He learns to walk again, but is haunted by memories of the attack. With the support of his mother, and another survivor of the attack on Utøya, he appears in court as a witness and delivers an account of the massacre. Breivik is sentenced to 21 years, that can be extended by a court if it is deemed he is still a danger to society.